Doritos Whores for Entries (Again), Dinosaurs Explain Facebook, Advertising’s Trojan Horse, Shilling American Foreign Policy

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– Doritos is holding another CGM contest for Super Bowl 2009.

Running-shoe ads are as painful as running

Saucony

I hate running. My knees ache just thinking about it. A new campaign from athletic shoe maker Saucony, which purportedly targets “serious runners,” reinforces every negative impression I have about the sport. Consider the images: A runner trains by pumping iron. Hurts just to look at. Why’s she building her upper body? Is she planning to sprint on her hands? Then, in this ad, there’s a line of unhappy-looking people at the Port-a-Potties. I don’t want to get graphic, but I live on the Boston Marathon route and I can assure you, the runners aren’t nearly so polite. Heaven forbid they add 50 seconds to their precious “time” by using the proper facilities. Good hygiene is always a personal best, jerks. And check out the guy riding the escalator in that ad. You’d think he’d cheat on the uphill stretches of the race. Downhill’s the easy part!

—Posted by David Gianatasio

Gauge Your Stress Level as an Undercover Cop!

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The UK’s Hallmark Channel worked in tandem with agency Ralph to promote series nine of Law & Order: SVU with an online stress test.

Honda Fit: Cavernous

Cavernous

Advertising Agency: RPA, Santa Monica, USA
Creative Directors: David Smith, Joe Baratelli, Pat Mendelson
Associate Creative Director/AD: Curt Johnson
Associate Creative Director/CW: Todd Carey
Photographer: Markku Lahdesmaki
Agency Senior Producer: Shelley Eisner
Published: October 2008

Honda Fit: Gas hogs

Gas hogs

Advertising Agency: RPA, Santa Monica, USA
Creative Directors: David Smith, Joe Baratelli, Pat Mendelson
Associate Creative Director/AD: Curt Johnson
Associate Creative Director/CW: Todd Carey
Photographers: Treavor Pearson, Markku Lahdesmaki
Agency Senior Producer: Shelley Eisner
Published: October 2008

Honda Fit: Guzzlers

Guzzlers

Advertising Agency: RPA, Santa Monica, USA
Creative Directors: David Smith, Joe Baratelli, Pat Mendelson
Associate Creative Director/AD: Curt Johnson
Associate Creative Director/CW: Todd Carey
Photographers: Treavor Pearson, Markku Lahdesmaki
Agency Senior Producer: Shelley Eisner
Production Co: Digital Domain
Executive Producer: Karen Anderson
Director: Eric Barba, Brad Parker
Editorial Company: Spot Welders
Editor: Michael Heldman
Music Company: Elias Arts
Composers: Jonathan Elias, David Wittman
Sound Design Company: 740 Sound Design
Sound Designer: Eddie Kim
Animation & Visual Effects Company: Digital Domain
Visual Effects Supervisors: Eric Barba, Brad Parker
Sound Mix Company: Lime Studios
Sound Mixer: Loren Silber
Aired: September 2008

Honda Fit: Fierce

Fierce

Advertising Agency: RPA, Santa Monica, USA
Creative Directors: David Smith, Joe Baratelli, Pat Mendelson
Associate Creative Director/AD: Curt Johnson
Associate Creative Director/CW: Todd Carey
Photographer: Markku Lahdesmaki
Agency Senior Producer: Shelley Eisner
Production Co: Digital Domain
Executive Producer: Karen Anderson
Director: Eric Barba, Brad Parker
Editorial Company: Spot Welders
Editor: Michael Heldman
Music Company: Elias Arts
Composers: Jonathan Elias, Christopher Kemp
Sound Design Company: 740 Sound Design
Sound Designer: Eddie Kim
Animation & Visual Effects Company: Digital Domain
Visual Effects Supervisors: Eric Barba, Brad Parker
Sound Mix Company: Lime Studios
Sound Mixer: Loren Silber
Aired: October 2008

Honda Fit: Bats

Bats

Advertising Agency: RPA, Santa Monica, USA
Creative Directors: David Smith, Joe Baratelli, Pat Mendelson
Associate Creative Director/AD: Curt Johnson
Associate Creative Director/CW: Todd Carey
Photographer: Markku Lahdesmaki
Agency Senior Producer: Shelley Eisner
Production Co: Digital Domain
Executive Producer: Karen Anderson
Director: Eric Barba, Brad Parker
Editorial Company: Spot Welders
Editor: Michael Heldman
Music Company: Elias Arts
Composers: Jonathan Elias, Nate Morgan
Sound Design Company: 740 Sound Design
Sound Designer: Eddie Kim
Animation & Visual Effects Company: Digital Domain
Visual Effects Supervisors: Eric Barba, Brad Parker
Sound Mix Company: Lime Studios
Sound Mixer: Loren Silber
Aired: September 2008

York Region Transit: Vacation fund

Vacation fund

Driving costs more than you think. Take the bus.

Advertising Agency: Rao Barrett and Welsh, Toronto, Canada
Photographer: Garth Grosjean
Retoucher: Doug Shimizu
Designer: Deb Cochrane, Patrick Stolk-Ramaker
Executive Creative Directors: Gavin Barrett, Mike Welsh
Creative Director / Art Director: Mike Welsh
Creative Director / Copywriter: Gavin Barrett
Via: Bestadsontv

York Region Transit: Fridge

Fridge

Driving costs more than you think. Take the bus.

