CP+B Creative Director Makes Short Film About KISS Song ‘Beth’ From Her Point of View

A classic rock ballad, "Beth" by KISS, that inspired a thought balloon—"Wouldn't it be funny to hear Beth's  side of the story?"—is now a short film. The four-and-a-half-minute piece from Bob Winter, executive creative director at Crispin Porter + Bogusky in Miami, centers around a 1970s-era phone call between Beth and an actor portraying Peter Criss, the band's original drummer and co-writer of the song.

Beth is home, cooking meatloaf and wondering when Peter will get home. Peter is in the studio, unable to commit to a time (he keeps repeating a refrain in the song, "What can I do?") and anxious to get back to recording. He and his bandmates are inexplicably dressed in full costume and face paint, despite being nowhere near a concert hall. Ah, but hey, what says KISS more than makeup and platform boots?

The back and forth turns hostile when Peter, who said he'd be home in a few hours, shifts to another line in the song: "I hope you'll be all right 'cause me and the boys will be playing all night." "What?" Beth replies, stunned. "Peter, you just said you were going to be a couple of hours. I made dinner. It took me all afternoon to make. You know what? … I might as well just throw it into the garbage." Rather than reply, Peter sighs, leaves the phone cord hanging and returns to the boys, sits down behind a piano and belts out the song. Beth doesn't hear it, though. She glumly hangs up and sits down to eat with her two children.

Directed by Brian Billow of Anonymous Content, the film feels part Behind the Music and part Saturday Night Live, with just enough '70s home décor (beige stone, dull wood cabinets, a toaster oven) to make you yearn for The Brady Bunch. Winter first got the idea for the spoof when he was chief creative officer at Young & Rubicam in Chicago. As he told Adweek previously, "I was thinking that it might be fun to create a series that's like the made-up stories behind real songs."

Asked this week what's next, Winter replied, "Maybe the next song is 'Jump' by Van Halen, and it turns out it was really about one band member helping another band member avoid stepping in dog poop. Something serious like that."

CREDITS
Director: Brian Billow
Production Co.: Anonymous Content
Sr. Exec Producer: Eric Stern
Exec Producer/Production: SueEllen Clair
Producer: Paul Ure
Writer: Bob Winter
DP: Darran Tiernan
Editor: John Dingfield/Beast Editorial
Actors:
Beth: Lilli Birdsell
Peter: Steven Olson
Kid #1: Michael Hamilton
Kid #2: Robert Hamilton
Ace: Roy Green
Paul: Alec Paul Cartinian
Gene: Rocco Fonzarelli
Roadie: Jason Lee Beckwith
Performer Beth Piano Intro: Coleman Zurkowski

    

Use Cool Whip Frosting, and Stop One More Cake From Being Abused

A poorly frosted cake is a tragedy in The Martin Agency's new ad for Cool Whip. "Mistreated Cakes," which breaks today and pushes Cool Whip Frosting, plays out like a PSA on behalf of the "millions of innocent cakes [that are] mangled, mistreated and hurt" by rival frostings, which just aren't as smooth. Images of sloppy cakes give way to a shot of a supermarket freezer full of Cool Whip Frosting, as a plaintive male voice explains, "There is something you can do." After a lush close-up of Cool Whip Frosting being spread on a chocolate cake, the ad shifts back to a sad sack of a birthday cake just as one of its candles topples over. "Please help," implores the voice, amid sparse piano notes. "Cool Whip Frosting. Together, we can change the way cakes are frosted." Martin senior copywriter Bob Meagher said the mock-PSA approach stemmed from a simple idea: What if a cake had feelings? To get the mood right, Meagher and senior art director Pat Wittich watched old PSAs and, yes, baked a cake. The ad, which targets moms whose families bond over dessert, will run through May during shows such as Food Network's Cupcake Wars and ABC's Grey's Anatomy, according to Marjani Coffey, brand manager on Cool Whip at Kraft Foods.