CP+B L.A. Hires New Group Strategy, Account Leads on the Infiniti Business

Crispin Porter + Bogusky continues to expand its Infiniti team in Los Angeles more than a year and a half after winning the business.

Following the additions of Rob Palmer and Mike McCommon to its creative team earlier this month, CP+B has hired Mollie Partesotti and Alison Kaplan to serve as global group strategy director and group account director, respectively, in its L.A. office.

Partesotti previously spent more than two years with TBWAMedia Arts Lab, where she was promoted last January to global group strategy director for its only client, Apple. In that role, she led global strategy for the world’s most valuable company’s product launches including those tied to new iPhone, iPad and Mac models as well as larger brand communications work. Her work on the “Shot on iPhone” campaign earned several awards including Cannes Lions, Andys and Effies.

Earlier in her career, Partesotti held brand strategy positions at Hill Holliday (Bank of America, Merrell, etc.), Wieden+Kennedy (Delta, Nike, etc.) Boston’s Modernista! and Venables Bell & Partners. She also works to mentor up-and-coming strategists as a member of the Loyola University’s School of Mass Communication’s curriculum board.

Before moving to CP+B, Kaplan was VP/group account director at the L.A. offices of MullenLowe, where she most recently led the Patrón Spirits portfolio. She also brings extensive auto experience to the new position: she played a key role in the winning 2013 Acura pitch at MullenLowe Boston and helped launch that network’s Los Angeles office; she started her agency career as an account executive at Team One and later worked on Jaguar at Havas New York.

After all these hiring announcements, we’re expecting big things on Infiniti from CP+B L.A., which recently compared the act of coming out to one’s old-fashioned dad to that of admitting to owning a certain sedan.

W+K Portland Pops ‘The Question’ for Secret During The Bachelorette

W+K Portland launched a new spot for P&G deodorant brand Secret entitled “The Question.”

Part of the agency’s “Stress Test” campaign for the brand, the question in question is, as you may have guessed, a proposal. But the spot flips the script on tradition, with a woman proposing to her initially perplexed boyfriend in a restaurant by giving him a fortune cookie whose fortune reads “Andy I want to ask you something.”

Telling him to “shut up” and stop worrying about some sort of horror movie scenario, she gets on one knee and present him with an engagement ring, before the ad ends with the text “Claire’s act of romance flips the script on a centuries-old tradition,” and the tagline “Stress tested for women.”

The implication, of course, is that Claire isn’t sweating bullets during the scene because she used Secret. (We can attest that proposing to someone is, indeed, the kind of situation that calls for a little extra deodorant.)

The spot made its debut in a thematically appropriate setting, running during The Bachelorette’s season premiere last night. “The Question” follows the agency’s previous “Stress Test” scenarios for the brand, which included asking for a raise and saying “I love you” for the first time via text and feels like an appropriate follow-up, with the scene unfolding in a relatively believable manner. Interestingly enough, the spot never shows Andy’s answer, keeping its focus squarely on the anxiety inherent in a marriage proposal.

It also marks the second ad in two weeks to feature a woman proposing to a man, following Ogilvy & Mather U.K.’s “Amazing Moments: Louisa & Rob” for Dove, which promoted that brand’s line of deodorant for women.

Credits:

Client: Procter & Gamble/Secret
Project: Secret Stress-Tested for Women

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Justine Armour / Caio Lazzuri
Art Director: Johan Arlig
Copywriter: Justine Armour
Producer: Jessica Staples
Strategic Planning: Angela Jones
Media/Comms Planning: Stephanie Ehui
Account Team: Dana Borenstein / Alexina Shaber

Production Company: Somesuch/Anonymous Content
Director: Aoife McArdle
Executive Producer: SueEllen Clair / Eric Stern
Executive Producer Somesuch: Sally Campbell / Tim Nash
Producer: Christopher Gallagher
Director of Photography: Alexis Zabe

Editorial Company: Final Cut
Editor: Paul Zucker
Assistant Editor: Betty Jo Moore [Editor on ‘Three Dots’]
Exec Post Producer: Eric McCasline
Head of Production: Suzy Ramirez
Producer: Sarita White

