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Advertising Agency:MILK, Vilnius, Lithuania
Executive Creative Director:Rimantas Stanevicius
Creative Director:Antonio Bechtle
Copywriter:Vytaute Vilutyte
Art Director:Adomas Jazdauskas, Kostya Sen
Illustrator:Tatiana Trikoz
Designer:Adomas Jazdauskas

McDonald's renews Box TV partnership for McFlurry show

McDonald’s has renewed its partnership with Box TV for a second year and will launch a McFlurry-branded music entertainment show on 4Music called ‘Summer Scoop’.

Freeview launches World Cup campaign

Freeview has launched a two-part ad campaign ahead of the World Cup in Brazil to attract both people interested in the tournament, and those seeking to avoid it.

If your brand doesn't have digital 'grip', it doesn't exist

Marketers need to ditch the ‘made for TV’ approach to measuring online performance, and that means ditching the Millward Brown metrics, too. It’s time to focus on ‘grip’ says eBench founder and designer Derek Hill.

Re-imagining print media

A major new study predicts how media will change through to 2020, and why.

Abandoned Island Photography – Christopher Payne Captured the North Brother Island for His New Book (GALLERY)

(TrendHunter.com) North Brother Island is probably the only uninhabited place in New York City. The Big Apple island has been abandoned since the 1960s, but photographer Christopher Payne has been visiting it for the…

Vauxhall urges England to 'stand together' ahead of World Cup

Vauxhall is highlighting its sponsorship of the home nations’ football teams with a TV ad that calls on fans to “stand together”, featuring members of the England team, supporters and its own staff.

LG expands partnership with Haymarket electronic brands

Haymarket Media Group has expanded its partnership with the electronics company LG and overhauled the shared website Howtoliveit.co.uk.

Dramatic Ocean Waves Crash

Le photographe Arnaud Lajeunie basé à Paris, capture des images de vagues de l’océan tourbillonnant avec des couleurs surprenantes. Utilisant des colorants à base de sucre, l’artiste met en scène des interventions artificielles dans la nature en teintant l’eau avec une multitude de couleurs vives, créant des images saisissantes.

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TfL invites bids for 'Boris Bike' sponsor to replace controversial Barclays deal

Transport for London is seeking a new sponsor for the capital’s “Boris Bike” cycle hire scheme after Barclays ended its sponsorship in controversial circumstances.

Email and mail work best together, say Royal Mail infographics

Mike Welsh, the chief executive of Publicis Chemistry, explains the reasoning behind its new campaign for Royal Mail MarketReach, which encourages advertisers to use both mail and email.

Furniture Design Concept by Nicola Conti

Le designer d’intérieur italien Nicola Conti a créé la série de meubles « Slap » pour une pièce de séjour et une salle de bain : un lavabo, une baignoire et des armoires de rangement. La particularité de Slap est qu’il y a un léger pli extérieur sur un côté de chaque meuble. Un design à découvrir en photos.

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Telegraph Media Group reports £57m pre-tax profit for 2013

Telegraph Media Group has reported largely flat revenues and profit for the 52 weeks to 29 December 2013, as falls in print ads were offset by savings in production and rising digital revenues.

Manish Kinger : Interview with a copywriter

Manish Kinger or Bomber, as he is fondly known in the corridors of Grey (Delhi), considers himself to be an accidental writer/ad man. A compulsive reader, an incorrigible blogger and an unapologetic Facebook addict, Kinger likes to keep it simple— he reads, he writes, and advertising happens as a consequence. When not dissecting creative briefs and fishing insights, Kinger runs a book club in Gurgaon (Gurgaon Book Club) and is currently working on creating a platform that will redefine the art of storytelling.

