Bema Tintas: Jesus
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Evan Roth, Internet Landscapes (Sydney, 2016), 2014 – ongoing
Since last year, HeK, the House of Electronic Arts in Basel and Swiss art magazine Kunstbulletin have been awarding a prize for “net based” artworks. The prize aims to support works that use the Internet as the site for production and as a medium for distribution.
This year, I was part of the jury together with researcher and curator Annet Dekker; Sabine Himmelsbach, director of HeK in Basel; Raffael Dörig, director of Kunsthaus Langenthal, Langenthal; Domenico Quaranta, a curator, critic and one of the motors of Center for the Arts of the Information Age in Brescia.
A few days ago, we selected the 10 nominees for you to vote and decide who will get the audience award. We also agreed on a winner but we’ll keep it secret until the award ceremony takes place at HeK on the 22nd of April. Only thing i can say is that i am uncommonly happy with the winning artwork.
The shortlist of the 10 nominees is now online and you can vote for your favorite project at the end of the page. The winner of the audience award will also be announced on 22 April.
Check out the voting page, either in german or in english. There’s even a trailer!
All the info is on the award page but i’ll quickly list the projects below. As you will see, they reflect the wide-range of practices (artistic or not) that internet facilitates: archiving, sharing and remixing, exploiting human beings, visualizing distant lands, automatizing processes, etc.
Rosa Menkman, DCT:SYPHONING: where Victoria satirical literature meets JPEG image compression technology.
Émilie Brout & Maxime Marion, Clichés: the “Fuck You” monologue from Spike Lee’s film 25th Hour interpreted by image popularity algorithms.
Michael Mandiberg, FDIC Insured: the logos of the banks that failed during the Great Recession saved for posterity.
RYBN.ORG, ADM XI: a collection of highly irrational trading algorithms created by 10 artists and competing in a marketplace provided by RYBN.ORG.
Evan Roth, Internet Landscapes: “network located videos” of the sites where Internet submarine fiber optic cables come ashore.
James Coupe, General Intellect: a generative database of thousands of videos produced by Amazon Mechanical Turk workers asked to standard a working day.
Aram Bartholl, Keep Alive: an electronic library of survival guides that you can access only if you heat up a big stone with a fire.
Jonas Lund, Fair Warning: a rapid fire of binary questions that parody the vapid questionnaires or tests we do online.
Niko Princen, Vlinder: a butterfly that travels from smartphone to smartphone.
Marc Lee, 10.000 moving cities – same but different: a VR simulation of cities generated in real time using the material from various social networks.
Aram Bartholl, Keep Alive, 2015
-SapientRazorfish’s new intro video reminds us of the Pokemon episode that got banned back in 1997.
-On that topic, can you discern anything from Publicis’ statements about what SapientRazorfish will actually do?
-The U.K. government is amongst a group of organizations who pulled advertising from Google after finding its ads placed next to extremist content. Google has been summoned to the Cabinet Office to discuss the matter.
-BBH New York won Brighthouse Financial, the retail division of MetLife, in a creative review.
-Guinness wants to become “the biggest beer brand in the world” via digital and social channels.
-Project Worldwide agency G7 Entertainment Marketing signed Sarah Romero (formerly of Big Machine) as director of brand partnerships and strategy.
-Humanaut launched a campaign for Blowfish, championing the hangover cure for St. Patrick’s Day.
-Speaking of, Campaign has your St. Patrick’s Day roundup.
It’s a great paradox of the internet that it makes a lot of real-life things seem better than they actually are. Swedish telecom company Telia plays wonderfully on this fact in a new campaign from Forsman & Bodenfors. Don’t get a cat and watch it hoping for something interesting to happen, as it always does…
Mr. Osborne will remain in Parliament while leading the widely read London daily, raising questions about how he will balance his various work commitments.
Bar-coaster creativity has a long and proud tradition. Here’s the latest interesting twist on it–coasters made from the metal from real car wrecks, reminding bar patrons of the perils of drinking and driving. Canadian agency Rethink made the coasters for advocacy group Arrive Alive. A hydraulic press shaped the pieces of former vehicles into coasters….
Whether you’re Irish or not, pub crawls and green beer for everybody! A new campaign from Blowfish, a hangover cure, isn’t encouraging anyone to overindulge today on St. Patrick’s Day, or during the full weekend of Celtic-inspired celebrations that will likely follow. (Boston’s famous parade is Sunday.) But if you do tie one on, there’s…
In a 2016 study of marketing professionals and online consumers, 88% of marketers stated video was an important part of their marketing strategy, while 69% of online consumers said they would rather watch a video than read a product explanation. In a different study, statistics prove that businesses using video grow company revenue 49% faster than companies without video content.
Why has video assumed this dominant role?
