MPA: We're About More Than Pages


Stuck in a nearly decade-long decline in print advertising, magazines are adopting a new way of measuring themselves that casts aside the longtime practice of tracking ad pages. On Sept. 29, the MPA – the Association of Magazine Media, a trade group representing most publishers, will introduce Magazine Media 360, which combines magazines’ print and tablet audience, unique visitors to their web and mobile sites and unique video views. It intends to publish this number monthly, along with a Social Media Report tracking magazines’ social-media presence.

“We’re simply telling a story of consumer demand,” said Mary Berner, president-CEO of MPA. “It’s stunning how it redefines magazine media.”

The move marks a significant change for an industry that’s trying to shift the conversation away from its weaknesses.

Continue reading at AdAge.com

Starbucks Launches First Brand Campaign, 'Meet Me At Starbucks'


Starbucks is launching its first brand campaign, and it’s doing it ambitiously.

For the global campaign, called “Meet me at Starbucks,” the coffee giant isn’t focusing on products like it normally does in its ads. Rather, it’s focusing on the brand by chronicling a day in the life of Starbucks through a mini-documentary, shot in 59 different stores in 28 countries, using 39 local filmmakers, 10 local photographers and one director coordinating it all at 72andSunny, the agency responsible for the work. Each part of the ambitious project was shot in the same 24-hour period, producing 220 hours of footage, and features various subjects — from a hearing-impaired group meeting, to a group of women discussing scrapbooking, to elderly couples to teenage friends — going about their business at Starbucks.

Starbucks spokeswoman Linda Mills said the campaign stems from the idea that there are so many easy ways to be connected thanks to technology, but “we’re not really connected unless we’re face to face.” Three spots that launched recently, created by Omnicom’s BBDO, were the precursor to 72andSunny’s work and help illustrate that point., she said.

Continue reading at AdAge.com

With New Ad Platform, Facebook Opens the Gates to Its Vault of Consumer Data

The company is rolling out a new advertising platform that will allow marketers to use its vast knowledge of consumers on other websites and mobile apps.



Legacy of a Venerated Magazine Editor Lives Large on the Newsstand

Art Cooper, a former GQ editor in chief who died in 2003, groomed a small army of editors who are now at the helm of many leading magazines.

‘Open Mind’ Host Continues Grandfather’s Vision for New Generation

Alexander Heffner, who succeeded his grandfather and mentor Richard D. Heffner, said “the importance of public broadcasting and elevating our discourse into something substantive and meaningful were values that were instilled in me.”

Revamped Website to Offer News on New York City Public Schools

WNYC, WNBC, WNJU and the New York Daily News will introduce a site with information in English, Spanish and Chinese, and with individual school pages that are easier to understand.



New Yorker’s Magazine Covers Shift From Polite to Provocative

For most of its existence, the magazine specialized in covers that were calmly reflective and artistic, but they have turned timely, political and poignant.



The Media Equation: Growling by Comcast May Bring Tighter Leash

Regardless of the company’s motive, the issues it raised are hugely important and won’t be brushed aside by bombast or counterattack.



With Perspective From Both Sides of His Desk, F.C.C. Chairman Ponders Net Neutrality

Tom Wheeler spent decades as a lobbyist for the cable and wireless industries, experience from which he has drawn in creating highly scrutinized policy guidelines for ensuring equal access to online content.



Shaun the Sheep the Movie: The new flock on the block

Animation: Aardman Animations

Sheep Stack: Balancing sheep

With a pair of pants on a washing line Shaun and the flock are in their element as they take it in turns to launch themselves into a wobbling stack of balancing sheep in a bid to reach the unguarded plate of doughnuts! Players must create their stack of sheep overcoming the numerous challenges of platforms, precarious platforms, swinging see-saws, tumbling tyres and whizzing water-wheels to ensure their woolly wonder does not come crashing to the ground!

Players can explore 60 levels across two fun-filled environments with achievements being earned for the number of sheep used combined with the speed of completing a level.

To celebrate the launch, Aardman plan to engage the online Shaun the Sheep community to design their own levels for the game and submit their ideas – with the best ideas being made into actual levels for future releases. One lucky winner will be invited to come to Aardman and help the game developers bring the level to life! The competition ties in with the studio’s ongoing commitment to provide inspiration and learning resources to encourage young people to become digital creators rather than just consumers.

Dan Efergan, Digital Group Creative Director at Aardman says “Making games is something we’re hugely passionate about, and a creative craft we believe in alongside storytelling and animation. Obviously we hope people will play the game, but even more so we hope they’ll take part in the competition, as any opportunity to inspire young minds to ‘have a go’ is key to unlocking their own passions.”

Volvo: The swell

Advertising Agency: Grey, London, UK
Executive Creative Director: Nils Leonard
Global Creative Director: Hollie Newton
Creatives: Hollie Newton, Jamie Starbuck, Howard Green
Managing Partner: Nick Dutton
Business Director: Camilla Ashenhurst
Account Manager: Mel Caplan
Agency producer: Harriette Larder
Creative producer: Glen McLeod
Planning Director: Matt Buttrick
Planner: Hayley Cannon
Production company: Academy Films
Director: Marcus Söderlund
Editor: Tom Lindsay / Trim
Producer: Medb Riordan
Executive Producer: Lizie Gower
DOP: André Chémétoff, Allan Wilson
Colourist: Aubrey Woodiwiss
Post-production: Yourick Van Impe, Aubrey Woodiwiss / Electric Theatre Collective
Audio post-production: Aaron Reynolds / Wave
Photographer: Gian Paul Lozza

Surreal Photography in Bolivian Salt Desert

C’est dans le plus grand désert de sel au monde, en Bolivie, que le photographe hollandais Scarlett Hooft Graaflan a organisé ce shooting-photo artistique en collaboration avec Gastón Ugalde. Les deux artistes ont profité de la beauté surréaliste du lieu afin de mettre en scène de manière minimaliste des sculptures de ballons et autres mise en scène loufoques.

