Remembering Carol Channing: Star of the stage, screen — and TV commercials


The arts world has lost a major force with the death today of Carol Channing, musical and stage star, at the age of 97. But while the ebullient Channing will always be known for her Broadway roles — particularly Dolly Gallagher Levi in “Hello Dolly! and Lorelei Lee in “Gentlemen Prefer Blondes” — the bombshell with a penchant for groovy jewelry was also a prolific star of TV commercials.

In several memorable spots from the ’60s, ’70s and ’80s, the gravely-voiced Channing was featured alongside other Hollywood luminaries including Milton Berle, Gregory Peck and even Cher, pitching products from Atari to AmEx.

Below, we recall some of her high-wattage commercial roles in which she proves that it’s more than diamonds that were her best friends.

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Japanese tech giant NTT to replace Verizon as IndyCar title sponsor


IndyCarwhich oversees the open-wheel racing series that includes the Indianapolis 500has inked a deal with Japanese technology company NTT to become its next title sponsor. The company, formally named Nippon Telegraph and Telephone Corporation, replaces Verizon, which bowed out of its deal last year after singing on in 2014.

The 17-race series will be renamed the NTT IndyCar Series as part of the deal. IndyCar did not reveal financial terms or the exact length of the pact, other than to describe it as a multi-year deal.

NTT started as a phone company but has grown into a $106 billion technologies services giant whose business includes consulting, cloud, networking and systems integration. One of its divisions, NTT Datawhose U.S. office is in Plano, Texas has an existing sponsorship deal with Chip Ganassi Racing. One of the team’s members, Swedish driver Felix Rosenqvist, will drive an NTT Data branded car this upcoming season, which begins March 10 with the Firestone Grand Prix of St. Petersburg.

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Watch the newest ads on TV from Dunkin', Chase, DoorDash and more


Every weekday we bring you the Ad Age/iSpot Hot Spots, new TV commercials tracked by iSpot.tv, the real-time TV ad measurement company with attention and conversion analytics from more than eight million smart TVs. The ads here ran on national TV for the first time yesterday.

A few highlights: Food delivery service DoorDash points out that meals from big chains including Wendy’s, The Cheesecake Factory and Chipotle are now available through its app. Kabbage’s self-described “10 Minutes in the Future Spokesguy” explains how quickly it can deliver money to small businesses in need of funding. And ’70s-style buddy cops help Dunkin’ promote its Dunkin’ Go2s specials.

Continue reading at AdAge.com

Food marketers spending more on TV ads to target black shoppers, study says


Food companies have ramped up spending on TV commercials targeting black consumers while simultaneously cutting back their overall spending on advertising, according to a new study.

During a five-year period when both total and Spanish-language TV advertising by food companies fell 4 percent, TV marketing aimed at black Americans spiked more than 50 percent, according to a report from University of Connecticut’s Rudd Center for Food Policy & Obesity. Black teenagers saw more than twice as many ads for unhealthy foods compared to white teens in 2017, the study found.

Both fast-food chains and packaged food companies increased their spending for the demographic group during the period from 2013 to 2017. According to the study, PepsiCo Inc.’s spending on TV commercials targeting black shoppers rose by 37 percent, while Taco Bell-owner Yum Brands Inc.’s rose 31 percent. The companies did not immediately reply to Bloomberg’s request for comment.

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Gary Cole, the Actor You Know From Everything, Is Now the Time-Traveling Spokesguy for Kabbage

Gary Cole plays a time-tripping spokesman who visits from 10 minutes in the future to illustrate how quickly and efficiently Kabbage can provide funding to small businesses. In the amusing 30-second spot below, we meet some business types in a warehouse, fretting over how to get quick cash for expansion. In pops Cole, as “10…

Perfil no Instagram reimagina desenhos animados clássicos com personagens negros

Os desenhos animados hoje mantém uma popularidade inegável entre crianças e adultos, mas mesmo estando no auge eles ainda mantém certos padrões ultrapassados em voga. Um deles (e talvez o mais grave) é a ausência de diversidade racial: enquanto sobram personagens brancos ou atribuídos à população caucasiana, outras fatias da sociedade mantém-se reduzidas a coadjuvantes …

