Banjo, Sydney ad agency, apologises for alleged 'racial' incident

“What is it with advertising agencies this week?” asks Twitter down under as the news spread that Banjo Advertising had said to a candidate at an interview that “the client might be alarmed that there’s three brown people o the account”. The candidate, account director Surungi Emily Hohol, vented on Facbeook about the incident and soon a screendump of her post spread like wildfire on Twitter.

“Candidate rejected by agency due to colour of skin” declared the HR Grapevine. Soon SBS news reported: “Apology after woman told in interview her ‘brown skin’ would make clients uncomfortable” and News.com.au headlined the incident Advertising executive tells job seeker the agency already has enough ‘brown skin people’.

Pippa Chambers at Adnews.com has an apology from the agency, who wants to get in front of this, in “Sydney creative shop Banjo apologises for alleged ‘racial’ incident”, quoting Banjo managing director Andrew Varasdi who stated that the feedback he received on the interview was a very positive one,

“Our position on this remains unchanged. When I learned of the situation I immediately contacted both the candidate and our staff member to offer my empathy and support. I have arranged to meet with the candidate first thing in the morning 5 August) to reassure her of our policies on recruitment.”

He added that in Banjo’s seven-year history, the agency’s recruitment policy has always encompassed not only hiring the best possible talent, but also ensuring that the staff spans all ages, genders and ethnicities.

“We couldn’t possibly deliver on our promise that our clients come first, if our own staff did not reflect the Australian community. We are always prepared to offer our clients the best advice to connect with their customers”

Banjo has also said that staff includes 50% women in senior management and 50% women overall, and half of the staff are from ethnic backgrounds including India, Asia, UK and South America. In other words it’s a very diverse agency. In a statement they said ”

“Needless to say, the Banjo staff member is deeply upset by the incident, which occurred yesterday. There has been a lot of media attention on the issue of equality – including race, gender and sexual orientation, and age – in recent times and we acknowledge that emotions can run high.”

Now I hope this summation of events suffices without getting me in trouble.

@Dana_Adele Why was your article on Banjo Advertising 80% their apology and 20% nothing really else…?— Jason Singh (@jason_singh) August 5, 2016

Dominos accused of "rape culture" for "no is the new yes" line.

Since the decline of cinemas, a lot of projectors seem to have found a new calling in life. On Twitter, Laura Dravland a photographer residing in Montreal remarked on the Dominos Pizza box packaging, hashtagging the headline #rapeculture, and the tweet quickly went viral. The line is a twist on the old “X is the new black” cliché, now stating that “No is the new yes”. Much like the Bud Light #Upforwhatever line which was accused of rape culture last year, it requires one to read a lot into the line that is not implied in it. If it were, then Nike’s classic line “Just do it” is “rape culture” as well.

Her tweet, which currently has 127 hearts and 174 retweets started a chain of heated debate, where people are lobbying insults and insults at each other and Laura is standing her ground.

Dominos Pizza. #rapeculture pic.twitter.com/kfByPiLBe1— Laura Dravland (@LauraDravland) August 4, 2016

The line “No is the new yes” brings the reader into body copy explaining that artisan pizzas are no substitution or additional topping pizzas, as the chef’s have found the perfect topping combinations for you. Now, I’m well aware of advertising and fast food making it all about sex like so many Carl’s Jr and McDonald’s ads have done, but I sincerely doubt that this was what the copywriter had in mind here. This won’t stop the buzz about it, as we all know gender issues is a hot topic right now – see headlines already: “Yikes: Domino’s Pizza Ad Says “No Is The New Yes” at XO jane, ‘No Is The New Yes’ Domino’s Pizza Ad Offends Some With Apparent Rape Innuendo at HuffPo and Bain Capital-owned Domino’s Pizza makes a hah-hah rape joke with its new “NO IS THE NEW YES” campaign at Eclectablog. The photo of the pizza box originally appeared at Shakesville under the headline: “Today in Rape Culture”. To quote Eclectablog:

Apparently Domino’s, currently owned by Bain Capital and owned founded by the very conservative Tom Monaghan, founder of the far-right Thomas More Law Center and other Catholic organizations aimed at promoting his religious views throughout society, doesn’t have any women on their marketing team. This new campaign is clearly a mash-up of “_______ is the new black” and “No means no”.

The latter references unwanted sexual advances made on women.

‘Hot lesbians’ facebook ad lands Canadian oil sands group in flamewar

The Canada oil Sands community had to apologise one facebook for posting a meme. The meme depicted two women in an embrace, as stated that Canadian fuel should be preferred over Saudi gas, because lesbians in the gulf state “would de” while in Canada they’re simply considered “hot”.

Their page quickly filled with upset comments from people angry that the Canada Oil Sands Community participated in “the fetishization of women’s sexuality”, rather than protests against the capital punishment for homosexuality in the kingdom. Naturally.

The text of the facebook meme/ad read:

“In Canada lesbians are considered hot! In Saudi Arabia if you’re a lesbian YOU DIE! Why are we getting our oil from countries that don’t think lesbians are hot?!”
“Choose Equality! Choose Canadian oil!”

