Google and Yahoo! may walk away from search deal

SAN FRANCISCO – Google and Yahoo! may call off their search advertising agreement as early as next week, the Wall Street Journal has reported.

Sky passes 9m subscriber mark as HD takes off

LONDON – BSkyB has passed the 9m subscriber mark after it added more than 400,000 taking Sky + and a record number signing up to Sky+ HD service.

Beatles to get own Rock Band computer game

LONDON – Beatles fans will soon be able to jam along to their favourite classic tracks in a special edition of videogame Rock Band, following a deal between the band’s label Apple Corps, game developer Harmonix and MTV Games, which has also been approved by the band’s surviving members.

Ross loses £1.3m in 12-week suspension as Radio 2 controller quits

LONDON – Jonathan Ross will lose out on £1.3m over the prank calls to Andrew Sachs after being suspended without pay for 12 weeks, while BBC Radio 2 controller Lesley Douglas has resigned from her job after more than 20 years.

Mr. Bean Coffee Junction: Road

Road

Stimulating coffee meets stimulating ambience. Making a world of difference to discuss the world.

Advertising Agency: MAA Communications, Bangalore, India
Creative Director: Priya Kapur
Art Director / Illustrator: Manoj Maani
Copywriter: Sujit Soman
Published: October 2008

Mr. Bean Coffee Junction: Dazzle

Dazzle

Stimulating coffee meets stimulating ambience. Making a world of difference to discuss the world.

Advertising Agency: MAA Communications, Bangalore, India
Creative Director: Priya Kapur
Art Director / Illustrator: Manoj Maani
Copywriter: Sujit Soman
Published: October 2008

Mr. Bean Coffee Junction: Best

Best

Stimulating coffee meets stimulating ambience. Making a world of difference to discuss the world.

Advertising Agency: MAA Communications, Bangalore, India
Creative Director: Priya Kapur
Art Director / Illustrator: Manoj Maani
Copywriter: Sujit Soman
Published: October 2008

Bergqvist Shoes: Use the door

Use the door

We know our shoes are hot. But next time, use the door.

Advertising Agency: Clara, Karlstad, Sweden
Art Director: Erik Nilsson
Copywriters: Rolf Harju, Joakim Berg
Released: September 2008

Fashion as Gallery Art – The Photography of Phillip Toledano (GALLERY)

(TrendHunter.com) New York artist Phillip Toledano showcases the growing trend of artistic fashion by photographing models wearing the latest fashion designs as pieces of art in a gallery or a museum.

We have seen fashion…

DoH launches ‘Scared’ anti-smoking ad campaign

LONDON – The Department of Health is launching a powerful stop smoking TV ad tonight, featuring the voiceover of a young child who is scared about her mum dying due to smoking.

CBS Swings to Loss on Hefty Charge

The media company posted a loss of $12.46 billion, weighed down by a $14.12 billion write-down related to a drop in value of its radio and TV stations.

World Series Sets a Low for Viewership

An average of 13.6 million people watched each World Series game, 14 percent drop from the previous low set in 2006.

Character Reinvention – Tina Fey on How The Sarah Palin Spoofs Reinvented Her Career (VIDEO)

(TrendHunter.com) The world is buzzing about all the ‘Tina Fey as Sarah Palin’ spoofs on SNL.  She’s having such an impact on pop culture that some experts believe Tina Fey is influencing the polls. 

How is that possible? …

Edith Evans Asbury, 98, Veteran Times Reporter, Is Dead

Ms. Asbury covered hard news in an era when most of her female colleagues were consigned to writing about white-gloved society luncheons.

Infomercial for Obama Is Big Success in Ratings

The half-hour special proved more popular than the final game of the World Series and even last season’s finale of “American Idol.”

Art Futura: Máquinas&Almas

Sorry for the long silence, i was a bit dazed by the 2 fantastic days i spent at the School of Architecture of Alicante. Thanks a lot to Paco Mejias, Jose Maria Torres Nadal and a virtual Edgar Gonzalez who have made my stay over there so memorable and fun.

