Le designer chilien Alberto Vitelio a conçu la chaise « Silla Linon » : une chaise en bois et en barres métalliques noires qui s’entrecroisent. En s’inspirant de l’architecture du 21ème siècle, il a travaillé la structure sur l’arrangement, le lien et l’ordre des lignes noires, accentuant diverses formes polygonales.
The way to bend the rules, apparently, is to bring together all the hottest vine, instagram and twitter influencers and put them in a music video and then turns that into a commercial.
Private investors are working with the government to nurture local creative talent in a city better known for cargo ports and finance.
Sanaksenaho Architects ont été commissionnés pour construire la St Henry’s Ecumenical Art Chapel en Finlande. Ils ont imaginé la chapelle en suivant une forme d’arc avec des poutres courbées qui lui donnent plus une allure de bateau que de bâtiment. Une perspective et une lumière incroyables pour une construction boisée à l’intérieur et cuivrée à l’extérieur.
Photos by Jussi Tiainen.
There’s something to be said for weird. This ad by Mecca Bingo delves down deep into the bedrock of bizarre, survives a tectonic shift of strange, and comes up triumphant like an undernourished miner of unexpected. In other news, miner puns are now banned. (Major puns, still permitted).
[AVISO: Contém spoilers menores]
O terceiro episódio da franquia “Jogos Vorazes” acerta ao confiar na própria unidade e não utilizar o par inicial de filmes como muleta narrativa, muito embora interações entre personagens e os principais e recorrentes símbolos inevitavelmente dependam de acontecimentos anteriores a este capítulo.
Novamente dirigido por Francis Lawrence, o mesmo de “Em Chamas”, o longa corretamente opta por não investir em flashbacks, de certa forma amenizando a lógica relação de dependência do restante da série e ao mesmo tempo destacando este capítulo no mesmo contexto. Isto ocorre vinculado até mesmo ao desfecho da série, evitando parecer apenas um mero elo entre as partes.
A recorrência de elementos dos primeiros filmes surge não apenas a itens mais evidentes (O Tordo, as rosas brancas, a trança, o fogo, o arco e a flecha), mas também em termos estruturais. Ainda que não exista um torneio propriamente dito para o qual os personagens devam ser preparar, há um longo período concentrado nos eventos imediatamente anteriores ao conflito. Aqui, o posto cabe ao processo de criação das peças de propaganda que buscam estimular o povo de Panem a continuar lutando contra a tirania da Capital.
O filme corretamente opta por não investir em flashbacks, amenizando a lógica relação de dependência do restante da série
Quando se propõe a debater a construção de discurso, apoiado principalmente nas figuras de Plutarch (Philip Seymour Hoffman) e Alma Coin (Julianne Moore), no entanto, o longa tropeça na própria proposta. Se nos dois outros filmes havia a preocupação em transformar Katniss (Jennifer Lawrence) não apenas em uma estrela de reality show, mas em uma vencedora dos Jogos Vorazes, agora é preciso conferir a ela as características de uma liderança revolucionária.
Francis Lawrence (à direita) no set
A forma como as ideias são tratadas, porém, aposta de forma exagerada na exposição, inclusive, de seus aspectos mais óbvios – por exemplo, a sugestão de que a garota, ícone popular, precisa transmitir genuinidade para guiar a revolução, ou as falas rasteiras do Presidente Snow sobre legitimidade.
A verborragia contribui muito pouco para a trama, gerando apenas a impressão de que o roteiro de Peter Craig e Danny Strong não confia em sua habilidade de ligar dois pontos próximos de forma mais direta. Há sempre uma “gordura”, um diálogo a mais, que busca explicar até mesmo como os personagens, sobretudo a protagonista, chegaram a determinadas conclusões simples.
Ainda, a iminência do embate é estranhamente abafada pelos diversos obstáculos apresentados à conclusão da campanha que justificaria o sacrifício popular em nome de um bem maior. Há uma série de discussões publicitárias que leva a protagonista a um pequeno tour por Panem:
Primeiro, em sua terra natal, para fazê-la perceber o horror da guerra e das ações da Capital; em seguida, dada sua inabilidade para atuar em estúdio, rumo a um hospital repleto de feridos para que gere empatia e faça transparecer sua “espontaneidade forçada”; e, finalmente, de volta ao 13o Distrito, quando é diretamente atacada pelo inimigo enquanto se preocupa com sua dimensão mais íntima – a segurança da irmã e a condição de Peeta (Josh Hutcherson), mantido refém pelo governo central.
Explorado desde a sequência de abertura do filme, o aspecto psicológico de Katniss é presença constante no longa, mas até o terceiro e último ato – não coincidentemente, o melhor deles – parece não cumprir função significativa para a trama além de pontuar o (evidente) caráter turbulento da situação em que a garota se encontra.
Explorado desde a sequência de abertura do filme, o aspecto psicológico de Katniss é presença constante no longa
Seus pesadelos indicam pouco, sobretudo quando se sabe que até mesmo vencedores mais experientes dos jogos, como Finnick (Sam Claflin), ainda os têm, e o dilema romântico entre seu parceiro nos jogos e Gale (Liam Hemsworth), em si, pouco se manifesta. O interesse, suas ações sugerem, é maior pela ideia de rapaz em perigo do que por uma atração genuína por um deles – vale notar que sua atenção se volta para o amigo de caça com maior intensidade em apenas dois momentos: quando ele corre perigo em uma missão e quando assume seu sofrimento, reconhecidamente a única forma de despertar sua atenção.
Em termos mais amplos, a perda do senso de urgência presente nos primeiros filmes da série custa caro à narrativa, que abandona a Capital, cuja composição tanto contribuía para a atmosfera da série, para filmar um bunker desinteressante e que, a despeito de severos ataques, parece inabalável.
Nem mesmo seus aspectos metalinguísticos sobrevivem à falta de inspiração, e a presença de uma equipe de filmagem sempre ao redor de Katniss nada mais é que um acessório sem maiores implicações (há uma negociação de expectativas sobre seu discurso, se revolucionário ou somente pessoalmente consternado, mas nada além disso).
O uso da câmera por Jo Willems, numa análise geral mais interessante do que nas agitadas sequências de batalha do primeiro filme (fotografado por Tom Stern) e em certa medida parecidos com seu trabalho no último longa, é também impedido de ir além do habitual pela falta de inspiração.
A melhora no terceiro ato é significativa e capaz não apenas de preparar o terreno para o próximo filme com seu cliffhanger, mas também de produzir uma fantasia equilibrada
A insistência em enquadrar a protagonista com planos fechados parece seguir a sugestão de Cressida (Natalie Dormer), personagem que atua como espécie de produtora visual, o que faz sentido narrativo, mas desperdiça a oportunidade de se aproveitar dos planos abertos que retratam Katniss em meio à desgraça de Panem. Sua aparente pequenez frente ao universo é mais eficiente para a composição da personagem do que a atenção a detalhes supostamente mais impactantes, como caveiras e crianças feridas, mas é estranhamente relegada ao segundo plano.
O enfoque em aspectos que buscam sintetizar ideias também surge em algumas das metáforas assumidas pelo longa, tais como o corte no rosto de Snow e a fala que se segue (“não deixarei que me vejam sangrar”), revelando uma preocupação maior em sugar reações de seus personagens centrais do que em acompanhar com interesse o desenvolvimento pela trama.
O mesmo vale para a missão para resgatar Peeta e os demais vitoriosos, possivelmente o momento mais bem filmado de toda a produção, que acaba dividindo a atenção com uma tentativa de extrair de Katniss alguma conclusão a respeito, ainda que seja clara sua confusão naquele momento.
A melhora no terceiro ato é significativa e capaz não apenas de preparar o terreno para o próximo filme com seu cliffhanger, mas também de produzir uma fantasia que, apesar de equívocos na condução de determinados temas políticos, se equilibra com competência entre certas doses de realismo e abstração.
Post originalmente publicado no Brainstorm #9
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Dans le but de rassembler la famille et les voisins autour d’un même point fédérateur sans rapport avec la technologie, la designer Stéphanie Languard a conçu un tapis entièrement tissé avec des lanières en cuir et qui possède en son centre un foyer pour faire des feux. Un objet qui mêle art contemporain et art primitif à découvrir dans la suite.
Hollywood icon Mike Nichols died this week at the age of 83. A prodigious director and performer, Mr. Nichols directed roughly two dozen movies, including “The Graduate,” “Catch-22” and “The Birdcage.” Along the way, he won an Oscar, four Emmys, nine Tonys and a Grammy award.
What’s lesser known is that early in his career when Mr. Nichols was part of a comedy duo with Elaine May, they appeared in a series of animated TV commercials for the now-defunct Jax beer.
“It was the most fun doing commercials, I think, for us both,” Ms. May told Vanity Fair.
