The DON’Ts Of Advertising Agencies: The Women’s Edition

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Earlier this week, we posted DON’Ts list for dealing with black folk in the advertising industry. It was our way of helping to move the “diversity” conversation along on a tactical level.

Well, welcome to the Women’s Edition. Gentlemen, as many a lady would like you to know, this isn’t the era of Mad Men. Welcome to the wide world of gender diversified agencies. To help you along your way, the ladies of the business and myself have assembled this short list of DON’Ts. You may find this list tacked above the photo copier in the next few days. Ladies? Print out, post and thanks so much for your DONT’s.

1. DON’T… Call me a bitch when I am actually just doing my job managing a project, creative or employee. When you tell a junior that their work is subpar or aggressively haggle with a vendor, you get called “assertive” or “leadership material.” When I do it, I must “be on the rag.” It’s so fucking boring. Don’t worry though. I’m not taking your balls by doing my job.

2. DON’T… Don’t assume that because I am in charge at work, that I push my husband or boyfriend around at home. Although you may require someone to watch over your every fricking move to ensure your bit gets done on time, that does not mean that my significant other needs the same sort of clammy handed, hand holding.

3. When I change my mind, after you make a suggestion on a piece of creative or a possible partner DON’T… assume that I’m a “waffling woman” who can’t be certain of her own thoughts. There is no need to ask me “If I’m sure” in every meeting after that. Everyone can see you trying to undercut me and it makes you look like shit. Believe.

3. DON’T… assume I’m a lesbian because I have short hair. Really. DON’T… tell me I should grow it long because men like that look better. Do I tell you to drop 30 pounds off your beer gut because women prefer a six pack? Maybe I should. Go to the fucking gym!

3. DON’T… ask me why I don’t wear more skirts. Do I tell you to stop wearing the same old, stained faded black t-shirt to work every day? Do I mention that those corduroy pants make you look 200% unattractive? Nope. I don’t, because how you look or how visually appealing you are to me has zero impact on my job or how we perform it as a team. This isn’t Porky’s Revenge, kiddo.

4. DON’T… stare at my breasts. They’re not lurking inside my bra, waiting to pop out and wave hello, no matter how large they are. Or not. They don’t care about you. Do I stare at your zipper when you’re trying to make a point? Of course not. It’s just not that interesting.

5. DON’T… tickle me. Your junior high attempts to cop a feel are pathetic and yes, after cursing you out, I will tell human resources. Pervert.

6. DON’T… comment on how many men there are in our meeting (or how many women there are not) and then guffaw about the real work getting done when the women aren’t around. Considering that half our clients have CMOs that are women, I gotta wonder – are you blind or just desperate for the other boys to like you? Guess what? They don’t.

7. When we’re working on a female oriented brand, DON’T… tell me you know what women need when I make a suggestion. The double entendre is so banal. By the way, since when did you grow a uterus?

8. DON’T… assume I am a producer or an account manager when you meet me at Advertising Week. Yes, women are creative directors, editors, art directors, product designers, interactive CDs, CEOs, VPs. It’s happened. We’re everywhere. Muhhhwahahaha…

9. DON’T… make derogatory/sexual comments about your girlfriend and expect to me laugh. And when I don’t chuckle, DON’T… tell me I’m frigid. If I made a joke about small penises, you wouldn’t laugh either. I know, because I tried it once and you looked you might puke in your cube. Then again, we all know your sexuality is voracious since you tell us about it – All. The. Time. Yeah, yeah we get it. You’ve got a big one. Girls like you, yadayadayada.

10. DON’T… discount me in pools and fantasy sports. I may not always like sports for the same reasons as you, but I can do the research and make picks just as well as you. That’s why I won the pool for the Super Bowl last year? Remember?

If there is some other minority group or hell, majority group (yes, I’m open to single, white, heterosexual men getting their own list) that would like their own list, holla – superspyin at gmail dot com.

