Inside the Pitch: How Mullen Drove Away With Acura


With a flashy and well-researched pitch, Interpublic Group of Cos.’ Mullen won American Honda’s Acura account over incumbent RPA and others by promising to focus Acura’s message and inject more emotion into ads.

Mullen offered “wicked-awesome creative” and a sharp focus on what’s been missing from Acura’s marketing, American Honda Chief Marketing Officer Mike Accavitti told Automotive News.

Mullen produced a barrage of 26 videos — a mix of ad concepts, “brand essence” videos, campaign outlines and overviews. One was a manifesto called “It’s Time to Stop Wandering,” a reference to Acura’s marketing inconsistency since its 1986 launch.

Continue reading at AdAge.com

McDonald’s Has a Millennial Problem


McDonald’s may be the country’s No. 1 fast-food chain and one of its most-beloved brands, but when it comes to millennials, the Golden Arches says it doesn’t even rank among the demographic’s top 10 restaurant chains.

It’s enough of a concern that McDonald’s is launching its biggest product of the year, McWrap, to court a huge and influential cohort that values choice and customization. According to NPD Group, there are 59 million people ages 23 to 36 in the U.S. — the range it defines as millennials.

How to Make More McMillennials

Continue reading at AdAge.com

How AT&T, BBDO Turned Those Talkative Tykes Into Ad Gold


In November, AT&T launched “It’s Not Complicated,” a series of spots featuring a straight man and a kooky group of kids who together tout the advantages of the mobile provider’s network to hilarious, surprisingly human effect. The campaign has achieved that rare feat of becoming a pop-culture phenomenon, drawing praise not just from the industry but from that buddy sitting next to you at the bar.

The magic results from a formula of a simple concept, a flexible client and a stellar lineup of creative talent on both sides of the camera — not to mention that special sauce known as a first grader’s imagination. The spots were created by BBDO, Atlanta, and directed by Caviar’s Jorma Taccone, best known as one-third of The Lonely Island comedy trio.

Since the campaign’s launch, BBDO has produced multiple rounds of spots, including a basketball-themed series [see below] running during this week’s NCAA Tournament.

Continue reading at AdAge.com

Why Beer Marketers Don’t Spend Much on Joe Six-Pack Anymore


With the beer market inundated by fruity flavored brews, pricey craft brands and Justin Timberlake ads, what ever happened to Joe Six-Pack?

He’s still there, chugging cheap beers after work, but brewers are dedicating fewer dollars to reach him as the “subpremium” segment declines. Instead, beer marketers, on a quest for fatter profit margins, are encouraging drinkers to trade up to pricier line extensions such as Bud Light Platinum or new concoctions like Redd’s Apple Ale.

Brewers are advertising economy brands less: Measured-media spending on the five largest low-end brews — Natural Light, Busch Light, Busch, Miller High Life and Keystone Light — fell to $6.9 million last year from $22.4 million in 2011, according to Kantar Media. That compares with the $32 million that Anheuser-Busch InBev spent last year launching Bud Light Platinum. Redd’s Apple Ale, introduced by MillerCoors this year, is getting a similarly hefty push, while the brewer last week launched the first national TV ads for Leinenkugel’s that spotlight its lemonade-flavored Summer Shandy offering, whose sales soared 90% last year, according to the brewer.

Continue reading at AdAge.com

Marketers, Agencies Locked in a Data Tug of War


Even though it was many years ago, HTC Senior Director of Global Media Arlene Villanueva vividly remembers engaging in a data tug-of-war while working at a different company.

But agencies must ask themselves: Is wrangling over the rights to data generated on a client’s dime worth angering the client, especially at a time when marketers can build their own trading and data-management tools?

“There’s a bit of fear,” said one marketer who wished to remain anonymous, noting that because data analytics now drive most strategies, every agency is attempting to be the keeper of it. The marketer said that when a team asked its media agency to share the data it generated through a third party management vendor with another firm the client worked with, the media agency said no. The shop argued that because the agency was the one on the contract with the data-management vendor, the client’s data was sealed. It took the client a number of months to win back full access — and that happened only after it threatened to end its relationship with the agency.

Continue reading at AdAge.com

Pepsi’s Bottle Redesign Is Just the Beginning of Broader Brand Makeover


Next month new Pepsi bottles will hit shelves for the first time in 16 years — but that’s just the beginning. In the months to come, expect more striking changes as the brand adapts and aligns its design across various “touch points” from in-store marketing and coolers to trucks and packaging.

The redesign is part of Pepsi’s effort to create a more-cohesive look for the brand, which has been quick to change its logo over the years. It’s not unusual to see soda cans with the latest logo being unloaded from a truck bearing an outdated one.