Why are you into Advertising?
I did not choose advertising, it chose me. I was a below average Engineer who hopped from one job to the other until he finally ran out of hopptions. Joblessness for over six months, Blogging (ranting/venting) for another three, one thing lead to the other, and I got my first advertising offer. But now, almost five years down the line, I’ve surrendered to the fact that there’s nothing else in the world that I would rather do. Or can do. I am a writer; I have made my peace with it. I enjoy being woken up by a thought and the urge to pen it down. Or not being able to sleep for the same reason. Or not wanting to, because of an unfinished expression.I am in advertising because of its dynamic character.Today you think you have got a hang of it, and tomorrow, there’s something absolutely new waiting to mock at your face. Every day you learn something new. Every day, you do something new. I don’t know of any profession on the face of this Earth that comes close to the madness, chaos, or excitement of advertising.

Did you attend school for fine art or design or Communications?
NO. I have a degree in Engineering (Electronics and Communications).

Tell us about your recent work campaign?
I have just moved out of Grey. And right now, I’m just focusing on enjoying my break (reading, writing, waiting for award results) before I join anywhere.

Were there any particular role models for you when you grew up?
I take a lot of strength from my mother. Besides being a surprisingly powerful woman, she’s also the most sorted, sensible and intelligent force around me. How she has an understanding of things that are so beyond her sphere of existence or how she breaks every mould of a typical Punjabi housewife by being a typical Punjabi housewife; in some strange way, its things like these that keep me grounded.

Who was the most influential personality on your career in Advertising?
I’ve let myself get influenced by a lot of things, still do. As far as personalities go, I think Viral Pandya has a lot to do with this restlessness that has evolved in me. During my early days, I had the opportunity of working very closely with him;in a matter of months, I saw him claim Cannes, The One Show and whatever it was out there. I think that did something to me, stir up a hunger somewhere, and made me proactive. As a writer, I am a great admirer of Sabu Paul’s work, and his attitude. I think he’s undoubtedly the most nonchalant, no nonsense ad man. And an extremely secure one at that.

Where do you get your inspiration from?
Every day we are exposed to an incomprehensible amount of content. And it’s changing at equally incomprehensible speed. I like to be in the center of all this content. And I try to keep my eyes on everything. From a well-written status update to an award winning long copy, everything inspires me. But most importantly, I keep the reasonably good work that I have done in the past, around me;it motivates me to do better.

Tell us about your first job in Advertising.
Though I had worked before but I would consider my stint at Noah’s Ark Creative to be my first job in ADVERTISING. It was a small design house with Viral Pandya as a Creative Consultant. Not a conventional ad-place setup, it had a very comfortable, cozy vibe to it. Limited clients, limited resources, work would get done, and more often than not, there’ll be time to kill at hand. But the best part was, every ad magazine that you can imagine was within reach. In a span of almost a year, I went through all the editions of Luerzer’s Archive, and by the end of it, I was determined to get inside it. Two years later, I did (1/2013 edition).

What do you think of the state of Print advertising right now? At least ?here in India, the released work is most often too sad.
I think print advertising is recovering. Or so, I would like to believe. But I’ve seen some amazing stuff in the recent past, and from around here. There are agencies out there that dread the mediocre tag. They want to be known for their print. And they’re pretty damn good at it. Agencies like Taproot for instance; Bang In the Middle is another example. These guys have craft. I don’t know who handles the business for Roush (men’s shoes), but whoever it is, knows how to write.

Do you think brands whose advertising wins awards, do well in the market?
It’s the approach that is the key player in this argument. I have been a part of conversations where scams were organized,and insights were concocted with the intention to make it look otherwise. You’d be surprised to know how quickly brand becomes an invisible commodity in these discussions. Though they win awards, this seldom helps the brand in the market. On the contrary, there are times when you see creative completely smitten by the brand they create/work on. They want to nurture it, make it fantastic, they want everybody to love it the way they do. And with great honesty, they are able to communicate that. This product sells, and wins awards too (Coke, Volkswagen, Vodafone). Two different conversations, two different results.