Spencer Nikosey est un designer industriel basé à Los Angeles. Avec son shop Killspencer, il propose aujourd’hui une version ultra fashion d’un mini panier de basket. Sont ainsi disponibles deux éditions dont l’édition spéciale qui comprend un panneau en bois d’érable, un arceau plaqué et un filet en cuir dont la jupe est faite de feuille d’or. A découvrir.
(TrendHunter.com) When it comes to wearable shoe designs, there is much to be said about striking a perfect balance between form and function. Finding something that suits a professional setting, or one that simply…
A trade group representing the owners of some 80 percent of American theaters allied itself with advocacy groups for the deaf and hearing-impaired.
A journalist with a literary bent, Mr. Eder wrote with an easy grace and a practiced eye for detail.
O último dia de El Ojo de Iberoamérica, aqui em Buenos Aires, foi coroado com uma chuva insistente, que persistiu por todo o dia. Antes do resultado das mais badaladas premiações, os palestrantes focaram na necessidade de adaptação aos novos comportamentos da audiência para fazer uma publicidade mais eficiente, permitindo que inclusive a “falha” possa fazer parte desse processo.
Gustavo Buchbinder (WebAr Interactive) lembrou que é preciso se esmerar em buscar novos jeitos de ver uma mesma situação, não se restringindo a modelos já comprovadamente eficientes (como mídias de massa) e arriscando também em produções focadas em novas mídias, como Facebook e YouTube.
Assim como alguns conferencistas anteriores, Tham Khai Meng insistiu no “contar boas histórias” e ter a ousadia de testar e tentar como uma das chaves do sucesso da Ogilvy&Mather nos últimos anos. A coragem foi destacada por ele como um dos principais recursos que uma agência precisa desenvolver entre sua equipe – considerando que a agência foi considerada a melhor em Cannes consecutivamente durante os últimos 3 anos, vale levar em consideração o conselho de Meng, que relembrou o empresário da banda Sex Pistols: às vezes é preciso falhar terrivelmente antes de chegar ao sucesso.
Seguindo nessa mesma toada, bem parecida com a temática de Chacho Puebla no dia anterior, Marcelo Reis (Leo Burnett Tailor Made) também defendeu que é preciso ter a coragem de errar de vez em quando para uma hora acertar, usando os deslizes e escorregões como ferramentas de aprendizado. Assim como Chacho, Marcelo também colocou na roda algumas ideias “não tão bem sucedidas” – como a campanha “doe a sua voz” para a ABTO – evidenciando que para ser capaz de fazer uma campanha tão sensacional como o enterro do Bentley do Chiquinho Scarpa, é preciso se autorizar também a arriscar com ideias que podem não dar tão certo assim.
Com o nobre propósito de reconhecer e destacar a comunicação e a publicidade iberoamericana, o El Ojo merecia até um tanto mais de participação brasileira. Apesar de estarmos entre os países mais premiados do festival, a vibe local é muito mais hispânica. Prefiro pensar que foi um timing complicado – concorrer com o principal feriado do segundo semestre no Brasil não deve ter sido fácil – e que em 2015 o El Ojo possa contar com ainda mais conferencistas e jurados brasileiros.
Post originalmente publicado no Brainstorm #9
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As mais esperadas premiações do El Ojo acontecem na última noite. Entre as brasileiras que levaram estatuetas para casa estão as já consagradas campanhas dos últimos desejos da Kombi, que arrematou p GP de Cinema e TV e o ouro de melhor ideia latina, e os carequinhas do GRAACC, que ficaram com o ouro de Campanha Integrada, ouro de Via Pública e ouro no prêmio Terceiro Olho.
Na categoria gráfica, o destaque ficou com o ouro da campanha Kama, da Tulipán para a Condones, e o ouro do Doe uma Letra, da Lew Lara com o grupo RBS.
Confira abaixo as vencedoras em cada categoria:
OURO
Jury, de Leo Burnett México para Walls, de Unilever Puerto Rico. Puerto Rico
Cazadores de patos, de Prolam Young & Rubicam para Cerveza Rothhammer, de Rothhammer. Chile
Sexy, de Ponce para Axe black perfume, de Unilever Argentina. Uruguay
Strike, de Cerebro Young & Rubicam para Condones, de Tulipán (KOPELCO). Centroamérica y Caribe
Traffic, de Cerebro Young & Rubicam para KY gel, de Johnson & Johnson Argentina. Centroamérica y Caribe
Kama, de Young & Rubicam Brasil para Condones, de Tulipán (KOPELCO). Brasil
VW 360º area view chico, de DDB España para Volkswagen, de Vaesa España. España
La era de las ideas – Stephen Hawking, de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
La era de las ideas – Hillary Clinton,de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
VH1 Paul, de Grey Argentina para VH1, de MTV Latinoamérica. Argentina
Daughter, de Grupo Gallegos para Public Service, de Alzheimers Association. Estados Unidos (Hispano)
La Tinka [Campaña], de JWT Brasil para La Tinka Lotería , de La Tinka. Perú
La era de las ideas [Campaña], de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
Protection ad, de FCB Brasil para Nivea Sun Kids, de Nivea Brasil. Brasil
Proyecto donando una letra, de LewLaraTBWA para Institucional, de Grupo RBS. Brasil
PRATA
Ticket, de DDB Latina Puerto Ricopara Walls, de Unilever Puerto Rico. Puerto Rico
Motoqueros, de Prolam Young & Rubicam para Cerveza Rothhammer, de Rothhammer. Chile
Corredor, de BBDO Chile para Gatorade, de Ecusa CCU Chile. Chile
Runner, de Young & Rubicam Brasil para Ironage, de Grupo Petrópolis. Brasil
Beso, de Ogilvy & Mather Costa Rica para Frescura Bucal, de Alba Pediatric. Centroamérica y Caribe
Heroico, de Ponce para Axe black perfume, de Unilever Argentina. Uruguay
Cinta, de F/ Nazca Saatchi & Saatchi para Institucional, de Leica Store São Paulo. Brasil
Cambia el clima lluvia, de Quorum Saatchi & Saatchi para Waterproof jackets, de Tatoo Adventure Gear Perú. Perú
Monte Everest, de simple para Mountain Hardwear, de Forus / Fundación Abrazarte. Chile
Facebook, de simple para Internet segura, de VTR. Chile
Subliminal 1, de DDB México para Control Parental, de Terra Networks México. México
La era de las ideas – Ken Robinson,de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
VH1 Tina, de Grey Argentina para VH1, de MTV Latinoamérica. Argentina
Giant, de Young & Rubicam Brasil para Institucional, de Penguin Companhia Das Letras. Brasil
Joyería (La Tinka), de Publicis Perú para La Tinka Lotería, de La Tinka. Perú
Limosina, de Publicis Perúpara La Tinka Lotería, de La Tinka. Perú
Black perfumes [Campaña], de Ponce para Axe black perfume, de Unilever Argentina. Uruguay
VW 360º area view [Campaña], de DDB España para Volkswagen Area View con Cámara 360º, de Vaesa España. España
Bajo presupuesto [Campaña], de Leo Burnett Tailor Made para Productora, de Lemonade Films. Brasil
Subliminal [Campaña], de DDB México para Control Parental, de Terra Networks México. México
Alzheimers gallery [Campaña], de Grupo Gallegos para Public Service, de Alzheimers Association. Estados Unidos (Hispano)
VH1 [Campaña], de Grey Argentina para VH1, de MTV Latinoamérica. Argentina
Retratos contra el olvido Óscar Tassino, de Lowe Ginkgo para Desaparecidos, de Amnistía Internacional Uruguay. Uruguay
BRONZE
Elefantes (Kellogg´s), de Leo Burnett México para All bran, de Kellogg´s México. México
Super heroi, de Borghi/Lowe para Knorr Quick, de Unilever Brasil. Brasil