Pepsi’s current logo was introduced in 2008, and it won’t change. But the way it is seen will be far from static. It could be magnified, reshaped or only partially seen, but the visual cues will make it unmistakably identifiable as Pepsi. For example, its equity of red and blue divided by white could be creatively adapted — imagine a guitar or the Statue of Liberty swathed in red, white and blue, mimicking the logo.

Continue reading at AdAge.com

Client Conflict: Marketers, Agencies Battle Over Who Owns the Data


Even though it was many years ago, HTC Senior Director of Global Media Arlene Villanueva vividly remembers engaging in a data tug-of-war while working at a different company.

But agencies must ask themselves: Is wrangling over the rights to data generated on a client’s dime worth angering the client, especially at a time when marketers can build their own trading and data-management tools?

“There’s a bit of fear,” said one marketer who wished to remain anonymous, noting that because data analytics now drive most strategies, every agency is attempting to be the keeper of it. The marketer said that when a team asked its media agency to share the data it generated through a third party management vendor with another firm the client worked with, the media agency said no. The shop argued that because the agency was the one on the contract with the data-management vendor, the client’s data was sealed. It took the client a number of months to win back full access — and that happened only after it threatened to end its relationship with the agency.

Continue reading at AdAge.com

Are You More Influential Than Mitt Romney and Kim Kardashian?


I’ve been keeping an eye — a skunk eye — on Mitt Romney. Or, rather, @MittRomney, his Twitter identity and his official Facebook page at facebook.com/mittromney.

If we’re to believe Klout, the self-described “standard for influence,” the former governor of Massachusetts and failed presidential candidate is still hugely relevant in social media. As of this writing, he’s got a lofty Klout score of 88 out of 100 — the same score that Kim Kardashian has (though both Kim and Mitt are below Kanye West’s 92).

How has Mitt maintained such remarkable influence? Let’s go to the tape:

Continue reading at AdAge.com

The Hindu: November Fest, Where music brings people together

Advertising Agency: Ogilvy, India
Associate Creative Director: Mridula Joseph, Binu Varghese
Art Director: Apeksha Sharma
Copywriter: Archana Abraham
Client Servicing: Karthik Hariharan, Aruna Narsi
Illustrator: Jonathon Stephen
Published: October 2012

The Hindu: November Fest, Where there’s music to match every mood

Advertising Agency: Ogilvy, India
Associate Creative Director: Mridula Joseph, Binu Varghese
Art Director: Apeksha Sharma
Copywriter: Archana Abraham
Client Servicing: Karthik Hariharan, Aruna Narsi
Illustrator: Jonathon Stephen
Published: October 2012

The Hindu: November Fest, Where every story has its song

Advertising Agency: Ogilvy, India
Associate Creative Director: Mridula Joseph, Binu Varghese
Art Director: Apeksha Sharma
Copywriter: Archana Abraham
Client Servicing: Karthik Hariharan, Aruna Narsi
Illustrator: Jonathon Stephen
Published: October 2012

Paracet painkillers: Headache

Advertising Agency: Bates United, Norway
Art Director: Anders Asheim
Copywriter: Petter Andersen
Published: March 2013

Paracet painkillers: Pain

Advertising Agency: Bates United, Norway
Art Director: Anders Asheim
Copywriter: Petter Andersen
Published: March 2013

Paracet painkillers: Fever

Advertising Agency: Bates United, Norway
Art Director: Anders Asheim
Copywriter: Petter Andersen
Published: March 2013

Eurostar: Bowie

Advertising Agency: CLM BBDO, Belgium
Executive Creative Director: Matthieu Elkaim
Creative Directors: Benjamin Marchal, Olivier Lefebvre
Artistic Director: Philippe Boucheron
Copywriter: Patrice Lucet
Assistant Artistic Director: Julia Deshayes
Planning: Guillaume Martin
Published: March 2013

Diesel: Pantsula vs. Puppets

Advertising Agency: Vice, UK
Director: Sean Metelerkamp
Producer: Filipa Domingues
Art Director: Latisha Duarte
Agency Producers: Posy Dixon, Jacqui Kavanagh
Song: Ndekha by The Very Best & Moroka

World Water Day: Boy, 3

Bring Water to their lives!

Art Director: Hani Jawhari

World Water Day: Boy, 2

Bring Water to their lives!

Art Director: Hani Jawhari

World Water Day: Boy, 1

Bring Water to their lives!

Art Director: Hani Jawhari

Imperatriz Water: Water glasses

We are all made of water. March 22nd. World Water Day. A homage by Imperatriz Water.

Advertising Agency: Mercado Propaganda, Florianópolis, Brazil
Creative Director: Eric Fonseca
Art Director: Luiz Augusto Soutes
Copywriter: Tiago Dutra
Photography: iStock
Published: March 2013