Watch a Modern Ferris Bueller Track His Domino's Order


“We know that customers find the Domino’s Tracker to be a fun part of ordering from Domino’s, so we tried to capture their excitement in this new ad,” Karen Kaiser, Domino’s VP-advertising, said in a statement.

The campaign will likely resonate with an audience of a more current hit as well. The actor playing Ferris is Joe Keery, who is best known for his role as charming bad boy Steve Harrington in Netflix’s “Stranger Things” (and who was born six years after “Ferris Bueller” debuted).

“We knew for sure that that actor that was going to take the place of Ferris Bueller, he had to be great,” said Tony Calcao, exec VP-exec creative director, CP&B.

Continue reading at AdAge.com

Sanctuary Nature Foundation: Intestine

Print
Sanctuary Nature Foundation

Advertising Agency:JWT, Hyderabad, India
Managing Director:Ram Gedela
Chief Creative Officer:Senthil Kumar
Executive Creative Director:Shyamsunder Goud, Hari Vedala
Art Director:Shyamsunder Goud
Copywriter:Shyamsunder Goud
Retoucher:Vijay Nanaware

Naruhodo #66 – Um ano de cachorro equivale a sete anos humanos?

Esta é clássica: quem nunca disse ou ouviu falar que “um cachorro de 1 ano corresponde a um ser humano de 7 anos”? Mas isso faz mesmo sentido? Saiba neste episódio do Naruhodo! — no papo entre o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza. OUÇA (16min 52s) ======== Download | iTunes | Android | Feed Edição: Reginaldo Cursino ======== APOIA.SE […]

> LEIA MAIS: Naruhodo #66 – Um ano de cachorro equivale a sete anos humanos?

Vinit Bhatt : Photographer

DesiCreative
DesiCreative – Indian Advertising Creative Blog and Community (beta 1.4)

A man who is seriously hindered by his inability to express anything worthwhile, except when it comes to expressing through his camera. Then he is a different beast. Passionate, crazy, creative, unwilling to rest till he gets the ‘perfect shot’.

Why are you a photographer?
There is no greater satisfaction than watching visual communication and visual arts come to life. An idea which is just a spark in someone’s mind, finds an expression which ignites different reactions and ways of thought in others. One may be awestruck, others may respect it, and yet others will find it a staircase to a new higher ‘thought’.

Do you remember any decisive moment when you felt ‘I want to be a photographer’?
I learnt to respect my own hometown as much as I learnt about my liking for this particular field in possibly the same moment. Someone I knew sent me photographs of my hometown when I was in Brazil. A photographer friend and guide (who is still one of the most inspiring photographers I know), sat down to discuss the beauty of the composition and other technicalities. Interestingly we didn’t speak each other’s language, and yet, we were in perfect sync when it came to discussing photography.

Were there any particular role models for you when you grew up?
No one in particular. I admire different styles and different traits in many kinds of people – not necessarily people who are famous.

Who was the most influential personality on your career in photography?
During my stay in Brazil with Mr. Manoel Marques (painter & fine art photographer) I was inspired to take up photography. We used to discuss photographs of masters of India and Brazil in detail and through him I learnt how photography affected culture, religion, lifestyle, fashion and entire eras.
Others who directly influenced me: Fawzan Husain, Girish Mistry & Pallavi Datta while those who indirectly influenced me are Sebastião Salgado & James Nachtwey.

How has photography changed over the course of the last couple of decades? Is execution/art direction more important than it used to be?
Photography as an art has immense potential now with new technologies and platforms. I loved the old school practices also, but I never got a chance to learn them in detail and practice them on a regular basis. I have mostly dealt with the digital medium. Most Creative Directors and Photographers these days however do not give sufficient time to the process – be it the ideation or the execution – it is sad, because I see many ideas get compromised potential-wise, due to this.

What do you think of the current state of Print Advertising photography in India? Is it at par with the work done worldwide?
I don’t think so. I think we have some brilliant creative people. Yet the only due consideration is deadlines and budgets. Television commercials invoke a lot of awe and respect among creative people, yet the same guys are willing to compromise on every level when it comes to print. Though I must admit, we are winning awards, but it is rare to win respect for photography internationally, with the kind of work coming out these days.

Where do you get your inspiration?
Most of my inspiration comes from other visual artists besides war and documentary photographers. It might be hard to explain exactly how, but when I see some great work by any artist it surely inspires me. The real-time need to create great work out of snippets from Life, without the luxury of time or preparation or even worrying about technicalities, and still managing to inspire, comment, draw attention to your subject is commendable, awe-inspiring if I may say so.

Was there any time when you wanted to quit photography?
Never.

Any current work in Indian Advertising that you find exciting? Especially Print?
Among recent print work, I loved what Taproot did with Mumbai Mirror (Hated by some, thankfully) & Night Kills Day campaign for Sleep Apnoea India.

What’s your dream project?
Any India-based Tourism Campaign

Who would you want to spend a dinner with?
Anyone interesting. I feed on conversation more than food.

Whats on your iPod?
Abida Parveen, Jagjit Singh

Mac or PC?
Mac

Whats your Twitter Handle?
@vinithbhatt
(I am not active on twitter …you can visit my Instagram @ vinit_bhatt )

The post Vinit Bhatt : Photographer appeared first on DesiCreative.

New Crop of Young Adult Novels Explores Race and Police Brutality

A new generation of authors is embracing writing as activism, tackling issues like racial bias, police violence and the Black Lives Matter movement.

Mediator: A ‘Dying Breed’ Taking More Than Its Loud, Local Voice With It

The columnist Jimmy Breslin’s death pushes a worrisome trend into view: As news organizations chase broader readership, they risk losing a local focus.

