Philadelphia Traffic Safety: Not rocket science

Advertising Agency: LevLane, Philadelphia, USA
Creative Director: Debbey Racano
Art Directors: Gabrielle Shirdan, R.J. Cassi, Kate Warburton
Copywriter: Evan Monsky
Chief Creative Officer: Bruce Lev
Account Managers: Jason Rossano, Eric Spector
Production/Post: Neighborhood Film Co
Director: Ricky Staub
D.P.: Jeremy McDaniel
Producer: Sam Broscoe
Editor: Alex Ayabe
Suit Designer/Stylist: Deborah Artaza
Published: April 2014

City of Sorocaba: Dengue

Creative Directors: Caio Augusto Ferreira, Fer Torres
Translator: Henry Hingst
Production: Batuta Filmes
Directors: Gilberg Antunes, Alexandre Miliani
Service and production: Bruno d’Oliveira
Images: Alexandre Miliani
Editing and finishing: João Paulo Reis
Animation: Leo Lemes, João Paulo Reis
Audio: Daniel Marchi
Voiceover: Jorge Sabino

Arturo Calle Jeans: Dirty

Advertising Agency: Lowe/SSP5, Bogota, Colombia
Chief Creative Officer: Jose Miguel Sokoloff
Executive Creative Director: Jaime Duque
Creative Director: Miguel Angel Grillo
Art Director: Silvia Julieta Rodriguez
Copywriter: Luisito Giraldo
Production Company: Carioca
Chief Executive Officer: Francisco Samper

Arturo Calle Jeans: Stone

Advertising Agency: Lowe/SSP5, Bogota, Colombia
Chief Creative Officer: Jose Miguel Sokoloff
Executive Creative Director: Jaime Duque
Creative Director: Miguel Angel Grillo
Art Director: Silvia Julieta Rodriguez
Copywriter: Luisito Giraldo
Production Company: Carioca
Chief Executive Officer: Francisco Samper

Arturo Calle Jeans: Ripped

Advertising Agency: Lowe/SSP5, Bogota, Colombia
Chief Creative Officer: Jose Miguel Sokoloff
Executive Creative Director: Jaime Duque
Creative Director: Miguel Angel Grillo
Art Director: Silvia Julieta Rodriguez
Copywriter: Luisito Giraldo
Production Company: Carioca
Chief Executive Officer: Francisco Samper

VicRoads: Share the road, 1

Advertising Agency: Isobar Australia
Executive Creative Director: Dave Budge
Copywriters: Emma Park, Luke Falkland-Brown
Senior Art Director: Tom Kearney
Group Account Director: Tim Den-Braber
Account Director: Julia King
Account Manager: Tish Tambakau
Production Company: 500 Media
Producer: Jessica Snell

VicRoads: Share the road, 2

Advertising Agency: Isobar Australia
Executive Creative Director: Dave Budge
Copywriters: Emma Park, Luke Falkland-Brown
Senior Art Director: Tom Kearney
Group Account Director: Tim Den-Braber
Account Director: Julia King
Account Manager: Tish Tambakau
Production Company: 500 Media
Producer: Jessica Snell

VicRoads: Share the road, 3

Advertising Agency: Isobar Australia
Executive Creative Director: Dave Budge
Copywriters: Emma Park, Luke Falkland-Brown
Senior Art Director: Tom Kearney
Group Account Director: Tim Den-Braber
Account Director: Julia King
Account Manager: Tish Tambakau
Production Company: 500 Media
Producer: Jessica Snell

Robinsons: They grow up so fast

Advertising Agency: BBH, London, UK
Executive Creative Director: Nick Gill
Creative Director: Dominic Goldman
Creatives: Nikki Lindman, Toby Brewer
Business Lead: Heather Cuss
Team Directors: Rebecca Levy, James Rice
Team Managers: Louise Long, Joanna Rose
Strategy Director: Lilli English
Strategist: Damien Le Castrec
Producer: Natalie Parish
Assistant Producer: Sarah Cooper
Production Company: Park Pictures
Director: Tom Tagholm
Executive Producer: Stephen Brierley
Producer: Fran Thompson
Director of Photography: Luke Scott
Visual Effects: MPC
Visual Effects Producer: Amy Richardson
Visual Effects Supervisor: Tom Harding
Computer Graphics Supervisor: Carsten Keller
Colorist: Jean-Clément Soret
Editing House: Stitch

