(TrendHunter.com) In this stunning photography series for Atlantic Magazine, Amos Chapple captures a village in Meghalaya, India known as the ‘wettest place on Earth.’ Located in the steep Khasi Hills,…
Advertising Agency: BBH, London, UK
Director: Peter Cattaneo
Creative Director: Ewan Paterson
Creatives: Ed Cole, Lewis Mooney
Producer: Juliette Harris
DoP: Ben Fordesman
Agency Producer: Davud Karbassioun
(TrendHunter.com) These chic designer sneakers range from Versace’s ornate Medusa hightops to Givenchy’s Star-Wars inspired slip-ons. The sleek and edgy footwear accessories are designed with the active…
It was 50 years ago today that the Lyndon Johnson campaign launched one of the most important political ads in American history. With all the subtlety of the atom bomb that co-starred in the spot, “Daisy” — officially known as “Peace, Little Girl” — portrayed opponent Barry Goldwater as a danger to the country; likely saved the Johnson team millions in extra ad spending; and showed other political campaigns the kind of destruction TV advertising could do by ushering in a new age of attack ads.
That’s not to say that attack ads were new in American politics. Since our first elections, American political campaigns and their allies have been saying things so vile that today’s campaigns pale in comparison. Thomas Jefferson’s opponents at The Connecticut Courant said that if he were elected, “Murder, robbery, rape, adultery and incest will all be openly taught and practiced.” Not to be outdone, Jefferson’s side accused John Adams of being of a “hideous hermaphroditical character, which has neither the force and firmness of a man, nor the gentleness and sensibility of a woman.”
But in 1964, TV political advertising was still in its infancy. What Americans had seen of national political spots in the previous presidential runs was rudimentary, lacked sophistication and failed to harness the full potential the medium had to offer. “Daisy,” crafted by none other than the advertising legends at DDB, would change all of that in 60 seconds.
(TrendHunter.com) Although the illustrations drawn by Daniela Carvalho could be described as cyclist artwork, they are more than that. First of all, they don’t depict portraits of cyclists in the traditional…
La photographe californienne Kelly Nicolaison met ici en scène des personnages anonymes dans des accoutrements et des positions surprenantes, le tout placé dans un paysage haut en couleurs. La particularité de cette série réside notamment dans son mélange entre géométrie, mystère et espièglerie. À découvrir en images.
(TrendHunter.com) The throwback to the 90s fascination with occult fashion is back in full swing as we see the level of witch, Wiccan and magical styles invading the industry. The drive towards occult fashion might…
(TrendHunter.com) UK-based architectural firm Echo has manufactured a new modular pod, dubbed the Eco Pod, that measures 9 square meters and can be used for a wide variety of purposes. It can serve as either a small…
(TrendHunter.com) As the kids head back to elementary, secondary and post-secondary, these back-to-school apps are sure to help offer a hand when it comes to starting the semester off on the most productive foot…
(TrendHunter.com) Commuters are ditching their cars left, right and center as we see the rise of not only public transit but the urban scooter. The disconnect that exists for a lot of commuters between ditching their…
(TrendHunter.com) For her latest series, titled ‘FROWST,’ photographer Joanna Piotrowska seeks to display the decidedly darker underbelly of the domestic sphere. Far from sunshine and butterflies, family…
The Botswana Bikers are metalheads who have perfected thunderdome chic, and use their power for good. “Metal is everything, it’s in our heart, it’s in our blood”.
(TrendHunter.com) If you find yourself constantly carrying all your tech gadgets with you at all times, then the Soffio Macbook Sleeve Backpack
will help make the process a little bit easier.
Staying connected, no…
Advertising Agency: Marcus Thomas, Cleveland, USA
Creative Director: Jamie Venorsky
Art Director: Brian Gillen
Copywriter: Trish DiFranco
Integrated Producer: Laurie Znidarsic
Digital Producer: Carolyn Fertig
Management Sup.: Jason Schafer
Media: Raphael Rivilla
Production Company / Post: Think Media Studios
Director: Brian Glazen
D.P.: Caleb Crossen
Producer: Geoff Yaw
Motion Graphics: Chris Wiegand
Editor: Daniel Krivenki
Digital development: Squarewave
Programmer: Mike Wislocki
Published: September 2014
Advertising Agency: Deutsch, Los Angeles, USA
Chief Executive Officer: Michael Sheldon
Chief Creative Officer: Pete Favat
Executive Creative Director: Brett Craig
Creative Director / Copywriter: Ryan Lehr
Creative Director / Art Director: Erick Mangali
Copywriter: Trey Tyler
Art Director: Michael Delahaut
Director of Integrated Production: Vic Palumbo
VP/Executive Producer: Lisa K. Johnson
Senior Integrated Producer: Molly Tait
Production Company: Caviar
All architecture begins with a line.
Advertising Agency: Dentsu, Tokyo, Japan
Creative Director: Takashi Onuma
Copywriter: Kosuke Shinshi
Art Director: Yoshiyuki Imoto
Illustrator: Yasunobu Hideshima
Designers: Koji Fuji, Kazuno Niwa
Print Production: Satoru Ozawa
All architecture begins with a line.
Advertising Agency: Dentsu, Tokyo, Japan
Creative Director: Takashi Onuma
Copywriter: Kosuke Shinshi
Art Director: Yoshiyuki Imoto
Illustrator: Yasunobu Hideshima
Designers: Koji Fuji, Kazuno Niwa
Print Production: Satoru Ozawa
All architecture begins with a line.
Advertising Agency: Dentsu, Tokyo, Japan
Creative Director: Takashi Onuma
Copywriter: Kosuke Shinshi
Art Director: Yoshiyuki Imoto
Illustrator: Yasunobu Hideshima
Designers: Koji Fuji, Kazuno Niwa
Print Production: Satoru Ozawa
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