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Amazon deve lançar serviço de streaming focado em games

Segundo o The Information, a Amazon está desenvolvendo um serviço de streaming focado em games, apostando em um mercado que já conta com Microsoft, Google e outras empresas construindo projetos similares. A plataforma em questão permitirá que o usuário jogue diretamente pela nuvem. Assim, não seria necessário instalar o jogo, o que elimina também a …

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Watch Serena Williams in Bumble's Super Bowl commercial teaser


Dating app Bumble finally confirmed it will air it’s first Big Game commercial during Super Bowl LIII.

In a teaser released on Tuesday, Williams is, predictably, on the tennis court. “We are just as strong, and just as smart, and just as savvy, and just as business-like as any other male in this world…Now it is time to really show up and tell our story the way it should be told,” Williams says in the clip.

The company declined to provide details on the length of the spot, but it will appear in the first-half of the game airing on CBS on Feb. 3.

Continue reading at AdAge.com

P&G's Olay makes a surprise Super Bowl commercial debut


Procter & Gamble Co.’s Olay will make a surprise appearance in the Super Bowl a relatively rare entry from a women’s beauty brand — with a 30-second spot from Saatchi & Saatchi in the first quarter of the Feb. 3 CBS broadcast.

It’s a first for Olay, and the first beauty brand in the game since the small “It’s a 10” salon haircare brand aired an ad in 2017 obliquely poking fun at President Donald Trump’s hair. The last women’s beauty brand to air an ad in the Super Bowl before that was Unilever’s Dove in 2006, though the brand’s male counterpart Dove Men+Care ran ads in 2010 and 2015.

“I can’t go into detail on the creative approach,” says Stephanie Robertson, director of North American skincare for P&G, “but can say that it is unexpected and designed to feature the killer skin transformation that women have come to expect from Olay.”

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Goodbye, New York. Adam Moss Is Leaving the Magazine He Has Edited for 15 Years.

At 61, an editor known for his obsessive style steps away from a publication that told New Yorkers where to eat and what to think. “I don’t wake up obsessed every morning, and I used to,” he said.

P&G's Olay makes a surprise Super Bowl commercial debut


Procter & Gamble Co.’s Olay will make a surprise appearance in the Super Bowl a relatively rare entry from a women’s beauty brand — with a 30-second spot from Saatchi & Saatchi in the first quarter of the Feb. 3 CBS broadcast.

It’s a first for Olay, and the first beauty brand in the game since the small “It’s a 10” salon haircare brand aired an ad in 2017 obliquely poking fun at President Donald Trump’s hair. The last women’s beauty brand to air an ad in the Super Bowl before that was Unilever’s Dove in 2006, though the brand’s male counterpart Dove Men+Care ran ads in 2010 and 2015.

“I can’t go into detail on the creative approach,” says Stephanie Robertson, director of North American skincare for P&G, “but can say that it is unexpected and designed to feature the killer skin transformation that women have come to expect from Olay.”

Continue reading at AdAge.com

Facebook Is Increasing Its Investment in Local Journalism

Facebook is expanding its investment in local journalism, setting aside millions of dollars to support “news programs, partnerships and content,” according to Campbell Brown, the company’s vp, global news partnerships. The money will include a $5 million endowment (matched by Pulitzer Center chair Emily Rauh Pulitzer) for a new program from the center called “Bringing…

Giant Grocery Stores Is Deploying Googly-Eyed Robots to Improve the Customer Experience

It’s as if Christopher Walken’s Googly-Eyed Gardner decided to go into retail: Supermarket chain Giant Food Stores has deployed six-foot-three-inch googly-eyed robots named Marty–and it has plans to bring him to all 172 stores across Pennsylvania, Maryland, Virginia and West Virginia this year. Marty is the result of a partnership between parent company Ahold Delhaize,…

Mr. Rogers’ Words of Enduring Love Help Shine a Light on Pittsburgh’s Response to Tragedy