More: AdAge’s 2008 ‘Women to Watch’

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Mathematical Tattoos – Formulaic Body Art (GALLERY)

(TrendHunter.com) This pi tattoo was simply so stunning it set me off on a whole math vibe. Apparently people now get really complex, like e to the i pi plus 1. Or something like that.

The formula on the girl’s arm belongs…

Advertising Week Ends But Friends Never Do

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So while Ad Week doesn’t officially end until today, Friday, it felt like it ended Thursday.

Ed McMahon raps for FreeCreditReport.com

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Forget Freddie Mac. It’s Eddie Mac who needs a bailout—and fast, because he’s really hitting the skids! Swimming in debt and faced with losing his Beverly Hills home, 85-year-old Ed McMahon is shooting viral rap videos for FreeCreditReport.com. The late Johnny Carson’s former second banana and ex-Star Search host tells the AP: “I knew I could sing the blues, but I didn’t know I could rap.” The lyrics fall into the so-bad-they’re-good-noactually-they’re-bad! category, with references to “a ninja swinging nunchucks,” “media chumps,” “playing gin rummy” and a “wife with bad credit.” (Sure, blame the trophy wife.) Oddly, McMahon does have some street cred, having gone gansta old-school as a violent pimp in the blaxploitation classic Slaughter’s Big Rip Off. As the man himself used to say from the edge of the Tonight Show couch: “Hi-yo!”

—Posted by David Gianatasio

Al Gore Didn’t Invent The Internet, But “Internet TV” He Might Have A Claim To

I was watching Current on Comcast cable last night and was struck by the number of consumer generated spots the channel was serving. These ads even have their own acronym, VCAM, which stands for Viewer Created Ad Message.

Here is Current’s pitch:

We’ve teamed up with the world’s biggest brands and they want you to make their commercials to run on Current TV. Get creative and break the mold. Make the ads you want to watch, not the commercials you’ve already seen.

If we choose your spot to air on Current, we’ll pay you $2,500. If our sponsors choose to air it elsewhere, you can earn up to $60,000.

Current intersperses these VCAMs with professionally produced commercials (that are so clearly “from the man”). It seems Millenials have upped the DIY ante, considerably.

Ad Week Panel Examines Ups, Downs of Celebrity Endorsement

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At the PricewaterhouseCoopers Auditorium during Advertising Week on Thursday at 2PM, Corbis hosted a panel entitled How Mega Celebs Are Boosting Mega Brands

Real Life My Little Pony – Color Dyed Ponies For Parties (GALLERY)

(TrendHunter.com) “Miniature Dream Ponies for your party…” That make sense for sure.

Basically, this company dresses up ponies to look like real life “My Little Ponies” Then, they bring the little ponies to your child’s…

GNM signs up to twice-yearly regional ABCEs

LONDON – Guardian News & Media is to release traffic data for its regional newspapers and websites on a twice-yearly basis after signing up to ABCe’s six-monthly online audits.

Wachovia Taps WPP Team for $150 Million Creative, Media Account

NEW YORK (AdAge.com) — Wachovia said it has awarded its nearly $150 million creative and media advertising account to a WPP Group team led by Ogilvy & Mather, after a review.

Evening Standard rebrands website

LONDON – The London Evening Standard will rebrand Thisislondon.co.uk to Standard.co.uk from next Monday (29 September).

Fan-Picked Album Covers – Britney Spears Offers Different Versions of ‘Circus’ (VIDEO)

(TrendHunter.com) Fan-picked album covers are the latest new idea, being used by Britney Spears to increase fan engagement and hype her latest album release. (Side note: it used to be about the music).

The much-awaited…

Blasting Swift Boats From Fortified Positions Onshore

Spending on political advertising — which includes candidates’ as well as third-party ads — is expected to reach about $3 billion this year, compared with $1 billion in 2000.

