Arla "Barbara" (2017) 3:00 (UK)
Posted in: UncategorizedArla "Kenny" (2017) 3:00 (UK)
Posted in: UncategorizedArla "Rex" (2017) 3:00 (UK)
Posted in: UncategorizedPatriotic Pet Portraits for The National Disaster Search Dog Foundation
Posted in: Uncategorized

Simple stunning portraits of true heroes: rescue dogs. With the “medals,” they’ve received for their rescue efforts over the years. The idea being of course that they really are heroes. But without your donation, they won’t be able to continue serving.
Riga Motor Museum "amazing adventure" (2017) 4:04 (Latvia)
Posted in: UncategorizedZIMA "Back, not Back" (2017) 1:00 (USA)
Posted in: UncategorizedEither way, if it’s time for the Slackers to finally get our due, it’s annoying as hell that out of all the things one could pluck from the 90’s miasma to bring back, they decided to bring back Zima.
That’s right, kids. Zima is back for a limited time, this ad announces.
What else from the 90’s is back? Well, not brick phones, thankfully. Jincos are back! (Not thankfully, either.) And no, tribal tattoos or tramp stamps for that matter. That’s right, we called them Tramp Stamps back then. Long live the First Amendment, screw political correctness. Taco Bell Chihuahuas? No way, Jose!
The 90’s references really start to lose their way at this point. Inflatable hi-tops? Sorry they debuted in 1989. And VHS started in Japan in the 70’s but was already huge in the states in the 1980’s. (See kids, we used to have these video rental places. There was one on every corner. And gas was only a dollar!) Pagers were from the ’80s. There’s even a reference to You Can’t Do That On Television with someone getting green slime dumped on their heads. Also from the 80’s. The Troll doll actually originated way back in 1959 and enjoyed two fad moments. The first was the 70’s. Even the art direction and voice over is mostly straight outta the 80’s. This to me is the biggest blunder. At least the cast is very 2017. You never would have seen a woman with that many tattoos in the 90’s unless she was in a band or recently got out of jail.
The only really accurate part of this ad that made me laugh our loud is the fact the voice over spells out the entire website name at the end. I wished they would have added “AOL Keyword: Zima,” too.That would have been a nice cherry on top. Oh, there’s also a website that they kind of get half right, too. The type size is too large and I’m missing the star trail that my cursor would have left if I moved it around.
Feels like if you were going to go for this concept you might have researched it a bit for accuracy. Hey maybe some Gen X slackers created it. Either way, I realize I’m not the target since I haven’t deleted thirty-seven selfies just now before I posted the right one to my feed. Time to come to terms with the fact that I’m not the chosen target any more. I am part of the forgotten generation. Whatever, I don’t care. It’s like, whatever, man.
*cues up Smashing Pumpkins*
*follows it up with The Verve*
*plays Cracker’s “Teen Angst.”
I’m sure when the Millennials discover that Zima sucks it will go straight back in the 90’s miasma where it belongs. Right next to the charm ankle bracelets and dELiA•s catalogues.
Laundry Names James Sweigert As Managing Director
Posted in: Uncategorized“I’ve known James since arriving in Los Angeles 18 years ago, and the moons have finally aligned for us to work together,” says PJ Richardson, Executive Creative Director & Partner of Laundry. “What I’m most excited about is his fresh enthusiasm for design-driven animation and production, but also his understanding of how it is all evolving. Like us, he understands creativity comes down to having fun, so it’s a perfect fit.”
Working closely with Richardson and ECD/Partner Anthony Liu, Sweigert will oversee all creative and production management and operations for the studio, which encompasses animation, design, VFX, and live-action production. He is also tasked with nurturing existing client relationships and cultivating new opportunities with brands, services, and technology partners.
“Laundry has a sophisticated creative infrastructure, which I’m excited about bringing to new heights,” says Sweigert. “We can achieve great things with our clients by tapping deeper into the existing strengths of this company across the board, and implementing systems that allow us to become more of a strategic partner early on. I’m also keen on what the future holds for Laundry with respect to VR/AR, 360 and experiential work, as well as expanding our live-action bandwidth.”
