Biocoop: The Most Eco-Friendly Campaign Ever


Media, PR
Biocoop

Biocoop is the first retailer of organic food in France. It has been founded by farmers and consumers truly committed to a greener and more responsible planet. Biocoop asked us to raise awareness about their uncompromising ethics and philosophy. Our campaign needed to stay true to their DNA.

The idea was to produce the first eco-friendly integrated campaign ever.

We had to rethink every single production detail from scratch and find green innovative ways to address every touchpoints.

Plane transportation, use of actors, postproduction or digital retouching were banned. We took special care to control the origins and compositions of all devices, built some of them when needed, reused old techniques to shoot prints and films, and invented new ones on the Internet and social networks.

Global overview:
7,312 total tweets by 5,733 users
10,421,251 impressions on Twitter only
98 % positives mentions
+ 156 000 visits on Twitter profile
+ 2300 followers
1455 tweets including the word «genius»

Advertising Agency:Fred & Farid, Paris, France
Chief Creative Officers:Fred & Farid
Executive Creative Directors:Benjamin Marchal, Olivier Lefebvre
Copywriter:Noé Sato
Art Director:François Claux
Assistant Art Director:Alexandre Jegou
Digital Art Director:Rémy Gendre
Head Of Social:Matthieu Bouilhot
Brand Supervisor:Patrick Marguerie, Maéva Selami
Account Supervisor:Emmanuel Ferry
Account Manager:Joy Arfi
TV Producer & Art Buyer:Adélaïde Samani
Print Producer:Julia Durey, Olivier Lepaire
Digital Producer:Domitille Doat, Jim Tran, Benjamin Bouzerau-Levy
Director:Killdeath
DoP:Zach Spiger
Photographer:David Ledoux
Typographer:Aleksi Cavaillez
Photo developer:Paul Feton
Media Strategist:Julien Levêque, Lauren Godet
Music:Capitaine Plouf
Production Company:Continental Productions

Mercedes-Benz Genuine Parts: Men


Print
Mercedes-Benz

A part of you is no longer Mercedes-Benz. Prefer original parts.

Advertising Agency:BBDO, Santiago, Chile
Executive Creative Director:Jorge Espinoza
Creative Director:Rodrigo Peralta
Art Director:Leonardo Rocha
Copywriter:Felipe Araya
Photographer:Javiera Eyzaguirre

Leroy Merlin: Bathroom


Film
Leroy Merlin

Advertising Agency:Publicis, Milan, Italy
Executive Creative Directors:Bruno Bertelli, Cristiana Boccassini
Associate Creative Director and Copywriter:Stefano Battistelli
Creative Supervisor And Art Director:Francesco Epifani
Client Service:David Pagnoni, Federica Fragapane, Ilaria Massinissa
Agency Producer:Federica Manera
Production Company:Think | Cattleya
Director:Pep Bosch
DoP:Oriol Vila Hosta
Editor:Stuart Greenwald
Executive Producer:Simona Della Porta
Producer:Rossana Ceriani
Post Production Video:Band
Postproduction:Screenplay
Music:Fabio Gargiulo
Client:Leroy Merlin Italia
Communication Director Leroy Merlin Italy:Stefania Savona
Project Leader Communication:Monica Pierini, Paola Rastelli

Volkswagen: Mexican’s Streets


Print
Volkswagen

Advertising Agency:Arrechedera Claverol, Mexico City, Mexico
Ceo:Juan Claverol
CCO:Sebastian Arrechedera
Vp:Miquel Daura
Business Development:Miquel Daura
Managing Director:Matias Rigali
General Creative Director:Carlos Carbajal
Creative Director:Kevin Salcedo
Art Director:Viridiana Dighero
Account Director:Marco Kidwell
Account Executive:Ana Velázquez
Agency Producer:Aida Garatea, Alejandra Amaro, Rodrigo Guerrero
Planner:Antonio Soberanis
Photographer:Pablo Navajas

Mortein Pro: The Hidden Ad


Media, Print
Mortein

Advertising Agency:Havas WW, São Paulo, Brazil
Creative Director:Rodrigo Corbari, Akira Tateyama, Marcelo Bresciani
Art Director:Felipe Perles
Copywriter:Akira Tateyama
Additional Credits:Tales Bahu

