LG OLED TV: The Science Behind Great Nonsense


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LG

Advertising Agency:M&C Saatchi, Stockholm, Sweden
Production Company:ILP, Stockholm, Sweden

LG Electronics Smart TV’s: The Science Behind


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LG

Advertising Agency:M&C Saatchi, Stockholm, Sweden

Pop Culture and Consumption Eyes Watching You

Le photographe Damian Chrobak, établi à Londres, a publié une série intitulée « Everywhere I Look, I’m Being Looked At ». Les clichés donnent l’impression d’être observé par les yeux d’un personnage d’une affiche publicitaire, d’une couverture de magazine ou d’un vêtement. Captivant.

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Handmade Porcelain Sculptures

L’artiste américaine Kate Macdowell sculpte de très belles oeuvres en porcelaine dont la beauté se situe entre le romantisme et une imagerie macabre. La délicatesse de la nature se confronte avec des éléments sombres tels que des dissections d’organes : on peut trouver des oiseaux dans des poumons, un koala dans un cerveau et des fruits dans le creux de mains découpées.

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The Bigger Picture of Magazine Covers

Le designer Eisen Bernard Bernardo, dont nous avons déjà parlé pour ses pochettes d’album, s’amuse également avec les couvertures de magazines. Dans des peintures classiques, il insère des Unes de magazines tels que Wire, Esquire, ELLE, Vogue, GQ, I-D, Rolling Stones ou Interview, où l’on voit des portraits d’artistes, acteurs et musiciens.

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‘Killing Jews is Worship’ billboards in a subway near you soon (NYC)

The American Freedom Defense Initiative and Pamela Geller have been cleared to run even more controversial ads by U.S. District Judge John Koeltl. He ruled last week that New York’s Metropolitan Transportation Authority (MTA) cannot stop their most recent controversial ad from running on scores of subway cars and buses.. The ongoing saga of their transit campaigns in New York City has been dragging on for years with people like Mona Eltahawy vandalizing their billboards.

Now the ads about to run will carry this line: “Killing Jews is Worship that draws us close to Allah”. The MTA has argued that the billboards could incite violence against Jews, but Judge John Koeltl rejected that idea saying that the MTA “underestimate the tolerant quality of New Yorkers and overestimate the potential impact of these fleeting advertisements.” Judge Koeltl added “Moreover, there is no evidence that seeing one of these advertisements on the back of a bus would be sufficient to trigger a violent reaction. Therefore, these ads — offensive as they may be — are still entitled to First Amendment protection.”

VICTORY!Judge rules for us in AFDI vs MTA:”The [MTA’s} theory is thoroughly unpersuasive” #WIN
http://t.co/7nkCXIrTd7 pic.twitter.com/EtdlRs2kZL— Pamela Geller (@PamelaGeller) April 21, 2015

It may seem odd that it’s the pro-Israel group AFDI that are the sender of these billboards, but according to their website their objective is to go on the offensive, and their by now well-known provoking posters have been their battling ram into a legal fight with the MTA. Previously the AFDI ran this poster in Houston and Philadelphia, showing the famous photograph of the Mufti and the Führer, the meeting between Adolf Hitler and Haj Amin Al-Hussein in 1941 (below). The AFDI’s signature is to provoke, this year they’ll organize their inaugural Muhammad portrait contest, despite growing protests. The Southern Poverty Law Center considers the AFDI an anti-muslim hate group. But even hate groups are allowed to buy billboard space on the MTA, as the judge ruled.

Bud Light Apologizes For Message On Its Bottle That Critics Linked to Rape Culture


Anheuser-Busch InBev is dealing with a torrent of negative publicity over a Bud Light marketing message scrolled on some bottles that some critics say can be interpreted as contributing to a rape culture.

The message states that Bud Light is the “The perfect beer for removing ‘no’ from your vocabulary for the night.” The message is one of more than 140 different sayings printed on bottles as part of the brand’s “Up For Whatever” campaign, which is by BBDO, New York and is aimed at linking Bud Light with spontaneous fun.

The brewer apologized for the message on Tuesday, issuing this statement from Alexander Lambrecht, the brand’s VP: “The Bud Light Up for Whatever campaign, now in its second year, has inspired millions of consumers to engage with our brand in a positive and light-hearted way. In this spirit, we created more than 140 different scroll messages intended to encourage spontaneous fun. It’s clear that this message missed the mark, and we regret it. We would never condone disrespectful or irresponsible behavior.”

Continue reading at AdAge.com

On Boxing: Mayweather-Pacquiao Is an Easy Sell; Boxing Isn’t

Saturday’s bout between Floyd Mayweather Jr. and Manny Pacquiao could generate a billion dollars, but the epitaph for the sport has been written in larger and larger type over the past decades.