Punks, de Prolam Young & Rubicam para Cerveza Rothhammer de Rothhammer. Chile
Cyclist, de Young & Rubicam Brasil para Ironage, de Grupo Petrópolis. Brasil
Judoka, de BBDO Chile para Gatorade, de Ecusa CCU Chile. Chile
Amarillo, de Ogilvy & Mather Colombia para Cartuchos de tinta para impresoras, de Ecofill. Colombia
Dolphin, de Alma DDB para GreenWorks, de Clorox USA. Estados Unidos (Hispano)
Polar bear, de Alma DDB para GreenWorks, de Clorox USA. Estados Unidos (Hispano)
Mighty mouth, de Y&R / RedFuse para Colgate Total, de Colgate Palmolive Panamá. Colombia
Banco, de DDB Argentina para KY gel, de Johnson & Johnson Argentina. Argentina
Calvo, de TBWA España para Neogenic Champú anticaída, de Vichy España. España
Sutra, de Young & Rubicam Brasil para Condones, de Tulipán (KOPELCO).Brasil
Monte Rosa, de simple para Mountain Hardwear, de Forus / Fundación Abrazarte. Chile
Cena (Volkswagen), de DDB España para Polo GTI, de Volkswagen México. España
VW 360º area view chica, de DDB España para Volkswagen, de Vaesa España. España
Cores 360°, de Santa Clara para Institucional, de Idea! Zarvos. Brasil
Fósforo, de Young & Rubicam Uruguay para Prevención de Incendios, de Banco de Seguros del Estado. Uruguay
Cybicle, de McCann Erickson Colombia para Biblioteca EPM, de Empresas Publicas De Medellín. Colombia
White house, de Havas WW Gurisa para El Observador, de El Observador. Uruguay
Casa avión lego , de Tribu DDB Costa Rica para Lego, de Tienda Universal. Centroamérica y Caribe
Golf, de Publicis Perúpara La Tinka Lotería, de La Tinka. Perú
Trailer barco Lego,de Tribu DDB Costa Rica para Lego, de Tienda Universal. Centroamérica y Caribe
Grandsonde Grupo Gallegos para Public Service, de Alzheimers Association. Estados Unidos (Hispano)
Chair, de Revolution Brasil para Institucional, de Aldeia Nissi. Brasil
Funeral [Campaña], de Prolam Young & Rubicam para Cerveza Rothhammer, de Rothhammer. Chile
Good bye Serious [Campaña], de DDB Latina Puerto Rico para Walls, de Unilever Puerto Rico. Puerto Rico
Browsers [Campaña], de simple para Internet segura, de VTR. Chile
Pie Chart [Campaña], de Don para Institucional, de Fibertel. Argentina
Borra la diferencia [Campaña], de Publicis México para Centro de Desarrollo de la Comunidad, de Centro De Desarrollo De La Comunidad / Banamex México. México
Like ad, de DM9 DDB para Institucional, de C&A Brasil. Brasil
GRAND PRIX
Los últimos deseos de la Kombi, de Almap BBDO para Kombi, de Volkswagen Brasil. Pa: Spray Filmes. Brasil
OURO
Brave, deGrupo Gallegos / Goodby, Silverstein & Partners para Leche, de California Milk Processor Board. PA: Rebolución / Anonymous Content. Estados Unidos (Hispano)
Gallina, de Del Campo Saatchi & Saatchi para Andes, de Ab InBev Argentina. Pa: Landia. Argentina
Ser padres, de Santo Buenos Aires para Coca Cola Life, de Coca-Cola Argentina. Pa: Blue Productora. Argentina
Hospital (Magistral), de Grey Argentina para Magistral, de Procter & Gamble Argentina. Pa: Rebolución. Argentina
La Donna, de Ponce para Axe random, de Unilever Argentina. Pa: MJZ / Labhouse. Argentina
Bombachas, de Grey Argentina para LG Lavarropas 6 motion DD, de LG Argentina. Pa: Primo. Argentina
Los últimos deseos de la Kombi, de Almap BBDO para Kombi, de Volkswagen Brasil. Pa: Spray Filmes. Brasil
El abrazo del alma, de DAVID para Coca – Cola, de Coca-Cola Argentina. Pa: Rebolución. Argentina
La hija perfecta, de Fahrenheit DDB para Promart Homecenter, de Promart Homecenter. Pa: Rebeca. Perú
Chigrinsky, de Lola para Revista de Fútbol Libero, de Revista Libero. Pa: Blur. España
I will survive, de Del Campo Saatchi & Saatchi para VH1, de MTV Estados Unidos. Pa: Landia / Stink. Estados Unidos (Hispano)
Libero si te lo explican con fútbol [Campaña], de Lola para Revista de fútbol Libero, de Revista Libero. Pa: Blur. España
Taper / Ventilador [Campaña], de Leo Burnett Argentina para Autos Usados, de Car One Argentina. Argentina Cine. Argentina
Las 1000 Millas de Luca, de TBWA Buenos Aires para Dia Internacional de Personas con Discapacidad, de Consejo Publicitario Argentino. Pa: Primo. Argentina
Bald cartoons, de Ogilvy & Mather Brasil para ONG, de GRAACC. Pa: Paranoid. Brasil
Homeless fonts, de The Cyranos McCann para Homeless Fonts, de Fundación Arrels. Pa: Oxígeno. España
Casi Idénticos, de Del Campo Saatchi & Saatchi para Beldent, de Mondeléz Argentina. Pa: Agosto Buenos Aires. Argentina
PRATA
La historia de Juanjo, de Leo Burnett Argentina para bon o bon, de Arcor Argentina. Pa: Pank Films. Argentina
CarlaLouis, de la comunidad para Alma Mora, de Finca Las Moras. Pa: MJZ / Labhouse. Argentina
La copa de todos, de Wunderman Buenos Aires para Coca-Cola, de Coca-Cola Argentina. Pa: Blue Productora. Argentina
Blue, de BBDO Mexico para Pedigree Adóptame, de Mars México. Pa: Central Films. México
Agua, de Young & Rubicam Perú para Colgate, de Colgate Perú. Pa: Patria. Perú
Taper, de Leo Burnett Argentina para Autos Usados, de Car One Argentina. Pa: Argentina Cine. Argentina
La mujer que no puede ver películas, de FCB Spain para CANAL+, de Canal +. Pa: HeLo. España
Spam, de Santo Buenos Aires para Arnet, de Telecom Argentina. Pa: Argentina Cine. Argentina
Nada como el hogar para amueblarnos la cabeza, de Mccann Madrid para Campaña de imagen, de Ikea. Pa:Primo. España
Paracaidistas, de Leo Burnett Argentina para Mundial, de Walmart Argentina. Pa: Argentina Cine. Argentina
Jogo Bendito, de Young & Rubicam Argentina para Producción de Pantalla Mundial, de TyC Sports. Argentina
Robocop, de Conill Saatchi & Saatchi para Argentina New Cinema, de Consulado Argentino en Los Angeles. Pa: Paraná Films. Estados Unidos (Hispano)
Homeless fonts, de The Cyranos McCann para Homeless Fonts, de Fundación Arrels. Pa: Oxígeno. España
El Sol [Campaña], de Lola para Gafas de sol, de Visionlab. Pa: Blur. España
Madres Extraordinarias [Campaña], de Leo Burnett Argentina para bon o bon, de Arcor Argentina. Pa: Pank Films. Argentina
Un Furgón con Alma de Camión [Campaña], de Leo Burnett Argentina para Iveco Daily 8.3 Cubik, de Iveco Argentina. Pa: Raya. Argentina
Las 1000 Millas de Luca, de TBWA Buenos Aires para Día Internacional de Personas con Discapacidad, de Consejo Publicitario Argentino. Pa: Primo. Argentina
Los últimos deseos de la Kombi, de Almap BBDO para Kombi, de Volkswagen Brasil. Pa: Spray Filmes. Brasil
Speaking Exchange, de FCB Brasil para Speaking Exchange, de CAN. Pa: Hungry Man. Brasil
BRONZE
Dedo, de (anónimo) para Chipileta, de Dulces Anáhuac. Pa: The Maestros. México
Mephisto, de Santo Buenos Aires para Diageo México, de MJZ Productions. Pa: Buchanans. México
Pemberton to Pemberton, de The Cyranos McCann para Coca-Cola, de Coca – Cola USA. Pa: Canada. Estados Unidos (Hispano)
Diálogo 1 jefe, de Borghi/Lowe para Anador, de Boehringer Ingelheim Brasil, Pa: Cine Cinematográfica. Brasil
Diálogo 2 pareja, de Borghi/Lowe para Anador, de Boehringer Ingelheim Brasil, Pa: Cine Cinematográfica. Brasil
Pirañas, de Ogilvy & Mather Brasil para Barbeador Philips Aquatouch, de Philips Brasil. Pa: Vetor Zero / Lobo. Brasil
Familia, de Leo Burnett Argentina para Iveco Daily 8.3 Cubik, de Iveco Argentina. Pa: Raya. Argentina
Ventilador, de Leo Burnett Argentina para Autos Usados, de Car One Argentina. Pa: Argentina Cine. Argentina
El valor de la experiencia, de VCCP Spain para Seguros, de El Corte Inglés. Pa: La Ballena De Hojalata. España