Snow Graffitis in Chicago

Pour Comida Mexicana, l’agence américaine Lapiz a mis en place une opération de street-art toute particulière dans les rues enneigées de Chicago. Avec de la neige, une équipe est allée décorer les murs de la ville avec des graffitis appelant à se connecter sur « Mexico.com » et des messages drôles aux belles typographies.

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Burnett Quits Entering Awards, Media Director Turns Bikini Model: Real Headlines From 'Mad Men' Days


No More Awards Competitions for Leo Burnett Co.

In July, 1970, Leo Burnett declared it would no longer be entering awards competitions. Exec VP-Creative Services Howard Shank issued a company-wide memo saying that the agency funds that had gone to entering awards shows — running into the tens of thousands of dollars — would be diverted to more worthy causes, such as scholarships or on-the-job training for advertising hopefuls. The decision wasn’t a “sour grapes” reaction, as the agency continued to do well on the awards circuit. Rather, Mr. Shanks said, “We see an opportunity to put our contest-entering to a use that seems more timely and appropriate to this day and this society.” The agency, of course, eventually changed its tune. In 2014, it ranked as the No. 3 most awarded network in Ad Age’s Awards Report.

Kitten-Proof Stockings

Continue reading at AdAge.com

Identify-Theft Victim? Just Forgetful? Discover Touts New Easy Freeze-and-Unfreeze


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Discover Card presents a handy freeze-and-unfreeze feature perfect for both its hard-partying and forgetful customers (not to mention victims of credit card theft). Diddy’s DeLen Tequila makes a rollicking TV debut. And the North Face’s #ITrainFor campaign gets sentimental — athletes climb mountains, train at the gym, laugh, cry and sweat — all while wearing North Face fleeces and moisture-wicking V-necks.

Continue reading at AdAge.com

Twitter lança emojis de Star Wars

Star Wars Emoji

Três ícones estão disponíveis por enquanto, mas a rede social promete mais até o fim do ano

> LEIA MAIS: Twitter lança emojis de Star Wars

Brainstorm9Post originalmente publicado no B9
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"Super Bowl numbers on an internet show" Seinfeld on branded entertainment

Jerry Seinfeld called youtube a “giant garbage can”, according to the Hollywood Reporter, when he spoke at Crackle’s Upfront in NYC on Tuesday, making it very clear that he wasn’t interested in thousands of re-uploads of kitten videos, shaky baby-cams & vloggers news shows. It’s best to leave entertainment to the professionals, he thinks.

“The less the better,” Seinfeld said when asked about less-professional content. “I don’t want to see this crap. We have a giant garbage can called YouTube for user-generated content. We’re trying to generate a little higher level. I think showbusiness is for talent, that’s who should be in it. But let’s keep it in its hierarchy. And I like being at the top of the pyramid.”

He makes for a very interesting point further down in the article, when he speaks of his show which now runs on Crackle: Seinfeld said Comedians in Cars Getting Coffee, in which he does exactly what the title implies, with stars like Tina Fey and his old buddies Larry David and Julia Louis-Dreyfus, reached 100 million viewers this month. “[People don’t] expect quality programming [online], and we feel like we’re ahead of a lot of places,” he said. “You can be in the same world as cat videos and still deliver a great demo for the advertiser. Acura is pretty excited because they get Super Bowl numbers on an internet show.”