What advice do you have for aspiring creative professionals?
I believe the aspiring creative professionals are an aware lot. They read forums, follow Ogilvy and Bernbach, they know the inside stories and are well-connected too. They understand that advertising is not one of the highest paying professions, not even close. Hence, I’m going to assume that they want to be in it, for the love of it. That being said, this love requires investment, and lot of reassurance, more than they can imagine.
From the inside, it’s a business of validation. We are a competitive, impatient and an insecure bunch. From those who have it all to those who want to have it all,one way or the other, we all seek validation. So the moment you make a mistake there are chances that the world will know of it, and when you do something great, someone will take credit for it (not that frequently, but this happens). Every mistake would seem like a failure, and since it’s a business of ideas, you will fail a lot. These are the moments when that love will begin to fizzle. And this is when you’ll have make a choice—shake yourself of all this negative weight and move the effon or join the overpopulated league of cribbing sorry faces (the ‘advertising sucks’ brigade )orwalk out. But if you really want to be here, you would realize that gaining/regaining focus is almost as easy as losing it. With time, if you manage to find your ground and try to extract something useful out of everything (there always will be something), eventually you will improve (a lot), your ideas will see the light of the day, your work will get their attention, and you will have that delicious creative satisfaction. Without having to kiss anybody’s ass.

Your dream project?
For as long as I remember, I’ve seen myself telling me, “I wish I had done/written this” on several occasions. The ‘P& G Thank You Mom’ commercial was one such episode. It gave me Goosebumps, and anything that does that to you, is beyond exceptional. There’s an indigo ad, ‘reading inspires kids’,which had me in tears. I still remember watching it time and again, and getting overwhelmed every single time. My dream project is to create something that does ‘this’ to people.

Your upcoming campaigns, if you can talk about it :)
I’m currently creating a platform for readers/writers where user generated content will move between two parallel streams. Essentially, a unique story telling experience. I’m planning to use my break to set it up completely, and hopefully it’ll go live, soon enough.

Who would you like to take out for dinner?
The girl that I’m attached to.Because I love her a lot. And I’m equally scared of her.

What’s on your iPod?
Beatles, Lana Del Rey, Adele, and everything Bollywood.

Mac or PC?
PC

 

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ArtsBeat: ‘Halt and Catch Fire’ Recap: Can Geekiness Be Entertaining?

A couple of broody guys drawn together, against their better judgement.



‘Maleficent’ Casts Spell, Burying ‘Ways to Die’

Angelina Jolie and Walt Disney’s live-action label turned out large crowds for “Maleficent,” as Seth MacFarlane discovered there is no surer way to die in the West than making a vanity film.

Lucozade Sport Conditions Zone: The Heat

Advertising Agency: Grey, London, UK
Creative Director: Darren Wright
Copywriter: Alex Tizard
Art director: Jonathan Rands
Account team: Sarah Jenkins, Eleni Sarla, Louisa Rhodes, Rosalie Jones
Agency producer: Rebecca Pople
Agency Assistant Producer: Jennifer Gillen
Creative producer: Freya Thompson
Planner: Matt Tanter
Media agency: Mediacom
Media planner: David Munt
Production company: Partizan
Director: Chris Cairns
VFX: Time Based Arts
3D Artist : Oscar Gonzales
Editor: Ross Hallard / Chris Cairns
Post-production: Time Based Arts
Narrator: Benedict Cumberbatch
Audio post-production: Strings and Tins / Soho Studios

Ronald McDonald House Charities: Tree of Life

Advertising Agency: Leo Burnett, Australia
Chief Creative Officer: Andy DiLallo
Creative Group Head: Brendan Donnelly
Creative Group Head: Guy Futcher
Executive Producer: Bill Doig
Group Business Director: Paul Everson
Senior Business Manager: Neil Duncan
Planners: Caroline Ghatt, Natalie Skovron

Amazon and a Mattel Unit Plan a ‘Content Hub’ Focusing on Children

The shopping website is teaming with Hit Entertainment to offer episodes of the children’s television program “Fireman Sam” and the opportunity to buy related products, side by side.



The Media Equation: Amazon Absorbing Price Fight Punches

By blocking inventory from the Hachette Book Group, Amazon has become the less-than-everything store.