Merkley+Partners Swipes GCD Max Godsil from Innocean

Merkley+Partners appointed Max Godsil as group creative director. In the new role, Godsil will make the move from California to New York and focus on the agency’s Mercedes-Benz account. 

Godsil joins Merkley+Partners from Innocean Worldwide, where he has served as a creative director and writer since September of 2011, focusing on the brand’s Hyundai account.

Before joining Innocean he spent two years at Deutsch in the same position, working on brands including Volkswagen, HTC, Anthem/BlueCross and the 9/11 Foundation. He spent a year in that role with TM Advertising prior to joining Deutsch, working on Nationwide and on new business. That followed over six years as a creative director and writer with Saatchi & Saatchi, focusing on the agency’s Toyota account. Godsil has also served stints as a copywriter with Borders, Perrin & Norrander, BBDO/West and Vitrorobertson, and has freelanced for agencies including David & Goliath, M&C Saatchi, Team Detroi and Y&R. 

“Were thrilled to have Max join us here at Merkley,” said Merkley+Partners CCO Andy Hirsch. “He is a talented creative whose work Ive admired for many years. I know he will be a great asset to our agency. Its nice having him here in NYC, and we know hell fit right in sporting his new Yankees cap.”

Zambezi Appoints Josie Brown as Executive Director, Marketing and Business Development

Independent agency Zambezi appointed Josie Brown as executive director, marketing and business development. In the newly-created role, Brown will be tasked with optimizing the agency’s ability to manage an increase in high-value opportunities while reporting directly to Zambezi founder and CEO Chris Raih

Brown joins the agency from DialogTech, where she was consulting as strategic agency partnerships director for nearly a year. Prior to that she spent a year at Omelet as partner, head of business development, following a year as senior account director, helping the agency land seven new clients during her tenure, including The Pokémon Company, Amazon, Ubisoft, SquareEnix and NBC Bravo. Prior to Omelet, the New Zealand native held account management positions at London agencies including McCann Erickson, Saatchi & Saatchi and RKCR/Y&R, working with brands such as Revlon, L’Oreal Paris and Colgate. 

“Josie is here for one simple reason: to help Zambezi unlock its full potential as an agency. And she’s immediately living up to it. Josie is bright and assertive – and we are sharpening our blades as a result,” said Raih. “As we enter our 10th year in business, we are fortunate to be attracting the best talent. I can’t wait to see what we do together.”

Beautyrest: Dream in Black – Suite

Securlock Alarm Security Systems: Music Boxes

Outdoor, Print
Securlock

Advertising Agency:Young & Rubicm, Bogotá, Colombia
Chief Creative Officer:Tito Chamorro
Creative Director:Jairo Rubiano
Art Director:David Pinilla
Illustrator:David Pinilla
Copywriter:Jairo Rubiano, Daniel Gomez
Artist:Camilo Moreno
Studio:Camilo Moreno
Photographer:Alfonso Torres

Eco Flying Cable Cars – Chicago Will Run Flying Cable Cars to Show Tourist Attractions (GALLERY)

(TrendHunter.com) Chicago is soon to be the host of a new futuristic mode of transportation—flying cable cars. The project, titled ‘The Skyline,’ will be used to connect the city’s tourist…

TBWAChiatDay Hires Erin Riley as President of Its Los Angeles Office

TBWAChiatDay appointed Erin Riley as president of its Los Angeles office, succeeding 14-year TBWA vet Luis DeAnda. She will begin the position in June and report directly to TBWAWorldwide president and CEO Troy Ruhanen.

Riley joins TBWA from Old Navy, where she has served as VP of marketing, brand engagement since last September. Before joining Old Navy, she served as vice president, global marketing for footwear brand Cole Haan, leading marketing communications and debuting new social campaigns, brand partnerships and ecommerce strategies.

Riley began her career agency-side as an account executive with McCann and D’Arcy, focusing on L’Oreal and P&G’s Always. She then joined BBH, serving as deputy head of account management and brand and communications director for BBH brand invention and its in-house consulting company ZAG. During her more than nine years with BBH, she worked with brands including Axe, Johnnie Walker, Ally Bank, Levi’s, Google and Sony PlayStation, moving up to lead the accoun team before leaving to go client-side with Cole Haan in February of 2012. 

“I’ve been hoping to recruit Erin for the last five years, as she was one of the standout brand thinkers in the New York market,” Ruhanen told Adweek. “I’m even more pleased to have her join now with her additional years of client experience. Erin’s appointment is another example of how we have assembled diverse skill sets to serve 21st century brands. And, in a time where many in the agency world are focused on efficiency, we are continuing to build the deepest senior bench, ensuring that we always provide a different perspective at the top and remain focused on critical creative thinking.”

Riley said TBWA chairman Jean-Marie Dru has been one of her key influences. “Early in my career, I came upon Disruption Stories and it profoundly shaped how I thought about brand building,”she said. “It is an unbelievable privilege to be joining the agency that birthed that philosophy, and a part of the team that is applying it in a distinctly 21st century way. My true passion, whether client or agency side, is building brands that become part of the cultural conversation and reap the resulting commercial rewards. That’s why I instantly connected with TBWAChiatDay’s mission to leverage data, culture, and cultural events to disrupt with relevant and provocative work that drives business.”

The agency announced that DeAnda, who served in the role for the past two years, would be leaving last month. That news preceded MillerCoors’ decision to move its creative business from TBWA to 180LA without a review.

Riley’s hire also fits into “2020,” the TBWA network’s plan to increase its internal female leadership by 20 percent before the year 2020. It follows the hire of GS&P’s Nancy Reyes to be managing director of TBWAChiatDay New York and the promotion of Lauren Niemcewicz to the same position at Chicago’s Engage.

