Budweiser And The Value of Collaboration

Via ScampBlog comes this spot from Fallon’s UK office for Budweiser. The one thing that jumps out immediately is that it’s a :60 (when was the last time you saw a :60 in the US that wasn’t a launch spot for a major brand.)

The second is that it’s another in a line of UK TV spots that fetishize the rural American South (Levi’s UK advertising did a good job of this.) Not criticizing, but it’s always fascinating to see an outsider’s take on something uniquely American. To the Brits, the rural South is uniquely and authentically American.

Third is there’s no product sell. It’s a nice minute-long movie about a band that uses instruments made of Budweiser bottles. No lovingly lit pour shots, no hot chicks in bikinis and all the other clichés of American beer advertising. Shot by Harmony Korine, a noted avant-garde movie director best know for his debut film Kids, my only question here is what role did the agency actually play? Did they come to Korine with the idea “rural Southern band plays with instruments made from Budweiser bottles. Go.” Or did they have the basic action plotted out and Korine just added detail, tone and style? I sort of hope it’s the former.

For although many creative purists will look down on an agency for engaging a director at that stage, one of the biggest lessons we have to learn from the digital age is that it can’t always be about the copywriter and art director team anymore. That we need to engage and involve other people– be they technologists, user experience experts or film directors– early on and collaborate with them fully. The result can be something as charming as the spot above.

Where The Geeks Are

SXSW Interactive. And that’s where you should be too.

If not physically, then at least checking out the website, talking to people who were there, etc.SXSW (South by SouthWest) is perhaps the most important showcase for new media and new technologies out there. (There’s also film and music parts of the festival which are pretty important in and of themselves, but we’ll focus on the interactive part.)

A good place to start is this list of finalists for the Web awards. You’ll find inspiration from a variety of sites– everything from individual portfolio sites to corporate sites to media sites to random cool websites. Since the awards don’t just focus on things ad agencies have done, you get a more complete vision of what’s noteworthy on the web right now.

Two other place sto get a great overview of SWSX are (a) Deep Focus’ Ian Schafer’s blog. Schafer’s been assiduously documenting the conference and his insights are (as the line goes) the next best thing to being there.  (b) Adpulp’s David Burn’s coverage on his agency’s blog, where you get a different, but equally in-depth account.