Potentially as awesome as someecards.

Baby

This is a book cover from the folks at breakingbadnewswithbabyanimals. Looks naughty and delicious. There is a very limited e-card functionality on the site with a few badnewsbaby missives you can send along to your friends, but hyping the book  is the main focus. A pity. Add the customizable functionality of someecards and it's easy to imagine these in the Internet sensation category with the potential to garner the authors more notice than the book itself. With the economy in tatters, I'm certain we all have use these.

Hat tip to Mr. Villhauer

Days like these.

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Aha’s Take on Me: The Really Literal Version

I’m only slightly ashamed to admit having a real soft spot for Aha.

The "Take on Me" video is, arguably, THE iconic 80s music video. It proves a couple of things. 1. People love rotoscoping. 2. The 80s were worse than we feared.

Regardless, enjoy this delightful rework of classic pop culture.

Shout out to Mr. Vilhauer

Our hometown garners an honor?

Kclist

Right there with Vegas. Nice. You can find more here.

AC #60 Now Available

Seinfeldandgates

The Bill & Jerry Edition

Chapter One: Bad surveys
Chapter Two: The lads talk too much about MSFT (7:32)
Chapter Three: Cheers to the voice (20:00)
Chapter Four: The NFL as brand redux (21:14)
Easter Egg:     It’s not hot

It’s an episode where the water flows like beer and the conversation is just as refreshing. Why not join us?

Classic copywriting.

Connect with the Mad Men on Twitter

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If you’re caught up in Mad Men fever and want to drop a little deeper into the rabbit hole, get yourself on Twitter and start following @don_draper and @joan_holloway.

We can”t say for certain that the producers of the show are behind it, but we can tell you the characters seem absolutely consistent with their televised versions when tweeting with one another and followers. In addition, each profile links to the official AMC site, and there does seem to be some highly subtle show promotion. For instance, last Sunday morning, well before the episode aired, @don_draper tweeted: "Wishing I didn’t have to spend most of my Sunday at the office." It was later revealed in the show, of course, that Draper had to head into the city to work on the American Airlines pitch. Nice.

It’s an interesting use of Twitter, and one I’m content to play along with to see what more they can do with the highly personal medium.

Of course, there’s an open invitation for the masterminds behind this to contact us with more revelations.

Jedi Copywriter Redux

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Several years ago, Tug and I got a case of beer and watched the Star Wars saga in chronological order back to back to back to back to back to back.

Yeah, yeah, we know. Our wives said the same thing. And we don’t disagree.

Anyway, about halfway through Episode VI, we started applying Jedi wisdom to the practice of advertising (likely due to the aforementioned beer). The ultimate result was a document we called "Jedi Copywriter: The Secret Tenets of the Advertising Force."

We’ve posted about this before. And even done a podcast on it. However, with the release of “The Clone Wars,” it seemed like a good time to blow the dust off our efforts of that evening and review the ways of the Advertising Jedi.

TENET ONE: Be a Padawan Learner.

The Jedi identify those who are strong in the force at a young age and bring them to the Jedi Academy for training. These students are called Padawans.Images1

Now, all Jedi are born with their innate talents. But not all Jedi are the same. For instance, Kit Fisto can sense his opponents’ uncertainties. Plo Koon has face appendages that sense subtle movements and shifts in The Force. Oppo Rancisis uses The Force to induce nausea in opponents. And Mace Windu? Well, he is just a complete bad ass. When it comes to lightsaber combat, there are numerous forms and innumerable personal adaptations. Those with blue blades are more apt to fight it out. Green, they’re the negotiators. And red, well, you all know who carries red blades.

The point is that we all have different strengths that should be nurtured and honored. The Jedi Knights do this by assigning every Padawan a mentor. Yoda mentored Count Dooku who mentored Qui-Gon who mentored Obi-Wan who mentored Anakin and Luke.

To become an Advertising Jedi, you need a mentor, too. Even if you already hold a high title, seek an opinion you can absolutely trust. Not to give you answers, but to help you find them.

Arrogance is of the Dark Side and will fight to keep you from following this tenet. Remember that Anakin had loads of talent but believed he could do no wrong. He fell to the Dark Side. This is why Master Bernbach always carried a piece of paper in his pocket that read: "They might be right." He remained a Padawan. Always.

TENET TWO: Concept the Jedi Way.

Jedi almost always collaborate to solve a problem. When a Jedi does strike out alone, as Anakin did in Episode II when he attacked the Tusken Raiders’ (you may know them as Sand People) village, it generally turns into something of the Dark Side.

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Today, we’re all talking about creating integrated solutions. In this sense, the big idea is diced into a thousand touch points. The traditional creative team can benefit from collaborating from the outset with the big brains in media, PR and strategy.

