Did JPMorgan Chase Just Start A Digital Advertising Revolution?


JPMorgan Chase had a bold idea: Spurred by word that one of its ads had appeared on a website called Jail 4 Hillary, it would slash the number of sites where it advertises to 5,000 from some 400,000. To its surprise, the early going has brought no significant hit to effectiveness and no hike in prices.

Its experiment, first reported Thursday by the New York Times, intensifies the spotlight on what many marketers consider a defective system for buying and selling digital advertising. Procter & Gamble, the world’s biggest advertiser, has been threatening to stop spending money with ad tech firms and publishers that don’t live up to its standards. Marketers are in revolt against YouTube after finding out that their ads were underwriting offensive video.

Now the experience of JPMorgan Chase suggests that advertisers can find consumers at a good price even without using ad tech to pull together the farthest, and sometimes least known, reaches of the web.

Continue reading at AdAge.com

April Fool's 2017: All the Pranks That Are Fit to Print


Whopper-flavored toothpaste? Check. Scores of jokes aimed at those silly Snapchat-loving millennial kids? Check. The return of Paris Hilton as a celebrity brand ambassador? Check. Marketers churned out their April Fool’s Day traditions in full force this year. Below, we’ve highlighted some of our favorites.

Honda: Horn Emojis

Emojis conquer the auto industry with a new campaign from Honda, which used its innovation lab to create horn honking sounds and accompanying emojis for a myriad of driving instances. Because road rage is only overcome when you can honk it out.

Continue reading at AdAge.com

Video: Bringing Digital Analytics To TV


While Amazon’s Alexa and Google’s Dot get all the ink in the connected world, a small piece of technology found inside of connected TVs is forever changing the future of marketing.

TVs enabled with Automatic Content Recognition technology can recognize when a specific ad is played and how long a viewer watched it. And as long as the TV is connected to same IP address as other devices in the home, marketers can track whether the ad led to an action like a search on a phone or even a sale.

The connected TV might not be the sexiest connected device in the home, but for the forward-thinking marketer, it could be the most powerful.

Continue reading at AdAge.com

Who will win the creative talent war?

Brexit has already sparked a surge of UK applicants for jobs on the continent, says Y&R Europe’s president.

Sky acquires digital content producer Diagonal View

Sky has acquired Diagonal View, a producer of social content, known for its popular online channels, including Alltime10s and The Football Daily.

Twelve ways to make your Tweets go further

Gordon MacMillan, head of editorial at Twitter UK, reveals what successful brands are doing to enhance their social media presence.

Wins this week: Tim Hortons, Unicef, Dulux

Campaign’s weekly round-up of account moves across advertising and media.

Stylish Anti-Theft Knapsacks – The 'ClickPack Pro' Water-Resistant Backpack Keeps Belongings Safe

(TrendHunter.com) Heading out on a trip or simply your daily commute can leave you belongings open to being snatched by a thief during the process, so the ‘ClickPack Pro’ water-resistant backpack is…

Brand safety: How the YouTube kerfuffle is playing out in APAC

Reaction has been measured, and insiders welcome the much-needed attention to what is certain to be a long-term issue.

Vevo reminds brands that they're a safe bet in the Youtube desert

Worldwide brands who saw their super bowl commercials being pre-rolled in front of ISIS videos, have walked away from Youtube and Google advertising. This spurred Youtube to tighten their monetising program so that they don’t ‘accidently’ funnel payments off to actual terrorist groups thereby breaking anti-trust laws. Meanwhile, content creators are caught in the middle as videos they made have been silently de-monetized, even though this has been happening since Google decided to enforce their rules in September of last year. Back then, when everything from acne-hiding makeup tutorials to radio shows videos was de-monetized the hashtag YouTubeisOverParty trended, but as we all can see YouTube is still there. Makeup tutorials are still on it, and radio shows still host their videos there.

Vevo has decided to remind advertisers that they are “an oasis in the desert” for brands. Advertisers may walk away from YouTube because you never know where your ad will end up, but Vevo doesn’t want to get caught in the aftermath of that. Vevo has professionally produced content, and anything that is “explicit” is marked as such.

YouTube is an incredible open platform that’s grown rapidly, democratized video, and created opportunities to reach a seemingly unlimited audience. Like all opportunities, it can come with risks, and is central to the current industry conversation around brand safety. With hundreds of millions of hours of content created and consumed on YouTube daily, some brands have found themselves in the unenviable position of being associated with highly objectionable content. I believe YouTube will take steps to address these issues. That said, we believe there is a safer way for brands to maximize their reach today, with the confidence of knowing who and what they’re aligned with.

