Amazing Sculptures Made From Recyced Plastic

L’artiste canadienne Aurora Robson basée à New York imagine des sculptures et des installations étonnante, travaillant à partir de déchets de tous les jours tels que des bouteilles en plastique et autres déchets. Ses créations aux couleurs exotiques sont à la fois créatives et impressionnantes.

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Magistral: medical examination

Advertising Agency: Grey, Buenos Aires, Argentina
Executive Creative Director: Diego Medvedocky
Creative Directors: Hernán Kritzer, Lisandro Cardozo
Executive Account Director: Florencia Pereyra
Account Director: Jorge Villar
Account Executives: Giselle Ezeiza, Nazarena Longo
Planning Director: Sol Martin
Agency Producers: Juan Carlos Barrios, Julian Sanchez
Director: Julieta García Casalia
Executive Producers: Patricio Alvarez Casado, Ezequiel Ortiz
Producer: Chino Fernandez

AMIA (Asociación Mutual Israelita Argentina): Booth

Advertising Agency: Ogilvy & Mather, Buenos Aires, Argentina
Executive Creative Directors: Javier Mentasti, Maximiliano Maddalena
Creative Directors: Juan Pablo Carrizo, Patricio Elfi
Head of Art: Diego Grandi
Art Directors: Tomas Duhalde, Daniel Correa
Copywriters: Federico Diaz, Lucas Antunes
Agency Producer: Alejandro Travaglini
Executive Chief of Production: Valeria Pinto
Director: Ariel Winograd / Winona
Editors: Patricio Gomez Llambí, Ricardo Levaggi
Executive Account Director: Natalia Noya
Account Director: Mariela Seijo
Business Intelligence / Strategy Director: Carolina Coppoli
Head of Planning: Rodrigo García
Executive Producer: Tomás Chester / Winona
Post / Producer Company: Control Z

The Non-Violence Project: Non-violence Bus

Advertising Agency: McCann, Mexico
VP Executive Creative Director: Javi Carro
VP Creative Director: Breno Cotta
Associate Creative Director: Pablo Motta
Senior Copywriter: Gonzalo Quinteros
Agency Producers: Juan Gonzalez, Emmanuel Aguilar

Unicef: Escape Ends Here

UNICEF wanted us to engage people to sign a petition for making the UN Convention on the rights of the child a Swedish law. During 2 weeks in October, we projected moving light silhouettes of children on facades of several public places in Stockholm. They were moving: Laying down, running with large backpacks or slowly strolling, as if they had nowhere to go. Through an emotional design concept, we got people to react, and got an earned media reach of 25M. So far, 45 482 have signed our petition to make UN Convention on the rights of the child Swedish law.

Advertising Agency: Deportivo, Stockholm, Sweden
Production Company: Nils Ossian Andersson

Ad Spending Jumps in First Quarter, Fueled by Olympics and Early Political Ads


Ad spending in U.S. measured media in the first quarter of the year rose 5.7% from the quarter a year earlier, according to a new report by Kantar Media. Marketers spent almost $34.9 billion, Kantar Media said.

The first quarter last year saw spending slip 0.1%, but 2014 had the benefit of the Sochi Winter Olympics to fuel gains, along with higher spending for the NFL playoffs and Super Bowl. Political spending ahead of the November elections also started earlier than usual and boosted the numbers.

“The Winter Olympics delivered its expected windfall in the first quarter,” said Jon Swallen, chief research officer at Kantar Media North America, in a statement.

Continue reading at AdAge.com

Shovona Karmakar : In conversation with a Photographer / Artist

 

A Fine art Graduate from Kala Bhawan, Vishwabharti University, Shantiniketan and with a Foundation in Design from MIT Pune, She has well practiced in the visual media Specifically in Photography along Textile design and Graphic print. She has mixed up her sensibilities quite depicted in her Concepts,Food,Portraits and Cinemagraphs….

Along being a photographer she has worked as a Digital Artist in Wacom India, an internship with Vogue India, Documenter for Tata Tanishq and others…

She believes in an endless ongoing process to evolve and expand her capabilities as an artist and being ..