The manager of the community, Robbie Picard, published an official apology on the group’s Facebook page, stating: “It was not my intent of demeaning women or any people of any sexual orientation,” and made sure to remind everyone keeping score at home that he is a gay male himself, “I certainly don’t want to divide our community.”

Lena Dunham wants to remove guns from film billboards

“Hey New Yorkers, what if we do some peeling & get rid of the guns in the Jason Bourne subway ads. So tired of guns.” (archive) said producer Tami Sagher, a.k.a. Tulipbone on Instagram, and Lena Dunham shared it with the caption “Good idea @tulipbone! Let’s go!”

Now, the Jason Bourne films are about secret agents and have a lot of guns & violence in them. When Matt Damon isn’t busy making millions via that franchise he’s calling for an immediate gun ban in the United States, so I’m sure he agrees with Lena & Tami here.

Problem is, ripping the gun away from the movie promotional poster isn’t quite the same as banning guns from civilian use, in fact it’s not the same at all. And ripping down posters is plain vandalism, lets not encourage minor riots like the one that happened in Stockholm last year due to the political poster depicting a homeless person sleeping on the street.

At least we know that people still notice outdoor advertising, rejoice.

FlySafair's twitter fail and Twitter launched "Engage" – safe space for the 1%

“I was 4050 in queue now this!” says the woman on Twitter to the FlysafeAir account which is run by a social media manager who loves gifs. People often use Twitter as a way to insta-complain to a brand, and while some brands might build their social media strategy around this, others simply hire a “part time comedian” to be the voice of the brand, to quote myself.

The exchange gets worse from there, after pointing out that the website failed them, the woman explains she wanted a flight to see her father before he goes into hospital. “Congrats! Your the first person to say this is unfair – you win a cap. DM us your address and we’ll have it delivered” snarks the airline, to which the woman, obviously stunned, responds “why the sarcasm? Shove it!” Now the brand feels it is appropriate to pull out a a gif to wave in the face of a woman who just wanted a flight to see her father, who has cancer. Obviously whoever is running the social media account is tired of being confused for tech-help, but that’s part of the territory when you’re running a brand account.

Twitter is a strange beast to try and make a brand known on, it’s for people, not brands. Blind outreach can get you in trouble, jumping into trending hashtags can be a mistake and the arbitrary verified check that can be removed at any time makes the entire platform a trollfest. Now Twitter are dividing the Royal Verified from the plebs even further by creating Twitter Engage, a twitter for the 1%. With is they have created a “safe space” Twitter for the precious celebrities who want to tweet out their selfies or ramble about their monetary woes, without ever having to see the response from thousands of fans. Engage provides real-time data and insights, so Justin Beiber and budding comedians can see how far a tweet spreads, is liked and if any other verified accounts saw it. Engage will alert you when “influencers” retweet or follow you, and you can dig deeper, accessing audience demographics and a real-time feed of what the fans are tweeting about. Meanwhile the formerly rowdy twitter feeds of regular people grow ever more silent, as interaction drops due to the fact that tweets are rarely seen. The mystery ‘unfollow’ bug has plagued the platform for years, now we’ve added “mute” to the feed, and a strange algorithm attempts to show you old stale tweets, that it deems you would find interesting. In short, Twitter is less fun for the little guy while it grows more useful to the celebrities. Twitter engage is not for you. What made the platform so attractive – the democratic rule where anyone could become a Twitter celebrity and everyones voice had an equal shot of being heard – is being whittled away. Twitter is now so full of pranksters that an AI learns to troll in mere hours once it engaged with the people on it.

So while a brand like FlySafeair might come to their senses quickly and delete the tweets they spat out in a moment of frustration due to their site having issues, the problem remains. Twitter is not a good place for “instant interaction” any more. People want to use it for comments, complaints and questions, shaming airlines for lost luggage and switching data plans on their cellphones – but this is not working when the brands want to play fun brand personalities. The big white courtesy brand telephone needs to be taken off twitter, and to a private chat instead, and the best way to direct people to such things is by not being a gif-loving silly brand on Twitter. The would be passenger, TokenBlond84 deleted her twitter.
@TokenBlonde84 @ApothecaryRich @kulula Enjoy your flight – hope your dad gets well soon— FlySafair (@FlySafair) June 23, 2016

@TokenBlonde84 pic.twitter.com/fqUZFikZ2T— FlySafair (@FlySafair) June 23, 2016

Chinese detergent company apologise & blame media for over-amplification of 'racist' black man ad.

Shanghai Leishang Cosmetics, who created the washing powder ad that went viral, says “sorry” for harm caused by foreign media’s “over-amplification” of ad.

“We express regret that the ad should have caused a controversy. But we will not shun responsibility for controversial content.

We express our apology for the harm caused to the African people because of the spread of the ad and the over-amplification by the media. We sincerely hope the public and the media will not over-read it.”

The company also said that they “had never thought about the issue of racism” when they created the ad. The company has pulled all the copies they have control over of the ad online, but it can be found in countless news outlets anyway, such as Al Jazeera, BBC News, Financial Times, CNBC, and The Drum.