Turner and Snapchat Create ‘Live Stories’ for March Madness

Category: Beyond Madison Avenue
Summary: For one of the biggest sports events of the year, Snapchat is taking its partnership with Turner, who holds the multimedia rights, to showcase March Madness. This event will kick off the two-year deal that the two companies signed to create “Live Stories” around events like college basketball for March Madness…

KMRC / New Balance: Fury miles

Video of KMRC Fury Miles

The Modist: Juxtapose

Video of TheModist.com – Luxury Modest Style for Extraordinary Women

Advertising: N.C.A.A. Tournament Ads Work Around Glaring Absence: Players

Companies spend more than $1 billion on TV ads tied to the men’s basketball tournament, but none of them can use the names or likenesses of the athletes.

Bits: Riding With the Underdogs: Apps Fill a Void Left by Uber and Lyft

The two all-but-ubiquitous ride-sharing apps no longer operate in Austin, Tex. But the city doesn’t seem to be hurting, even in the midst of a huge festival.

A Dissident Book Smuggled From North Korea Finds a Global Audience

“The Accusation,” a collection of stories by Bandi, shines a light on a world of darkness after a clandestine journey to publication.

BritNoise: You Know their music, you know their history

Print
BritNoise

Britnoise is a radio program that is known for his UK culture, to announce their are back we make this small and simple campaing.

Advertising Agency:Ayo, Asuncion, Paraguay
Creative Director:Luis Duarte Ayala, Manuel Rolón
Art Director:Manuel Rolón
Copywriter:Manuel Rolón
Illustrator:Manuel Rolón
Additional Credits:Anabel Pitaut

Bema Tintas Bemalux: Bemalux Fast Drying. Saves your time.

Print
Bema Tintas

Advertising Agency:Filadelfia, Belo Horizonte, Brazil
Creative Director:Dan Zecchinelli, Manuel Rolim
Art Director:Rene Bionor
Copywriter:Emília Guimarães, Gabriel Chaffim

Amazon: Amazon Forest

Online
Amazon

Amazon Forest is a paper towel holder that uses weight detection technology to encourage Prime members to reduce consumption.

Advertising Agency:Miami Ad School, New York, USA
Creative Director:Catherine Rehwinkel
Art Director:Luis Pombo
Copywriter:Jon Gruber

Polaris Slingshot: We Dare You


Film, Online
Polaris Slingshot

Advertising Agency:Team One, Los Angeles, USA
Production Company:Sibling Rivalry

Brave Heart Fund: Interview with an undertaker


Film
Brave Heart Fund

Advertising Agency:Impact/BBDO, Beirut, Lebanon
Senior Creative Director:Angelo El Chami
Creative Director:Georges Kyrillos
Digital Creative Director:Chris Jabre
Copywriter:Mohamed Mokaddem

Independent Enthusiasts for Gun Control: Every 27th


Media
Independent Enthusiasts for Gun Control

Visitors of webrifle.org could control a robotized rifle with a touchpad and “shoot” real people with a tap on a space button in real time. The social experiment had a goal to understand if people are responsible enough to own guns without any gun control. They simply gave out guns to everyone.

Activists closed a small city square for a day and brought actors to make it as real as possible. Most of the shooters were gun owners. There was also a live chat where experimenters could see people’s reaction. Shooters were shocked since they were thinking they had killed someone for real. Most of them wrote that now they would think twice before taking a gun in their hands. Out of 254 shooter almost every 27 took the shot. The project was named Every27th and turned into a campaign against gun violence.

Advertising Agency:Publicis, Moscow, Russia
Executive Creative Director:Anton Zimin
Creative Group Head:Andrey Yarynich
Art Director:German Kapitonov
Copywriters:Nikita Bocharov, Alexandra Zaitseva
Junior Copywriter:Anton Fedoseev
Group Ac?ount Director:Valeria Peturina

Magnum: Games


Film
Magnum

Advertising Agency:LOLA MullenLowe, Madrid, Spain
Creative Director:Tomás Ostiglia
Director:Martin Werner
DoP:Nicolaj Bruel
Production Company:Proppa

Mercedes: #LookUp


Media
Mercedes

We had to introduce the exhilaration and wonder of the drive in a Mercedes-Benz C-Class Cabriolet. This is an experience that can’t easily be described, and has to be felt to fully understand.
That’s why we created an immersive Virtual Reality experience. We went to the experts in wonder, children, to get the inspiration for the VR piece. Unlike adults, who’ve lost their sense of wonder, children are able to fully experience the sensory pleasure a ride in a cabriolet gives. We took them for a drive and asked them to describe it to us. We used what they told us to create a fantasy drive, where adult senses are delighted and re-awakened.

Advertising Agency:Net#work BBDO, Johannesburg, South Africa
Executive Creative Director:Brad Reilly
Art Director:Juliet Honey
Copywriter:Annette De Klerk
Chief Creative Officer:Mike Schalit
Strategist:Michael Blunden
Producer:Loli Bishop
Project Director:Neray Naicker
Production House:Sinister Studio’s
Visual Effects Supervisor:Christian Van Der Walt
Post Producer:Dries Uys
Head Animator:Jarrod Sheldon
Head Compositor:Novak Miler
Animators:Kyly Sheldon, Gerbrand Nel, Yolandi Meiring, Ernst Du Plessis, Nic Van Rensburg, Minette Wasserman, Malusi Tugwana, Michael Erasmus
Music and Composition:Audio Militia
Sound Design:Craig Hawkins
Music Composition:Paul Norwood