Souvenirs, de DDB Argentina para Lanpass, de BBVA Banco Francés Argentina. Pa: Salado Films. Argentina
Novio, de Don para Institucional, de Fibertel. Pa: Rebolución. Argentina
Paris, de Young & Rubicam México para Institucional, de Expedia. Pa: Central Films. México
Amigos no tan Amigos [Campaña], de Don para Fibertel , de Fibertel. Pa: Rebolución. Argentina
Línea de producción [Campaña], de Prolam Young & Rubicam para Institucional, de Unicef Chile. Pa: Cine3. Chile
No todo se resuelve hablando [Campaña], de Injaus para Space, de Turner Internacional Argentina. Pa: Gloria Films. Argentina
Global Warming Menu, de ONIRIATBWA para Institucional, de WWF Paraguay. Pa: Synchro Image. Reg.Sur(Bolivia/Paraguay
Invitación, de Ponce para Charlas Tedx, de Tedx Rio De La PRATA. Pa: Ringo. Argentina
OURO
Los últimos deseos de la Kombi, de Almap BBDO para Kombi de Volkswagen Brasil. Internacional
PRATA
#somostodosmacacos #somostodosmonos, de Loducca para Institucional de Neymar Jr. UE
Facebook en guaraní, de Biedermann McCann para Facebook en guaraní de Tigo Paraguay. Internacional
BRONZE
Proud whopper, de DAVID para Proud Whopper de Burger King USA. Estados Unidos
Sat-JF14, de Loducca para Lanzamiento Album – John Frusciante de Record Collection. Estados Unidos
The hair fest, de Ogilvy & Mather México para Casa de la Amistad de Casa De La Amistad. Rumania y Rusia
GRAND PRIX
Casi Idénticos, de Del Campo Saatchi & Saatchi para Beldent de Mondeléz Argentina. Argentina
OURO
Casi idénticos, de Del Campo Saatchi & Saatchi para Beldent de Mondeléz Argentina. Argentina
Mi banco, mi espacio de JWT San Juan para Institucional de Banco Popular de Puerto Rico. Puerto Rico
The onlive sale, de Sistole para Tarjeta de Crédito de Visa Colombia. Colombia
Bald cartoons, de Ogilvy & Mather Brasil para ONG de GRAACC. Brasil
Eres mi hijo, de Lowe / SSP3 para Programa de atención humanitaria al desmovilizado de Ministerio de Defensa Colombia. Colombia
PRATA
DNI feliz, de McCann Erickson Perú para Coca-Cola de Coca – Cola Perú. Perú
Pay per laugh, de The Cyranos McCann para Pay Per Laugh de Teatreneu. España
Protection ad, de FCB Brasil para Nivea Sun Kids de Nivea Brasil. Brasil
Filmed reviews, de JWT San Juan para Compañía de turismo de Puerto Rico de Gobierno De Puerto Rico. Puerto Rico
Tattoo skin cancer check, de Ogilvy & Mather Brasil para Protector solar de Sol De Janeiro. Brasil
The hair fest, de Ogilvy & Mather México para Casa de la amistad de Casa De La Amistad. México
BRONZE
La biblia del asado, de JWT Brasil Tramontina Tramontina Brasil Brasil
Proud whopper, de DAVID para Proud Whopper de Burger King USA. Estados Unidos (Hispano)
Speaking exchange, de FCB Brasil para Speaking Exchange de CNA. Brasil
OURO
Casi idénticos [Campaña], de Del Campo Saatchi & Saatchi para Beldent de Mondeléz Argentina. Argentina
La invasión del pez León – terriblemente delicioso, de Geometry Global & Ogilvy & Mather Bogotá para Pez León de Ministerio De Ambiente Y Desarrollo Sostenible Colombia. Colombia
Bald cartoons, de Ogilvy & Mather Brasil para ONG de GRAACC. Brasil
Abortion travel, de DDB España para Coordinadora española para el lobby europeo de mujeres de CELEM (Coordinadora Española Para El Lobby Europeo De Mujeres). España
PRATA
Los últimos deseos de la Kombi [Campaña], de Almap BBDO para Kombi de Volkswagen Brasil. Brasil
Pay per laugh [Campaña], de The Cyranos McCann para Pay per laugh de Teatreneu. España
Eres mi hijo [Campaña], de Lowe / SSP3 para Programa de Atención Humanitaria al Desmovilizado de Ministerio de Defensa Colombia. Colombia
Tattoo skin cancer check, de Ogilvy & Mather Brasil para Protector Solar de Sol De Janeiro. Brasil
The hair fest, de Ogilvy & Mather México para Casa de la Amistad de Casa De La Amistad. México
Panel urbano purificador, de FCB Mayo para Admisión 2014 de Universidad De Ingeniería Y Tecnología. Perú
BRONZE
Libero si te lo explican con fútbol, de Lola para Revista de fútbol de Revista Libero. España
Filmed reviews [Campaña], de JWT San Juan para Compañía de Turismo de Puerto Rico de Gobierno De Puerto Rico. Puerto Rico
Las 1000 millas de Luca, de TBWA Buenos Aires para Día Internacional de Personas con Discapacidad de Consejo Publicitario Argentino. Argentina
Global warming menú, de ONIRIATBWA para Institucional de WWF Paraguay. Reg.Sur(Bolivia/Paraguay)
OURO
Cazadores de patos, de Prolam Young & Rubicam para Cerveza Rothhammer, de Rothhammer. Chile
Proudwhopper [Campaña], de DAVID para ProudWhopper, de Burger King USA. Estados Unidos (Hispano)
La era de las ideas – Stephen Hawking, de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
DNI feliz, de McCann Erickson Perú para Coca-Cola, de Coca – Cola Perú. Perú
Baldcartoons [Campaña], de Ogilvy & Mather Brasil para ONG, de GRAACC. Brasil
PRATA
Motoqueros, de Prolam Young & Rubicam para Cerveza Rothhammer, de Rothhammer. Chile
Punks, de Prolam Young & Rubicam para Cerveza Rothhammer, de Rothhammer. Chile
La era de las ideas – Ken Robinson, de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
La era de las ideas – Stephen Hawking, de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
Daughter, de Grupo Gallegos para PublicService, de Alzheimers Association . Estados Unidos (Hispano)
Eres mi hijo, de Lowe / SSP3 para Programa de Atención Humanitaria al Desmovilizado, de Ministerio de Defensa Colombia. Colombia
Grandson, de Grupo Gallegos para PublicService, de AlzheimersAssociation. Estados Unidos (Hispano)
Casi idénticos, de Del Campo Saatchi & Saatchi para Beldent, de Mondeléz Argentina. Argentina
Tattooskincancercheck, de Ogilvy & Mather Brasil para Protector Solar, de Sol De Janeiro. Brasil
The HairFest, de Ogilvy & Mather México para Casa De La Amistad, de Casa de la Amistad. México
Panel urbano purificador, de FCB Mayo para Admisión 2014, de Universidad De Ingeniería Y Tecnología. Perú
La era de las Ideas – Hillary Clinton, de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
La era de las Ideas – Ken Robinson, de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
La era de las Ideas – Stephen Hawking, de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
Eres mi hijo [Campaña], de Lowe / SSP3 para Programa de Atención Humanitaria al Desmovilizado, de Ministerio de Defensa Colombia. Colombia
Funeral [Campaña], de Prolam Young & Rubicam para Cerveza Rothhammer, de Rothhammer. Chile
La era de las ideas [Campaña , de Ogilvy & Mather Argentina para TEDx Buenos Aires, de Tedxbuenosaires. Argentina
BRONZE
BKF, de Blue Hive Argentina para Nueva línea cargo, de Ford Argentina. Argentina
Valla trailer barco Lego, de Tribu DDB Costa Rica para Lego, de Tienda Universal. Centroamérica y Caribe
Escultura, de Don para Institucional, de Fibertel. Argentina
Papá, de BBDO Chile para Monticello Grand Casino, de Monticello Grand Casino. Chile
White House, de Havas WW Gurisa para El Observador, de El Observador. Brasil
BRONZE
Cuba, de Don para Turismo, de Gobierno de la Ciudad de Buenos Aires. Argentina
Bestsellers amarillistas, de McCann Erickson Ecuador para Librería Española. Ecuador
Bloodcharger, de Publicis Brasil / Publicis Worldwide para Blood Bank PublicInstitution, de FundaçãoPró-Sangue. Brasil
Vallas de medianoche, de Ogilvy & Mather Colombia para Carulla 24 horas, de Carulla. Colombia
Pay per laugh, de The Cyranos McCann para Pay per laugh, de Teatreneu. España