0aajansse.jpg
Theo Jansen, Strandbeest

So let’s get back to blogging and to my belated report on Art Futura which took place last week in Barcelona. The director of the festival, Montxo Algora is also the curator, along with Jose Luis de Vicente, of Máquinas&Almas (Machines and Souls), a major exhibition of media art which opened last Summer at the Museo Reina Sofia in Madrid.

Máquinas&Almas (“Souls&Machines”) explores the intersection of art and technology at the beginning of the 21st century through the work of a generation of creators -not only artists- who have defined the limits of the discourse of new media, taking them beyond their speculative beginnings and constructing their strategic and linguistic bases.

I’m not sure the show has received the echo it deserved in the international press but it was certainly remarkable that a museum, famous around the world for its collection of paintings by Salvador Dalí, Pablo Picasso and Salvador Dalí was opening its doors to some 30 works -some of them made especially for the exhibition- created using digital technology.

David Byrne and David Hanson, Song for Julio

The challenge taken by Reina Sofia paid off: Souls and Machines received more than 350,000 visitors, making it the most visited exhibition about art and technology in Spain. I can’t actually imagine another country in Europe where such show could have taken place. Other countries are very open to media art but none of them -and i hope i’m wrong but i doubt it- has more genuine respect and a better taste than Spain for technology-based art. Still, the situation didn’t make
Máquinas&Almas
a piece of cake.

Montxo Algora, Vicente Matallana (responsible of the production of the exhibition), Irma Arribas and artist Evru took the stage last Saturday at Art Futura to give us the lowdown of this adventure which took 2 years in the making.

The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science.’

This quote by Albert Einstein was the leitmotiv of the exhibition and it was also the cue that guided the work of Irma Arribas whose design of the exhibition tried to generate a relationship based mystery and dialog between the artworks and the visitors.

The artworks were not hermetically separated from each other. Instead, they were divided by semi-transparent curtains, which were both filtering the space and allowing the works to dialog between each other. The whole parcours that lead from one piece to the other was curvy in order to create surprises and a sense of expectation.

0aacanogood.jpg
Daniel Canogar, Palimpsesto

The most fascinating part of the panel was the presentation of Vicente Matallana whose company LaAgencia was in charge of the production of Máquinas&Almas. LaAgencia has been producing media art events for 10 years and Vicente is the one who best explained why Reina Sofia’s decision to host the exhibition was audacious. The rooms the museum dedicated to M&A were inadequate (too luminous, technologically deficient), the team was remarkably open and cooperative but unprepared to deal with new issues which included:

– how do you deal with the 3600 light bulbs that composed Palimpsesto, the amazing installation of Daniel Canogar?
– what happens to a budget when the price of the material needed for an installation soars unexpectedly, as was the case with Chico McMurtrie‘s Inflatable Architectural Body?
– unlike with traditional exhibitions, the production doesn’t stop once the painting is hung on the wall. The production of a new media art exhibitions lasts until the last day of the show. Works have to be kept in perfect functioning state. Only 70% of the production budget had been spent when the exhibition opened. The remaining 30% were necessary to ensure that the pieces would still be working after constant ‘interaction’ by visitors.
– which is a problem that not only museum have to cope with but also media art festivals which tend to be the only events that exhibit such artworks. A media art festival typically lasts a few days. The exhibition at the Reina Sofia, on the other hand, had to stand several months of almost constant interaction with visitors. The damage done to some of the artworks was tremendous and many pieces had not been conceived to stand the interaction with various people at the same time.

While the presentation of Montxo, Ima and Vicente was certainly instructive and fascinating, a close look at the content of the exhibition can give you further clues about how to set up your own exhibition about media art

Rule number 1: show whatever artworks you like but include something by Rafael Lozano-Hemmer
in your selection. M&A had one of his latest works, Micrófonos (Subescultura 10). Twenty microphones with the archetypal Shure 55 head are mounted on custom-made stands at varying heights and features while integrated circuit are connected to a network of hidden computers. When a visitor speaks into a microphone, the device records his/ her voice and immediately reproduces the voice of a previous participant, like an echo from the past.

