Fitbit's Hopes Pinned to Smartwatch


Fitbit’s health is still up in the air. The San Francisco-based company, which laid off roughly 6% of its workforce earlier this year after lagging holiday sales, reported $299 million in first-quarter revenuecompared with $505 million for the year-earlier periodon Wednesday. Though results beat analyst expectationsinvestors reacted by sending the brand’s stock up 10% in late-day tradingthe year remains one of transition, according to Chief Executive and President James Park, who is also a co-founder. He and analysts expect Fitbit’s sales to be buoyed by the company’s launch of a smartwatch later this year.

“We’re optimistic about the smartwatch category,” said Park on a conference call to discuss the earnings. “A lot of that optimism is driven by what we feel will be our own unique perspective.” He noted that as Fitbit looks to streamline its fitness tracker assortment, it will also try not to overwhelm the consumer when it launches the smartwatch portfolio.

In recent years, the 10-year-old Fitbit has been a fitness darling with the benefit of being first-to-market with a product coveted by consumers. After going public in 2015, the brand ran its first Super Bowl ad last year and was considered a shoo-in for holiday gift lists. But added competition from other players, combined with a lack of major product innovationmost new releases are simply playing musical chairs with different features, according to one analysthave led to souring sales.

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Facebook's Dreaded Headwinds to Ad Growth Aren't Here Yet


Facebook’s ad empire is facing worries including brand safety on the live video it carries and constraints on inventory growth, but it had a strong start to 2017 all the same.

The social network said Wednesday that it took in $7.86 billion in ad revenue in the first quarter, a 51% jump from the equivalent period last year. Its ad sales were propelled by its massive user base, a laser focus on lucrative video ads, and re-developing its Instagram unit to compete with the insurgent Snapchat.

Instagram announced this week that it has 200 million daily viewers watching its newish Stories, 24-hour vertical-video diaries shared by users and publishers. The format was built to take on Snapchat, which pioneered vertical video Stories. An apples-to-apples comparison is not available, but Snapchat has about 160 million daily users, while Instagram cites 700 million monthly users.

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Vistaprint: Divorce Lawyer

To promote non-tearable visiting cards in a quirky way, we showcased three situations where a visiting card could go through very hostile conditions.

Vistaprint: Funeral Singer

To promote non-tearable visiting cards in a quirky way, we showcased three situations where a visiting card could go through very hostile conditions.

Vistaprint: Stray Dog Activist

To promote non-tearable visiting cards in a quirky way, we showcased three situations where a visiting card could go through very hostile conditions.

Teenage Cancer Trust: Look Good, Do Good, Be a Legend

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Inspirado em “A Chegada”, comercial mostra qual é o carro dos seres evoluídos

A Mitsubishi continua sua tendência de comerciais épicos, desta vez com uma superprodução para promover o New Outlander.

Criada pela Africa, a peça se inspira claramente no filme “A Chegada”, de Denis Villeneuve, mostrando o primeiro contato da humanidade com extraterrestres.

O carro é exibido como uma tecnologia de seres evoluídos, conceito baseado no alto índice de satisfação entre os proprietários do Outlander. Segundo Fernando Julianelli, diretor de marketing da Mitsubishi Motors, trata-se de uma das mais altas taxas de aprovação da categoria.

A produção, novamente, é da Saigon.



//CRÉDITOS
Agência: Africa
Título: Seres Evoluídos
Anunciante: Mitsubishi Motors do Brasil
Produto: New Outlander
CCO: Sergio Gordilho
Diretores de Criação: Marco Martins / Rafael Campello
Diretores de arte: Guilherme Manzi / Carlos Karan / Breno Ribeiro
Redatores: Guilherme Ache / Alpho Ramsey
Produção/agência: Rodrigo Ferrari / Patrícia Melito / Mariana Hermeto
Atendimento: Carolina Barretto / Carolina Pires / Giovanna Mello
Mídia: Luiz Fernando Vieira / Rodrigo Famelli / Antonio Arbex / Caio Lima
Planejamento: Rodrigo Maroni / Aldo Pini / Vitor Amos
Produtora de Imagem: Saigon Filmes
Direção: Vellas
Produção executiva: Marcelo Altschuler
Coordenação de produção: Carol Pessini / Gabriela Mangieri / Marina Blum
Atendimento: Fernanda Gomes / Tais Sanches / Karina Bueno
Diretor de Fotografia: Pierre Kerchove
Diretor de Arte: Marcelo Reginato
Montagem: Rami D`aguiar
Coordenação de finalização: Virgini Fares
Finalizador: Fabio Abreu
Pós-Produção: Nash Production (Cirilo Bonazzi)
Produtora/som: Big Foote Music
Atendimento/som: Lu Fernandes
Produção/som: Chris Jordão e equipe
Locução: Ithamar Lembo
Aprovação/cliente: Robert Rittscher / Fernando Julianelli / Leticia Mesquita / Marcelo Benaci