Cian, de Ogilvy & Mather Colombia para Cartuchos de tinta para impresoras, de Ecofill. Colombia
Kama, de Young & Rubicam Brasil para Condones, de Tulipán (KOPELCO). Brasil
Bus stop, de The Cyranos McCann para Coca Cola, de Coca – Cola España. España
El tránsito de juguete, de Ogilvy & Mather Guatemala para Carritos de Juguete, de La Jugueteria. Centroamérica y Caribe
Violencia de género, de Don para Violencia de Género, de Gobierno de la Ciudad de Buenos Aires. Argentina
AlzheimersGallery [Campaña], de Grupo Gallegos para PublicService, de AlzheimersAssociation. Estados Unidos (Hispano)
GRAND PRIX
Radiometrías, de Sancho BBDO para Fundación Éxito de Grupo Éxito. Colombia
OURO
Young Schweppes, de The Cyranos McCann para Schweppes de Schweppes España. España
Herencia, de TBWA España para Neogenic champú anticaida de Vichy España. España
Salvavidas, de Young & Rubicam Colombia para Sensor de Parqueo Fiat de Colitalia. Colombia
Drogas, de LatinWorks para Cine de las Américas Internacional Film Fest de Cine Las Américas. Estados Unidos (Hispano)
Happy, de TBWA/Frederick para Campaña Anti Bulling Homofóbico de Fundación Todo Mejora. Chile
Canciaciones, de LatinWorks para Cine Las Américas International Film Festival de Cine Las Américas. Estados Unidos (Hispano)
Oídnos, de Ogilvy & Mather para Colegio Oral Las Lomas de Colegio Oral Las Lomas. Argentina
Radiometrías, de Sancho BBDO para Fundación Éxito de Grupo Éxito. Colombia
PRATA
China, de BBDO Chile para Yastá de Bayer Chile. Chile
Embarazada, de Simple para Candados Scanavini de Scanavini. Chile
Gaca, de DDB México para Lavadoras Electrolux de Electrolux México. México
Me lleva, de TBWAFrederick para Camiones Hyundai de Hyundai Chile. Chile
Dinero, de LatinWorks para Cine Las Américas International Film Festival de Cine Las Américas. Estados Unidos (Hispano)
Honestidad, de la comunidad para Revista Rolling Stone de La Nación. Argentina
Mujeres, de LatinWorks para Cine Las Américas de International Film Festival de Cine Las Américas. Estados Unidos (Hispano)
Tsunami, de JWT Chile para Restablecimiento del Contacto entre Familiares de Cruz Roja Chile. Chile
Libero si te lo explica con fútbol [Campaña], de Lola para Revista fútbol de Revista Libero. España
BRONZE
Nana ejecutivo, de TBWA España para McDonalds restaurantes de Mc Donalds España. España
Mundial, de el taier / Tribu DDB para Bravha de Cerveza Brahva Guatemala. Centroamérica y Caribe
Bergamasco, de Havas WW Gurisa para Preservativos de Dr. Selby. Uruguay
Golfista, de Leo Burnett Guatemala para Gillette Prestobarba de Procter & Gamble Guatemala. Centroamérica y Caribe
Italia, de BBDO Chile para Yastá de Bayer Chile. Chile
Paba, de DDB México para Lavadoras Electrolux de Electrolux México. México
Picapu, de DDB México para Lavadoras Electrolux de Electrolux México. México
Torre de control, de Young & Rubicam Colombia para Sensor de parqueo de Fiat Colitalia. Colombia
Trabajo, de Badillo Nazca Saatchi & Saatchi para Piezas y accesorios de Toyota Puerto Rico. Puerto Rico
Balboa, de Veritas, de DDB para Internet fijo banda ancha de Claro Ecuador. Ecuador
Estación, de TBWA España para Cursos de inglés de Cambridge University Press. España
Madre, de Young & Rubicam Uruguay para Prevención en el tránsito de Banco de Seguros del Estado. Uruguay
Camilla, de Young & Rubicam México para Librería de Librerías Gandhi. México
Annie, de Dieste para Adopción de DPA. Estados Unidos (Hispano)
Perdidos [Campaña], de JWT Chile para Restablecimiento del Contacto entre Familiares de Cruz Roja Chile. Chile
Spot contra el silencio, de DDB Brasil para Institucional de Amnistía Internacional. Brasil
Post originalmente publicado no Brainstorm #9
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in f)f.hasOwnProperty(g)&&(e.breakpoints.push(f[g].breakpoint),e.breakpointSettings[f[g].breakpoint]=f[g].settings);e.breakpoints.sort(function(a,b){return b-a})}e.autoPlay=a.proxy(e.autoPlay,e),e.autoPlayClear=a.proxy(e.autoPlayClear,e),e.changeSlide=a.proxy(e.changeSlide,e),e.selectHandler=a.proxy(e.selectHandler,e),e.setPosition=a.proxy(e.setPosition,e),e.swipeHandler=a.proxy(e.swipeHandler,e),e.dragHandler=a.proxy(e.dragHandler,e),e.keyHandler=a.proxy(e.keyHandler,e),e.autoPlayIterator=a.proxy(e.autoPlayIterator,e),e.instanceUid=b++,e.htmlExpr=/^(?:s*()[^>]*)$/,e.init()}var b=0;return c}(),b.prototype.addSlide=function(b,c,d){var e=this;if(“boolean”==typeof c)d=c,c=null;else if(0>c||c>=e.slideCount)return!1;e.unload(),”number”==typeof c?0===c&&0===e.$slides.length?a(b).appendTo(e.$slideTrack):d?a(b).insertBefore(e.$slides.eq(c)):a(b).insertAfter(e.$slides.eq(c)):d===!0?a(b).prependTo(e.$slideTrack):a(b).appendTo(e.$slideTrack),e.$slides=e.$slideTrack.children(this.options.slide),e.$slideTrack.children(this.options.slide).detach(),e.$slideTrack.append(e.$slides),e.$slides.each(function(b,c){a(c).attr(“index”,b)}),e.$slidesCache=e.$slides,e.reinit()},b.prototype.animateSlide=function(b,c){var d={},e=this;if(1===e.options.slidesToShow&&e.options.adaptiveHeight===!0&&e.options.vertical===!1){var f=e.$slides.eq(e.currentSlide).outerHeight(!0);e.$list.animate({height:f},e.options.speed)}e.options.rtl===!0&&e.options.vertical===!1&&(b=-b),e.transformsEnabled===!1?e.options.vertical===!1?e.$slideTrack.animate({left:b},e.options.speed,e.options.easing,c):e.$slideTrack.animate({top:b},e.options.speed,e.options.easing,c):e.cssTransitions===!1?a({animStart:e.currentLeft}).animate({animStart:b},{duration:e.options.speed,easing:e.options.easing,step:function(a){e.options.vertical===!1?(d[e.animType]=”translate(“+a+”px, 0px)”,e.$slideTrack.css(d)):(d[e.animType]=”translate(0px,”+a+”px)”,e.$slideTrack.css(d))},complete:function(){c&&c.call()}}):(e.applyTransition(),d[e.animType]=e.options.vertical===!1?”translate3d(“+b+”px, 0px, 0px)”:”translate3d(0px,”+b+”px, 0px)”,e.$slideTrack.css(d),c&&setTimeout(function(){e.disableTransition(),c.call()},e.options.speed))},b.prototype.asNavFor=function(b){var c=this,d=null!=c.options.asNavFor?a(c.options.asNavFor).getSlick():null;null!=d&&d.slideHandler(b,!0)},b.prototype.applyTransition=function(a){var b=this,c={};c[b.transitionType]=b.options.fade===!1?b.transformType+” “+b.options.speed+”ms “+b.options.cssEase:”opacity “+b.options.speed+”ms “+b.options.cssEase,b.options.fade===!1?b.$slideTrack.css(c):b.$slides.eq(a).css(c)},b.prototype.autoPlay=function(){var a=this;a.autoPlayTimer&&clearInterval(a.autoPlayTimer),a.slideCount>a.options.slidesToShow&&a.paused!==!0&&(a.autoPlayTimer=setInterval(a.autoPlayIterator,a.options.autoplaySpeed))},b.prototype.autoPlayClear=function(){var a=this;a.autoPlayTimer&&clearInterval(a.autoPlayTimer)},b.prototype.autoPlayIterator=function(){var a=this;a.options.infinite===!1?1===a.direction?(a.currentSlide+1===a.slideCount-1&&(a.direction=0),a.slideHandler(a.currentSlide+a.options.slidesToScroll)):(0===a.currentSlide-1&&(a.direction=1),a.slideHandler(a.currentSlide-a.options.slidesToScroll)):a.slideHandler(a.currentSlide+a.options.slidesToScroll)},b.prototype.buildArrows=function(){var b=this;b.options.arrows===!0&&b.slideCount>b.options.slidesToShow&&(b.$prevArrow=a(b.options.prevArrow),b.$nextArrow=a(b.options.nextArrow),b.htmlExpr.test(b.options.prevArrow)&&b.$prevArrow.appendTo(b.options.appendArrows),b.htmlExpr.test(b.options.nextArrow)&&b.$nextArrow.appendTo(b.options.appendArrows),b.options.infinite!==!0&&b.$prevArrow.addClass(“slick-disabled”))},b.prototype.buildDots=function(){var c,d,b=this;if(b.options.dots===!0&&b.slideCount>b.options.slidesToShow){for(d=’