With over 300,000 pieces of content, Vevo makes up less than 0.5% of all videos on YouTube, yet according to data from comScore, 43% of YouTube’s monthly audience is watching Vevo content. With Vevo content, a brand can more effectively target where, when, and what it associates with in reaching an audience on YouTube. Vevo’s content is not UGC, it’s premium, licensed, and professionally produced, with an enormous and unique global reach. In fact, when we looked at an average video buy on Vevo and YouTube, we saw less than 10% duplication across the audiences reached.

The content is vetted through multiple layers of quality control to ensure the safest environment possible for advertisers including:

Automatic categorization if the word “explicit” is in the title or content tags.
Manual categorization if the content includes any of the following:
Vulgar language
Violence and disturbing imagery
Nudity and sexually suggestive content
Portrayal of harmful or dangerous activities
What this categorization process does is give brands greater transparency into where and how their campaigns run, and the ability to customize how they target. With Vevo, a client’s advertising only runs on premium content, and can be targeted specifically to over 55,000 artists in our catalog. Our customers also have the option to exclude explicit content. Overall, we believe our clients are better served in the safer environment that Vevo offers on YouTube and other platforms. This approach allows them to maximize reach and minimize risk as they tap into the enormous audience consuming music videos online.

The fact that Vevo felt the need to make that post tells us that even Vevo are worried about the brands walking away from Youtube advertising (and Google). By Friday last week, PepsiCo, Walmart and Starbucks joined the Google ad boycott and pulled all ads from both YouTube and Adsense.

“The content with which we are being associated is appalling and completely against our company values,” Walmart said in a Friday statement.

Eric Schmidt, executive chairman of Alphabet, was on Fox news and acknowledged that there has been issues with ad placements, but assured that they are doing something about it.

“We match ads and the content, but because we source the ads from everywhere, every once in a while somebody gets underneath the algorithm and they put in something that doesn’t match,” Schmidt said. “We’ve had to tighten our policies and actually increase our manual review time and so I think we’re going to be OK.”

Meanwhile, YouTube content creators and stars like PewDiePie are being demonetized. Many believe the “tightening” has gone too far in the other direction, as lots of ‘harmless’ content gets demonetized. But what a youtuber considers harmless may still not be brand-friendly in eyes of corporate.

video got demonetized before I even published it. lol how? have youtube developed software to detect boobs in the thumbnail?amazing pic.twitter.com/OCYX0WBzRN— pewdiepie (@pewdiepie) March 1, 2017

Yes, PewDiePie, Google uses software to automatically screen videos’ titles, descriptions, images and other signals to prevent ads from appearing on inappropriate content.

Adland: 

Creative Tech Awards: Deadline extended to April 13

The deadline to enter the Creative Tech Awards has been extended from 30 March to midnight on 13 April.

Premier League launches first unsponsored TV ad

The Premier League is launching its first-ever ad campaign, with a TV spot starring players including Theo Walcott and Gary Cahill interacting with kids at a primary school as they read from TH Palmer’s inspirational poem ‘Try, Try, Again’.

H&M to launch upmarket fashion brand Arket with opening of London store

Retail group H&M is to launch its eighth fashion brand, with plans to open a store in London under the new banner Arket, which means “sheet of paper” in Swedish.

Programmatic: guilty until proven innocent?

Like it or not, programmatic is here to stay and all parties need to collaborate around improvements, writes Group M’s global chief digital officer.

EE's new campaign tours UK to trumpet 4G benefits

EE is launching a multimillion-pound brand campaign trumpeting its 4G coverage with the return of Hollywood actor Kevin Bacon, alongside Gogglebox and I’m A Celebrity… Get Me Out Of Here star Scarlett Moffatt.

Ask Bullmore: The new CEO wants a fresh start. How can I talk him out of it?

Campaign’s agony uncle answers your career dilemmas.

The history of advertising in quite a few objects: No 187: Pat Weaver's 'magazine concept'

From slack to slick: it is time to transform marketing

What was once healthy competition between agencies working for the same brand has, in these pressurised times, become destructive one-upmanship.

Things we like: News brands prove their value and Sesame Street introduces Julia

News brands prove their worth to the ad industry, and Sesame Street’s new character is Julia, a puppet with autism.

Why Grey is changing it's name to Valenstein & Fatt

This week, Grey London becomes Valenstein & Fatt. A small change but a big statement in support of diversity.