Qiaobi ?? – Black man washed = Chinese man (2016) :30 (China)

While these outlets react at how the ad can be seen as racist, we at Adland will simply Badland it. This ad is a remake of an Italian washing powder ad created back in 2007. Right down to the music choice – and possibly the pun. This isn’t the first time a company in a far off and has simply copied an idea they’ve seen elsewhere, and made it worse. We have countless example like the copy machine copies here, and often discuss the difference between inevitable Creative Outcomes and demo-love. A straight up rip-off seems to be what happened here, as if the marketing director saw the Itailian advert, and decided to ask the agency to just do exactly that.

Coloreria Italiana – Coloured is better – (2007) :40 (Italy)

That wasn’t the only terrible pun created for the Italian washing powder company, they also ran this ad which ends on an even groan-worthier one. Here the roles are changed as the man tosses his wife into the washer when she demands that he do the laundry, but he doesn’t get quite what he expected.

Coloreria Italiana – Husbands Revenge (2007) :50 (Italy)

So while the world currently decries the racism in the Qiaobi ?? ad, nobody seemed to mind much at all back in 2007 when the reverse happened in the Italian ad. Different cultural frame of reference, you see. And the issue of plagiarism other peoples work is lost once again. It’s fascinating to me that when ads reach a global audience, they tend to fall on the United States/western world of ad sensibilities – apparently we are all Americans in the internet? Other examples of this phenomena was when The Heinz “kiss” and UK Snickers ad was banned for homophobia, by complaints from the USA, and my personal fave when KFC Australia had to pull a cricket related ad because US people thought feeding the opposing (west Indian) team fried chicken was racist.

What’s offensive in some company, is not in others. For example, in Sweden after dinner the hostess will offer “påtår”, that is a second cup of after dinner coffee. This is almost always accepted, in fact it’s seen as a little rude to leave after the first cup and will have the hostess wondering what went wrong. Meanwhile, if you offer a second cup to your dinner guests and they are from the southern United States, they will take this as a discreet hint to leave. Awkward.

Advertising agencies have, for global brands, been creating campaigns that in theory should work all over the world for years – though Coca Cola will seemingly never understand why we won’t buy it for christmas in Sweden. The “universal idea” and global advertising will never have the opportunity to target our very different cultural sensibilities – and the internet is quite the helper alerting the not-target-market about an ad they should take offense to. Meanwhile, in supermarkets in China, someone who actually is the target market might just pick up some Qiaobi ??. And that, my friends, is the only thing the ad set out to achieve – the Chinese brand doesn’t care what people in the UK think about their ad.

Häagen-Dazs makes psuedo-code headlines for San Francisco posters

Anyone traveling with BART in San Francisco is likely to spot these posters for Häagen Dazs , where the ‘headline’ is meant to be some sort of psuedo code. It uses square brackets just like Smalltalk and the “Greater Than” sign that makes my brain turn it all into greentext. It’s not quite the Google prime number billboard, or the EA Billboard in Canada that spelled out “now hiring” in .

No, it doesn’t make sense, but frankly I’m used to that when it comes to Häagen-Dazs, who uses the ä just because it looks cool, and used to have a map of Sweden on the packaging with “Oslo” as the capitol. That Häagen-Dazs is utterly clueless when it comes to anything but ice-cream is fine by me, because their coffee flavour is divine. In fact, I’m surprised they haven’t run a campaign on “we know nothing but ice-cream” yet, it seems to work so well with their name and early quirks.

Also, just so you know, Häagen-Dazs, “Äh” in Swedish means “whatever” – your tagline really reads like whatever to me. The new “Äah” campaign is from JWT New York.

"emotional bond with batteries"

Acme Idea Co just produced three new duracell ads that shall help consumers develop a personal connection to their batteries. Outrageously daring, one spot shows a boy reading by flashlight while the next scene shows the Rocky Mountain Rescue Group wearing Duracell-powered headlamps. What a twist!

Acme Idea co states: “Most consumers don’t have an emotional connection to their batteries, and with this campaign we hope to change that.”

You know why we don’t have an emotional connection to our batteries – we have to throw them away when we’re done*.

*or recycle.

“…Along with the new ads, DURACELL has changed the chemical composition of its COPPERTOP and ULTRA batteries. The new makeup will allow the batteries to last longer, Davin said.” .. Notice how he had to kick that old proposition in there at the end, just to be safe.

Phwoar – says the queen over sex-ad.

An advert for Ann Summers chain of sex/lingerie shops, depicting the Queen reading a sex manual next to the line “Phwoar, must get one”, has provoked a rare letter of complaint from Buckingham Palace.

“There is a widely held convention that reputable companies do not use photographs of members of the royal family for promotional purposes.”

However, there are no actual legal restrictions on using photographs of the Queen, Ann Summers – an unreputable company? – will keep the campaign up as planned.

Media Guardian has more.