According to The Wall Street Journal, attempts are increasingly being made by lawyers from the campaigns to negate the damaging effects of third party ads against them. Negate, as in, having the spots pulled by the stations.

Compared with individual campaigns, the 527s have looser rules on financing and can take unlimited donations from individuals, with many substantial donors not known until well after the election has passed. Thus, they essentially “are not accountable to voters for what they say,” says John Zakhem, a Republican election lawyer in Denver who has been involved in several cease-and-desist actions against broadcasters.

While no one tracks the number of legal notices broadcasters receive on political ads, station managers and lawyers say attempts to block ads are growing both in number and intensity, particularly in states with closely contested elections. “If you’re these affiliates, you’re under siege,” says Michael Toner, former chairman of the Federal Election Commission.

Happold appointed head of multimedia at GNM

LONDON – Guardian News and Media (GNM) has continued its push into digital audio and video, with the promotion of network editor Tom Happold to the newly created role of head of multimedia.

Catch Larry Seabrook In Action: “I Even Had To Come Out At Ogilvy And Mather And Protest!”

OMG. Please! Watch this video! It’s too funny. It’s one thing to read that Councilman and Committee chairman Larry Seabrook called advertising agencies “plucked chickens” during the Advertising Week Diversity meeting. It’s another to hear him say it – all unafraid and with his balls out. Skip past the Ad Age intro to about 40 seconds for the funny. It’s so worth it.

More: The DON’Ts Of Advertising Agencies: The Black Folk Edition

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GN&M commits to ABCe six-month data certificate

LONDON – Guardian News & Media, publisher of Guardian.co.uk, has committed to releasing its online user data on the new ABC Electronic six-month certificate.

MediaCom takes top honours at Newspaper Planning Awards

LONDON – WPP-owned MediaCom took the spoils at last night’s inaugural Guardian Newspaper Planning Awards, in association with Media Week, winning the showpiece Grand Prix award for the launch campaign of Volkswagon’s Audi A4.

Want A Piece Of Jon Bon Jovi?

Interested in snagging Jon Bon Jovi‘s music for your next spot? Best to watch the video above from his talk at Advertising Week. Jon is serious about his business. All this thinky-type type stuff coming from him is making my head hurt. I liked it better when he just shook around and flipped his hair. Christ. I miss the 80s.

More: Going Down In A Blaze Of Glory

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The Winner Of Advertising Week’s Battle Of The Bands

The winners of this year’s Advertising Week Battle Of The Bands is McCann’s, Fucking Cow Bell. Right. Yeah. Over at the Adrants website, Steve Hall said:

“And while there was certainly talent on stage, it was the winning stage presence of McCann Erickson’s More Fucking Cowbell that won over the judges and the crowd. Rocking out classic eighties heavy metal in full, big hair regalia, the group, along with two females dancers, just owned the crowd. There was no way they couldn’t win. There would have been a riot of epic proportion.”

Congrats! See? Their creatives are awesome! Set them free! P.S. I lurve the wig.

More: The Night Agency Gets With The Beat

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Star Wars: The Clone Wars to launch exclusively on Sky Movies

LONDON – Sky Movies has secured the UK rights to George Lucas’ new animated series ‘Star Wars: The Clone Wars’, and will air 22 half-hour episodes weekly from October 25.

Kevin Lyons Wants You To Know That Anomaly Is NOT An Ad Agency

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Okay, okay. We get it. And in case you don’t, read the words of Anomaly’s Johnny Vulkan from Boards:

“If you look back historically large agencies used to produce highly entrepreneurial deals for their clients and invent properties and products. All these things are coming around again. These aren’t new ideas, they’re just things that perhaps fell out of vogue as agencies and clients grew bigger. A conservatism sets in that only gets shaken up when economic shifts happen or technology changes radically. For the last 30 years we might have been able to say it’s [about] TV, radio, or posters. Now the answer can be anything.”

More: Anomaly Adds Design Director Kevin Lyons, Loses Others

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