This very dark spot for Save The Children asks you for one minute to imagine a world without healthcare. It won’t take much to get you scrambling for your wallet to help Save the Children do just that. This is part of Save The Children’s No Child Born To Die campaign.
Here’s an award-winning student ad for Polaroid. It brings people together. As you can see, by the visuals.
(TrendHunter.com) Model Julija Babic dons artistic makeup looks in ‘Faces of Texture’, an editorial that is lensed for Glassbook Magazine’s latest issue. The image series is captured by photographer…
Arrastado pelo beleza da destruição e da temporalidade, o fotógrafo Wyatt Gallery passou semanas fotografando os espaços vazios deixados por anúncios antigos nas paredes do metrô de Nova York.
Em poucos dias, o que parecia uma pintura de pinceladas grossas e cores expressivas vira novamente um anúncio publicitário.
A série de fotos Subtext torna palpável décadas de papel rasgado e camadas arrancadas pelo tempo. Sujeiras, grafites e tinturas antigas transformam em tela cada pedaço de poster publicitário deixado para trás.
Em uma estética que lembra a de arte abstrata, esses espaços vazios são temporários. Para conseguir seus registros, Gallery precisou rodar os metrôs por um bom tempo, o que acabou fazendo com que visse determinado espaço que havia fotografado ser preenchido novamente por publicidade.
A série de fotos Subtext enxerga um certa beleza que brota das dificuldades, destruições e do passar do tempo.
Nas fotografias de Gallery, esses espaços ganham uma visão transitória das camadas de história encontradas por aqueles túneis. São literalmente um instante congelado que nunca mais será igual mas, ao mesmo tempo, agregará tudo aquilo que já foi – tal como nós mesmos.
No fim, as fotos são retratos de obras de arte acidentais, feitas pelas mãos de trabalhadores desconhecidos que diariamente colam e descolam anúncios nas paredes. Uma documentação humana do passar do tempo.
Post originalmente publicado no Brainstorm #9
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Miriam Bienstock ran the business side in the early years of a record company that would later become a giant in the industry, with artists like Aretha Franklin and Ray Charles.
The Internet registration company sold stock at $20 a share, raising $440 million and putting its market value at just more than $3 billion.
Tencent will pay The Reporter an undisclosed fee to license its entertainment trade news articles and videos.
(TrendHunter.com) These artisanal packaging examples range from hand-sketched liquor bottles to sophisticated perfume boxes that are artfully crafted. Drawing inspiration from vintage branding, these packaging…
Connecteen is the first peer-to-peer teen crisis line in Canada. To help launch ConnecTeen and get the word out, we created a series of branded Whispers. Because like Whisper, ConnecTeen is also anonymous.
The deal gives Rubicon access to Chango’s intent marketing technology, which delivers ads based on a consumer’s intent to buy a product or service.
Advertising Agency: Team Red, Budapest, Hungary
Creative Director: Gregg Harper
Art Director: Peter Magda
Copywriter: Daniel Csirke
Photographer: Zoltan Krasznai
Published: March 2015
Advertising Agency: Team Red, Budapest, Hungary
Creative Director: Gregg Harper
Art Director: Peter Magda
Copywriter: Daniel Csirke
Photographer: Zoltan Krasznai
Published: March 2015
Advertising Agency: Team Red, Budapest, Hungary
Creative Director: Gregg Harper
Art Director: Peter Magda
Copywriter: Daniel Csirke
Photographer: Zoltan Krasznai
Published: March 2015
Advertising Agency: LVOV, Warsaw, Poland
Creative Directors: Katarzyna Sosnierz, Wojciech Dagiel
Art Director: Wojciech Dagiel
Copywriter: Katarzyna Sosnierz
Illustrator: Wojciech Dagiel
Director / Photographer: Marcin Koszalka
Published: March 2015
Advertising School: Miami Ad School | ESPM, São Paulo, Brazil
Art Director: Ivan Blotta
Copywriters: Marcelo Miazzi, Breno Amaro
Nori-setsu, or riding instructions, proposes creative ways to get into a sports car. The video stars former gymnasts who acrobatically twist and turn into the car. Another scene shows them jumping into the car from 2 meters 20 centimeters high. The athletes can be seen jumping into a mock-up of the S660.
Advertising Agency: Dentsu, Japan
Advertising Agency: Escala, Porto Alegre, Brazil
Creative Directors: Juliano Faerman, Jacques Fernandes, Régis Montagna
Art Director: Michel Morem
Copywriter: Felipe Lermen
Illustrator: MMJ Studio
Published: January 2015
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