Stephen Krauss Leaves Grey After 13 Years to Join Wonderful’s In-House Agency

Stephen Krauss has joined The Wonderful Company in Los Angeles as its chief creative officer after 13 years with Grey New York.

For those who need a (re)introduction, Wonderful was formerly known as Roll Global, and it essentially serves as a holding company for the varied interests of investors Stewart and Lynda Resnick. They’ve been described as “agricultural royalty,” and they currently own POM, FIJI Water, Wonderful Pistachios and other such nuts, a couple of wine companies and several other brands. (This is a pretty interesting profile if you’re curious.)

In the new role, Krauss will be CCO of Wonderful Agency, described as “the in-house, full-service advertising and marketing agency at The Wonderful Company…dedicated to creative excellence across all media.” He will report directly to Michael Perdigao, who has been with Wonderful since 2007 and now serves as its president of advertising and corporate communications.

The release tells us Krauss will be “proactively conceiving and executing campaigns, concepts and strategies” for the company’s all the company’s clients or brands. He will also aspire to thought leader status in ensuring that all Wonderful brands lead their respective markets.

Perdigao had this to say about the hire: “Steve has developed some truly memorable campaigns, and his talents will be put to good use, helping us craft innovative, effective communication solutions for our high-quality, healthy brands.” In a statement, Krauss cited the company’s “wide range of products” and his plans to create “breakthrough work” for all of them.

We don’t know what that work will look like, but in the case of POM it will probably not include specific health claims related to things like heart disease, prostate cancer and erectile dysfunction: last week the FTC shot down the company’s attempts to appeal a Supreme Court decision labeling such language “misleading.”

During his decade-plus with Grey, Krauss helped develop the E*TRADE baby and worked on the gun store stunt and the Canon account, among others. He was previously an art director at JWT. Krauss’s departure from Grey follows that of fellow ECD Ari Halper, who is now CCO at FCB New York–and while we hear that many of the agency’s current leaders were brought on by departed CCO Tor Myhren in an attempt to build up the team that would eventually replace him, the agency’s New York office has hired and promoted quite a few ECDs in recent months including Stephen Fogel and Doug Fallon of DirecTV, João Coutinho and Marco Pupo and Matt O’Rourke of Volvo.

So what does the CCO at such a company do? From the LinkedIn job listing, which will soon disappear:

“A master curator. You always have a unique point view and can lead others to break new ground. You speak planning and strategy as fluently as design, copy and art direction. You are flawless in your presentation skills and are an expert at reading a room. You are a minister of culture.”

This sounds familiar.

Krauss will also be tasked with “win[ning] industry recognition for our clients and the agency” in addition to “actively engag[ing] in recruitment and other HR activities” and “independently work[ing] and manag[ing] a team with little to no supervision from your manager.” We read all this as “no new business pitches,” and given the fact that the clients are all owned by the same holding company it sounds like a pretty sweet deal.

General Traffic Department of Spain: Iconic bikes

General Traffic Department of Spain: Not a dumb thing

General Traffic Department of Spain: Who you gonna call?

General Traffic Department of Spain: Don't need cars

Friends of the Earth: Lumberjack truck

Jägermeister: Hunt or Be Hunted


Film
Jagermeister

The first animated short film made with real tattoos.

Advertising Agency:McCann, Barcelona, Spain
Executive Creative Director:Ana Brossa
Creative Directors:Fer Alcázar, Xavi Gimeno
Art Directors:Fer Alcázar, Christian Espinosa
Copywriters:Xavi Gimeno, Pepe Arenas, Rubén Pazos
Account Director:Mathilde Paquereau
Producer:Alba Camps
Tattoo:Ondo Studio
Director:Ernest Desumbila
DoP:Pau Castejon
Production:O)
Executive Producer:Rafa Montilla
Music:The Saurs
Soundtrack:Trafalgar13
Sound Design:Ideasonora

Ford: Dancer

Ford: Pelican

Monster: Head Hunter

The campaign targets a new generation of Millennial job seekers, a generation brimming with ambition, but coming up against the harsh realities of the job market. The campaign aims to reassure Millennial job seekers that, with the power of Monster behind them, nothing can stand in the way of that dream job.

Monster: Advice

The campaign targets a new generation of Millennial job seekers, a generation brimming with ambition, but coming up against the harsh realities of the job market. The campaign aims to reassure Millennial job seekers that, with the power of Monster behind them, nothing can stand in the way of that dream job.

Monster: Smell

The campaign targets a new generation of Millennial job seekers, a generation brimming with ambition, but coming up against the harsh realities of the job market. The campaign aims to reassure Millennial job seekers that, with the power of Monster behind them, nothing can stand in the way of that dream job.

UNODC Anti-Corruption Day: One Day

Print
UNODC

Copywriter:Ángel Rodríguez “Cheché”
Art Director:Alonso Tapia

National Association Of School Nurses (NASN): Behind The Bruise

Outdoor, Print
National Association Of School Nurses (NASN)

Physical child abuse continues to be a national epidemic, with millions of children harmed every year. For the healthcare professionals with a mandated duty to report suspected instances of child abuse, it can be difficult to distinguish accidental injuries from those caused by abuse. To help school nurses report all instances of potential abuse, we created this series of illustrated posters and hung them in their offices, constantly reinforcing vigilance while blending in with the school’s natural setting so as not to alarm the children that might see them.

Advertising Agency:Area23, New York, United States
Creative Director:Tim Hawkey, Elliot Langerman, David Adler
Art Director:Guillermo Aracena
Copywriter:Spencer Magloff
Illustrator:Lamanoestudio.Cl
Photographer:Lamanoestudio.Cl