VFX Company: MPC Los Angeles
Exec Producer: Elexis Stern
Shoot Supervisor: Ben Persons
Colourist: Mark Gethin
VFX Lead: Susanne Scharping
VFX: Sandra Ross / Vincent Blin / Warren Paleos
Designer: Kathleen Kirkman

Music Company: Marmoset
Composers: ‘Proposal’ by Will Canzoneri / ‘Raise’ by Jeffrey Brodsky / ‘Three Dots’ by Kerry Smith
Producer: Tim Shrout
Sound Design Company: Barking Owl
Sound Designer: Michael Anastasi
Exec Producer: Kelly Bayett

Mix Company: Lime Studios
Mixer: Sam Casas

Havas Becomes the Latest Agency to Hire a Chief Talent Officer From Outside the Ad Industry

Havas Worldwide Chicago appointed Jennifer Marszalek as Chief Talent Officer, responsible for recruiting talent for the agency across disciplines, Adweek reports.

Marszalek joins the agency from online and mobile food delivery service GrubHub, where she has served as vice president, human resources since January, following over a year and a half as director of people. Before that she spent around four years as director of human resources for SurePayroll and eleven years in various human resources and talent management roles with Room & Board.

Havas global Chief Talent Officer Patti Clifford told Adweek that Marszalek’s background in tech would help Havas compete for talent outside the ad industry. “

“We looked at a broad range of candidates and what attracted us was Jennifer’s experience with a tech start-up plus great HR experience,” he said. 

“Our industry is under intense pressure to evolve the value creativity brings to brands, and we are increasingly hiring from outside of the advertising industry—from start-ups and technology firms to business consultants, social media experts and content creators,” added Havas Worldwide Chicago CEO Paul Marobella.

Havas isn’t the only agency to look outside of advertising for its newest head of HR. Last year, for example, Omnicom’s RAPP named a chief talent officer who had worked in consumer goods.

AMV BBDO, Braun and Aardman Animate Your Facial Hair

You have a beard, don’t you? Or at least you have one of those “I don’t feel like shaving for about a week” sort of things. See, we get it: shaving is both boring and uncomfortable. We are going to take another wild guess regarding your distaste for the overuse of CGI in advertising.

On that note, a recent campaign created for razor brand Braun by AMV BBDO and the guys behind Wallace & Gromit used a bit of the old stop motion to create the impression of some conveniently disappearing facial hair.

Here’s the spot, which was produced by Aardman Animations.

So that was kind of fun. We liked the guy flicking away his own goatee, which is really the best thing for both parties.

This work seems to have been under wraps since it first went live in February, but we did get a pitch so the client is finally OK with pushing it out now.

Here’s a behind the scenes with the director, because you are curious. (This thing took an entire month to shoot–and as we noted in the excerpt for this post, several beards were quite obviously harmed during the filming process.)

No way we would be able to sit still for that, even if the director were a very polite British man.

Better than doing it with a razor, though!

CREDITS

Client: Procter & Gamble International Operations, P&G Braun
Marketing Director: Alessandra Dolfini

Agency: Abbott Mead Vickers BBDO
Producer: Christina Hermann
Creatives: Jeremy Tribe & Prabhu Wignarajah

Production Company: Aardman Animations
Director: Will Studd
Producer: Stephanie Owen
Production Manager: James Whetherley
Production Co-ordinator: Caroline Hague
Storyboard Artist: Matt Lloyd
Consultant Stylist: Sean Holmes
Stylists: Chris Foster, Ryan MacGregor, Yaseen Sumum
Animator 3: Justin Smith
Directors of Photography: Sam Morris, Jeremy Hogg
Camera Assistants: Joe Maxwell, Beth MacDonald, Adam Cook
Studio Manager: Nathan Sale
Electrician: Andy Woodland
Rigger: Craig Atkinson
Engineer: Lew Gardiner
Make-up Artist: Grace Kingsley
Runner: Sam Horton
CGI Supervisor: Ben Toogood
Senior Post Production Supervisor: Jim Lewis
Head of Post Production: Bram Ttwheam
Post Artists: Jon Biggins, Spencer Cross, Fernando Lechuga, Neil Scholes, Daniel Binder, Gary Kelly, Benito Sanz
Editors: Dan Hembery, Ben Craske
Behind the Scenes Interviewer/Editor: Ben Dowden

Como seria um filme de terror em torno do Snapchat?

terror-snapchat-gustavo

A pergunta do título provavelmente não foi feita por muita gente, mas foi respondida mesmo assim no vídeo do YouTuber brasileiro Gustavo Stockler. No trailer do filme fictício “Snapchat – O Filme”, que você pode assistir acima, Stockler mostra como o aplicativo pode virar um bom tema para um filme de terror. O vídeo começa […]

> LEIA MAIS: Como seria um filme de terror em torno do Snapchat?