“,b.$dots=a(d).appendTo(b.options.appendDots),b.$dots.find(“li”).first().addClass(“slick-active”)}},b.prototype.buildOut=function(){var b=this;b.$slides=b.$slider.children(b.options.slide+”:not(.slick-cloned)”).addClass(“slick-slide”),b.slideCount=b.$slides.length,b.$slides.each(function(b,c){a(c).attr(“index”,b)}),b.$slidesCache=b.$slides,b.$slider.addClass(“slick-slider”),b.$slideTrack=0===b.slideCount?a(‘
‘).appendTo(b.$slider):b.$slides.wrapAll(‘
‘).parent(),b.$list=b.$slideTrack.wrap(‘
‘).parent(),b.$slideTrack.css(“opacity”,0),b.options.centerMode===!0&&(b.options.slidesToScroll=1,b.options.slidesToShow=3),a(“img[data-lazy]”,b.$slider).not(“[src]”).addClass(“slick-loading”),b.setupInfinite(),b.buildArrows(),b.buildDots(),b.updateDots(),b.options.accessibility===!0&&b.$list.prop(“tabIndex”,0),b.setSlideClasses(“number”==typeof this.currentSlide?this.currentSlide:0),b.options.draggable===!0&&b.$list.addClass(“draggable”)},b.prototype.checkResponsive=function(){var c,d,b=this;if(b.originalSettings.responsive&&b.originalSettings.responsive.length>-1&&null!==b.originalSettings.responsive){d=null;for(c in b.breakpoints)b.breakpoints.hasOwnProperty(c)&&a(window).width()c.options.slidesToShow&&c.slideHandler(c.currentSlide-f);break;case”next”:f=0===e?c.options.slidesToScroll:e,c.slideCount>c.options.slidesToShow&&c.slideHandler(c.currentSlide+f);break;case”index”:var h=0===b.data.index?0:b.data.index||a(b.target).parent().index()*c.options.slidesToScroll;c.slideHandler(h);default:return!1}},b.prototype.clickHandler=function(a){var b=this;b.shouldClick===!1&&(a.stopImmediatePropagation(),a.stopPropagation(),a.preventDefault())},b.prototype.destroy=function(){var b=this;b.autoPlayClear(),b.touchObject={},a(“.slick-cloned”,b.$slider).remove(),b.$dots&&b.$dots.remove(),b.$prevArrow&&”object”!=typeof b.options.prevArrow&&b.$prevArrow.remove(),b.$nextArrow&&”object”!=typeof b.options.nextArrow&&b.$nextArrow.remove(),b.$slides.parent().hasClass(“slick-track”)&&b.$slides.unwrap().unwrap(),b.$slides.removeClass(“slick-slide slick-active slick-center slick-visible”).removeAttr(“index”).css({position:””,left:””,top:””,zIndex:””,opacity:””,width:””}),b.$slider.removeClass(“slick-slider”),b.$slider.removeClass(“slick-initialized”),b.$list.off(“.slick”),a(window).off(“.slick-“+b.instanceUid),a(document).off(“.slick-“+b.instanceUid)},b.prototype.disableTransition=function(a){var b=this,c={};c[b.transitionType]=””,b.options.fade===!1?b.$slideTrack.css(c):b.$slides.eq(a).css(c)},b.prototype.fadeSlide=function(a,b,c){var d=this;d.cssTransitions===!1?(d.$slides.eq(b).css({zIndex:1e3}),d.$slides.eq(b).animate({opacity:1},d.options.speed,d.options.easing,c),d.$slides.eq(a).animate({opacity:0},d.options.speed,d.options.easing)):(d.applyTransition(b),d.applyTransition(a),d.$slides.eq(b).css({opacity:1,zIndex:1e3}),d.$slides.eq(a).css({opacity:0}),c&&setTimeout(function(){d.disableTransition(b),d.disableTransition(a),c.call()},d.options.speed))},b.prototype.filterSlides=function(a){var b=this;null!==a&&(b.unload(),b.$slideTrack.children(this.options.slide).detach(),b.$slidesCache.filter(a).appendTo(b.$slideTrack),b.reinit())},b.prototype.getCurrent=function(){var a=this;return a.currentSlide},b.prototype.getDotCount=function(){var a=this;return Math.ceil(a.slideCount/a.options.slidesToScroll)-1},b.prototype.getLeft=function(a){var c,d,g,b=this,e=0;return b.slideOffset=0,d=b.$slides.first().outerHeight(),b.options.infinite===!0?(b.slideCount>b.options.slidesToShow&&(b.slideOffset=-1*b.slideWidth*b.options.slidesToShow,e=-1*d*b.options.slidesToShow),0!==b.slideCount%b.options.slidesToScroll&&a+b.options.slidesToScroll>b.slideCount&&b.slideCount>b.options.slidesToShow&&(b.slideOffset=-1*b.slideCount%b.options.slidesToShow*b.slideWidth,e=-1*b.slideCount%b.options.slidesToShow*d)):a+b.options.slidesToShow>b.slideCount&&(b.slideOffset=(a+b.options.slidesToShow-b.slideCount)*b.slideWidth,e=(a+b.options.slidesToShow-b.slideCount)*d),b.slideCounta.options.slidesToShow&&(a.$prevArrow.on(“click.slick”,{message:”previous”},a.changeSlide),a.$nextArrow.on(“click.slick”,{message:”next”},a.changeSlide))},b.prototype.initDotEvents=function(){var b=this;b.options.dots===!0&&b.slideCount>b.options.slidesToShow&&a(“li”,b.$dots).on(“click.slick”,{message:”index”},b.changeSlide),b.options.dots===!0&&b.options.pauseOnDotsHover===!0&&b.options.autoplay===!0&&a(“li”,b.$dots).on(“mouseenter.slick”,function(){b.paused=!0,b.autoPlayClear()}).on(“mouseleave.slick”,function(){b.paused=!1,b.autoPlay()})},b.prototype.initializeEvents=function(){var b=this;b.initArrowEvents(),b.initDotEvents(),b.$list.on(“touchstart.slick mousedown.slick”,{action:”start”},b.swipeHandler),b.$list.on(“touchmove.slick mousemove.slick”,{action:”move”},b.swipeHandler),b.$list.on(“touchend.slick mouseup.slick”,{action:”end”},b.swipeHandler),b.$list.on(“touchcancel.slick mouseleave.slick”,{action:”end”},b.swipeHandler),b.$list.on(“click.slick”,b.clickHandler.bind(this)),b.options.pauseOnHover===!0&&b.options.autoplay===!0&&(b.$list.on(“mouseenter.slick”,function(){b.paused=!0,b.autoPlayClear()}),b.$list.on(“mouseleave.slick”,function(){b.paused=!1,b.autoPlay()})),b.options.accessibility===!0&&b.$list.on(“keydown.slick”,b.keyHandler),b.options.focusOnSelect===!0&&a(b.options.slide,b.$slideTrack).on(“click.slick”,b.selectHandler),a(window).on(“orientationchange.slick.slick-“+b.instanceUid,function(){b.checkResponsive(),b.setPosition()}),a(window).on(“resize.slick.slick-“+b.instanceUid,function(){a(window).width()!==b.windowWidth&&(clearTimeout(b.windowDelay),b.windowDelay=window.setTimeout(function(){b.windowWidth=a(window).width(),b.checkResponsive(),b.setPosition()},50))}),a(“*[draggable!=true]”,b.$slideTrack).on(“dragstart”,function(a){a.preventDefault()}),a(window).on(“load.slick.slick-“+b.instanceUid,b.setPosition),a(document).on(“ready.slick.slick-“+b.instanceUid,b.setPosition)},b.prototype.initUI=function(){var a=this;a.options.arrows===!0&&a.slideCount>a.options.slidesToShow&&(a.$prevArrow.show(),a.$nextArrow.show()),a.options.dots===!0&&a.slideCount>a.options.slidesToShow&&a.$dots.show(),a.options.autoplay===!0&&a.autoPlay()},b.prototype.keyHandler=function(a){var b=this;37===a.keyCode?b.changeSlide({data:{message:”previous”}}):39===a.keyCode&&b.changeSlide({data:{message:”next”}})},b.prototype.lazyLoad=function(){function g(b){a(“img[data-lazy]”,b).each(function(){var b=a(this),c=a(this).attr(“data-lazy”);b.load(function(){b.animate({opacity:1},200)}).css({opacity:0}).attr(“src”,c).removeAttr(“data-lazy”).removeClass(“slick-loading”)})}var c,d,e,f,b=this;b.options.centerMode===!0?b.options.infinite===!0?(e=b.currentSlide+(b.options.slidesToShow/2+1),f=e+b.options.slidesToShow+2):(e=Math.max(0,b.currentSlide-(b.options.slidesToShow/2+1)),f=2+(b.options.slidesToShow/2+1)+b.currentSlide):(e=b.options.infinite?b.options.slidesToShow+b.currentSlide:b.currentSlide,f=e+b.options.slidesToShow,b.options.fade===!0&&(e>0&&e–,f0&&(d=a(“img[data-lazy]”,b.$slider).first(),d.attr(“src”,d.attr(“data-lazy”)).removeClass(“slick-loading”).load(function(){d.removeAttr(“data-lazy”),b.progressiveLazyLoad()}).error(function(){d.removeAttr(“data-lazy”),b.progressiveLazyLoad()}))},b.prototype.refresh=function(){var b=this,c=b.currentSlide;b.destroy(),a.extend(b,b.initials),b.currentSlide=c,b.init()},b.prototype.reinit=function(){var b=this;b.