Fanta seeks agency for pan-Euro ad brief
Posted in: UncategorizedFanta is looking for an agency to handle a European campaign, after the Coca-Cola brand posted strong volume growth in the first quarter.
Fanta is looking for an agency to handle a European campaign, after the Coca-Cola brand posted strong volume growth in the first quarter.
Tribal DDB London has chosen Chris Baylis to become its executive creative director. The role was made vacant by the departure of Simon Richings. Baylis joins from Tribal DDB s Amsterdam office, where he was the executive creative director.
Baylis, who worked at Tribal DDB Amsterdam for five years, will also become the global digital and creative director on the Volkswagen account.
He joins next month and will have creative leadership across a roster of clients that includes Guinness, O2 and Fitness First.
Tom Roberts, the managing director of Tribal DDB, said: “[Baylis ] creative reputation and gift for producing effective, award-winning work is a rare talent.
“He is an ideas man first and foremost, and he complements that with a deep understanding of the ever-changing digital environment and the potential it offers our clients.”
Baylis will work alongside Phil Dearson, the head of strategy and user experience.
Droga5, the much-lauded creative network headquartered in Manhattan, is to open a London office in June, positioned as a European hub for global clients.
ZenithOptimedia has landed the £9 million media account for Maxxium UK, the UK’s third-largest spirits company and owner of the Famous Grouse, Courvoisier, Jim Beam and Sourz brands.
Mother London will charge existing and prospective clients for access to tech start-ups at a London workspace that opens this week.
CHI & Partners has won a pitch for the first global ad campaign from the luxury car manufacturer Lexus.
We Are Social, the social media agency, has appointed Graham Jenks and James Nester from OgilvyOne as its first creative directors.
Dare has appointed Leigh Thomas, the managing director of Saatchi & Saatchi, to the role of chief executive, replacing Lee Leggett.
Media agencies have warned the TV ad market could decline by around 5 per cent year on year in the second quarter – a more severe drop in spend than had been expected.
Mizkan, the Japanese food company that bought Branston from Premier Foods for £92.5 million earlier this year, is looking for a creative agency and a media agency for the pickle brand.
The last scream of fashion
Advertising Agency: Grupo CP, Santiago, Chile
Creative Directors: Cecilia Romero, Felipe Rios
Art Director: José Miguel Fuentes
Copywriter: Rodrigo Leufuman
Retouch: Ricardo Chacón
Published: January 2012
Advertising Agency: Y&R, Peru
Executive Creative Director: Flavio Pantigoso
Copywriter: Flavio Pantigoso
Art Director: Christian Sánchez
Producer: Fiorella Barrantes
Photographer: Alex Freundt
Account Director: Manuel Ahumada
Account Executive: Karen Salkeld
Advertising Agency: Y&R, Peru
Executive Creative Director: Flavio Pantigoso
Copywriter: Flavio Pantigoso
Art Director: Christian Sánchez
Producer: Fiorella Barrantes
Photographer: Alex Freundt
Account Director: Manuel Ahumada
Account Executive: Karen Salkeld
Advertising Agency: Y&R, Peru
Executive Creative Director: Flavio Pantigoso
Copywriter: Flavio Pantigoso
Art Director: Christian Sánchez
Producer: Fiorella Barrantes
Photographer: Alex Freundt
Account Director: Manuel Ahumada
Account Executive: Karen Salkeld
In March 2013, at Yachiyodai station near Tokyo, we used the upward escalator as our media and launched innovative ad very hard to ignore.
Advertising Agency: DENTSU.INC, Tokyo, Japan
Chief Creative Officers: Kenichiro Matsumoto, Shunji Suzuki, Hiroshi Kobayashi, Emiko Nakanishi
Creative Directors: Makoto Takeuchi, Masumi Nakazawa
Copywriter: Yoji Sakamoto
Art Director: Taiki Kawase
Producers: Kosuke Takahira, Yukiaki Furukawa
Planner: Taiki Kawase
Film Director: Futoshi Takashima
Published: March 2013
You have to know your customer inside and out. That’s a given.
It’s also important to refrain from projecting your own values, or the brand’s values, onto one’s idealized customers. People are complex, so reducing their behaviors and thus their identities into neat little packages, or target demos as the case may be, is a tricky business.
To illustrate the point, Buzzfeed, shares some “investor language” from Urban Outfitters’ CEO, Richard Hayne.
The Urban customer, we always talk about, is the upscale homeless person, who has a slight degree of angst and is probably in the life stage of 18 to 26 … The Anthropologie customer is a bit more polished, a bit more older and she has much less angst … She tends to be a homeowner and she tends to be in a relationship and more likely than not, married with children.
There are upscale homeless persons? Of course not. By homeless, Hayne means mortgage-less.
Apparently, angst-ridden renters have plenty of cash, because Urban Outfitters’ sales for its most recent year were about $2.8 billion, a 13% increase from the prior period.
Photo credit: Chicisimo
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