Radio Transamerica Institutional: Radio Music School


Radio, Online
Radio Transamerica

At a time when people have different ways of listening to their favourite songs, in MP3 format or through a streaming service, Radio Transamerica innovated and offered its listeners the first music school through the radio display screen: the Radio Music School. Using RDS (Radio Data System) technology, the action created and conceived by Lew’Lara/TBWA agency was carried out on Radio Transamerica Brasilia – 100.1 FM. It transmitted tabs (musical notations used to indicate chords for instruments such as acoustic, electric and bass guitar) of the most popular songs on the radio, in perfect sync with the chords that were being heard.

Advertising Agency:Lew’LaraTBWA, São Paulo, Brasil
CCO:Manir Fadel
Executive Creative Director:Felipe Luchi
Creative Director:Cláudio Leite, Pedro Henrique Garcia
Art Director:Paulo Mariano, Paulo Ribas
Copywriter:Paulo Lima, Raoni Leão

Act Responsible: The Shredder


Print
ACT

Advertising Agency:Windsor Paris, France
Executive Creative Director:Ivan Pierens
Art Director:Christophe Provost
Copywriter:Fabien Moussart
Photographer:Marc Da Cunha Lopes
Photography Production:Continental Productions
Executive Producers:Manuel Morales, Nicolas Billon

Aspirin: Lines, Circles, Dots


Print
Aspirin

Advertising Agency:Miami Ad School, New York, USA
Art Directors:Carl Larsson, Jennifer Garcia

Harmony: Long-lasting pleasure Outdoor


Outdoor
Harmony

Long-lasting pleasure.

Advertising Agency:Fcb, Lisbon, Portugal
Creative Director:Edson Athayde
Art Directors:João Martins, Rita Silva
Copywriters:Vicente de Melo, Edson Athayde
Photographer:Frederico Van Zeller, Garage

Harmony: Long-lasting pleasure Press


Print
Harmony

Long-lasting pleasure.

Advertising Agency:Fcb, Lisbon, Portugal
Creative Director:Edson Athayde
Art Directors:João Martins, Rita Silva
Copywriters:Vicente de Melo, Edson Athayde
Photographer:Frederico Van Zeller, Garage

Urbi et Orbi: Coordinates


Print
Urbi Et Orbi

We take you exactly where you want to go.

Advertising Agency:Agência3, Rio De Janeiro, Brazil
Creative Director:Paulo Castro
Head Of Art:Rodrigo De Lamare
Art Director:Lucas Queiroz
Copywriter:Daniel Bensusan

Voz da Comunidade Newpaper: Recycle


Outdoor, Print
Voz da Comunidade

To tell people from the AlemãoComplex, the Communuty from Rio de Janeiro, how easy is to recycle, 11:21 created the newspaper campaign that deminstrate that even if it were dificult, it would worth it. Today, less than 10% of the garbage is recicled by the people in the Alemão Compex.

Advertising Agency:11:21, Rio de Janeiro, Brazil
Creative Director:Gustavo Bastos
Art Director:Leandro Barbosa
Copywriter:Gustavo Bastos

Amnesty International: Gandhi, Martin Luther King, Nelson Mandela


Print
Amnesty International

Amnesty International and Air Brussels launched a campaign together to help promote a photo contest for school children: “Rights in the eye”.
The competition requires the school children to awaken the human rights defender inside them. To recruit the future human rights activists three visuals were developed, which depict Gandhi, Martin Luther King and Nelson Mandela when they were still only kids. Contest entries should represent human rights and if possible illustrate where and how they were flouted. A selection of the best pictures will be showcased in a travelling exhibition in 2016.