$slides=b.$slideTrack.children(b.options.slide).addClass(“slick-slide”),b.slideCount=b.$slides.length,b.currentSlide>=b.slideCount&&0!==b.currentSlide&&(b.currentSlide=b.currentSlide-b.options.slidesToScroll),b.slideCountc.slideCount-1?!1:(c.unload(),c.$slideTrack.children(this.options.slide).eq(a).remove(),c.$slides=c.$slideTrack.children(this.options.slide),c.$slideTrack.children(this.options.slide).detach(),c.$slideTrack.append(c.$slides),c.$slidesCache=c.$slides,c.reinit(),void 0)},b.prototype.setCSS=function(a){var d,e,b=this,c={};b.options.rtl===!0&&(a=-a),d=”left”==b.positionProp?a+”px”:”0px”,e=”top”==b.positionProp?a+”px”:”0px”,c[b.positionProp]=a,b.transformsEnabled===!1?b.$slideTrack.css(c):(c={},b.cssTransitions===!1?(c[b.animType]=”translate(“+d+”, “+e+”)”,b.$slideTrack.css(c)):(c[b.animType]=”translate3d(“+d+”, “+e+”, 0px)”,b.$slideTrack.css(c)))},b.prototype.setDimensions=function(){var b=this;if(b.options.vertical===!1?b.options.centerMode===!0&&b.$list.css({padding:”0px “+b.options.centerPadding}):(b.$list.height(b.$slides.first().outerHeight(!0)*b.options.slidesToShow),b.options.centerMode===!0&&b.$list.css({padding:b.options.centerPadding+” 0px”})),b.listWidth=b.$list.width(),b.listHeight=b.$list.height(),b.options.vertical===!1&&b.options.variableWidth===!1)b.slideWidth=Math.ceil(b.listWidth/b.options.slidesToShow),b.$slideTrack.width(Math.ceil(b.slideWidth*b.$slideTrack.children(“.slick-slide”).length));else if(b.options.variableWidth===!0){var c=0;b.slideWidth=Math.ceil(b.listWidth/b.options.slidesToShow),b.$slideTrack.children(“.slick-slide”).each(function(){c+=Math.ceil(a(this).outerWidth(!0))}),b.$slideTrack.width(Math.ceil(c)+1)}else b.slideWidth=Math.ceil(b.listWidth),b.$slideTrack.height(Math.ceil(b.$slides.first().outerHeight(!0)*b.$slideTrack.children(“.slick-slide”).length));var d=b.$slides.first().outerWidth(!0)-b.$slides.first().width();b.options.variableWidth===!1&&b.$slideTrack.children(“.slick-slide”).width(b.slideWidth-d)},b.prototype.setFade=function(){var c,b=this;b.$slides.each(function(d,e){c=-1*b.slideWidth*d,b.options.rtl===!0?a(e).css({position:”relative”,right:c,top:0,zIndex:800,opacity:0}):a(e).css({position:”relative”,left:c,top:0,zIndex:800,opacity:0})}),b.$slides.eq(b.currentSlide).css({zIndex:900,opacity:1})},b.prototype.setHeight=function(){var a=this;if(1===a.options.slidesToShow&&a.options.adaptiveHeight===!0&&a.options.vertical===!1){var b=a.$slides.eq(a.currentSlide).outerHeight(!0);a.$list.css(“height”,b)}},b.prototype.setPosition=function(){var a=this;a.setDimensions(),a.setHeight(),a.options.fade===!1?a.setCSS(a.getLeft(a.currentSlide)):a.setFade()},b.prototype.setProps=function(){var a=this,b=document.body.style;a.positionProp=a.options.vertical===!0?”top”:”left”,”top”===a.positionProp?a.$slider.addClass(“slick-vertical”):a.$slider.removeClass(“slick-vertical”),(void 0!==b.WebkitTransition||void 0!==b.MozTransition||void 0!==b.msTransition)&&a.options.useCSS===!0&&(a.cssTransitions=!0),void 0!==b.OTransform&&(a.animType=”OTransform”,a.transformType=”-o-transform”,a.transitionType=”OTransition”,void 0===b.perspectiveProperty&&void 0===b.webkitPerspective&&(a.animType=!1)),void 0!==b.MozTransform&&(a.animType=”MozTransform”,a.transformType=”-moz-transform”,a.transitionType=”MozTransition”,void 0===b.perspectiveProperty&&void 0===b.MozPerspective&&(a.animType=!1)),void 0!==b.webkitTransform&&(a.animType=”webkitTransform”,a.transformType=”-webkit-transform”,a.transitionType=”webkitTransition”,void 0===b.perspectiveProperty&&void 0===b.webkitPerspective&&(a.animType=!1)),void 0!==b.msTransform&&(a.animType=”msTransform”,a.transformType=”-ms-transform”,a.transitionType=”msTransition”,void 0===b.msTransform&&(a.animType=!1)),void 0!==b.transform&&a.animType!==!1&&(a.animType=”transform”,a.transformType=”transform”,a.transitionType=”transition”),a.transformsEnabled=null!==a.animType&&a.animType!==!1},b.prototype.setSlideClasses=function(a){var c,d,e,f,b=this;b.$slider.find(“.slick-slide”).removeClass(“slick-active”).removeClass(“slick-center”),d=b.$slider.find(“.slick-slide”),b.options.centerMode===!0?(c=Math.floor(b.options.slidesToShow/2),b.options.infinite===!0&&(a>=c&&a=0&&a<=b.slideCount-b.options.slidesToShow?b.$slides.slice(a,a+b.options.slidesToShow).addClass("slick-active"):d.length<=b.options.slidesToShow?d.addClass("slick-active"):(f=b.slideCount%b.options.slidesToShow,e=b.options.infinite===!0?b.options.slidesToShow+a:a,b.options.slidesToShow==b.options.slidesToScroll&&b.slideCount-ab.options.slidesToShow)){for(e=b.options.centerMode===!0?b.options.slidesToShow+1:b.options.slidesToShow,c=b.slideCount;c>b.slideCount-e;c-=1)d=c-1,a(b.$slides[d]).clone(!0).attr(“id”,””).attr(“index”,d-b.slideCount).prependTo(b.$slideTrack).addClass(“slick-cloned”);for(c=0;e>c;c+=1)d=c,a(b.$slides[d]).clone(!0).attr(“id”,””).attr(“index”,d+b.slideCount).appendTo(b.$slideTrack).addClass(“slick-cloned”);b.$slideTrack.find(“.slick-cloned”).find(“[id]”).each(function(){a(this).attr(“id”,””)})}},b.prototype.selectHandler=function(b){var c=this,d=parseInt(a(b.target).parents(“.slick-slide”).attr(“index”));return d||(d=0),c.slideCounti.slideCount-i.options.slidesToShow+g)?(i.options.fade===!1&&(c=i.currentSlide,i.animateSlide(f,function(){i.postSlide(c)})),void 0):i.options.infinite===!1&&i.options.centerMode===!0&&(0>a||a>i.slideCount-i.options.slidesToScroll)?(i.options.fade===!1&&(c=i.currentSlide,i.animateSlide(f,function(){i.postSlide(c)})),void 0):(i.options.autoplay===!0&&clearInterval(i.autoPlayTimer),d=0>c?0!==i.slideCount%i.options.slidesToScroll?i.slideCount-i.slideCount%i.options.slidesToScroll:i.slideCount+c:c>=i.slideCount?0!==i.slideCount%i.options.slidesToScroll?0:c-i.slideCount:c,i.animating=!0,null!==i.options.onBeforeChange&&a!==i.currentSlide&&i.options.onBeforeChange.call(this,i,i.currentSlide,d),e=i.currentSlide,i.currentSlide=d,i.setSlideClasses(i.currentSlide),i.updateDots(),i.updateArrows(),i.options.fade===!0?(i.fadeSlide(e,d,function(){i.postSlide(d)}),void 0):(i.animateSlide(h,function(){i.postSlide(d)}),void 0)))},b.prototype.startLoad=function(){var a=this;a.options.arrows===!0&&a.slideCount>a.options.slidesToShow&&(a.$prevArrow.hide(),a.$nextArrow.hide()),a.options.dots===!0&&a.slideCount>a.options.slidesToShow&&a.$dots.hide(),a.$slider.addClass(“slick-loading”)},b.prototype.swipeDirection=function(){var a,b,c,d,e=this;return a=e.touchObject.startX-e.touchObject.curX,b=e.touchObject.startY-e.touchObject.curY,c=Math.atan2(b,a),d=Math.round(180*c/Math.PI),0>d&&(d=360-Math.abs(d)),45>=d&&d>=0?”left”:360>=d&&d>=315?”left”:d>=135&&225>=d?”right”:”vertical”},b.prototype.swipeEnd=function(){var b=this;if(b.dragging=!1,b.shouldClick=b.touchObject.swipeLength>10?!1:!0,void 0===b.touchObject.curX)return!1;if(b.touchObject.swipeLength>=b.touchObject.minSwipe)switch(b.swipeDirection()){case”left”:b.slideHandler(b.currentSlide+b.getSlideCount()),b.currentDirection=0,b.touchObject={};break;case”right”:b.slideHandler(b.currentSlide-b.getSlideCount()),b.currentDirection=1,b.touchObject={}}else b.touchObject.startX!==b.touchObject.curX&&(b.slideHandler(b.currentSlide),b.touchObject={})},b.prototype.swipeHandler=function(a){var b=this;if(!