"Feel the Bern" Bernie spoof STD check campaign reaches NYC

We’ve previously spotted the AIDS Healthcare Foundation Free STD check “Bernie” logo spoof on billboards in Los Angeles, where it resided at the corner of Sunset and Van Ness for a while, as well as prominent streets like Vine St. and Santa Monica Blvd., Century Blvd and La Cienega. Now the campaign has begun taking over the New York City subway poster sites.

“Senator Sanders’ powerful message resonates with a lot of Americans, particularly young people,” Jason Farmer, senior creative director at the AHF, said in a press release. “We hope that our lighthearted – but highly important – billboard campaign for STD testing will as well.”

The subway posters went up last week and the tagline on each posters leads to the freestdcheck.com website, but the logo looks deceptively like Bernie Sanders campaign logo and a variant of Bernie Sanders slogan. I’m a little surprised that FreeSTDCheck.com haven’t met some legal issues yet, but I suppose it falls under “parody”, despite being obvious commercial speech.

Another controversial billboard from the AIDS Healthcare Foundation was the “Tinder & Grindr” one, which Tinder demanded they remove it as it insinuated STD’s were spread via the app. Tinder sent a cease & desist; “These unprovoked and wholly unsubstantiated accusations are made to irreparably damage Tinder’s reputation in an attempt to encourage others to take an HIV test offered by your organization”.

But the AHF were unphrased and responded: “Rather than trying to chill AHF’s public health message by threatening AHF with frivolous lawsuits, AHF urges Tinder to support its message of sexual health awareness by encouraging Tinder users to get tested for STIs and to get treated promptly if they have an infection.”

Digital billboards hacked in Malmö: Showed Meatspin porn

The digital advertising billboards at Malmö Central station were hijacked yesterday, and instead of displaying ads and information, it showed sequences from Meatspin (Link goes to Know Your Meme, links there may be NSFW), a shock site showing “really bad porn”, according to witnesses.

Maria Escalante was switching buses when she arrived at the central station, and narrowly missed her transfer, she tells Aftonbladet. That’s when she noticed that the digital signs were showing porn. She asked a few young men who were watching it if it had been going on for a long time, and they said yes. Maria Escalante alerted station workers who shut off the signs.

Magnus Andersson at Skånetrafikens press office considers the hack “some sort of prank or joke”, but also clarifies that “the signs are not handled through our servers” so they have not been breached. Global Agencies are running a ‘test’ with the city of Malmö, and it’s their servers that have been breached. As soon as they learned the signs were compromised they shut the system down. Roger Starck at Global Agencies says to Aftonbladet that they are investigating the intrusion into their system: ”We got a call from a security guard at Malmö central and seen what was on the screen and we turned it off as soon as we became aware. The system must be safe, and right now I can not answer how someone managed to hack into it, we are currently investigating this.”

Roger regards the incident as very serious: ”I am incredibly angry about this, it simply should not happen Someone wanted to screw with us, and succeeded.”

Sesame Street threatens suit for Bert & Ernie used in STD-kit ad

Mately is a company that makes at-home HIV/STD testing kits, and they decided to get a little creative so they used the roommates and best friend puppets Bert & Ernie in a social media ad joking about the ease of use of their testing kits. Because frustrated people who feel the need to sexualize children’s puppets have been suggesting that Bert & Ernie are gay for years, and therein lies the funny. Only one problem, the Mately company forgot to ask Sesame Street for permission to use Bert & Ernie’s likeness.

A spokesperson for Sesame Workshop says: “The Mately ad is an unauthorized, unlicensed use of our characters. We will be contacting Mately and the appropriate parties with a cease and desist letter instructing them to take this down.”

Mately wised up quickly, they have removed all of the Bert and Ernie images from their site and social media controlled by them, and they have made a statement that there was no intent to “tarnish the Sesame Street brand.”

Sesame Street has already famously clarified back in 2011 on their own Facebook page that Bert & Ernie are not gay, in response to online petitions:
“Bert and Ernie are best friends. They were created to teach preschoolers that people can be good friends even though they’re very different from one and another.
They’re puppets and don’t have a sexual orientation.”

Today we learned, muppets don’t have sexual orientation and can thus not contract STD’s. Today’s letters are C and D.

Interview with the man behind the controversial Sweden Democrat posters

Swedish sister admag Resumé has just published an interview with Joakim Wallerstein, the man responsible for the communication strategy for political party SD. Their posters apologising to tourists for organized begging were famously torn down in a riot the day after they were put up, and earned countless amounts of earned media both at home and abroad. The Independent, US news, and Newsweek reported on the posters and the protests against them.

Hate it or love it, this poster campaign is historically the most talked about political campaign in Sweden since Albert Engström’s prohibition referendum poster “crayfish require these drinks” in 1922. Resumé asks Wallerstein if he expected this. “We hoped for attention of course, but this amount of attention is historically unprecedented.”

Resumé states that “many people believe this is hate speech”, to which Wallerstein responds “I’m puzzled by that. Do you feel that it is?”

Resumé: You don’t call out a particular ethnic group in the text, but between the lines it is about the Roma?
Wallerstein: “It is racist to assume that. We have never claimed that. We maintain that it is forced begging that is the problem. Internationally, it is not strange to say this, but the bubble in Stockholm it is.”