0aamicrohpw.jpg
Rafael Lozano-Hemmer, Micrófonos (Subescultura 10)

Rule number 2, show some respect to the cliche that women don’t understand technology and therefore don’t mingle with media art. And because every rule has its exceptions, do include the work of one (maximum 2) women in your exhibition:

UrbanSpaceStation, an installation that Natalie Jeremijenko developed together with Ángel Borrego.

0aaaususu3.jpg
Natalie Jeremijenko and Ángel Borrego, UrbanSpaceStation

This prototype of a parasite for urban buildings was designed to sequester the carbon dioxide emissions from buildings and return oxygen-enriched air in exchange. The “greenhouse-laboratory” for rooftops constitutes an intensive urban agriculture facility that reuses building waste streams to produce nutritional resources without burning fossil fuels.

Video:

Rule number 3: demonstrate that media art is mature enough not to take itself too seriously. Let an artist make that point clear for you. Because he defines himself as a (temporarily) retired net artist, Vuk Cosic is the perfect candidate for the role. And please, do add in your press material that Cosic coined the term “net art” in 1995. He’ll be happy to tell the press once again that he never actually coined the term and you’ll be left to wonder whether he’s serious or messing around again.

0aamatureenou.jpg
Vuk Cosic, History of Art for the Intelligence Community

His History of Art for the Intelligence Community is an homage to the masters of painting. The artist applied the Carnivore Project (a software developed by the Radical Software Group (RSG) and based on recreating data obtained through a FBI programme to intercept information online) to animate canonical artwork – Mantegna, Van Gogh, Malevich, Warhol or Cézanne – in images and subsequently alter them. In Cézanne’s Cherries and Peaches, with Cosic’s programme installed on a computer, the number of fruit pieces changes in real time as the owner sends and receives e-mails.

Rule number 4. Invite a name that critiques of ‘traditional’ contemporary art will have heard of. This will get their attention and ensure that they will visit your show. And if that name is Pierre Huyghe, you’ll get my undying gratitude (not that it should matter much.)

0aachine8u.jpg
Pierre Huyghe, One Million Kingdoms

Together with Philippe Parreno, Huyghe created No Ghost Just a Shell, a multimedia project starring an animated character named AnnLee. In the video One Million Kingdoms, AnnLee moves through a futuristic landscape sketched by a series of graphic curves whose movement is synchronised with the artist’s synthesised voice as it repeats the words spoken by Neil Armstrong on the first moon landing.

Rule number 5. Include some artwork that even the most bored boyfriend dragged in the gallery by the media art buff will like. Make sure that she will appreciate the project as well.

0aafaruckkci.jpg
Harun Farocki, Deep Play

Harun Farocki‘s Deep Play is a 12-channel video installation that shows different aspects – some of which are generally hidden – of a football game. The filmmaker chose the 2006 World Cup Final between France and Italy to dissect it into synchronised images, which are reproduced on each screen: the artist’s own footage of the game, official FIFA footage, charts of player stats, real-time 2D and 3D animation sequences, and stadium surveillance.

Maybe the best thing is could do is leave you with this video that ADN made of the show:

Steampunk Celebrations – The Steam Powered Convention (GALLERY)

(TrendHunter.com) Fans of everything steampunk should hightail it to the Bay Area of California this weekend for Steam Powered: The California Steampunk Convention. There will be a steampunk ball, a bevy of steampunk bands,…

Disney Hoping ‘Tinker Bell’ Spreads Fairy Dust on Sales

The company is trying to turn its Disney Fairies business into a franchise on the scale of Princesses, a line that generates $4 billion a year in sales.

One-Time Charge Sends CBS to 3rd-Quarter Loss

The CBS Corporation posted a loss of $12.6 billion for the third quarter after taking a one-time charge of $14.12 billion to write down the value of media assets on its books.

Condé Nast Cuts Focus on 2 Magazines

Condé Nast Publications said Men’s Vogue would be folded into Vogue and Portfolio would be cut to 10 times a year, while cutting budgets across the company by 5 percent.