(b.options.swipe===!1||”ontouchend”in document&&b.options.swipe===!1||b.options.draggable===!1&&-1!==a.type.indexOf(“mouse”)))switch(b.touchObject.fingerCount=a.originalEvent&&void 0!==a.originalEvent.touches?a.originalEvent.touches.length:1,b.touchObject.minSwipe=b.listWidth/b.options.touchThreshold,a.data.action){case”start”:b.swipeStart(a);break;case”move”:b.swipeMove(a);break;case”end”:b.swipeEnd(a)}},b.prototype.swipeMove=function(a){var c,d,e,f,b=this;return f=void 0!==a.originalEvent?a.originalEvent.touches:null,!b.dragging||f&&1!==f.length?!1:(c=b.getLeft(b.currentSlide),b.touchObject.curX=void 0!==f?f[0].pageX:a.clientX,b.touchObject.curY=void 0!==f?f[0].pageY:a.clientY,b.touchObject.swipeLength=Math.round(Math.sqrt(Math.pow(b.touchObject.curX-b.touchObject.startX,2))),d=b.swipeDirection(),”vertical”!==d?(void 0!==a.originalEvent&&b.touchObject.swipeLength>4&&a.preventDefault(),e=b.touchObject.curX>b.touchObject.startX?1:-1,b.swipeLeft=b.options.vertical===!1?c+b.touchObject.swipeLength*e:c+b.touchObject.swipeLength*(b.$list.height()/b.listWidth)*e,b.options.fade===!0||b.options.touchMove===!1?!1:b.animating===!0?(b.swipeLeft=null,!1):(b.setCSS(b.swipeLeft),void 0)):void 0)},b.prototype.swipeStart=function(a){var c,b=this;return 1!==b.touchObject.fingerCount||b.slideCounta.options.slidesToShow&&(a.$prevArrow.removeClass(“slick-disabled”),a.$nextArrow.removeClass(“slick-disabled”),0===a.currentSlide?(a.$prevArrow.addClass(“slick-disabled”),a.$nextArrow.removeClass(“slick-disabled”)):a.currentSlide>=a.slideCount-a.options.slidesToShow&&a.options.centerMode===!1?(a.$nextArrow.addClass(“slick-disabled”),a.$prevArrow.removeClass(“slick-disabled”)):a.currentSlide>a.slideCount-a.options.slidesToShow+b&&a.options.centerMode===!0&&(a.$nextArrow.addClass(“slick-disabled”),a.$prevArrow.removeClass(“slick-disabled”)))},b.prototype.updateDots=function(){var a=this;null!==a.$dots&&(a.$dots.find(“li”).removeClass(“slick-active”),a.$dots.find(“li”).eq(Math.floor(a.currentSlide/a.options.slidesToScroll)).addClass(“slick-active”))},a.fn.slick=function(a){var c=this;return c.each(function(c,d){d.slick=new b(d,a)})},a.fn.slickAdd=function(a,b,c){var d=this;return d.each(function(d,e){e.slick.addSlide(a,b,c)})},a.fn.slickCurrentSlide=function(){var a=this;return a.get(0).slick.getCurrent()},a.fn.slickFilter=function(a){var b=this;return b.each(function(b,c){c.slick.filterSlides(a)})},a.fn.slickGoTo=function(a){var b=this;return b.each(function(b,c){c.slick.changeSlide({data:{message:”index”,index:parseInt(a)}})})},a.fn.slickNext=function(){var a=this;return a.each(function(a,b){b.slick.changeSlide({data:{message:”next”}})})},a.fn.slickPause=function(){var a=this;return a.each(function(a,b){b.slick.autoPlayClear(),b.slick.paused=!0})},a.fn.slickPlay=function(){var a=this;return a.each(function(a,b){b.slick.paused=!1,b.slick.autoPlay()})},a.fn.slickPrev=function(){var a=this;return a.each(function(a,b){b.slick.changeSlide({data:{message:”previous”}})})},a.fn.slickRemove=function(a,b){var c=this;return c.each(function(c,d){d.slick.removeSlide(a,b)})},a.fn.slickGetOption=function(a){var b=this;return b.get(0).slick.options[a]},a.fn.slickSetOption=function(a,b,c){var d=this;return d.each(function(d,e){e.slick.options[a]=b,c===!0&&(e.slick.unload(),e.slick.reinit())})},a.fn.slickUnfilter=function(){var a=this;return a.each(function(a,b){b.slick.unfilterSlides()})},a.fn.unslick=function(){var a=this;return a.each(function(a,b){b.slick&&b.slick.destroy()})},a.fn.getSlick=function(){var a=null,b=this;return b.each(function(b,c){a=c.slick}),a}});
$(document).ready(function(){
$(‘.test’).slick({
/*dots: true,
infinite: true,
speed: 300,
slidesToShow: 1,
slidesToScroll: 1,
autoplay: true,
autoplaySpeed: 2000,*/
arrows: false,
dots: true,
infinite: true,
speed: 500,
fade: true,
cssEase: ‘linear’,
slidesToShow: 1,
slidesToScroll: 1,
autoplay: true,
autoplaySpeed: 3500
});
});
.post figure {
display: none;
}
body {
/*background-color: #453544;
margin: 0px;
padding: 0px;*/
}
.box {
position: relative;
/*height: 100%;
width: 100%;*/
/*margin-left: auto;
margin-right: auto;
height: 200px;
width: 200px;*/
}
.test {
/*position: absolute;
top: 0;*/
width: 100%;
/*left:-50%;
width:200%;
height:75%;*/
}
.test img {
/*background-color: #000000;*/
/*height: 100%;
width: 100%;*/
width: 100%;
/*position:absolute;*/
top:0;
left:0;
right:0;
bottom:0;
margin:auto;
min-width:50%;
min-height:50%;
}
.page-node .post .entry {
max-width: none;
}
/*ul.slick-dots {
padding-bottom: 40px;
opacity: 0.4;
filter: alpha(opacity=40);
}
.slick-dots li.slick-active button:before {
color: white;
}
.slick-dots li button:before {
color: white;
opacity: .4;
} */
Read more on Adbusters.org
A deal in the antitrust case would give consumers $400 million in cash and e-book credits, and lawyers $50.million. But an appeal is still pending.
Le designer Miron Lior conçoit de très belles bibliothèques épurées et minimalistes à la fois pour voir ses livres rangés et pour avoir un meuble esthétique à exposer dans son intérieur. Il travaille les lignes noires en jouant avec la position des livres : suspendus comme par magie, retournés, renversés ou encore positionnés en escaliers… Une sélection de son travail est disponible en images.
Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.
Among the new releases, Netflix has just begun running what’s technically an old ad, originally created for the Canadian market, on U.S. TV (Creativity made it an Editor’s Pick back in June when it was first launched in Canada). And in its latest commercial, Sprint suggests that “When AT&T and Verizon find out about Sprint’s Unlimited Plan, they’re gonna be like” — and then we see what appears to be surveillance footage of an office worker going ballistic, along with a small-type disclaimer that reads “Do not attempt. You might get harmed or fired.”
As always, you can find out more about the making of the best commercials on TV at Ad Age’s Creativity.
The globe-trotting hipster empire Vice Media helped make Williamsburg, Brooklyn, what it is now, taking offices there long before the neighorhood gentrified into a mecca for music, food and young people. Suddenly, however, Vice is finding itself the target of hostility in its own backyard.
At issue is Vice’s expansion in the neighborhood, which involves moving into 60,000 square feet of real estate that has housed the indie music clubs Death By Audio and Glasslands. Both are closing. Some took the changes as a sign that Vice, which has grown from a Montreal magazine into a Brooklyn-based multimedia company backed by Silicon Valley venture capital and Rupert Murdoch, has changed as well, somehow dislodging itself from the scene it helped to build and popularize.
During one of Death by Audio’s final shows on Tuesday, Tim Harrington of the band Les Savy Fav took the stage with “Suck It Vice” written across his body.
« Magnum Silentium » est une série signée Yohan Terraza, un jeune photographe français qui a passé les six dernières années à voyager à travers les montagnes de Suisse, Nouvelle-Zélande et de France. Une série sur le grand silence où la brume efface et sublime les paysages, où l’homme est un explorateur et contemplateur de son propre intérieur, à découvrir.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