Buzzfeed dubs Bud Light the "rape culture" beer

Remember the Bud Light #Upforwhatever campaign? It rolled out with Ian in the Super Bowl 2014, where he was driven around in a Hummer limo and met a llama named Lily before playing ping pong with Arnold. By Super Bowl 2015 we had an unsuspecting bar hopper who accepts a Bud Light, then gets sucked into a real life Pac-Man game, where he is Pac-Man. Fun times! And weird. The kind of commercials that are more fun to be in, than to watch, but the idea is clear – Bud Light is the kind of beer you could drink when you’re up for whatever, from backyard BBQ’s to dancing all night at sweaty nightclubs, or just shooting the shit at your local with some friends.

That is, until someone read the smallprint. And then read into the smallprint. The #Upforwhatever tag varies on the beer bottles, there’s actually 140 different messages, one of them reads: “The Perfect beer for removing “No” from your vocabulary for the night.” Buzzfeed news reporter Rachel Zarrell wrote this article: People Are Saying Bud Light’s New Tagline Promotes Rape Culture – because of the link between intoxication and rape. This has been a sore spot since long before Camille Paglia doused the already inflamed debate in tequila in 1992 with “If someone gets behind the wheel of a car drunk and mows down three people, you wouldn’t excuse him because he started whining that he didn’t mean it”.

Buzzfeed got this statement from Bud Light:
The Bud Light Up for Whatever campaign, now in its second year, has inspired millions of consumers to engage with our brand in a positive and light-hearted way. In this spirit, we created more than 140 different scroll messages intended to encourage spontaneous fun. It’s clear that this message missed the mark, and we regret it. We would never condone disrespectful or irresponsible behavior.

Thereby apologizing for the one line out of 140 lines that had the wrong tone of voice. Unlike True Fruits and Protein World, Bud Light are not interested in defending a line that could be misinterpreted, they’re interested in being liked by everyone.

Crowning the Beer-Pouring Champ – The Heineken Global Bartender Final Spotlights the World's Best (GALLERY)

(TrendHunter.com) Arriving in Amsterdam in anticipation of the Heineken Global Bartender Final 2015, I found myself in the contagiously enthusiastic company of the greatest bartenders from countries all over the world….

Luth Research divulga audiência das produções originais da Netflix

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“Demolidor” foi a série mais assistida pelos assinantes do serviço de streaming

> LEIA MAIS: Luth Research divulga audiência das produções originais da Netflix

Brainstorm9Post originalmente publicado no B9
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AOL and NBCUniversal Announce Partnership to Share and Develop Content

Its another attempt by media companies to adapt to the changing viewing habits of consumers, who are increasingly shifting to digital and streaming video.



Sexism and Anti-Semitism Charged in Al Jazeera America Lawsuit

Matthew Luke, formerly the network’s director of media and archive management, filed a lawsuit in New York Supreme Court claiming wrongful termination.



Filme revela lembranças de dias felizes que nunca aconteceram

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Nobody’s Memories defende a legalização da união civil entre pessoas do mesmo sexo no mundo inteiro

> LEIA MAIS: Filme revela lembranças de dias felizes que nunca aconteceram

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Conde Nast NewFronts Pitch: We Make Video for 'Premium' Audiences


Conde Nast left an indelible message on advertisers at its NewFronts presentation on Tuesday: It produces a lot of videos — more than 4,000, in fact, since the company introduced its digital video channels in 2013 as part of Conde Nast Entertainment, or CNE.

One more video, produced specifically for Tuesday’s event, featured prominent ad buyers such as GroupM Chief Digital Officer Rob Norman and Digitas Chief Investment Officer Adam Shlachter ruminating on the NewFronts — a little bit of flattery for the people who write the checks.

Conde Nast promised 2,500 more original videos this year and next, trying to impress upon the audience that the content and its audience are both “premium” — a word expressed frequently by CNE execs.

Continue reading at AdAge.com

AOL's NewFronts Pitch: 'Formats Are the New Dayparts'


The stereotypical NewFront presentation has a publisher showcasing a line-up of original TV-style shows for advertisers to sponsor. That’s been AOL’s NewFronts strategy for years — but not this time.

“This is not the big ‘Here’s all the things we’re announcing’ day today,” said Dermot McCormack, AOL’s president of video and studios, in an interview ahead of the company’s NewFronts presentation in New York Tuesday night. “The reason for that is we want to use this year as an opportunity to take a left-hand turn from what the NewFronts traditionally mean.”

AOL’s NewFront pitch still revolves around original programming, but more of it and in different formats for different viewing environments. For example, AOL has renewed two relatively traditional series starring Steve Buscemi and James Franco, respectively, that are probably best watched while on the couch. But it is also rolling out a daily, two-and-a-half-minute show called “What to Watch” that might be better suited to viewing while waiting in line at Starbucks.