Resumé: So it’s not about the Roma?
Wallerstein: “We have never criticized them. We’re talking about forced begging. The Council of Europe points out that there are people from eastern Europe trafficked for this, but do not mention ethnic groups. It is bad no matter who is forced to beg.”

Resumé: Though there are reports that begging is organized?
Wallerstein: “Yes, they usually refer to a Norwegian report. But the Council of Europe are very clear stating that Sweden isn’t doing enough when it comes to overcoming the forced begging.”

I believe that Wallerstein is referring to the COE’s advisory to Sweden here. Antislavery.org also has an informative PDF on trafficking for forced criminal activities and begging in Europe created the financial support of the Prevention of and Fight against Crime Programme European Commission- Directorate-General Home Affairs. The study found that the issue is more widespread than previously reported, with victims being exploited through a variety of criminal activities.

SvD report however that Michaël Guet, the Council of Europe’s residing expert on Roma issues, considers the campaign “hate speech” and interprets the posters as targeting Roma. “The campaign is extremely controversial and provocative, and misleads the public” he is quoted as saying, continuing “I am convinced that Swedes won’t fall for the anti-Roma propaganda, because so many demonstrated against it on Norrmalmstorg, and that so many reported it as hate speech to the Justice Department”.

SL will not put the torn down campaign back up, and cite as one of the reason that people may get hurt trying to tear it down again – as we’ve seen in the plentiful riot footage people had to stand on top of the escalators to be able to reach. Wallerstein remarks that it’s unfortunate they won’t get the two weeks that they paid for, but they will let it lie. In the end, the earned media is worth millions so this was quite a bargain.

Minor riot tears down political party SD's posters in Stockholm Subway

The ad campaign in a single subway station in Stockholm that we wrote about here yesterday, continues to stir controversy. Yesterday evening at 6pm a demonstration was held on Norrmalmstorg in Stockholm, we did go there to see it, there were thousands of people and a heavy police presence. Anti-racist speeches were held by various speakers, and chants of “no racists in our streets” were heard long after the demonstration was supposed to disseminate. Ironically, Romani beggars in the crowd were mainly ignored.

Part of the group of people demonstrating then entered the Östermalmstorg Subway station and tore down all the posters. The Police could not stop the crowds, they arrested two people for vandalism of these posters Monday night and took “several people” into custody Tuesday night. This is what the scene looked like.

The debate regarding these posters continues in all of the Swedish media today. Mårten Schultz, Professor of Civil Law, makes it clear that the campaign is “not criminal”, in an unusually frank statement for a lawyer, considering the campaign is now reported to the Chancellor of Justice, and thus under investigation. He elaborates, when he explains that this is not hate speech.
It is important to keep this in mind that this is about freedom of expression. In the freedom of speech area, a legislator treads carefully. There are obvious limitations: You must not threaten or defame individuals. You may not manipulate the markets or to lie in court. Sometimes there are more controversial restrictions. One should not, for example, speak to incite to racial hatred (Hate speech). Apart from these legal enactments, the main principle is simple. You are allowed to speak also in a way that annoys or bothers other people, as long as the statement is not harmful or there is a clear risk that will be harmful.

On Monday, several reporters and photographers documented the banners and found there was a spelling error on the word “Government”, something that was reported as far and wide away as The Scotsman. Sweden Democrats Chief of PR, Joakim Wallerstein, admits that the spelling error existed on Monday. “It was not a plan to get more media attention” he says, but notes that the campaign has gotten a record level of earned media, some due to the spelling error. Joakim Wallerstein is very pleased with the media penetration of the campaign and explains that the banner with the spelling error was changed during the night between Monday and Tuesday.

Rumours, some true some not, spread like wildfire on social media last night. There were suggestions, for example, that SL (Stockholm Public Transport) would end their contract with Clear Channel over the media space, something which Clear Channels Press Secretary Sofie Brange denies.

We categorically deny That SL would end their dealings with us. We have a very good cooperation with SL. It is worth noting that SL and ourselves have made the same assessment in question, in other words, it is not we who alone make decisions about the advertising that goes up in the subway.

Meanwhile this morning on the Swedish morning news, SL’s communications director Suss Forsman Tullberg discussed the campaign with the show hosts and PR-consultant Paul Ronge. Suss Forsman Tullberg considered the demonstration against the posters an “expression of the same rights to speech as the billboards we’ve chosen to allow on the Subway”. She added that it was “sad” that around 200 people stormed the subway station and tore down posters, but according to reports she’s received the crowd calmed down and dispersed in a calm manner.
To a direct question about “allowing” this type of speech in the public transportation system, Forsman Tullberg explained: “We have a decision made in 1988 that SL should allow political posters in the transportation system and we are government owned, and as a government run entity we have a responsibility to follow our fundamental law, which also includes the right to equal treatment. We can not choose to have one political party run ads, but not another one.”
Paul Ronge admitted he’s impressed by how Forsman Tullberg handled the media storm, and how her statements make SL like “the defenders of democracy”, but he disagrees that this is a question of democracy. “It is you who decide who can run ads, if the ads are offensive, if many people like for example immigrants, and many people who against racism, will react against this. It’s not as if SL’s constitutional description says you should throw judgement out, you can make a good judgement call. I don’t think that you did, in this case.”