Sweigert arrives at Laundry following a tenure as Executive Producer of TV & Streaming at mOcean. Other previous positions include Executive Producer/Partner at Nathaniel James, Head of Production at Brand New School, and Assistant Executive Producer at Fuel/Razorfish. He’s produced notable projects, including the main titles for the Emmy Award-winning documentary “Hawaiian: The Legend of Eddie Aikau,” about one of the most prestigious big wave riders, which was featured on ESPN Films: 30 for 30; IDs for the NFL Network’s broadcast of the Super Bowl XLVII between the San Francisco 49ers and Baltimore Ravens, which was seen by millions on-air and also appeared on the stadium’s jumbotrons; as well as work for HBO’s “Game of Thrones” and “Sport in America”; a graphics package for the US Open on FOX Sports; and a rebrand for GSN.
Also a filmmaker, Sweigert has just completed producing and directing a documentary titled “N-Men: The Untold Story.” The film takes a look at the Northern California skateboarding scene from 1975 through today, featuring interviews with Tony Hawk, Tony Alva and the N-Men who inspired them. The film is scheduled for release in 2018 with Laundry playing an instrumental role in the post production.
About Laundry:
Artists. Misfits. Wild cards. Experts of the unexpected. We are Laundry, a Los Angeles-based design, animation and live-action studio specializing in commercials, film and digital content. We’ve got a different take on things, live for the challenge, and love the rush of pulling it all off. You’re not satisfied with the status quo and neither are we. So let’s do something about it.
ampm "Toomgis' Summer Job" (2017) :30 (USA)
Posted in: UncategorizedRicochet "Meetings between passionate people" (2017) 1:14 (France)
Posted in: UncategorizedWell. uh, I would dare say to the people who use such dating apps boning is a common passion. Setting that aside for a second, does anyone believe a so-called “friending app,” won’t be used for the exact same reason all the other dating apps are used? “Oh, you’re into cricket? Great, let’s go see a match. And then bone.”
I mean the app was designed by French people after all. Who are we kidding?
Jokes aside, I do have to hand it to the strategy. Set yourself apart from the slew of apps already out there. Position yourself as being “other.” There’s no way to control human nature of course, but at least you’re standing out. Although I’m not sure how effective the tactic of using sex to sell a supposedly non-sex based app will be in the long run.
BBDO and WPP take top company awards at Cannes Lions
Posted in: UncategorizedBDDO Worldwide has been named Network of the Year at Cannes Lions for a record sixth time, with Clemenger BBDO Melbourne winning Agency of the Year.
BBDO, Droga5, WPP Take Top Honors on Final Night of the Cannes Lions
Posted in: UncategorizedThe Saturday night Lions ceremony also saw previously announced Cannes honorees take the stage to collect their awards. Burger King’s Chief Marketing Officer Axel Schwan and Head of Brand Marketing Fernando Machado represented for Creative Marketer of the Year.
Droga5 Creative Chairman and Founder David Droga stepped up for this year’s Lion of St. Mark, for his significant contributions to the industry, and Richard Curtis, the screenwriter/director who co-founded Red Nose Day, accepted the LionHeart Award for his influential involvement in charitable initiatives.
Tic Tac: Laundry
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Running in Argentina, this colorful, tongue-in-cheek campaign chronicles three scenes, each of which features a person questioning their peers’ motives. In the “Birthday” spot, a girl sits in front of her locker, questioning whether her classmate truly cares about her birthday or just wanted a Tic Tac. Similarly, the other two print spots, “Funny” and “Be Right,” feature a man at the laundromat wondering whether his friends truly find him funny, and a woman slouched on the train as she ponders whether she’s actually always right. The questions appear written out in bold, pastel typeface, with each figure scrutinizing the words.