> LEIA MAIS: Inspirado em “A Chegada”, comercial mostra qual é o carro dos seres evoluídos

Para promover “Baywatch”, Paramount cria uma maratona em câmera lenta

Uma das cenas recorrentes de “Baywatch”, a icônica e brega série dos anos 1980, eram as corridas em slow motion da equipe de salva-vidas. Não importa a sua idade. Certamente já viu David Hasselhoff e Pamela Anderson correndo com olhar sexy, determinado e devagar, bem devagar, na praia.

Para promover o remake da série, no novo filme estrelado por The Rock e Zac Efron, a Paramount organizou a primeira maratona em câmera lenta do mundo.

O evento, criado pela Droga5 de Londres, rolou no centro de Los Angeles no fim de abril. Uma bobeira que captura o espírito da série, ainda mais exagerada no filme que estreia nos cinemas no dia 25 de maio.



> LEIA MAIS: Para promover “Baywatch”, Paramount cria uma maratona em câmera lenta

VML Chicago Recently Went Through a Round of Staffing Changes

According to several sources, VML Chicago recently underwent a round of staffing changes, parting ways with an unspecified number of employees in its creative, strategy and tech departments over the course of two weeks.

An agency spokesperson responded by stressing that the changes “were not a downsizing,” clarifying the agency was down just three employees from January, from 102 to 99, with “11 open hires currently.”

In response to an inquiry directly addressing changes in the aforementioned departments, the spokesperson added, “as our client business evolves, so does our need for re-evaluating the type of talent that we need to effectively work on the business.”

The changes came on the heels of a series of senior-level appointments, including the promotions of Julia Hammond and Chris Furse to roles as North American executive directors and the arrival of Rosanne Johnson from Red Fuse Communications in the same role.

These were the latest in a series of changes at VML’s U.S. offices this year to date: in January, the agency promoted John Godsey and Mike Wente to co-CCO roles while March saw several creative and production hires and a subsequent expansion of the WPP agency’s tech department.

Wednesday Odds and Ends

-Ogilvy Atlanta recruited The Daily Show alumni and fried chicken mascot Rob Riggle for this new Holiday Inn Express spot directed by Backyard’s Kim Nguyen.

-DDB New York welcomed Reema Mitra as group director of digital strategy and Joe Panzarella as group director of strategy and analytics.

-Miss the old Disqus comments section? (Yes you do. You’ve been telling us all about it.) Copywriter Andrew Wernette created an AgencySpy Comment Generator.

-IPG Mediabrands global CEO Henry Tajer is stepping down after two years in the role.

-New York-based production studio Sibling Rivalry added Harrison Boyce to its directorial roster.

-The 4A’s launched a “100 Years of Advertising” timeline stretching from Army recruitment campaigns to WPP’s win at last years Cannes Festival(??).

-Bikini Edit added creative editors Lisa Mogol, Cindy Nielsen, Christopher Pensiero and Bryan Wetzel to its commercial roster.

Papyrus: Exam Season

Exam season shouldn’t be a matter of life or death. TBWAManchester is working with national young suicide prevention charity PAPYRUS to remind students that it’s OK to seek help with stress.

Global 2000: Melon Skull

GLOBAL 2000 is Austria’s leading independent environmental protection organization. One of their main issues this year is the fight against pesticides, especially against the most commonly used spray pesticide, carcinogenic Glyphosate. A European Citizens’ Initiative (signature collection) was launched to convince the European Commission to submit a Glyphosate ban in the European Union to voting by the end of 2017.

“Pesticides are designed to kill. They kill insects, rodents, plants, fungus – and us.” In line with this approach we produced posters showing a real watermelon shaped into a human skull. This was our artistic and drastic method to move thousands to log on to www.global2000.at and sign the Citizens’ Initiative against pesticides.