The theory
Parece que a onda dos likes e dislikes vai chegar na Netflix. Segundo o vice-presidente de produto do serviço de streaming “as cinco estrelas parecem bem ultrapassadas”. A Netflix faz testes com a nova metodologia há alguns anos e segundo as análises feitas, o índice de avaliação dos filmes e seriados cresceu em mais de […]
> LEIA MAIS: Netflix vai mudar avaliações dos títulos de estrelas para likes e dislikes
Se você ainda não tem uma conta premium no Spotify, é possivel que as coisas fiquem cada vez mais complicadas para se ouvir música nova no serviço. Além das propagandas e recursos limitados, o Spotify deve em breve limitar certos álbuns somente à usuários pagantes do serviço. A informação é do The Verge, que também […]
> LEIA MAIS: Spotify deve limitar certos álbuns somente para usuários pagantes do serviço
Adblock Plus parent Eyeo on Wednesday said Conde Nast and Dell were among the companies that had agreed to join its Acceptable Ads Committee, which decides which ads the software blocks and which it lets through.
Eyeo has been working on filling the committee since at least October 2015, when it announced its aim to form “a completely independent review board to take over, enforce and oversee our Acceptable Ads initiative.”
“Although Acceptable Ads has always been debated and conducted in an open and public forum, we’re going that extra mile and removing ourselves entirely from the equation,” the for-profit company wrote in a blog post then. “Adblock Plus has no more say in what is deemed ‘acceptable,’ and we have no say in who gets whitelisted.”
Amazon, Snapchat, Twitter, Instagram, LinkedIn, Pinterest and Foursquare were all put on notice by an advertiser group demanding they open up their walled gardens.
The digital advertising platforms have yet to adopt independent audits of ad campaigns, according to a new report by industry group ANA.
Google and Facebook recently announced plans to allow audits by the Media Rating Council, an advertising watchdog group. The rating council can verify ad campaign data such as audience size and other metrics, and does not rely on a platform’s own analysis.
After 13 years at PepsiCo, Carla Zakhem-Hassan traded soft drinks for toys last month when she joined Toys R Us as exec VP-global chief marketing officer. Ms. Hassan, who is tasked with managing media budget that measured around $60 million last year, hopes to restore childhood magic to the beleaguered chain, which recently laid off a reported 250 positions and has struggled with drooping sales.
Ad Age: How is this new role a fit for you?
Carla Hassan: It seems like a big change, but it’s not really — I’ve been around kids and parents my entire career, working on brands like Eggo waffles, Cap’n Crunch cereal and Gatorade. I’ve always believed brands play a pivotal role in educating and entertaining kids and families. And I’m a Toys R Us kidI grew up with this brand. All of us can reflect back to that day when we walked into one of those huge toy stores for the first timeyou can’t forget it. Toys R Us and Babies R Usthe experience is one that can’t be replicated anywhere, and I look forward to unleashing the magic to our customers again.
Brighthouse Financial, an operating segment of MetLife, has brought on BBH N.Y. as its agency of record, following a competitive review.
The annuity and life insurance provider, which spun off as its own standalone brand this year, tapped BBH to implement an integrated campaign to help introduce Brighthouse to the marketplace.
“BBH is known for its ability to bring a unique point of view to brands, and the selection of BBH as our agency of record reflects our commitment to making a unique and lasting impact,” said Matt Quale, VP and head of marketing of Brighthouse Financial.
In a video circulating in China this week, a man attacks an LG washing machine with a sledgehammer until it crumbles and topples over. Next, he moves on to an LG TV set, smashing that too. The Chinese national anthem plays in the background, and onlookers record the destruction on their mobile phones.
For years, China has been a huge market for South Korean brands and pop culture. But with China and South Korea embroiled in a dispute over missile defense, brands like LG are facing a wave of anti-Korean fervor by people taking cues from the government. That appears to be the case of the LG-bashing video, apparently filmed outside an appliance store in Shandong province where a red banner read: “We would rather damage these than sell them.” The video was shared on social app WeChat, though details couldn’t be verified.
Chinese authorities banned imports of some beauty products, saying the issue was quality, and have cracked down on K-pop and Korean TV dramas for months, without ever acknowledging they were doing so.
DesiCreative
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Kids have got their “Kids Meal”. But what about grown-ups? Adults? Shouldn’t they have their own meal too? At least on Valentines?
Burger King Israel presents: THE VALENTINE’S ADULT MEAL
with 2 Whoppers
2 packs of French Fries,
2 beers
and a romantic ADULT TOY inside
Only on VALENTINES,
Only to ADULTS (18+)
Only from 6 PM.
Watch the commercial here:
Credits:
Advertising Agency: Leo Burnett Israel
Chief Executive Officer: Adam Polachek
Executive Creaive Director: Ami Alush
Copywriter: Oren Ben Naim
Art Director: Meital Miller
Producer: Menny Zarhia
Account Director: Idit Tzukerman
Account manager: Esty Sade
Account Executive: Laura Zimin
The post Valentine’s Adult Meal : Burger King by Leo Burnett appeared first on DesiCreative.
Category: Beyond Madison Avenue
Summary: The 92-year-old asset will live on in airship form, but will always be called the Goodyear Blimp.
The Goodyear Airship doesn’t sound quite right, does it?
And yet if Goodyear was to be pedantic, that’s technically what it will be from now on.
That’s because the tire and rubber company said goodbye to one of its infamous blimps – and the last of its GZ-20 models…