Ronge adds that he objects to the copy of the ads, where “We apologise” can be “interpreted as if SD are speaking for the entire Swedish population, they’re speaking for me” instead of for themselves as the sender and signee of the copy. It is this authors opinion that Mr Ronge has misread the copy, as the sender is clearly Sweden Democrats, not “the Swedish People”.

Forsman Tullberg shot back: “We are not a private company, that can pick and choose, and precisely because were are a government operated entity we need to look at this as a question of democracy. We have a responsibility to uphold the democratic system that we are a part of.”

The ad campaign has been reported to the Advertising Ombudsman (RO) 37 times at last count, the Social Democrats in Stockholm County Council are demanding new guidelines for which messages SL will allow, and it’s still unclear whether the vandalized ad campaign will be put back up. SD expects it to be, as they have paid for two weeks ad placement, not two days. Meanwhile, SD politician Ted Ekeroth has reported Hanna Gunnarsson, a politician from the communist party, for incitement, after she spread messages on social media encouraging people to tear down and vandalize these posters.

I’ll have Morten Shultz tie this up, as hundreds of complaints about this campaign are still rolling into the Chancellor of Justice’s office: “Instead complaints (to the Chancellor of Justice) are made, to make a political point. Which brings me to my point. And it is that it’s a bad habit to use the law to make political points of legally irrelevant events.”

As of the time of press, there are no new posters in Östermalms subway station to replace the ones town down during the riot last night. There are many social media videos out there taken both by professional press and participants, with plenty of these videos found on Twitter under the hashtag #SLspriderrasim.

Tesco promote "Smokey Bacon" flavoured Pringles as Ramadan snack

A Tesco store in London managed to make this error when promoting midnight snacks for Ramadan – a store stocker who placed the Pringles with the “Ramadan Mubarak” (Ramadan is blessed) point of sale material stacked the different flavours available so that the “Smokey Bacon” was positioned at the top. Silly grocery stacker, that’s where the parsley flavoured chips go!

So, “Smokey Bacon” flavour? There are no actual pigs involved in creating that flavour, Pringles don’t contain any meat products at all. But followers of the Muslim faith “cannot consume the flesh of swine”, which would include bacon, so why would they even want that flavour? It’s haram!

Raza Hassan, who spotted the promotion in Liverpool Street and took the above photograph, said he wasn’t offended by it, but just thought it was funny:
When I first saw the promotion, there were many flavours of crisps – it just so happened that particular flavour was placed on top. I think it is a very nice thought and gesture from Tesco, it just seemed a bit ironic!

A Tesco spokesperson has stated:
We are proud to offer a wide range of meals and products to meet the needs of our customers during Ramadan. We recognise these Pringles weren’t in the most suitable place and our store colleagues have now moved them.

So there you go, a grocery store stocker is having the worst day at work ever right now. 😉

Atlanta electronic billboard hijacked to show Goatse

Smuggling Goatse into digital billboards is an old school (and gross) hack-prank by now, I know that I’ve tried it , but seldom as successful as this one. Atlanta police are investigating after Goatse appeared on a digital billboard in Buckhead on Saturday evening. It wasn’t a small billboard either, and that image can make anyone gag at first sight, so people were obviously very upset. Several people who saw it even called 911.

11 alive reports that ‘Atlanta City Councilman Howard Shook is hoping police will catch whoever is behind what he said is hardly an innocent prank’.

“It is highly disturbing, aggravating, obnoxious and illegal,” said Shook.

Dan Tentler a espected security researcher who works for Carbon Dynamics, has tweeted that he’s been in contact with the company who owns the billboard, but was brushed off.
“I wanted to let you guys know that your customers are deploying these signs and not changing the default passwords, which, if an actual bad guy found this out, could lead to some unwanted tinkering with the signs, possibly some defacement,” Tentler wrote in an email to the company back in April. Now Dan Tentler will probably find his name forever linked with “goatse bilboard” in Google searches for trying to be helpful.

Yesterday, “not intersested”. pic.twitter.com/2SkNg1tT3u— Dan Tentler (@Viss) May 14, 2015

“It would probably be a good idea to do one or more of the following: Contact the owners of the signs, ask them politely to apply some firewall rules … reconfigure the security posture of the signs … at least notify the customers that there is a potential security risk” wrote Dan Tentler, full sanitized email below.

oops, had to nuke the april 8 tweet. Here’s a better sanitized one: pic.twitter.com/uqNpbLukO0— Dan Tentler (@Viss) May 14, 2015

Many things are connected to the internet, easily found via shodan.io, lots with no reason to really be connected to the Internet in this manner. Here’s a toilet screen in Singapore for example.