At our agencies, we have seen great benefits from redefining the borders of the traditional creative team. Instead of two, we often see three, four or even five people in initial concepting meetings, several of whom would not traditionally be considered “creative.” We’re not saying it has always been easy. But with time and encouragement, we have seen that it works. And, if the Jedi can get entire races to set culture aside and collaborate for the common good, then certainly we can get a few ad people to collaborate willingly for the good of their client. We’re talking about real collaboration. Not the same old turf wars wrapped up in an integrated package. Brilliant, insightful work shines brightly enough to spotlight everyone.

TENET THREE: Concentrate on the Here and Now.

Master Yoda said this about Luke: "This one a long time have I watched. All his life has he looked away-to the future, to the horizon. Never his mind on where he was-what he was doing."Luke_skywalker

The same can be said for many advertising folks. Always thinking of the day when they will move to the next agency, the next client or the next project instead of making the absolute most of the opportunities that are right there on their desk.

We don’t care what any Sith Lord tells you, every project is worthy of your attention, and every project offers an opportunity to do something well. Do one thing well, and you’ll get opportunities to do more things well. If you don’t believe that, you can never be an Advertising Jedi. Master Butler, Master Shine and Master Stern have built a fine agency on the idea that there is no small project. From a sticker on a bag to the tag on a pair of jeans – they strive to make all of them great. In the end, it’s far more likely that the dream agency/client will call you in your future if you are not so intent on wasting your present.

TENET FOUR: Beware the Dark Side.

Again, Master Yoda’s words ring clear and true in our ears: "Anger, fear, aggression: the Dark Side of the Force are they. Easily they flow. Quick to join you in a fight."

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True Advertising Jedi add pettiness, envy and insecurity to Yoda’s list. There is plenty of room in advertising for all of us to succeed in our own way and in our own time. So, don’t indulge in useless negativity and/or snark. You may think it makes you powerful, but it doesn’t.  Instead, focus your energies on living tenets one through three. You’ll soon find yourself impervious to such Dark Side emotions.

Along the way, work to keep your motivations pure. The phrase, "we slipped one under their radar" is Sith lingo. Do the right thing for the sake of doing the right thing. You will be amazed at how much easier your ideas are to sell when you believe without one ounce of doubt that they are the absolute best thing for your client. Why? Because when you believe, your client believes, too.

TENET FIVE: Do or Do Not. There Is No Try.

Yoda sees no gray. And when it comes to your motivations, neither should you. Not every idea you have is going to be a blockbuster. And, conversely, you are not going to sell every blockbuster idea you do have. This is the way of things. Images5

It’s important that you do not focus on what didn’t sell and who is to blame. Instead focus
only on bringing the best ideas you can to the first creative review each and every time. Fight with yourself ruthlessly. You either had a good idea or you didn’t. This is where you should seek your personal satisfaction because once you share your idea, the rest is largely out of your control. There will be victories. And losses. But you cannot allow yourself to be afraid of loss or be consumed by the anger of it. This is why the Jedi shunned attachments. Fight yourself to do your best, cast the results to fate then roll with the punches that will inevitably come. Remember, the Jedi could not control the events that led to the Clone Wars nor were they spared suffering in The Great Jedi Purge. Still, they never strayed from the ways of The Force. And, in the end, they triumphed.

TENET SIX: Celebrate Seriously.

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You’ll note that several of the “Star Wars” movies end with a big celebration scene. There’s a important lesson for us here as well. It’s critical to celebrate victories both big and minute. It’s critical because this is, after all, the advertising business. And no matter how well you did today, no matter what adverbeast or Sith Lord you slayed, somewhere out there, someone is building another Death Star.

And, it’s coming for you.

Enjoy The Clone Wars this weekend. We’ve got our tickets for 2:15 Sunday afternoon.

Our favorite spot of the Olympics so far.

Great art direction. Great concept. Oh, and great sell for Coke, too.

More proof that creative matters.

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In this ROI-conscious world there are many who will tell you that it is easier, smarter and safer to focus only on function. Function, after all, is the point. Form is for sissies who only care about "winning awards." Form is fuzzy and full of risk. Form is a concern for artists not coldly efficient business people.

Save this photo to remind those people (and yourself) that the right form multiplies function. The right form makes function transcendent. The right form reaches out and changes the opinion of the whole, wide world.

God. And her agency.

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Shoots take you outside from time to time. As golden hour approaches someone will inevitably say, "God is now our gaffer." In other instances, usually upon sight of any given natural wonder, you might hear, "God is one helluva creative director." But in Steffan Postaer’s new book, "The Happy Soul Industry" God is a client. A client who needs a wayward ad man to fix her brand. God’s brief? "Promote goodness in all its forms." The creative team at fictional Chloe, Night & Wiener pitch the idea
of bringing people back to goodness through a campaign that asks
one simple question: How Are You?

From the book :


Indeed, it was perhaps the most common question in the world, so
mundane it had essentially lost all meaning. Yet, presented in the
context of a bus stop ad, something marvelous and unexpected happened:
The once rhetorical question became an emotional clarion.


