How He Got There: David Muir on How to Break Into Broadcast News
Posted in: UncategorizedThe ABC News anchor talks internships and Ithaca College.
Blame It on Rio: Brazil Clouds GroupM Global Ad Forecast
Posted in: UncategorizedWPP’s GroupM is downgrading its ad-spending forecast for 2016 due in part to “recent political convulsions” rocking confidence in ad spending at the Olympic Games in Brazil, according to the company’s new global ad spending forecast.
For 2016, the media agency network is predicting a 4%, or $20.5 billion, increase in global ad spending, down from the 4.5%, or $22 billion, increase it predicted in a previous forecast.
“After a slow growth in 2015, the communicatons market is feeling the effects of economic crisis in 2016,” the company said in its latest forecast. “Advertisers’ budget cuts have had a bigger impact on traditional media. High expectations surrounding the Olympics did not materialize and, unlike the World Cup ’14, sponsor investment was lower. The events have always had a great difference of attractiveness to the population, but political moment has certainly overshadowed the Games and pushed away advertisers concerned about ratings and corporate images.”
Honda: Test Factory Ident
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Showcasing the progressive nature of Honda for its sponsorship of Film on Four.
Honda: Home Idents
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Showcasing the progressive nature of Honda for its sponsorship of Film on Four.
Whirlpool: Care Counts Program
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Every day thousands of kids miss school just because they don’t have clean clothes to wear. That’s why we created Care Counts™, a program that works to improve attendance rates with the simple act of laundry. Join us in making sure that clean clothes never stand in the way of a child’s education.
DealBook: The Activist and Herbalife: Just Maybe Ackman’s a Hero
Posted in: UncategorizedBill Ackman worked for years to drive the supplement company out of business, calling it a pyramid scheme. It’s still in business, but maybe not for long.
Chick-fil-A – Michelangelo – (2016) :30 (US)A
Posted in: Uncategorized“The campaign is a really fun way to go right at the inherent tension, as choosing chicken for breakfast isn’t an obvious option to many right now.” said Creative Director and agency co-founder Eric Kallman. “We’re thrilled to have the opportunity to work with Chick-fil-A on such a big campaign.”
GMC – "Arrived" – (2016) :30 (USA)
Posted in: UncategorizedThe commercial’s cast included 73 professional musicians led by Kazem Abdullah, an American-born conductor who serves as General Music Director of the city of Aachen, Germany. They perform the Who song (in a special orchestration from music house Mophonics) live. “None of the musicians had met before, but after a couple practice sessions, they sounded like they had been playing together for years,” notes Weiland. “It was an amazing experience.” The production included shoots in New York and Seattle.
Weiland subtly reinforces the comparison between the orchestra and Acadia through a series of artfully-designed shots. The strings of a cello mirror the cables of a suspension bridge. An image of the SUV’s steering wheel and gauges dissolves into an overhead shot of the musicians arranged in a nearly identical, semi-circular pattern.
“We use very clean shots throughout,” Weiland observes. “It was important to me that we built the story. Near the end, we transition from inside the cabin of the car to a wide shot of the audience giving the orchestra a standing ovation. That leads to our hero moment, as we reveal the car in all its beauty and glory.”
Weiland has been directing high-end car commercials for nearly a decade, and is known for the unique way he lights and shoots cars, his attention to detail, and for the passion evident in his work. “This project involved a great collaboration with the agencies’ creative teams and the client,” he says. “All around, it was a great match.”
Chick-fil-A – Beethoven's song – (2016) :30 (USA)
Posted in: UncategorizedMedia Arts Lab / Lee Clow – The 10-year Tattoo
Posted in: UncategorizedSix years ago, Ad agency Miami’s founder and chairman celebrated his agency anniversary by tattooing the updated company logo in his shoulder.
Remember when Lee Clow was original?
Neither do I.
Happy birthday, Media Arts Lab.
‘Hot lesbians’ facebook ad lands Canadian oil sands group in flamewar
Posted in: UncategorizedTheir page quickly filled with upset comments from people angry that the Canada Oil Sands Community participated in “the fetishization of women’s sexuality”, rather than protests against the capital punishment for homosexuality in the kingdom. Naturally.
The text of the facebook meme/ad read:
“In Canada lesbians are considered hot! In Saudi Arabia if you’re a lesbian YOU DIE! Why are we getting our oil from countries that don’t think lesbians are hot?!”
“Choose Equality! Choose Canadian oil!”
The manager of the community, Robbie Picard, published an official apology on the group’s Facebook page, stating: “It was not my intent of demeaning women or any people of any sexual orientation,” and made sure to remind everyone keeping score at home that he is a gay male himself, “I certainly don’t want to divide our community.”
Facebook Is Testing Mid-Roll Video Ads in Facebook Live
Posted in: UncategorizedFacebook has started running tests of mid-roll video ads inside live video broadcasts from top publishing partners, the company confirmed Monday.