All of us who grew up watching Fred Rogers liked to imagine living in his neighborhood, but residents of Squirrel Hill, Pa., didn’t have to pretend. They literally lived in Mr. Rogers’ neighborhood. Rogers moved to the Pittsburgh neighborhood in the 1960s and long maintained his connection to the community, even choosing to spend his…

Bumble Confirms First Super Bowl Ad Starring Its New Global Advisor Serena Williams

After recently unveiling a campaign with newest global advisor Serena Williams called “The Ball Is in Her Court,” Bumble has revealed that the first spot in the campaign will debut during the first half of the Super Bowl, which will mark the five-year-old company’s first appearance in the Big Game. The brand would not confirm…

Olay’s First Super Bowl Spot Aims to Empower Women in a Place That Often Disregards Them

Women make up a sizable chunk–nearly half–of the NFL’s fanbase. But looking at the advertisements that typically run during the Super Bowl, you’d never know it. To counter that number, which Stephanie Robertson, brand director for Olay, calls an “astounding statistic,” Olay is making a major marketing move. The skincare brand, which is under the…

Dollar Shave Club – I gotta be me / Get Ready (2018) 3:40 (USA)

transvestite

Health & Beauty

Dollar shave club shows us how we all get ready

Bouygues – Dancing Dad / Christmas 2018 (France) 1:38 (2018)

Bouygues Dancing Dad Christmas 2018

Telecom & Dotcoms

Dad dancing goes from fun, to awkward, to sentimental.

Geico: The Best of GEICO


Film
Geico

The debate has been raging for years: what’s the greatest GEICO ad of all time? Finally, after decades of speculation and pent-up demand, GEICO has decided to let folks settle the matter once and for all.

Introducing “The Best of GEICO” – a collection of commercials spanning 25 years, curated down to the top ten ads. These greatest hits will re-air on TV and online for the next few months, while America gets to vote on their favorite. Simply visit geico.com/bestof to view and vote today!

Advertising Agency:The Martin Agency, Richmond, USA
Chief Creative Officer:Karen Costello
Executive Creative Director:Jerry Hoak
Group Creative Director:Steve Bassett
Creative Directors:Neel Williams, Justin Harris
Executive Producer:Kerry Ayers
Content Producer:Heather Tanton-Collier
Junior Content Producer:Catherine Kennedy
Business Affairs Supervisor:Suzanne Wieringo
Senior Financial Affairs Manager:Amy Trenz
Account Supervisor:Jon Glomb
Account Executive:Allie Waller
Account Coordinators:Abbey Reddington, Yoon Ko
Project Manager:Stephanie Ashworth
Financial Account Supervisor:Monica Cox
Production Company:Radical Productions
Director:Steve Miller
Line Producer:Gregg Carlesimo
Editorial Company:Mackcut
Editor:Dave Koza
Editorial Producer:Gina Pagano
Vfx:Running With Scissors
Finishing:Running With Scissors
and Color:Running With Scissors
Flame Artist:Chris Hagan
Producer:Sherilyn Martin, Clinton Spell
Audio Post Facility:Rainmaker
Sound Designer:Jeff McManus
Mixer:Jeff McManus
Music:APM Stock Tracks

Nutristar: Deer, Rooster, Elephant

Print
Nutristar

Everybody wants to be a cow.

Diet plays a key role in keeping cattle healthy and maintaining the quality of the milk they produce. This is why Nutristar selects feed and fodder able to guarantee both animal wellbeing and efficient production. Nutristar’s 2018 communication campaign transmits a simple yet incisive concept: if the food is top-quality, other animals will want to eat just like the cattle – or rather, they’ll want to be just like the cattle.

Advertising Agency:Auiki, Reggio Emilia, Italy
Creative Directors:Simone Galloni, Simone Risola
Art Director:Nausicaa Amovilli
Copywriter:Giulia Giordano
Cgi:Hyperactive Studio
Photographer:Hyperactive Studio
Account Manager:Claudio Lacetera