That’s the key right there, branded entertainment in many forms has existed since the dawn of soap operas, the Texaco Theatre radio hour, and the Michelin Guide to road trip food tour guide. It’s only to be expected that it will continue to grow on the web as well. But do you, as a brand, want to be seen after pre-roll ads, next to countless remixes of blurry kitten videos? Do you want to be seen as the pre-roll, on someones gazillionth reupload of “kitten vs a scary thing”. I’ve been saying this for years, the html web was a bit like the dawn of cable. Local scrappy channels with unbridled creativity and no professional experience soon evolved into giant brands, and I wondered from the start why already established Ad agencies didn’t want to won their own channel. Why pay others to show your clients work, why have so many middle-men as you turn into a date-maker between the content creators and the brands? As Crackle becomes more like traditional TV running a constant stream of content already next month, you should be paying attention. Acura got in early with “Comedians In Cars…”, a wise move that I’m sure is paying off.

Saatchi & Saatchi Brazil Leads Revolt, Rallies for Honda HR-V

Whether they’re concocting kitchen etiquette for Electrolux or going wacky for Skol, Brazilian agency F/Nazca Saatchi & Saatchi always seems to keep us on our toes.

The latest effort from the agency for Honda is targeted as an anthemic, fist-raising short film promoting the client’s HR-V line via moment of “revolution” from those who were “in the trenches”: Martin Luther King, Woodstock hippies, a Hendrix homage, et cetera.

In a statement, F/Nazca president/general creative director Fabio Fernandes says:

“The film was designed to be as aesthetically beautiful, seductive, and as modern as the HR-V.  And it is as grandiose as Honda’s plans to revolutionize this category. This excellent production, produced by Killers and directed by Claudio Borreli, reproduces epic scenes by meticulously reconstructing each time period. The Woodstock scene and Martin Luther King’s march on Washington are so faithful to the actual events that they appear to be archive footage.”

AGENCY: F/Nazca Saatchi & Saatchi
CLIENT: Honda Automobiles
PRODUCT: Honda HR-V

GENERAL CREATIVE DIRECTION: Fabio Fernandes | Eduardo Lima
CREATIVE DIRECTION: Rodrigo Castellari | Theo Rocha
CREATION: Eduardo Lima | Rodrigo Castellari | Theo Rocha | Toni Fernandes | Leonardo Claret
ACCOUNT MANAGEMENT: Marcello Penna | Marco Piza | Deborah Lia | Valéria Coutinho | Beatriz Altafini
MEDIA: Fabio Freitas | Mauricio Almeida | Luana Gallizzi | Vanessa Higueiras | Henrique Fogaça | Gabriela Guedes | Luiz Fernando
PLANNING: José Porto | Guilherme Pasculli | Douglas Nogueira
RTV: Victor Alloza | Renato Chabuh | Fernanda Sousa | Maira Massullo | Rafael Paes
FILM PRODUCER: Killers
SCENE DIRECTION: Claudio Borrelli
ART SCENE DIRECTION: Paulo Ribeiro
DIRECTOR OF PHOTOGRAPHY: Ted Abel
EXECUTIVE PRODUCER: Julia Tavares
POST PRODUCTION/FINISHING: Casablanca
SOUND PRODUCER: Tentáculo Audio
MAESTRO: Tentáculo Audio
ACCOUNT MANAGEMENT: Dani Scalice, Lígia Grammont, and Luisa Paiva
PROJECT MANAGER: Aline Veríssimo | Junior Souza | Marcelo Silva | Patrizia Fiorentino
TECHNOLOGY: Jota Russo | Ariadne Gomes | Marcelo Arteiro
UX: Ricardo Grego
WEBSITE PRODUCER: Slikland Creative Development
WEBSITE AUDIO PRODUCER: Satélite Audio
CONTENT: Renato Pazikas
ART BUYER: Edna Bombini
PHOTOGRAPHY: Rafael Costa
3D ILLUSTRATION: Big Studio and Boreal
GRAPHIC PRODUCTION: Jomar Farias | Leandro Ferreira | Guilherme Gaggl

Revolving Door: New Execs at JWT, Fallon, Pereira & O’Dell

We have a series of three executive agency hires to report on this Thursday. First, JWT New York hired Matt Baker as its new head of planning, replacing Adrian Barrow, who left that position to become global planning director in September. Fallon, meanwhile, named Anette Lillegard to the role of chief strategy officer. And Pereira & O’Dell hired Chris Wilcox as vice president, partnerships.