These are Facebook’s first ads that get served directly inside videos on the social network. “We’re running a small test where a group of publishers have the option to insert a short ad break in their Facebook Live videos,” Facebook said in an e-mail.
The social network has indicated for months that there was a possibility of introducing commercial breaks during live-streams, and head of product Fidji Simo touched on the opportunity in a forum in June.
4A's Gives Thumbs Down to ANA Transparency Guidelines
Posted in: Uncategorized4A’s President and CEO Nancy Hill issued a statement late last week in which she dismissed the Association of National Advertisers’ recently released transparency guidelines from Ebiquity. Instead, Ms. Hill encouraged agencies to reference the advertising-agency trade group’s own guidelines for maintaining transparent agency-client relationships.
In the statement, Ms. Hill, who will step down from her role at 4A’s by June 2017, said: “We have reviewed the recommendations in the Ebiquity Report issued last week and feel they are not all consistent with what many of our members have said their clients are asking for in their MSAs. As such, we continue to believe that contractual negotiations are best left between agencies and their clients.”
She added that the association recommends that agencies use its Transparency Guiding Principles of Conduct, which were released in January and “were designed to identify material media transparency questions and address them with constructive dialogue and pragmatic courses of action.”
4 Black Creative Directors Join Forces to Start a Peaceful Conversation
Posted in: UncategorizedOne thing is undeniably true: Americans (and, by extension, American advertising agencies) are currently engaged in an at-times uncomfortable conversation whose central component is race.
This goes beyond the fact that African-American representation in advertising is quite low and that many conversations have begun within the agency world concerning the #BlackLivesMatter movement and the industry’s ability to speak to that demographic.
Four high-level black creative leaders want to change this trend … or at least move the resulting conversations in a positive direction. Butler, Stern, Shine and Partners ECD Keith Cartwright got the initiative started along with colleagues Geoff Edwards (DOJO co-founder and creative executive at Creative Artists Agency), Apple/Beats global CD Jayanta Jenkins and Amusement Park chairman/CEO/CCO Jimmy Smith.
The four have come together to launch an initiative they call Saturday Morning because — as they put it on their home page — “Sunday is the most divided day in America” while Saturday is a time for emotional calm and, hopefully, mutual respect.
According to the release, the four got together for the first time recently to discuss their own experiences as black men moving through life in America and the ad industry along with the attendant challenges and opportunities. They now want to extend that conversation to other agencies as well as those who are interested in the topic at hand but do not work in the advertising industry.
According to their mission statement, they will coordinate on more such events and then release a quarterly PEACE BRIEF summarizing work done in attempting to “tackle a peace-related cause and/or initiative.” The release continues, “This could be in the form of helping passing a law, building awareness around an injustice or helping garner donations for a cause.” The ultimate goal is to counter the pervasive idea that “black lives are in some way not as important as others,” and the project implies that the ad industry can and should play a role in moving this conversation to another, more positive place.
Here’s the full letter as sent by Mr. Cartwright to various media outlets, ours included:
This letter starts with the highest level of optimism, that powerful voices are gearing up right now to take a stand.
I don’t know if there’s ever been an opportunity as great as this to make change.My Friday morning began with a text message. I reached out to three of my friends:
Geoff Edwards,
Jayanta Jenkins
Jimmy Smith.The text read, “We need to come together. And say something.”
We’ve all known each other for some time, and not once have we sat down together to have a conversation. Friday’s text led to a meeting Saturday morning in Los Angeles, one of the best meetings of my career.
We talked about our families, our careers, and how shocking it was that we’d never done this before—but how important it was that we were doing it now. Geoff, Jimmy, Jayanta and I talked about our own experiences growing up as black males, and the racism we’ve encountered in our lives. None of us grew up in the same city or town, but we all shared similar stories and have had to approach our lives and careers with a dual consciousness. To this day we all still share the unique fear that comes with flashing lights in a rearview mirror, and the bias placed against us for the color of our skin.
The brutal deaths of Philando Castile, Alton Sterling and the five police officers murdered in Dallas, Texas, brought us together this Saturday Morning to talk about how we can help change the perception that black lives are not as important as others. The dehumanizing effects of this belief are causing African-Americans across this country to be brutalized, incarcerated and even killed, at an alarming rate.
How do we as an industry change that, and how do we enlist others around our industry to join the discussion?
It has been said that Sunday morning is the most segregated day in America. So, let’s get in front of that together. If Sunday morning is seen as a day of division, then Saturday morning should represent both a day of change and a way to dispel the myth that there is no hope for tomorrow. SATURDAY MORNING will be an organization that helps build awareness, promote change and shift the overall perception that black lives are in some way not as important as others.
Our vision is that SATURDAY MORNING will be a coalition across industries. This letter is the first call to action. We’ll now begin the process of inviting thought leaders across technology, music, entertainment, advertising, media, art and design, and anyone willing to participate in this conversation. Our action will be brought to life through a quarterly PEACE BRIEF, which will outline our objectives. Those objectives could be anything from raising money for a foundation or helping pass legislation, to bringing awareness to a cause or creating peace-based technology—all in an effort to make every Saturday Morning better than the last. We are currently active, working to bring this vision to life. There will be more to come in following weeks.