 

Why are you a photographer?
Photography and trying to make a living out of it, I personally feel is a mere play of my destiny .. which I guess had planned for me.. I was always into sketching and painting since childhood.. and after I gave up the plan to go for Indian Civil Service, I was planning for Animation and though I got through a design college.. I left to pursue for traditional painting. as I wanted to make something more personal.. but gradually I felt for a camera and digital illustration and art.. and finally after all those trials and errors of making life worth.. I found this medium of making Visuals..called photography..

I come from a family where parents give up their dreams to let their children live theirs.. it was a mere surprise for me to find my dad into photography in his 20?s and 30?s with a agfa click 4 film point and shoot camera.. and my mom being a self taught classical singer and dancer.. I guess I got their genes which helps me think creative and make it large every next day..

Do you remember any decisive moment when you felt ‘I want to be a photographer’?
Coming to the plan of being a photographer.. was one of the most interesting evolution I can ever think can happen with me or anybody.. bored of the very outdated techniques taught in my art college.. I brought a digital camera.. and while then I came across the idea of 365 project , I thought to do something but with a personal touch.. I just randomly planned to do a 365 self portrait which I named DESI INSIDE.. PARDESI OUTSIDE.. clicking myself for one complete year .. and shared it over various social media platform and it so happened.. that people started following me and I got the niche to move on with it … Then a life turning factor came.. and I believe self blessed to have it… Ritam Banerjee, an internationally known photographer .. saw my work and gave me an opportunity to come down to Mumbai..and helped me to see the industry in more practical terms..sure his guidance all these years has helped to make various logistics involved become easy to deal with.. He still plays an important role to help me become a better Photographer both Personally and Professionally…

Were there any particular role models for you when you grew up?
I belong to an industrial community where being an Engineer or Doctor is meant important in life.. anything else is a taboo.. my parents wanted me to pursue any of the above as they were aware how to go about it.. but they were at the same time very supportive about what I want to be and where my interest belongs.. Beside my Dad and my mentor… being an art history student ..I came across and studied various national and international artist from various mediums like painting to graphic print to sculpture… understanding the way they lived their creative life, struggles and how they came up with what they came up is important in terms of understanding its own evolution..

Who was the most influential personality on your career in photography?
I somewhere felt free and got the gut to think differently when I came across one of the best photographers internationally ,Erik Almas.. his personal struggle for 20 years to get his big break into this industry still give me the Lift when I feel Blue.. sure his works amazes people.. but his personal struggles is something amazes me above all..

How has photography changed over the course of the last couple of decades? Is execution/art direction more important than it used to be?
To be honest I am just a starter into this industry.. still having those baby steps.. But if u ask me to talk about it.. Photography in India.. has changed since the Camera companies has started marketing it immensely and the reasonable prices have made it reachable to every individual now..Sure Having it digital is the biggest Revolution into this field.. Though the positive aspect I feel.. is the Respect now as a Professional Photographer gets, but still indians has to understand the good work from the bad.. as every one is becoming a photographer its giving a tough fight for the one who deserves.. as in India.. involved Logistic Quantity Dominates over Quality..

What do you think of the current state of Print Advertising photography in India? Is it at par with the work done worldwide?
India is Growing.. the evolution of internet has made the world small.. coming aware of whats happening abroad is not a surprising factor anymore.. Sure Indian Creative industry concerns more over Quantity than Quality, few Indian photographers have proved they are at par with international standards.. Still a lot of awareness about the Quality has to be done in creative Institutes and other.
I don’t feel we lack anything.. If one is given a freedom of expression… taking care what the concept demands.. sure We can give a tough competition to the west.

Where do you get your inspiration?
WWW.GOOGLE.COM

How did you get focussed so much on food photography?
I am a big foodie… as I lost 20 kgs during my well admired project of 365 self portrait, I became quite a health conscious person.. As I live alone and i spent my quality time beside my working table ..is in kitchen.. trying to come out with something healthy and simple, Thanks to my dietician.. :D .. so being a photographer .. trying a hand over this topic was not a surprise.. it again helped me to share what I like with people. Initially I remained terrible with it.. but gradually as I studied others work, I started coming up with decent images.. enough to call clients like restaurants and cooking hobbyist to photograph and document their product respectively…

Cinemagraphs are still a new medium. How did you start creating them?
Cinemagraphs, or living photographs is something will force you to see things differently.. Came across these simple GIFS while I was Googling..researched about the technicalities involved.. and gradually I started observing these Frames with mere actions in my day to day life..