Tic Tac: Subway
Posted in: Uncategorized
Running in Argentina, this colorful, tongue-in-cheek campaign chronicles three scenes, each of which features a person questioning their peers’ motives. In the “Birthday” spot, a girl sits in front of her locker, questioning whether her classmate truly cares about her birthday or just wanted a Tic Tac. Similarly, the other two print spots, “Funny” and “Be Right,” feature a man at the laundromat wondering whether his friends truly find him funny, and a woman slouched on the train as she ponders whether she’s actually always right. The questions appear written out in bold, pastel typeface, with each figure scrutinizing the words.
Tic Tac: Lockers
Posted in: Uncategorized
Running in Argentina, this colorful, tongue-in-cheek campaign chronicles three scenes, each of which features a person questioning their peers’ motives. In the “Birthday” spot, a girl sits in front of her locker, questioning whether her classmate truly cares about her birthday or just wanted a Tic Tac. Similarly, the other two print spots, “Funny” and “Be Right,” feature a man at the laundromat wondering whether his friends truly find him funny, and a woman slouched on the train as she ponders whether she’s actually always right. The questions appear written out in bold, pastel typeface, with each figure scrutinizing the words.
Channel 4, 4Creative and OMD UK win Integrated gold Lion for Paralympics campaign
Posted in: UncategorizedChannel 4’s Paralympics campaign has won a gold Integrated Lion at Cannes tonight for the broadcaster, its in-house creative team, and media agency OMD UK.
Channel 4 wins Film Grand Prix for 'We're the superhumans'
Posted in: UncategorizedChannel 4 capped off a highly successful week at Cannes by taking the top prize in the Film Lions for its Paralympics campaign.
'Fearless girl' wins Titanium Grand Prix for McCann New York
Posted in: UncategorizedMcCann New York won its fourth Grand Prix, in the Titanium Lions, at this year’s Cannes for its “Fearless girl” statue on Wall Street.
'Fearless Girl,' 'Boost Your Voice' and 'We're the Superhumans' Win Grand Prix on Cannes Lions' Final Night
Posted in: UncategorizedThe final night of the Cannes Lions International Festival of Creativity unveils what traditionally have been the most anticipated honors of the week — the Grand Prix in Titanium, Integrated and Film.
On Saturday evening, “Fearless Girl” for State Street Global Advisors added the Titanium Grand Prix to its three earlier “Big Lions,” while Boost Mobile’s “Boost Your Voice” picked up the top prize in the Integrated category for its second Grand Prix. Meanwhile, the Film jury awarded its Grand Prix to Channel 4’s “We’re the Superhumans.”
WHAT IT IS: Created out of McCann New York, “Fearless Girl,” a bronze statue of a girl that stands defiantly across from the iconic Wall Street Charging Bull, added the Titanium Grand Prix on Saturday. It previously won the top awards in the PR, Glass and Nontraditional Outdoor categories on Monday.
'An Acceptable Risk': Why Smirnoff's Trump-Trolling Didn't Backfire
Posted in: UncategorizedSmirnoff ‘s outdoor ads trolling Donald Trump scored an approval rating that would make the president jealous. The billboards — which began popping up in train stations in New York City earlier this month — stated that Smirnoff is “made in America but we’d be happy to talk about our Russian ties under oath.”
While other brands have taken some heat for going after Trump, Smirnoff got strong support, with an 86% positive to 14% negative rating, according to the brand’s research, Diageo executives said in an interview at Cannes. “That’s way more positive than the response that we get for some of our LGBT work,” said Mark Sandys, who oversees Smirnoff. “I think that says two things: Firstly how important it is to be doing LGBT work, and second that the threat level of the risk that we are taking on the America-Russia campaign is actually an acceptable risk to take.”
Smirnoff has been running LGBT-friendly marketing for years. The latest effort is a limited-edition “Love Wins” bottle design. Bottles are wrapped in a rainbow-colored design and real photos of gay couples. Last year the brand hosted a live stream of same-sex weddings at the Electric Daisy Carnival in Las Vegas.