Rick Ducommun, Actor in ‘Spaceballs’ and ‘Groundhog Day,’ Dies at 62
Posted in: UncategorizedConceptual Poster Design
Posted in: UncategorizedChaque jour, la graphiste Alex Proba publie sur son tumblr un poster conceptuel fraîchement réalisé. Très colorées, les compositions qu’elle révèle mélangent différents styles graphiques et imbriquent toutes sortes d’éléments tels que des motifs et des animaux allant du plus concret au plus abstrait.
Letters: Eye on Gawker
Posted in: UncategorizedGolden Sequined Beauty of Bodies
Posted in: UncategorizedL’artiste islandaise Kitty Von-Sometime est à l’origine du « The Weird Girls Project » dont le but est de souligner la beauté des corps féminins. Dans sa dernière vidéo elle les met en scène sur le titre « Dim the lights » de Sia et CREEP, ornés de paillettes dorés soulignant et mettant en lumière leurs formes et leurs courbes.
Top 100 Home Concepts in June – From Doodled Dining Decor to Sustainable Bamboo Homes (TOPLIST)
Posted in: UncategorizedMamilos 30 – Desigualdade social, PCC, umbandofobia e Mulher maravilha
Posted in: UncategorizedQue tempos para se viver amigos, facção criminosa em franca batalha por legitimação, menina de 11 anos levando pedrada por estar com uma mãe de santo e uma descendente de alemão com austríaca que se declara negra. Depois desse breve aquecimento arregaçamos as mangas para falar sobre desigualdade social com nosso professor de história preferido, […]
> LEIA MAIS: Mamilos 30 – Desigualdade social, PCC, umbandofobia e Mulher maravilha
Post originalmente publicado no B9
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Every voice was heard
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Collective decision-making at Occupy Wellington, NZ.
From Adbusters #120:
The occupy general assembly in New Zealand’s capital, Wellington, was my first experience of collective decision making on a large scale.
The initial day of action attracted several hundred people who were abuzz with anticipation at the potential of a little cooperation. It didn’t feel at all like a traditional activist crowd, with plenty of people who had never attended a protest in attendance, and many who wouldn’t identify as activists at all.
Similar to other Occupy camps around the world, the growing population of the Wellington camp made a series of conscious decisions that organically structured the community into working groups, each around a shared purpose. These groups then organized themselves into more specific sub-groups, leading to working groups made up of an individually chosen specialization for each participant. A kitchen provided three meals to up to 70 people a day, supplied with donated or dumpstered food. A hospitality crew welcomed new arrivals. A comms team put out press releases, gathered and reported back on international movements and communicated with camps around the country and elsewhere. The GA was structured in such a way that each working group would report back to the wider community, and these groups were mandated an appropriate level of autonomy for each group to efficiently take care of their own sphere of activity.
When the collective process functioned well, participating in the GA was a truly transformative experience. I saw several hundred excited individuals quickly reaching decisions that were better than anyone could have proposed on their own. Every voice was heard and no one felt alienated from the process. I knew that this was happening all over the world, at the same time, on a massive scale and it was like nothing else I had experienced.
But when the decision-making protocol broke down, empowerment quickly turned into soul-destroying alienation. The immense amount of time and effort the stalled decision-making process took was crushing. Sharing information is critical for building consensus, but can be extremely difficult in a rained out campsite. Loud and frequent voices often exerted disproportionate influence over group discussions, meaning marginalized voices remained unheard.
I had read about the “tyranny of structurelessness” in consensus-based groups, the lapse into factions and the emergence of informal dictatorships — but I’d never seen it happen in person. The knowledge that this too was happening in Occupy camps all over the world, and right in front of me in a community I cared deeply about, was depressing.
The mass participation of millions of people in the 2011 movements was a clear and global call for public participation in decison-making at every level. It was a call for decentralized democracy on a global scale, a process that takes the decision-making influence of self-interested institutions and redistributes it back into the hands of people and communities.