My very first cinemagraph was about two carpenters working in their factory…

Initially you don’t get whats happening .. but as you start shaping the image to a living image.. it just becomes an immortal movement…

Though this medium has some restrains.. but above all.. its sometimes somewhere speaks more than a photographs and I like that factor.. the production of a seamless cinema graphs has its own challenge which one can come out with proper planning..

Was there any time when you wanted to quit photography?
Well I have just started.. so this question doesn’t imply on me now.. but for sure.. creating visuals is something I guess I will not get bored off.. not so soon I guess.. as I keep on trying to incorporate other mediums to make it larger than what it remains.. and yes making a living out of it.. requires a lot of patience and input in-terms of hard-work and lots of homework to make clients believe what you are capable off.. which is sometimes frustrating..

Any current work in Indian Advertising that you find exciting? Especially Print?
There are many whom I admire and get inspired a lot from.. Old is gold.. Nirma.. Lijjat papad and latest Vodaphone and Fevicol are some which are anytime amusing.. I admire the Indian Flavour Amul Print Advertisment has carried all the way all these years..

Whats your dream project?
Talking about dreams projects.. I will like to say SURPRISE projects.. :D.. my first 365 self portrait 2010-2011, project which I just started randomly was a Surprise for me… that I did..then last year.. I planned to discover Chattisgarh, India and it surprised me with its beauty.. discovered some amazing landscapes to getting an unexpected entry to open coal mines.. going all the way 150feet deep down the earth and discovering the FIRE OVER WATER factor and then the portrait session of Coal Employees.. coming from various part of INDIA working harmoniously keeping aside all the cultural and religious differences aside.. was quite an learning experience for me
Presently I am doing my second 365 days.. :)

looking forward for more surprise projects which will help me discover myself…. :D

Who would you want to spend a dinner with?
Back home with my family..

Whats on your iPod?
Though I carry a transcend as it fitted my budget over IPOD.. I love to have those pop music and instrumental.. forcing me tap my feet and rock on hard…

Mac or PC?
I started with a PC.. but now I find self addicted to Mac :D

 

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The post Shovona Karmakar : In conversation with a Photographer / Artist appeared first on desicreative.

Old Spice: Boardwalk

Advertising Agency: Wieden + Kennedy, Portland, USA
Executive Creative Director: Susan Hoffman
Creative Directors: Craig Allen, Jason Bagley
Art Director: Max Stinson
Copywriter: Jason Kreher
Director: Tom Kuntz / MJZ

Jack & Jones: Making the cut

Advertising Agency: & Co, Denmark
Creative Director: Thomas Hoffmann
Art Directors: Thomas Hoffmann, Martin Storgaard
Production Company: Bacon
Film Director: Martin Werner
Production Company Producer: Mette Jermin
Agency Producer: Arlette Walsoe

Berlin Tourismus & Kongress, the Visitberlin Museum Pass: Flashback

Advertising Agency: BBDO, Berlin, Germany
Chief Creative Officer: Wolfgang Schneider
Creative Managing Directors: David Mously, Jan Harbeck
Creative Directors: Max Millies, Marius Lohmann
Art Directors: Nina Mendez, Christopher Brinkmann
Junior Art Director: Fabian Ruether
Copywriters: Max Millies, lars Baldermann
Managing Director: Franzis Heusel
Group Account Director: Maike Schröder
Junior Account Manager: Rebecca Sander
Agency Producer: Alexander Geier
Chief Production Officer: Steffen Gentis
Art Buying: Maya Iseli
Production / Producer / Director / Editor: Maximilian Duwe
Music / Sound Design: Egon Riedel
Audio Production Company: Studio Funk
V/O: Jan Single
Director of Photography: Frank Restle