Baker (pictured above) joins JWT from Anomaly, where he has served as director of strategy and innovation for about a year, working on accounts such as Google and Procter & Gamble. Prior to that, Baker held the roles of director of digital strategists and  group planning director at Arnold New York.

Lillegard joins Fallon from healthcare data analytics company IMF Health, where she served as director of marketing. Fallon CEO Mike Buchner remarked that the agency made a conscious decision to consider “nontraditional candidates” for the position. “With a desire to expand our current strategic offering into areas such as analytics and consulting, I’m very pleased that we have found someone with a wealth of business strategy experience and an impressive track record of success like Anette,” he added.

Wilcox joins Pereira & O’Dell from USA Today, where he served as vice president, integrated advertising sales and oversaw West Coast sales operations. Over the course of his career, Wilcox has worked with clients including Google, Toyota and Wells Fargo.

Forsman & Bodenfors Combines Bergman and The Sound of Music in UNICEF Ad

Here’s an odd one from Sweden’s Forsman & Bodenfors, the self-described “most awarded agency in the world 2014.”

In what appears to be an attempt to “mash up” Bergman’s The Seventh Seal with Robert Wise’s The Sound of Music, F&B and actor Sean Buckley somehow manage to keep spirits light even while singing about potentially fatal childhood illnesses.

Since there is no God (as Bergman himself frequently reminded us), we have to rely on the United Nations to save our children from waterborne diseases.

No word on this effort from the anti-vaxxer community.

Client: UNICEF Sweden
Agency: Forsman & Bodenfors
Title: The Sound of Death
Media: Online
Published: April 13, 2015
UNICEF
Senior Marketing Officer: Jim Carlberg
Marketing Officer: Anna Sandberg
Project Manager: Eva Torkelson
PR Manager: Ingeborg Ekblom
Art Director: Johanna Hofman-Bang, Agnes Stenberg-Schentz
Copywriter: Marcus Hägglöf, Jacob Nelson
Designer: Nina Andersson, Johan Fredriksson
Account Director: Emelie Schröder
Account Manager: Lena Birnik
Agency Producer: Magnus Kennhed
Digital Producer: Andreas Johansson
Music Supervisor: Jenny Ring
Planner: Amelie Sandström
Production Company: Acne Production
Director: Torbjörn Martin
Executive producer: Petur Mogensen
Producer: Fredrik Skoglund
Director of Photography: Torbjörn Martin
Editor: Torbjörn Martin
Post Production: Chimney Pot
Sound: Ljudligan
Service production: Bas Production
Final Art work: F&B Factory 
Music: Mattias Tegnér
PR Strategist: Amanda Lindgren (Edelman Deportivo)

Star Wars VII The Force Awakens New Trailer

Après une première vidéo dévoilée sur la toile en novembre dernier, découvrez sans plus tarder le deuxième trailer de Star Wars épisode VII. Cet opus intitulé The Force Awakens, réalisé par JJ Abrams et produit par Lucas Film sortira sur les écrans le 18 décembre 2015.

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Gravity Defying Yoga Poses In Photos

Le duo d’instructeurs de Yoga que sont Claudine et Honza Lafond mène une vie incroyable à travers le monde. Le couple s’amuse à défier la gravité avec des dizaines de poses différentes dans des décors sublimes et notamment des monuments célèbres comme la Tour de Pise ou encore la Tour Effeil.

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Rosario Dawson Video From #AADigital: Making Ads Your Fans Want


Rosario Dawson, star of movies from Larry Clark’s “Kids” to “Top Five” with Chris Rock, appeared at the Ad Age Digital Conference in New York to discuss social media, celebrity and brands, including her work with WhoSay, the social media platform for brands. See more coverage of the Ad Age Digital Conference in New York here.

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