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Microsoft: Posture scanner

River Stone Art Machines – The 'Jller' Sorts Pebbles Automatically by Their Geological Age (GALLERY)

(TrendHunter.com) The ‘Jller’ is an automated machine that can sort stones from the Iller river in Germany by their age and the result is beautiful machine-automated river stone art.

Combining geology,…

Premier, TMW Unlimited and Durex Want You to Put Your Phone Away Already

BREAKING NEWS: People have sex all the time … with or without their smartphones.

On that note, Premier and TMW Unlimited teamed up to launch “#DoNotDisturb” for sexual wellbeing brand (and here we thought they made condoms!) Durex.

#DoNotDisturb is a “social experiment” exploring how turning off smartphones can help couples “Reconnect and enjoy great holiday sex.” The “experiment” took six couples on vacation and forced half of them to surrender their smart phones and laptops upon arrival at the hotel. 

Premier and TMW Unlimited then created a case study video to document the results, which you can view below.

Of course, the very obvious conclusion reached by the study was that the couples who were free of tech distractions connected more on their holiday, appreciated the sites more and, presumably had more and better sex. We’re guessing you didn’t need a social experiment from a condom sexual wellbeing brand to tell you that, though.

The campaign and “experiment” were inspired by a brand survey which found that 52 percent of people expected to have better sex while on vacation, but that 60 percent of those surveyed admitted their holiday failed to live up to expectations. A full 40 percent said they were less likely to attempt to instigate sex if their partner is on their phone in bed and 57 percent said they’d be more turned on if their partner turned the phone off, while 41 percent admitted that, even on holiday, nights in bed could be spent with both partners concentrating on their devices.

In other words, the “experiment” was meant as more of an illustration of these findings, but honestly the survey itself is a lot more interesting as just about anybody could have reached the more generic conclusion delivered in the case study video.

Will this experiment help sell more condoms? We have no idea. But it did remind us of another benefit one can achieve by hiding the phone: no sex tapes.

This Motorcycle Helmet Detects Crashes and Instantly Reports the Rider's Location

In Thailand, 80 percent of people killed in road accidents are riding motorcycles. Now, one agency hopes its new invention could literally mean the difference between life and death. 

The “Helpmet” was designed by BBDO Bangkok for the Thai Health Promotion Foundation (the same partnership that recently came up with the fat-reducing AbsorbPlate) to help address Thailand’s staggeringly high rate of motorcycle fatalities—the second highest in the world. 

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BKP Sound Design: Knife

BKP Sound Design: Baby

BKP Sound Design: Ford

TDA_Boulder and FirstBank Remind Us That All Money Is Dirty

As one of Diddy’s supergroups once told us, all money is really Dirty Money.

No, seriously. Remember those reports about how 90 percent of U.S. bills carry traces of cocaine? That’s only the beginning. According to a new campaign for FirstBank by TDA_Boulder, they also carry traces of all sorts of other things you’d rather not think about.

For example, there’s this guy, to whom we can only say: ewww.

OF COURSE he uses cash.

The Colorado indie shop has created a variety of campaigns for its biggest client in recent years, going so far as to envision an Amish paradise and threaten to sell some adorable puppies before explaining that the kid was just an actor and the puppies will be just fine.

The latest effort focuses on P2P transfers in targeting the same Young People praised by a crotchety old man in this year’s regional Super Bowl spot about the sharing of pants.

“We don’t see this as an ad campaign but more of a public service,” said TDA_Boulder ECD and partner Jonathan Schoenberg, adding, “Especially for those people who lick their fingers while they count paper money.”