USA Today reported that a group calling themselves ‘Assange Shuffle Collective’ claimed responsibility for the prank on Reddit. Meanwhile, many more electronic billboards like this are out there waiting to be hijacked.

Wonderful. When you google my name in the first page of results you see “GOATSE BILBOARD HORRIFIES DRIVERS IN ATLANTA”.
Thanks for that.— Dan Tentler (@Viss) May 18, 2015

FortaCloud adds lingerie clad woman to hosting offer on twitter = instant retweets

At first glance the image of a woman in lingerie draped across a bed staring seductively at the camera seems so misplaced in a tweet about discounted hosting that one suspects the social media manager slipped the wrong image into the tweet by mistake. Upon further inspection, it seems they’ve taken a cue from the Protein World twitter trolling tactic, and are aiming to woo the “I like semi-undressed women in my twitter feed” crowd as customers.

50% off Mondays. Promo Code: 50OFFMONDAY. Limited to first 150 signups. #VPS #COUPON http://t.co/8i23C3VBPQ pic.twitter.com/cdED6bhRqX— FORTAcloud (@FortaCloud) May 18, 2015

“How is this not sexist?” asks a man named Richard on twitter, wondering what it has to do with hosting, but Fortacloud respond explaining that men like pinups. Or something.
@RichardPrice Well, 99% of our customers are male between the ages of 18 and 42, similar to another industry. See https://t.co/KvuH8MlEWo.— FORTAcloud (@FortaCloud) May 18, 2015

Naturally, most of twitter is now out to explain to the FortaCloud hosting company, located in Reston, Virginia USA what sexism is, and loudly declaring “this would not have happened had they had any woman on staff”. To this FortaCloud brings up the famously filled with eyecandy & innuendo Godaddy ads, like “Shower” and “Proceedings”, one of which made it to the top 5 worst super bowl commercials of all time list. Honestly, FortaCloud should just bring up the PETA ads, they specialize in nude women for attentions sake.

@AdamTuttle We have many of both Adam. Do you not recall the #godaddy Super Bowl ads a few years back?— FORTAcloud (@FortaCloud) May 18, 2015

Fortacloud make it very clear that they are but one among many, and the FTC regulation sin the USA are not quite like the rules applied by the ASA in the UK or Reklamombudsmannen in Sweden. “Advertisements must not be unfair” the regulations state, but the mere fact that an ad offends someone or can be considered sexist is not “unfair” in this sense. FortaCloud will simply be tried in the court of twitter opinions, and who knows how many customers they’ll get from this little tweet. I can honestly say that it won’t sway me into hosting with them, anyway.

@randompunter @RichardPrice According to Wikipedia, advertising with images of beautiful girls is sexism. Certainly, we are one among many.— FORTAcloud (@FortaCloud) May 18, 2015

Spotify throws casual sexism into Mother's Day tweet, gets schooled.

“Ahead of #Mothersday, how would you explain Spotify to your mom?” Was the question posted in the now deleted Spotify tweet. As soon as it was tweeted out, people responded offended by the “ageist/sexist” tweet. It’s never wise to mess with peoples moms.

Happy Mother’s Day, mom! I will now mansplain @spotify for you.— Kristen Chase (@thatkristen) May 9, 2015

Hey kids, Mom here…explain this situation to @spotify? Because apparently my biz degree+IT background => stupid https://t.co/nIbgwxWO6m— Femme Malheureuse (@Femme_Mal) May 9, 2015

Looks like if I decide to start paying for streaming music, this engineer, coder, mom will be using @pandora_radio over @Spotify .— Kim Curry (@stargazer_412) May 9, 2015

. @SpotifyCares long time premium user here: really disappointed with your ageist/sexist #MothersDay promotion. My mom already uses @spotify— Sean Markey (@seanmarkey) May 9, 2015

Should’ve taken a screenshot. The gist: “How would you explain @Spotify to your mom? ‘The cloud…no, not those clouds.'”— Ashley Myers (@OrganizeFISH) May 9, 2015

.@Spotify my mom’s 70+, a degreed data scientist, wrote early data science paper as applied to library science, she consults on this.— Julie Baumler (@competentgirl) May 9, 2015

“Mom, it’s that thing you used to use before you switched to Tidal.” https://t.co/GcDLoHmsv4— Tara Denise (@BirdOfTaradise) May 8, 2015

@hkkhell @kevdillon316 @Spotify or, “here mom, I bought you a CD so the artists earn more than 0.0000000000023 cents.”— Seth Werkheiser (@sethw) May 8, 2015

Apparently Spotify asked somebody’s mom how to delete tweets.— Liza Daly (@liza) May 9, 2015

Buzzfeed dubs Bud Light the "rape culture" beer

Remember the Bud Light #Upforwhatever campaign? It rolled out with Ian in the Super Bowl 2014, where he was driven around in a Hummer limo and met a llama named Lily before playing ping pong with Arnold. By Super Bowl 2015 we had an unsuspecting bar hopper who accepts a Bud Light, then gets sucked into a real life Pac-Man game, where he is Pac-Man. Fun times! And weird. The kind of commercials that are more fun to be in, than to watch, but the idea is clear – Bud Light is the kind of beer you could drink when you’re up for whatever, from backyard BBQ’s to dancing all night at sweaty nightclubs, or just shooting the shit at your local with some friends.