Advertising Agency:Air, Brussels, Belgium
Advertisers Supervisor:Philippe Hensmans
Creative Director:Marie-Laure Cliquennois, Gregory Ginterdaele
Art Director:Sébastien Stronghead Verliefde
Copywriter:Julien Scouze Riviezzo
Print Production:Maxime Douillet
Craft & Design Director:Caroline Marson
Creative Producer:Bérengère Lurquin, Anne Gruszow
Photography & Retouch:The Pickles
Account Manager:Julie De Smedt

London Drivers in the 1980s

Le photographe Chris Dorley-Brown a réalisé une série de photographies nommée « Rider & Driver » dans laquelle il immortalise de manière humoristique les attitudes des conducteurs londoniens dans les années 1980. Armé d’un Rolleiflex, qui permet de capturer plus facilement des portraits volé, il souligne les comportements qui ne manqueront pas de faire sourire.

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Weather Festival 2015 in Paris

Durant le Weather Festival, évènement musical qui a eu lieu du 4 au 6 juin 2015 au bois de Vincennes, le photographe Antoine Guibert a arpenté les différentes scènes pour en immortaliser quelques instants. À travers des clichés en noir et blanc, il nous livre les portraits des festivaliers ainsi que de certains artistes. À découvrir.

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Vic Mensa – U Mad ft. Kanye West

Vic Mensa vient de sortir le clip de son dernier single « U Mad » sur lequel on retrouve Kanye West. La vidéo, mise en images par le réalisateur californien Grant Singer, met en scène les deux compères de Chicago au milieu d’un univers inspiré des émeutes de Londres en 2011.

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45 Examples of Niche Dating Apps – From Faith-Based Dating Apps to Sobriety Dating Services (TOPLIST)

(TrendHunter.com) These niche dating apps demonstrate that no matter who you are or what your interests may be, there is sure to be a matchmaking service out there for you. With dating apps ranging from religion-…

A Take on Sports Marketing

Category: Beyond Madison Avenue
Summary: With the FIFA scandal involving several sports marketing agencies, it is easy to see how people can develop a negative view of the marketing industry. Many advertising and marketing professionals realize that getting into the sports sector is very tough and it’s a very small niche of professionals. With the fierce competition and limited access, some view it as a challenge, while many others choose to pursue other markets.

Those who enter the sports marketing segment quickly learn how to play the game.

With $25 Billion Up for Grabs, Media Agencies Need to Change


The last six months have seen at least 20 large companies calling media reviews, with a total of $25 billion in media dollars on the line. We’re even seeing creative agencies swoop in, yet few can agree on what’s driving the surge.

It’s a Rorschach test of sorts — what we believe is driving the change depends on how we see the industry. Some assume it’s just the ever-present act of cost-cutting, while others think it reflects transparency issues. As a person tasked with driving change and innovation at a forward-thinking media agency, I see it clearly as a sign that our clients are facing the most profound, rapid changes they’ve ever known, but face a sea of agencies ignoring their needs and holding onto the past.

We’re a few weeks away from Cannes, our industry’s annual celebration of the niche, unambitious application of creativity: the endless use of drones, the hopeful user-generated content, the hopeless iBeacons, the 3D printed trinkets and conceptual vending machines. It’s our chance to reward test-and-learns while our clients face real threats. Never before has the disconnect between their needs and our solutions been greater.

Continue reading at AdAge.com

What We Can Learn From 'Like a Girl'


When I first became publisher of Ad Age, I worked with Marylee Keane and her team at the Effie Awards to create the GoodWorks Effie, to recognize marketers effectively using their platform for good. With great power comes great responsibility, and we, as marketers with powerful platforms, have the ability to use that power to further good in the world and help solve the multitude of challenges that face our nation and the world at large. The award was intended to highlight excellent examples of purpose-driven campaigns, so we collectively could have a greater impact.

This year, P&G’s “Like a Girl,” campaign for Always, was the sole winner in the GoodWorks Brand category, where it took home the silver Effie. (The campaign also won gold in other categories.) “Like a Girl” has received close to 58 million views on YouTube since it debuted last summer and has been lauded by many for its insight and impact.

The fact that this campaign is the only winner in the GoodWorks Brand category is noteworthy given how many brands are pursuing purpose-based initiatives. Perhaps it means these efforts will face greater scrutiny as more programs enter the market. This is a good thing, however, and even under this filter “Like a Girl” clearly stood out.

Continue reading at AdAge.com