Advertising Agency: Rao Barrett and Welsh, Toronto, Canada
Photographer: Garth Grosjean
Retoucher: Doug Shimizu
Designer: Deb Cochrane, Patrick Stolk-Ramaker
Executive Creative Directors: Gavin Barrett, Mike Welsh
Creative Director / Art Director: Mike Welsh
Creative Director / Copywriter: Gavin Barrett
Via: Bestadsontv

York Region Transit: Bank account

Bank account

Driving costs more than you think. Take the bus.

Advertising Agency: Rao Barrett and Welsh, Toronto, Canada
Photographer: Garth Grosjean
Retoucher: Doug Shimizu
Designer: Deb Cochrane, Patrick Stolk-Ramaker
Executive Creative Directors: Gavin Barrett, Mike Welsh
Creative Director / Art Director: Mike Welsh
Creative Director / Copywriter: Gavin Barrett
Via: Bestadsontv

Royal Swedish Opera: In the center of the conflict, 3

In the center of the conflict, 3

Advertising Agency: Jung von Matt, Stockholm, Sweden
Art Directors: Max Larsson von Reybekiel, Jacob von Corswant
Copywriter: Magnus Andersson
Planner: Leon Phang
Account director: Pernilla Babtist
Account manager: Ida Modin
Clients: Michael Persson, Louise Stehn

Royal Swedish Opera: In the center of the conflict, 2

In the center of the conflict, 2

Advertising Agency: Jung von Matt, Stockholm, Sweden
Art Directors: Max Larsson von Reybekiel, Jacob von Corswant
Copywriter: Magnus Andersson
Planner: Leon Phang
Account director: Pernilla Babtist
Account manager: Ida Modin
Clients: Michael Persson, Louise Stehn

Royal Swedish Opera: In the center of the conflict, 1

In the center of the conflict, 1

Advertising Agency: Jung von Matt, Stockholm, Sweden
Art Directors: Max Larsson von Reybekiel, Jacob von Corswant
Copywriter: Magnus Andersson
Planner: Leon Phang
Account director: Pernilla Babtist
Account manager: Ida Modin
Clients: Michael Persson, Louise Stehn

Land Rover: Urgency

Urgency

Advertising Agency: Y&R, USA
Executive Creative Director: Anthony DiBiase
Associate Creative Director: Jeff Payne
SVP/ Creative Director: Miles Turpin
Sr. Producer: Eric Gold
EP: Christopher Coleman
Prod Company: Anonymous Content
Director: Justin Reardon
EP: Jeff Baron
EP/Head of Commercials: Dave Morrison
Head of Production: Sue Ellen Clair
Producer: Norman Reiss
Production Supervisor: Bob Williamson
Editorial: Union Editorial
Editor: Nicholas Wayman-Harris
EP: Michael Raimondi
Producer: Joe Ross
Telecine: Company 3
Colorist: Rob Sciarratta
Lab: Fotokem
Production Scheduler: Mary Chamberlain
Music: The Lodge
Producer: Jessica Entner
Audio Post: POP
Mixer: Peter Rincon
Aired: October 2008

Banks still making time to save the planet

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As the global financial crisis worsens, and we all stand on the brink of joblessness, homelessness and hopelessness, Citizens Bank in Massachusetts chooses to turn back the clock a few months to when people actually gave a crap about the environment with its new “Green$ense” campaign. Yes, it uses a “$” instead of an “s.” And things go downhill from there. According to the press release: “Those enrolled in Green$ense receive 10 cents for each electronic transaction they make, up to $10 per month and $120 per year.” Full disclosure: I bank at Citizens, and I’d prefer they focus on waiving that $39 insufficient-funds fee. Banks like paperless transactions not because they love the environment but because it saves them money and eliminates physical records to support consumer disputes. From now on, I’m demanding not one but two transaction slips whenever I go to Citizens, just like I make Whole Foods double-paper-bag my groceries. Screw the Earth, it makes me feel better. And in these trying times, to quote Green$ense’s own tagline, “Every little bit helps.” UPDATE: This kind of thing is hardly limited to the Northeast.

—Posted by David Gianatasio

Mad Men : the fonts and what is wrong with them.

If you are font-obsessed enough to get annoyed by all the Gill Sans because it’s all wrong in an American ad agency of the 1960’s, you’ll love that Mack Simpson – bless – has dissected all the font wrongs of Mad Men. Yes, Gotham, ITC kabel, Zapfino and even Gill Sans should not be there.

We know that the show isn’t historically accurate, heck, they had that IBM Selectric from 1961 already in 1960, but it’s nice to know that I’m not the only one obsessing over the tiniest details. Meanwhile, Andrew Hearst covers the thoughtless choice of Arial in the ending credits. At my house, my significant other plays the game of “spot the stuff the missus actually has” and so far he’s seen my blue Boylan Seltzer bottle in the show and a few pieces of furniture.

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Bmi appoints Katherine Gershon marketing director

LONDON – Bmi has handed its interim marketing director, Katherine Gershon, the expanded role of sales and marketing director in a permanent capacity.

Pattison to leave I-Level

LONDON – David Pattison, chief executive of digital media agency I-Level, is stepping down from the company, following its majority sale to private equity group ECI in May.

ABC extends half-yearly online audits to all media owners

LONDON – Magazine publishers will soon be able to publish official half-yearly website figures alongside their print circulation figures, following a change in operations by industry auditor ABC.