Inside intelligence: How Publicis Groupe will make its AI platform Marcel work
Posted in: UncategorizedCarla Serrano explains the thinking behind Marcel, Publicis Groupe’s controversial AI platform
Carla Serrano explains the thinking behind Marcel, Publicis Groupe’s controversial AI platform
I can now see far more clearly a future in which humans and AI will work together, as a super team, says Sarah Golding.
The friction of four generations jostling for position in the workplace is igniting a new approach to creative work.
Venture seeks to derive key cultural insights to better serve consumers across the globe.
A HBO liberou na semana passada o trailer da sua primeira série interativa, intitulada “Mosaic”. Criada por Steven Soderbergh e Casey Silver, a série é a primeira aposta da empresa na área de séries que deixam o espectador escolher qual ponto de vista acompanhar na história. A estreia acontece em novembro, por um aplicativo gratuito […]
> LEIA MAIS: Assista ao trailer de “Mosaic”, série da HBO que deixa espectador escolher o rumo da história
Há alguns dias, o Snapchat anunciou em seu aplicativo um projeto de arte virtual a ser apreciado por realidade aumentada em diferentes cantos do globo. Partindo de nove esculturas digitais do renomado Jeff Koons, a proposta da empresa era a de usar as famosas instalações do escultor norte-americano – e, depois, de outros artistas – […]
> LEIA MAIS: Obra em realidade aumentada do Snapchat é “vandalizada”
Os dilemas que acompanham a incursão cada vez maior das máquinas em atividades criativas
> LEIA MAIS: Como a inteligência artificial está reinventando a nossa ideia de marca
No novo Cinemático, Carlos Merigo, Matheus Fiore, Robson Bravo e Virgílio Souza e Jessica Correa conversam sobre “Blade Runner 2049”, dirigido por Denis Villeneuve. O papo sobre o filme começa em 6:20, com spoilers em 39:35. > OUÇA através do player abaixo ou pelo SPOTIFY Download | iTunes | Feed | Spotify > 3:30 Filme […]
> LEIA MAIS: Cinemático – Blade Runner 2049
Quem vai obedecer o pedido de Rian Johnson?
> LEIA MAIS: Saiu o trailer de “Star Wars: Os U?ltimos Jedi” (que o diretor do filme não quer você veja)
Unilever’s Dove brand removed and apologized for a Facebook ad over the weekend following a backlash decrying the ad. The below image of the ad was shared widely across social media and criticized for its perceived insensitivity.
Several such posters went as far as to point out similarities to blatantly racist ads of the Victorian era.
Dove responded to the backlash by pulling the ad, with the following message:
We reached out to a Dove representative, who provided the following explanation:
As a part of a campaign for Dove Body Wash, a 3-second video clip was posted to the US Facebook page which featured three women of different ethnicities, each removing a t-shirt to reveal the next woman. The short video was intended to convey that Dove Body Wash is for every woman and be a celebration of diversity, but we got it wrong. It did not represent the diversity of real beauty which is something Dove is passionate about and is core to our beliefs, and it should not have happened. We have removed the post and have not published any other related content. This should not have happened and we are re-evaluating our internal processes for creating and approving content to prevent us making this type of mistake in [the] future. We apologize deeply and sincerely for the offense that it has caused and do not condone any activity or imagery that insults any audience.
One question that remains: Who was responsible for the ad? Dove did not clarify in the initial email and did not respond to a second query asking that specific question a second time.
Ogilvy & Mather has long served as agency of record for the Unilever brand, which has been accused of racism in past ad campaigns.
We reached out to the agency for comment multiple times today, but have yet to receive a reply.
Today, Omnicom-owned brand consultancy Interbrand confirmed that its global chief executive officer Jez Frampton will be leaving his role after 12 years and retiring.
In a press release that went live first thing this morning, the agency noted that Frampton will be succeeded by Charles Trevail, effective January 1 2018.
Trevail was the founder of London-based “innovation and co-creation consultancy” Promise Corporation, which was acquired by Omnicom in 2012 and merged into its “online insight community leader” Communispace to create C Space. He served as the CEO of that organization since January 2014.
The incoming CEO’s statement:
“It’s a great honor to lead Interbrand. It is a high-profile business with incredible people and clients. It is also a brand that is one of the most admired and influential in the marketing community. The world of brands and customer experience is the growth engine for the future. I look forward to getting started and working with the team to deliver for clients.”
In his own quote, Frampton called Trevail “the perfect person to take Interbrand to the next level,” describing him as “a passionate and proven leader who knows how to build relationships” and adding, “I feel fortunate to be leaving Interbrand in such capable hands.”
The reasons for the change in leadership were not directly addressed in the release.
It’s the latest in a series so far this year, including the hiring of DDB veteran Mark O’Brien as group chief financial and operations office and the subsequent departure of North American CEO Josh Feldmeth, who became a senior partner at Prophet as predicted in our post.
Here’s Frampton addressing a crowd in Hong Kong on “the future of brands” earlier this year.
Translation welcomed John Fulbrook as group creative director, design.
In the role, he will be tasked with leading the agency’s design team and brining his design approach to current and future clients while reporting to chief creative officer John Norman.
“Branding is all about design – John approaches a design problem from a storytelling, cultural and technology POV,” Norman said in a statement. “His design thinking translates the visceral experience into a consumer experience. John will be a tremendous asset for bringing Translation’s ethos to this discipline.”
“Translation sits at the juxtaposition of culture and storytelling,” Fulbrook added. “The idea of marrying culture, storytelling and then design seemed like an incredibly powerful place to be playing.”
Fulbrook joins Translation from The Martin Agency, where he has spent the past seven years. Most recently he led the agency’s design discipline as senior vice president, group creative director, working with clients such as Microsoft, Walmart, Nespresso, CNN, Sunglass Hut and Midas. Prior to joining The Martin Agency he spent two years as senior vice president, creative director for Collins.
-Heat gets snarky in its “Tales from the Tomb” campaign for Ubisoft’s Assassin’s Creed Origins (video above).
–WPP PR agencies lobbied the U.S. government on behalf of the NRA, while WPP agencies such as Grey New York promoted stricter gun control laws.
-BETC is opening its first North American office in Los Angeles.
-Erich & Kallman launched its first work for Astral Tequila with a Colombus Day “Reenactment” starring Jonathan Goldsmith which is proving controversial on Facebook.
-After cutting the number of sites in ran ads on earlier this year, JP Morgan increased the number of sites in runs ads under from 5,000 to 10,000.
-McDonald’s Rick and Morty-themed Szechuan sauce promotion didn’t go so well.
-Havas chairman and CEO Yannick Bolloré reads books.
Walmart’s free 2-day shipping (with no membership) means college students can afford to have more fun. Naturally, hilarity ensues.
Walmart’s free 2-day shipping (with no membership) means college students can afford to have more fun. Naturally, hilarity ensues.
Walmart’s free 2-day shipping (with no membership) means college students can afford to have more fun. Naturally, hilarity ensues.
Walmart’s free 2-day shipping (with no membership) means college students can afford to have more fun. Naturally, hilarity ensues.
It’s one of the most powerful forces on earth – but is it good or evil?