Game of Thrones: #Bringdowntheking

To promote the 4th season premiere of Game of Thrones on premium SKY TV cable channel SoHo, we wanted to demonstrate we were just as fanatical about good programming as the fans who watched it. So we gave them the one thing they all wanted – the chance to bring down King Joffrey. We erected a 7m statue of the King in NZ’s largest public square, then invited fans worldwide to bring him down via a massive winch that was activated every time the hashtag #bringdowntheking was used on Twitter. The stunt immediately trended on Twitter, and stayed trending the entire duration of the campaign. Thousands of photos and videos were shared online by those who came to see the statue, and our own daily videos garnered hundreds of thousands of views. By the 5th day the winch had the statue at breaking point. Thousands of fans gathered for hours leading up to the moment, tweeting and watching, while those overseas could watch the whole thing via our live streaming website. Finally, at around 6pm on the night of the premiere, after 875,000 direct interactions with our campaign and a global reach of 66 million people, the statue was brought down. The campaign was the largest live stream in Australasian history, and of all conversations about Game of Thrones worldwide on the night of the premiere, one in twenty was about #bringdowntheking, and SKY TV.

Advertising Agency: DDB Group, Auckland, New Zealand
Executive Creative Director: Shane Bradnick
Creative Director: Chris Schofield
Digital Creative Director: Haydn Kerr
Creatives: Rory Mckechnie, Adam Thompson
Senior Account Director: James Blair
Account Manager: Georgia Newton
Executive Tv Producer: Judy Thompson
Agency Producer: Tania Jeram
Digital Director: Paul Pritchard
Digital Executive Producer: Liz Knox
Lead Digital Designer: Sam Schrey
Senior Technologist: Cameron Crosby
Developer: Cain Coulton
Senior Account Director: Sean Brown
Senior Account Manager: Eleisha Balmer
Lead Digital Designer: Jason Vertongen
Social Planner: Jack Murphy
Digital Planner: Michiel Cox
Photographer: Troy Goodall / IDC

Water is Life: Bucket list

Advertising Agency: DDB, New York, USA
Chief Creative Officer: Matt Eastwood
Executive Creative Director: Menno Kluin
Head of Production: Ed Zazzera
Creative Director: Julia Neumann
Associate Creative Director / Copywriter: Frank Cartagena
Associate Creative Director / Art Director: Sam Shepherd
Art Director: Donna Kwon
Copywriter: Kevin Meagher
Head of Design: Juan Carlos Pagan
Designer: Brian Gartside
Director / Editor: Alec Helm
Producer: Nina Horowitz

Miyamoto Glasses Shop: Man

Advertising Agency: I&S BBDO, Tokyo, Japan
Exective Creative Director: Yoshihisa Ogata
Creative Director: Shinichi Ikeda
Art Director / Designer: Sei Sugiyama

Miyamoto Glasses Shop: Woman

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Advertising Agency: I&S BBDO, Tokyo, Japan
Exective Creative Director: Yoshihisa Ogata
Creative Director: Shinichi Ikeda
Art Director / Designer: Sei Sugiyama

Tap King: the Search

Advertising Agency: BMF, Sydney, Australia
Creative Founder: Warren Brown
Creative Director: Justin Ruben
Art Director: Alex Booker
Copywriter: Philip Sicklinger
Group Account Director: Tony Dunseath
Account Director: Kura Tyerman
Account Manager: Renee Kastanias
Planner: Christina Aventi
Agency Producer: Jenny Lee Archer
Director: Steve Rogers
Producer: Pip Smart
Editor: Bernard Garry

Chinese Conglomerate to Finance Former Warner Bros. Executive in Studio Deal

Fosun International said it would back a company to be run by Jeff Robinov, who has been seeking funds for a new movie studio.

Media Decoder: Nickelodeon Opens a Talent Search Even Wider

Building on successes with animation competitions intended to find new material, the children’s TV channel is inviting attendees of Comic-Con International to apply for a sit-down pitch meeting with company executives.



Vice Has Many Media Giants Salivating, but Its Terms Will Be Rich

Disney, 21st Century Fox and Time Warner are all seeking a piece of Vice Media, and its young, coveted audience.



The Media Equation: Michael Hastings’s ‘Last Magazine’ Shows War as Career Opportunity

At first glance, “The Last Magazine: A Novel” by Michael Hastings would appear to lack relevance in the current media age, but even from the grave Mr. Hastings has demonstrated anew an ability to reframe the debate.



Nielsen Rewards Innovations of Successful New Products

Nielsen hands out innovation awards for products that are not merely a slight change to an ingredient or an overhaul of packaging or portion sizes.