Because “real danger” appears more drastic, we engaged a mask carver and sculptor. For us he transformed a juicy melon into a somberly warning skull. This was our dramatic way of showing the dangers of pesticides: Fruit and vegetables sprayed with Glyphosate can bring death to us humans as well.

Carrefour: Play with the Belgian Red Devils

For Euro 2016, we created the first 3D printed foosball table by scanning the real Red Devils in 3D. The other team became one lucky fan and 10 friends.

Play with the The Belgian Red Devils

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Revitalized Retro Sunglasses – The New Collection of Acne Studios Sunglasses is Especially Bold (GALLERY)

(TrendHunter.com) The Acne Studios sunglasses collection for the Spring/Summer season of 2017 features a number of fresh variations of its previously released popular frames, as well as two entirely new models.

The…

Design-Conscious Air Masks – O2Today's New Masks Were Designed by Marcel Wanders (GALLERY)

(TrendHunter.com) Despite the best efforts of Elon Musk, fossil fuel-powered cars and other unsustainable energy systems continue to hurt air quality in cities around the world, and that has prompted O2Today to…

Salvaged Wooden Boathouses – Andersson-Wise's Bunny Run Boat Dock is on Lake Austin (GALLERY)

(TrendHunter.com) Andersson-Wise, an American architecture studio, recently designed a boathouse on Lake Austin called the ‘Bunny Run Boat Dock.’ Crafted from a combination of raw materials and salvaged…

Watch the Newest Ads on TV From Lexus, Jagermeister, AT&T and More


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, the real-time TV ad measurement company with attention and conversion analytics from 10 million smart TVs. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are ranked by digital activity (including online views and social shares) over the past week.

Among the new releases, Minnie Driver narrates a Lexus commercial that celebrates the “feats of amazing” that go into the LC 500. Angelica Houston portrays a hidden monthly fee (seriously) in another of a series of AT&T ads starring Mark Wahlberg (Ad Age’s Megan Graham has the backstory on the campaign). And an intense blond lady (Nadja Auermann) lording over an underground Berlin club samples a shot of chlled Jgermeister and declares, “Of course it’s cold — it’s German.”

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Snapchat Still Has a Strong Case to Make About Its Audience Despite Instagram's Assault


Snap Inc., the newly public corporate parent of Snapchat, makes its money by telling advertisers that it has a base of young, obsessed users who can’t be reached as easily anywhere else.

That claim has met more skepticism lately as Facebook’s applications rush to copy Snapchat’s most popular feature — a tool that allows people to upload video snippets of their day, which disappear after 24 hours. The copycat feature has been most popular on Facebook’s Instagram, where it’s used by 200 million people daily, more than Snapchat’s entire app.

But Snapchat can still say it has a unique offering, according to App Annie. The app data firm measured user behavior during the fourth quarter and said that on an average day, 35% of Snapchat’s daily users in the U.S. aren’t reachable on Facebook that same day, and 46% can’t be found on Instagram. About 61% of Snapchat’s fans aren’t watching YouTube on a given day, either. Snap said it had 60 million daily active users in the fourth quarter in the U.S. and Canada.

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Surfrider Foundation: Snuffed Out Marine Life

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Surfrider Foundation

Cigarette butts are the number one littered item on the planet. To make matters worse, they’re made of plastic that never biodegrades, and they leach toxic chemicals into the environment right down into our very own water supply.   More than four trillion cigarette butts are littered every year, impacting the environment and flowing down into the Earth’s waterways. Used cigarette butts leach chemicals, such as arsenic and nicotine, and heavy metals, including lead, cadmium and chromium, into the water and soil, which impact marine life, habitats and ecosystems. To combat this issue, the Surfrider Foundation, a non-profit organization dedicated to the protection and enjoyment of the coasts, teamed up with gyro San Francisco in an effort to de-normalize the act of littering cigarettes and to get people thinking twice about their behavior.

Advertising Agency:gyro, San Francisco, USA
Executive Creative Director:Ronny Northrop
Creative Director:Trevor Oldershaw, Scott Linnen
Associate Creative Director:Ryan Holland
Project Manager:Isabel Lumsden
Designer:Eric Liu
President:Drew Meyers

O Estado de S. Paulo: Invisible Sexism