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Harman Kardon: Dog

Noise Reduction Headphones.

Advertising Agency: McCann Erickson, India
Chief Creative Officer: Prasoon Joshi
Executive Creative Directors: Raylin Valles, Akshay Kapnadak, Rahul Mathew
Creative Director / Copywriter: Anshumani Khanna
Art Directors: Raylin Valles, Soumen Nath
Photographer: Amol Jadhav
Retouchers: Nitin Sawant, Sandeep Poyekar

Harman Kardon: Trumpet

Noise Reduction Headphones.

Advertising Agency: McCann Erickson, India
Chief Creative Officer: Prasoon Joshi
Executive Creative Directors: Raylin Valles, Akshay Kapnadak, Rahul Mathew
Creative Director / Copywriter: Anshumani Khanna
Art Directors: Raylin Valles, Soumen Nath
Photographer: Amol Jadhav
Retouchers: Nitin Sawant, Sandeep Poyekar

Harman Kardon: Cheerleaders

Noise Reduction Headphones.

Advertising Agency: McCann Erickson, India
Chief Creative Officer: Prasoon Joshi
Executive Creative Directors: Raylin Valles, Akshay Kapnadak, Rahul Mathew
Creative Director / Copywriter: Anshumani Khanna
Art Directors: Raylin Valles, Soumen Nath
Photographer: Amol Jadhav
Retouchers: Nitin Sawant, Sandeep Poyekar

Burt's Bees: Uncap Flavor

Advertising Agency: Baldwin&, Raleigh, USA
Creative Directors: David Baldwin, Bob Ranew
Art Directors: April Lauderdale, Jen Matthews
Copywriter: Ryan Waite
Copywriter: Lisa Shimotakahara
Photographer: Beth Dalton
Illustrator: Derek Marks
Art Buyer: Amita Starosielski
Project Manager: Mattias Davidsson
Account Director: Jennifer Hazelett
Production Company: Brand New School
Creative Director: Sean Dougherty
Producer: Johnna Macarthur
Designer: Sakona Kong
Flame Artist: Mark French
3D Animators: Jon Burke, Ohad Bracha
Compositors: John Laughlin, Jeen Lee
Music/Sound: Antfood
Food Stylist: Charlotte Omnes
Published: September 2014

Burt's Bees: Uncap Flavor, 1

Advertising Agency: Baldwin&, Raleigh, USA
Creative Directors: David Baldwin, Bob Ranew
Art Directors: April Lauderdale, Jen Matthews
Copywriters: Ryan Waite, Lisa Shimotakahara
Photographer: Beth Dalton
Illustrator: Derek Marks
Additional credits:
Art Buyer: Amita Starosielski
Project Manager: Mattias Davidsson
Account Director: Jennifer Hazelett
Production Co.: Brand New School
Creative Director: Sean Dougherty
Producer: Johnna Macarthur
Designer: Sakona Kong
Flame Artist: Mark French
3D Animators: Jon Burke, Ohad Bracha
Compositors: John Laughlin, Jeen Lee
Music/Sound: Antfood
Food Stylist: Charlotte Omnes
Published: September 2014

Burt's Bees: Uncap Flavor, 2

Advertising Agency: Baldwin&, Raleigh, USA
Creative Directors: David Baldwin, Bob Ranew
Art Directors: April Lauderdale, Jen Matthews
Copywriters: Ryan Waite, Lisa Shimotakahara
Photographer: Beth Dalton
Illustrator: Derek Marks
Additional credits:
Art Buyer: Amita Starosielski
Project Manager: Mattias Davidsson
Account Director: Jennifer Hazelett
Production Co.: Brand New School
Creative Director: Sean Dougherty
Producer: Johnna Macarthur
Designer: Sakona Kong
Flame Artist: Mark French
3D Animators: Jon Burke, Ohad Bracha
Compositors: John Laughlin, Jeen Lee
Music/Sound: Antfood
Food Stylist: Charlotte Omnes
Published: September 2014

Burt's Bees: Uncap Flavor, 3

Advertising Agency: Baldwin&, Raleigh, USA
Creative Directors: David Baldwin, Bob Ranew
Art Directors: April Lauderdale, Jen Matthews
Copywriters: Ryan Waite, Lisa Shimotakahara
Photographer: Beth Dalton
Illustrator: Derek Marks
Additional credits:
Art Buyer: Amita Starosielski
Project Manager: Mattias Davidsson
Account Director: Jennifer Hazelett
Production Co.: Brand New School
Creative Director: Sean Dougherty
Producer: Johnna Macarthur
Designer: Sakona Kong
Flame Artist: Mark French
3D Animators: Jon Burke, Ohad Bracha
Compositors: John Laughlin, Jeen Lee
Music/Sound: Antfood
Food Stylist: Charlotte Omnes
Published: September 2014