Continue reading at AdAge.com

Bud Light Withdraws Slogan After It Draws Ire Online

A phrase appearing on some labels was seen as tone-deaf to the dangers of excessive alcohol use and particularly to alcohol’s role in some cases of date rape.



Staffing Changes Follow Verizon Loss at Erwin Penland

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Last month, we learned that the latest step in Verizon’s rearrangement of its extensive agency roster after signing Wieden+Kennedy for creative/strategy work involved a further round of consolidation.

To be more specific, the company chose to shift “most” of its sponsorship/entertainment account to New York’s Momentum Worldwide. At the time, we did not know which of the four other agencies working on the account (Erwin Penland, mcgarrybowen, Marketing Werks, and Wasserman Media Group) would lose business as a result of the decision.

Today, however, Erwin Penland did have to lay off a mix of staffers across its New York and South Carolina offices as a direct result of the change.

CMO and Chief Client Officer Joe Saracino told us that the agency, which had retained the business for more than five years and collaborated on projects like Verizon’s NFL work, had no choice but to let some of those who’d been on the business go in part because the Verizon work required a particularly unique skill set that did not apply to work for other clients.

In total, approximately 18 employees will work on other accounts and around two dozen were laid off. We’re told that the total included several members of EP’s New York-based creative department.

This shift is both similar to and different than a December event in which EP had to lay off 15-20 staffers across its offices. That move, however, was not related to any specific account but to another, increasingly familiar story: “changes in client demands as businesses place greater emphasis on digital, social and other less-traditional services.”

Regarding the previous change, longtime McCann/Ogilvy veteran Chris Quillen (who himself worked on the Verizon account when it was with McCann) was one of those who left Erwin Penland at the end of 2014. We didn’t receive information on any particular individuals today, though EP hired two new creative directors last October to work specifically on the Verizon and Denny’s accounts.

On a different note, EP has been hiring in recent months as well, and Saracino attributes the fact that its net head count is up in 2015 to that very same aforementioned growth in digital, social, and mobile-focused services. The agency is also moving forward with plans to build a newly expanded headquarters that will “change the downtown skyline” in Greenville, South Carolina.

No word at the moment on how Verizon’s decision affected the other agencies working on its sponsorship business.

MDC Stocks Fall After CEO Expense Announcement

MDC, which owns CP+B, 72andSunny, Doner, and various other agencies, suffered a hit to its stock price this morning after revealing the following (as transcribed by Seeking Alpha) during yesterday’s Q1 earnings call:

“In October, the company received a Subpoena from the Securities and Exchange Commission relating to CEO expenses, the company’s goodwill and certain other accounting practices, as well as trading in the company’s securities by third parties.”

In short, chief Miles Nadal charged “reimbursed expenses, medical expenses, travel expenses and other expenses for which information was incomplete” over a period of six years in apparent violation of SEC rules. As noted in The Wall Street Journal, the company’s share value dropped 33 percent and analysts updated the stock’s status to “hold” after the news broke. Its price picked up a bit at the end of the day for a total daily decline of 27.81 percent.

In her initial report, Noreen O’Leary of Adweek wrote that the most significant elements of the story were the fact that MDC chose not to reveal the information to investors for six months and that Nadal’s base salary last year was higher than that of both Martin Sorrell and Maurice Levy. In a follow-up story, she uncovered a few more details:

“Nadal received $926,005 in company-paid expenses last year to help support his Bahamas-based lifestyle.

Of that, $500,000 was for unspecified perks. Another $91,038 went toward Nadal’s personal use of aircraft, including travel between his residences in the Bahamas and West Palm Beach, Fla., and MDC’s corporate office in New York.”

Nadal has agreed to reimburse MDC for $8.6 million.

Here’s the full statement given to us by MDC:

“MDC Partners has been actively cooperating with the SEC and continues to do so. We are committed to the highest standards of corporate governance and transparency, and in response to this situation have taken a number of steps to strengthen our procedures and internal controls, the details of which are outlined in our most recent earnings release and proxystatement filed with the SEC.

We expect these circumstances to have no impact on the integrity of our current or previously reported financial statements, and we remain laser-focused on continuing to execute on our strategy and plan. Our business is very strong and we are confident in our ability to achieve our financial guidance for this year, as well as enthusiastic about our overall growth prospects for 2015 and beyond.”

The company says that none of these developments will affect day-to-day operations at its various agencies.

Stockphotos: Epic split

Advertising Agency: Neogama|BBH , São Paulo, Brazil
Creative Directors: Alexandre Gama, Marcio Ribas, Fabio Mozeli
Art Directors: Luis Paulo Gatti, Sidney Araújo, Rodrigo Nakaza
Copywriter: Fernando Silva
Illustrator: Luis Paulo Gatti
Photographer: Stock Photos
Published: April 2015