But the face-to-face lived experience of Occupy really drove home to me how fragile collective decision-making can be, even in relatively small groups. Though frustrating, this fragility didn’t seem irresolvable. In large part the organizational problems we faced at Occupy were the result of mundane and practical constraints. Simply requiring everybody to be in the same place at the same time meant that the cost of participation in the decision-making process was too high for it to be accessible for most people, or to involve people who were geographically distributed. These pitfalls didn’t seem like a problem inherent to collaboration, but a technical challenge to be solved.
— Matthew Bartlett is from Wellington, New Zealand
Multiple Exposures Photography of Finland Woods
Posted in: UncategorizedChristoffer Relander est un ancien peintre et photographe finlandais. Dans une série de photographies intitulée « Oil Exposures » il a souhaité donner un effet s’apparentant à la peinture par une technique de multi-exposition. Il a ainsi immortalisé les bois finlandais avec trois appareils différents afin d’avoir des réglages différents pour arriver au résultat souhaité.
Visual Fishmonger Interior Design in Montreal
Posted in: UncategorizedEn signant le design intérieur de cette poissonnerie située à Montréal, le designer Québecois Jean de Lessard donne un souffle de fraîcheur à un lieu traditionnel. L’espace se compose ainsi d’une fresque sculpturale formant un camaïeu de bleu, de graphismes rayés au sol et de présentoirs sous forme de modules blancs et géométriques.
Delta Airlines homenageia nossos co-pilotos favoritos pelo Dia dos Pais
Posted in: UncategorizedStockholm Arlanda Airport: The Climate Portal
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Advertising Agency: Akestam Holst, Stockholm, Sweden
Creative Director: Andreas Ullenius
Art Director: Erik Nordenakar
Copywriter: Kalle Akestam
Graphic Designer: Sara Bellafesta
Account Director: Fredrik Burman
Account Manager: Mirja Hjelm
Client Director: Jacob Stjärne
Planner: Lisa Adamsson
Production Company: Studionoc
Producers: Stefan Wikstrom, Dev Malhotra, Staffan Gille
Photographer: Dennis Erixon
Southern Comfort: Spray tan
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Advertising Agency: Wieden + Kennedy, New York, USA
Executive Creative Director: Jaime Robinson, David Kolbusz
Creative Directors: Jimm Lasser, Caleb Jensen, Mike Giepert
Copywriters: Laddie Peterson, Rajeev Basu
Head of Content Production: Nick Setounski
Strategist: Tom Gibby
Account Team: Toby Hussey, Katie Hoak, Kerry O’Connell
Business Affairs: Sara Jagielski, Justine Lowe
Production Company: Biscuit Filmworks
Director: Andreas Nilsson
Producer: Cheryl Warbrook
Executive Producers: Shawn Lacy, Colleen O’Donnell
DoP: Sebastian Wintero Hansen
Line Producers: Mirka Taylor, Jay Veal
Editorial Company: Arcade NYC
Editor: Geoff Hounsell
Post Producer: Cecilia Melton
Post Executive Producer: Sila Soyer
Editorial Assistant: Sam Barden
VFX Company: The Mill
Compositors: Tomas Wall, Rob Meade
CG Artist: Andrew Bartholomew
JetBlue: A better wingman
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Advertising Agency: Mullen Lowe Brasil
Executive Creative Directors: Tim Vaccarino, Dave Weist
Copywriter: Evelynne Scholnick
Art Director: Scott Petrichko
Associate Creative Directors: Ben Salsky, Dan Madsen
Media: Pearl Media
Content Producer: Eric Skvirsky
Associate Editor & Videographer: Nick Brecken
Animator: Chris Zuppa
Group Account Director: Drayton Martin
Account Supervisor: Melissa Sabones
Senior Brand Strategist: Sloane Beaver
Group Media Director: Keith Lusby
Media Supervisor: Lauren Atkins
Director: Dan Madsen
Edward Snell & Company: Reflector protector
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Advertising Agency: Y&R, South Africa
Chief Creative Officer: Graham Lang
Creative Director: Nkanyezi Masango
Copywriter: Graham Krige
Art Directors: Wade Barnes, Rowan Foxcroft, Gareth Owen, Mpumi Guliwe
Production Manager: Rory Bonnes
Art buyer: Ashleigh Hamilton
Cinematographer: Gareth Place