Spots like the one above are currently running as pre-roll ads on various networks including Bloomberg, Reuters and NBC. The campaign also includes some print and OOH work like this poster, which gets right to the down and dirty.

dirty money 1

See, if you use P2P transfers you can avoid going to the bank and having to suffer through coming into contact with Other People’s Money.

As this bus ad makes clear, even the most health-conscious among us is still kind of gross.

dirty money 2

Come to think of it, public transportation is hardly the friendliest place for germaphobes.

dirty money 3

“The campaign speaks to an unspoken truth and let’s our human insight speak for technology,” said the agency’s director of strategy Constance DeCherney. “It creates a little humor in a category–banking–that rarely has the opportunity to be funny.”

Thank god we wash our hands until they’re raw five times a day. That’s normal, right?

CREDITS

Agency: TDA_Boulder
Client: FirstBank

Art Director: Mia Nogueira
Copywriter: Jonathan Schoenberg
Creative Director: Jeremy Seibold
Executive Creative Directors: Jonathan Schoenberg/Thomas Dooley
Agency Producer: Lindsey Ritter
Account Supervisor: Colleen Callahan
Director of Client Services: Christi Tucay Clark
Media Director: Samantha Johnson
Strategy Director: Constance DeCherney

Production Company: Buck Ross
Director: Ryan Ross
DP: Matt Silton
Editor: Lam Nguyen

BBDO New York and All of Its Friends Let Out a ‘Scream’ for Snickers Ice Cream

With late spring here, Memorial Day and the impending summer on the horizon, BBDO New York launched a spot promoting Snickers Ice Cream Bars entitled “Scream.”

As you probably could have guessed it’s a play on the “we all scream for ice cream” line. The spot opens with a lone scream, soon joined by a chorus that includes a man’s eagle tattoo, a boardwalk artists’ caricature drawing and a crab. At the conclusion of the spot, the reason for the shouting is revaled with the tagline, “We all scream for Snickers Ice Cream Bars.”

While the tagline and spot are easy to remember, “Scream” lacks the humor of BBDO New York’s best work for the main Snickers brand. The animals and inanimate objects are a little awkward, but then at least they’re not twerking.

Earlier this month (we were kind of busy), BBDO New York also released an ad for Snickers Bites, called “Unfamous,” which plays on the brand’s more typical advertising.

In fact, the ad shows a man upset that “These Snickers commercials make it seem like  hungry people turn into these huge celebrities,” while he just turns into “Rick from down the street.” His wife explains that it’s because he’s not that hungry and hands him the bag of Snickers Bites for a slight improvement.

It’s kind of a fun play on the main brand for Snickers Bites, but one could also opine that BBDO is treading water here.

CREDITS

Client: SNICKERS
Creative Agency: BBDO New York
Title: “Scream”

David Lubars: Chief Creative Officer, BBDO Worldwide
Greg Hahn: Chief Creative Officer, BBDO New York
Gianfranco Arena: Executive Creative Director
Peter Kain: Executive Creative Director
Eli Terry: Creative Director
Jessica Coulter: Creative Director
Amy Wertheimer: Group Executive Producer
Tara Leinwohl: Executive Producer
Kirsten Flanik: Managing Director
Susannah Keller: Global Account Director
Joshua Steinman: Account Director
Tani Corbacho: Account Manager
Annemarie Norris: Group Planning Director
Alaina Crystal: Senior Planner

Production Company: Gifted Youth
Fatal Farm: Director
Charles Papert: Director of Photography
Dal Wolf: EP / Managing Director
Anthony Ficalora: EP of Production / HOP
Alistair Walford: Staff Producer
Alana Mitnick: Producer

Editorial: Rock Paper Scissors
Helena Lee: Executive Producer
Leah Carnahan: Post Producer
Christjan Jordan: Editor
Pieter Viljoen: Assistant Editor

Post-Production Effects: MPC
Camila De Biaggi: Executive Producer
Alan Bibby: Creative Director
Ed Chapman: VFX Supervisor
Seif Boutella; Technical Director
Dorian Douglass: Producer
Marcus Wood: Head of 2D
John Shafto: Flame Artist

Mix Studio: Lime Studios
Joel Waters: Engineer
Susie Boyajan: Producer