That is, until someone read the smallprint. And then read into the smallprint. The #Upforwhatever tag varies on the beer bottles, there’s actually 140 different messages, one of them reads: “The Perfect beer for removing “No” from your vocabulary for the night.” Buzzfeed news reporter Rachel Zarrell wrote this article: People Are Saying Bud Light’s New Tagline Promotes Rape Culture – because of the link between intoxication and rape. This has been a sore spot since long before Camille Paglia doused the already inflamed debate in tequila in 1992 with “If someone gets behind the wheel of a car drunk and mows down three people, you wouldn’t excuse him because he started whining that he didn’t mean it”.

Buzzfeed got this statement from Bud Light:
The Bud Light Up for Whatever campaign, now in its second year, has inspired millions of consumers to engage with our brand in a positive and light-hearted way. In this spirit, we created more than 140 different scroll messages intended to encourage spontaneous fun. It’s clear that this message missed the mark, and we regret it. We would never condone disrespectful or irresponsible behavior.

Thereby apologizing for the one line out of 140 lines that had the wrong tone of voice. Unlike True Fruits and Protein World, Bud Light are not interested in defending a line that could be misinterpreted, they’re interested in being liked by everyone.

If "grow up Harriet" becomes a meme, blame Protein World

Social media in general and Twitter in particular has become increasingly difficult for brands to find the right tone of voice to use in. It doesn’t help either that most people like to use twitter to complain straight to brands, whether they are customers or not, about everything from delayed flights to choice of background color in a brands advertising campaign. Today, ProteinWorld encountered a twitter-kvetcher named Harriet who voiced her disapproval of ProteinWorld’s current underground campaign by asking a direct question as a response to the billboards question: Hey @ProteinWorld, am I (a normal woman) allowed on the beach? You know, if my body’s for me, not to please others?

Hey @ProteinWorld, am I (a normal woman) allowed on the beach? You know, if my body’s for me, not to please others? pic.twitter.com/k0JMZWvlIP— Harriet Johnson (@HarrietEJohnson) April 23, 2015

Proteinworld’s response wasn’t your usual (archive) careful balancing on of diplomatic words. Instead the brand responded “grow up, Harriet”.

@HarrietEJohnson @FemLonCon Grow up Harriet pic.twitter.com/LRHqOptpk4— Protein World (@ProteinWorld) April 23, 2015

Surprised? This is actually Protein World’s social media strategy. Coldly – and likely accurately – calculating that Harriet and other vocal complainers about the billboard aren’t their target market, the social media account handlers do not block, but also do not entertain the complaints. Instead opting to turn it into banter that third parties find entertaining, among them their actual target market. Basically, they’re trolling as a social media strategy. With responses like “We are a nation of sympathisers for fatties” in banter agreed to by the CEO who urges people to ‘Get off Twitter and do some work!'”, Protein World has seemingly taken on what I might call the “True Fruits” attitude. If you don’t like it, don’t buy it.

The posters have gotten a lot of negative attention, with people vandalizing them and tweeting photos of themselves flipping the bird at it, or like below posing next to it in a bikini to make a point. A Change.org petition to get the billboards removed has gotten over 30,000 signatures. But Protein World are not budging one inch (must be that ripping strong core). Instead of blocking or muting those who tweet the account, they’re replying, thereby ensuring that their sarcastic responses are seen by an even wider audience. Considering that fitness protein is a niche market, bought by those dedicated to working out and staying fit, they as a brand will never be as well known as say, Kellogg’s. But thanks to this, people who never knew the difference between Gainomax and Cellucor now at least know on brand of supplements Protein World, which carries its decidedly different style to the look of their products as well. No photoshopped flashes of lightning or busy metallic reflect logotypes, just a simple black white and bright yellow consistent style all the way.

I am SO for the #eachbodysready hashtag!!! <3 http://t.co/RcL72FzAt7 pic.twitter.com/U2HLRjR2zm— Tara Costello (@Catstello) April 23, 2015

Richard Staveley, the head of global marketing for Protein World has released a statement regarding the Change.org petition:

“We absolutely have no intention of removing the adverts because of a minority making a lot of noise. We sell our products in over 50 countries to more than 300,000 customers. Most of them are women. How could we possibly be sexist? It is a shame that in 2015 there are still a minority who aren't focusing on celebrating those who aspire to be healthier, fitter and stronger.

He also wants everyone to know that Renee may have some good genetics but added the rest with hard work:
Renee, our stunning model (inside and out by the way and falsely assumed as photoshopped!), falls well within what the British government deem to be a healthy weight (based on the BMI system)."

You can't please everyone, all of the time, and now there's a strategy in not even trying. Ride that outrage-wave to free media mention fame, brands. It's a bit like playing with fire, and obviously will not suit all brands but in the case of a workout supplement, it's actually a perfect tone-of-voice for its intended target.