Barry rubbed his whiskers, brightened.  “Everyone says ‘How are you?’ but what if we really meant it?”

Playing on this campaign idea, Postaer has also launched the "How Are You?" blog. A real online confessional for the advertising soul. Postaer is also promoting the book in Chicago and Los Angeles with a little help from the OAAA (who clearly still have some real love this little campaign).

Hmmm. Promoting a book in L.A., eh? Well, there are worse things than selling your soul to Hollywood.

Mark our words: Mad Men will drive agency fashion.

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Now that corporate casual is boringly abundant on the client side, it’s nearly time for contrarian agency types to switch up business fashion. And how do you rebel against casual? You go Mad, of course. Word on the street has it that BBDO New Yorkers are already rocking skinny ties and fedoras. The industry could use a little sprucing up to be honest. I don’t mind wearing a suit now and again. Of course, I’m just not sure what HR is going to say about a crystal Scotch decanter. Think you’ll never see your flip-flopped, tatooed art director partner in a sharp suit or an up do? Come on. Who is more susceptible to advertising than ad people?

This will draw letters from nerd rights groups.

Comic

We’re all painfully aware of the recent hubbub over regarding ads getting yanked for being insensitive and all the associated angst.

So what’s the big deal? Well, let’s start with the truth about humor.

Humor, while often exaggerated and cartoonish, is cutting in the sense that, nearly always, someone or something is the "butt" of the joke (see above). The most widely appreciated humor is also most often based on at least a single grain truth. So, in this sense, humor is a mirror. And who holds that mirror up to your face can make all the difference.

This is why humor in advertising gets so tricky.

We ad folks love to talk about how we create entertainment and
culture, but the fact of the matter is that a good section of the public just doesn’t see it that way. People are comfortable with artists holding the mirror. They are not nearly as comfortable with salespeople holding up the mirror. Oh, did you forget that what we are? Salespeople? We may use culture as a tool, but, in the end, we aren’t creating art. We are selling something even if that’s just an idea or feeling. 

It’s my contention that the issue stems from the unfortunate fact that advertising and art are simply not equated in most non-advertising minds. I believe this has to do with the issue of choice. In the end,
people can choose to watch a movie or not. They can DVR a controversial show. Or not. But the public does not feel the same
immunity with ads (even today). Throw in the built-in sentiment that we
are mind-warping liars hellbent on destroying society with needless
consumerism (have you seen WALL-E?) and, well, you get letters. Lots of
letters. Particularly if a sensitive type perceives corporate
sponsorship of any kind of "hate," which, in reality is likely just the "butt" of a particular joke.

Now, for some brands controversy is
welcome. For most it is not. We may not like it (I don’t), but it is certainly
the way of things. This is not to say I don’t lament an overly sensitive society. We all need to take some lessons about laughing at ourselves. And I say we keep tilting at the windmills and pushing the culture. But
when we get knocked on our butts and have an ad pulled, whether it REALLY deserved or not, we
shouldn’t whine. This is reality not portfolio school. This is another contraint to create tension. Embrace it.

As far as the pulled Snickers ad goes, well, it’s not as nearly funny as this anyway.

Draper: Spicy chicken soup for the creative soul.

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Your creative empowerment quote from last night’s Mad Men:

"They can’t do what we do. And they hate us for it."

–Don Draper

Talking like an insider.

Those in the know will love what they see here. What seems arcane to an outsider is pure poetry to an insider, and that can make an ad highly polarizing and highly relevant. A formula often ignored and/or feared by brands.

Hat tip to Did You Ever Notice?

File under: Marketing to Men

I’d present with Don Draper any day.

Thanks to Kodak Chief Blogger.

The big corportation designs the stop sign.

This type of spoof just never gets old. This one is particularly painful. In a truth telling way, that is. 

Thanks to marktd.

The question of creative taste.

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In my opinion the phrase, "That baby is so cute I could just eat it up!" was not meant to be taken literally. But maybe that’s just me. No matter how you slice it, you must admit this is quite a cake. Creative expression comes in so many interesting forms. Still, as Tim Gunn might say, "I question the taste factor." Like is it white cake or lemon or what? 

Have another piece at Cake Wrecks

AC #59 Now Available

The Advertising Fight Club Edition

Wherein Tug and John ramble about the following:

Chapter One:    Cannes happened?
Chapter Two:    Advertising Fight Club (4:46)
Chapter Three: Back to that Cannes thing (10:49)
Chapter Four:   The Half Yearly Blues (16:32)
Chapter Five:    Home run story (21:21)
Chapter Six:      A tribute to Mr. Carlin (25:45)

We submit it all for your listening pleasure now.

Lawyers make such rotten copywriters.

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A disclaimed headline is such a wonderful (yet horrible) thing.

Ripped off from PSFK.