Please join us at saturdaymorning.co as we start to seed our beginning efforts. If you want to be part of this movement and take a role as we put ideas into action and identify opportunities where we can have impact, please email us at: info@saturdaymorning.co.
Again, this letter ends with the highest level of optimism, that powerful voices are gearing up right now to take a stance. There’s never been an opportunity as great as this to make change.
Sincerely,
Keith Cartwright
Geoff Edwards
Jimmy Smith
Jayanta Jenkins
McDonald's Cleans Up Its Food To Appeal To U.S. Tastes
Posted in: UncategorizedThe latest updates come after other changes including switching from using margarine for Egg McMuffins back to real butter, and swapping out iceberg lettuce for a mix including romaine, baby spinach and baby kale in its salads.
“We’re taking a new approach toward a quality food story that does not and will not sacrifice the familiar and delicious taste that our guests know and love,” Mr. Andres said.
Mr. Andres said the changes discussed Monday affect ingredients in nearly half of the food on its menu. They mark the latest steps the company has taken to reinvigorate its core menu, a move that differs from some other chains that promote limited-time items rather than rethinking their main menu items.
Geico Knows You're Not Race Car Driver Casey Mears
Posted in: UncategorizedEvery weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.
Among the new releases, Peyton Manning wants company while watching the NFL on DirecTV; an office becomes a battleground for Mobile Strike; a boy finds that mistakes are not that scary in this kid-created Target commercial; and Arby’s announces its Loaded Italian sandwich with meatballs.
Finally, Geico explains that you don’t have to be a race car driver like Casey Mears to save on car insurance.
Jennie Moore Returns to WONGDOODY as a Creative Director
Posted in: UncategorizedIndependent, Seattle-based agency WONGDOODY appointed Jennie Moore as the agency’s latest creative director, focusing on its Papa Murphy’s Pizza and Litehouse Foods accounts.
Moore joins full-time after freelancing with the agency for the past six months, working on accounts including Amazon and Alaska Airlines (which went to Mekanism earlier this year), in addition to the aforementioned Papa Murphy’s Pizza and Litehouse Foods.
It marks something of a homecoming for Moore, who spent over five years as a senior copywriter with the agency beginning in September of 2004. She began her career as a copywriter with McCann Erickson Seattle, working with clients including Washington Mutual, Washington Apple Commission, Experience Music Project, Seattle International Film Festival and Warn Winches during her four years with the agency.
She left McCann Erickson for her first stint as a freelancer, splitting her time as a freelance copywriter between direct client work and agency work. The brands she worked on during the following four years included Starbucks, RealNetworks, Hornall Anderson, DaVinci Gourmet, Microsoft, Amazon and PAWS. Before her current appointment, she spent time freelancing with agencies including Creature, Here and There and David Leonard Creative; clients included Seattle’s Best Coffee, Umpqua Bank, The Gates Foundation, Bartell Drugs and Taco Time Northwest.
“Even though I’m no newbie to WONGDOODY, the novelty of working alongside Tracy Wong and all the other talented, fun, people here never wears off for me,” Moore said in a statement. “I’m so excited to be rejoining the WONGDOODY family, and to help lead the Papa Murphy’s and Litehouse accounts moving forward. It’s like coming home.”
“What I treasure most about Jennie — besides her writing talent — is the trust I have in her,” added WONGDOODY Chairmain and Co-Founder Tracy Wong. “She brings leadership, dedication and enthusiasm that both our agency and clients will immediately benefit from.”
Jägermeister Picks Opperman Weiss as Its Global Creative Agency
Posted in: UncategorizedIn news that we missed last week, Jägermeister appointed Opperman Weiss as its lead global creative agency, tasked with launching a heritage campaign for the brand next year. Deutsch New York has handled the brand’s U.S. creative since being awarded those duties following a 2014 internal review.
Opperman Weiss was selected “based on prior relationships it had with the spirits brand,” co-founder Jeff Weiss told AdAge.
Jeff Popkin, CEO of Sidney Frank, the company that imports Jägermeister in the U.S., said Opperman Weiss was able to “connect with and immediately look into the brand and articulate the story that has yet to be told.”
That language hints at what Jägermeister and Opperman Weiss have in store for next year’s campaign. While the brand, which Popkin said was “built in North America” on Jager bombs, will not completely shy away from its party image, the campaign, he said, aims to “reintroduce Jägermeister to current consumers and introduce it to a new generation of consumers who will be surprised by the level of detail and meticulous planning that goes into the brand.”
The work will mark Jägermeister’s first national brand campaign in five years. While more recent spending information doesn’t seem to be available, the brand spent around $5.6 million on U.S. measured media in the first nine months of 2013, according to AdAge, and Popkin told the publication the current budget is “easily double that.” The effort will include broadcast, digital, mobile, OOH, experiential and influencer marketing initiatives and is expected in the first quarter of 2017.