The Canadian Centre for Child Protection: Don't Get Sextorted, Send a Naked Mole Rat


Integrated
The Canadian Centre for Child Protection

The Canadian Centre for Child Protection (CCCP) reports an 89% increase in the past two years in online sextortion cases among teenage boys, prompting the CCCP to develop Canada’s first awareness and prevention campaign for boys, launching on May 23.

The Don’t Get Sextorted, Send a Naked Mole Rat campaign breaks down communication barriers with a character that uses humour and innuendo to appeal to teenage boys; capture their attention; and make it easier to talk about sextortion. The naked mole rat character is also portrayed in memes that can be sent as a prankster-style alternative, to those asking for nudes online. It gives boys an easy “way out” of a potential sextortion situation.

Advertising Agency:No Fixed Address, Toronto, Canada
Creative Directors:Shawn James, Dhaval Bhatt
Art Directors:Daniela Angelucci, Randy DeMelo, Shawn James
Copywriters:Andrew Rizzi, Cole Rosenberg, Dhaval Bhatt
Producer:Brie Gowans
Director:Jesse Senko, Nimble Content
Editor:Leo Zaharatos, Married to Giants
Online:James Andrews, Wingman
Colour:Clinton Homuph, Alter Ego
Audio:Ted Rosnick, Vapor, Rmw
Illustration:Joseph Nadolyn
Developer:Craig MacKenzie
Account Management:Rebecca Ho, Gillian Craig
Strategy:Rachel Lai, Sabrina Kandasamy
Paid Media:True Media
Pr:Neat PR.

Pelephone: Undressing Sharon again


Media, Film, Direct Marketing, PR
Pelephone

The launch of a new product, that is designed to protect personal data and prevent photos from leaking online by hackers.

Advertising Agency:Acw Grey, Tel Aviv, Israel
Advertised brand:Pelephone
Advert title:Undressing Sharon again
Media:Digital video, Pr
Chief Creative Officer:Tal Riven
Copywriter:Shay Chikotay, Michael Kotkes
Art Director:Guy Avin
Director:Danny Yagil
Account Executive:Tal Weissbuch
Account Manager:Roni Raz
Producer:Nava Siman Tov
Production Company:Mula

Calvin Klein: Mystery is sexy

Print
Calvin Klein

Wouldn’t you like to know? Mystery is sexy.

Advertising Agency:Miami Ad School, New York, USA
Creative Director:Melissa Cabral
Art Directors:Filipe Nogueira, Priscila Cardoso
Copywriters:Jon Gruber, Stephanie Vicari

Greenpeace: Fire Help

Print
Greenpeace

You’ve been alerted. Stop global warming.

Advertising Agency:Miami Ad School/ESPM, Sao Paulo, Brazil
Art Director:Fred Alencar
Copywriter:Fred Alencar

Monotype: Monolex


Online
Monotype

Advertising Agency:Miami Ad School, New York, USA
Creative:Anurag Mishra

The Telegraph: The TeleGIF


Online
The Telegraph

Meet the brand new TeleGIFs: We made the Telegraph the first newspaper to produce their own brand of GIFs. Reading an article you like? Simply click the share button to turn it into a GIF! This will really make news travel fast. Conversely, if you’re looking for a reference to a piece of news, all you’ll need to do is add a “t” to your GIF search, and you’ll find a wealth of related Telegraph articles at your disposal. Rather clever, isn’t it. Turns out nobody GIFs you the news like the Telegraph.

Advertising School:Miami Ad School, Hamburg, Germany
Creative Director:Niklas Frings-Rupp
Art Directors:Andrey Potekhin, Nataliia Benivska
Copywriter:Lilli Owsianowski

Wardrobe: Take a picture


Online
Wardrobe

Advertising Agency:Miami Ad School, New York, USA
Creative:Anurag Mishra

AIAIAI TMA-2 Modular Headphone System: Voice Control


Promo, PR, Online
AIAIAI

Danish headphone makers, AIAIAI launched the C51 Boom Mic, the latest addition to their award-winning TMA-2 Modular Headphone System. More specifically, it gives TMA-2 users an option or add-on of high quality audio speech when chatting or gaming. To coincide with this, they developed VOICE CONTROL. The Pac-Man inspired game, is controlled only via voice command – and with the use of Google speech recognition technology it eliminates the need of a handheld controller, joystick, mouse or buttons of any kind. The game is available online ( https://voice-control.aiaiai.dk/ ) as well as a custom-built arcade machines were made for the AIAIAI flagship store in Copenhagen and select retailers across the globe.

Advertising Agency:AIAIAI (Inhouse), Copenhagen, Denmark
Creative Director:Peter Michael Willer
Designer:Andy Borglind
Developer:Andy Borglind
Art Director:Peter Michael Willer, Christine Jensen, Thorbjørn Kragh
Additional Credits:Frederik Jørgensen

ESPNW: Inequality Court's

Media, Outdoor, Print
ESPNW

There is a latent inequality between female and male athletes. ESPMW decided to bring this debate to websites, newspapers and sports fans, including athletes in a very visible way: in the courts. Having this in mind, we turned different sports courts into gender inequality graphics in sports. Making use of the natural divisions found in each sports court we painted them blue and a small space pink. In the corner of the courts, we placed the message highlighting gender inequality in sports. E.g.: tennis court: blue (the largest portion) –  tournaments that pay bigger prizes to men. Pink (only a small square) – tournaments that pay equal prizes to men and women. The idea was executed electronically during ESPN’s broadcasting of women’s sports. In parallel, the project took place in real courts in parks, gymnasiums, and clubs. Then, the “Inequality Courts” were photographed and turned into posters and print ads.

Advertising Agency:Africa, São Paulo, Brazil
Executive Creative Director:Sergio Gordilho
Creative Directors:Jeferson Rocha, Otavio Schiavon, Sergio Gordilho
Art Director:Bill Queiroga
Copywriter:Guzera
Illustrator:Bill Queiroga
Photographer:Raoni Maddalena
Head Of Design:Filipe Birck
Project Manager:Mila Battistoni, Eliot Tosta
Tv:Rodrigo Ferrari, Stella Gafo, Eduardo Machado

Cruzeiro: Lets change the numbers


Media
Cruzeiro

On International Women’s Day, the players of Cruzeiro, one of the biggest soccer clubs in Brazil, took the field for a Brazil Cup match wearing a different jersey: the numbers on their back showed statistics about the severe inequalities and violence suffered by Brazilian women. Those numbers were collected by the NGO Azmina.

Advertising Agency:New360, Belo Horizonte, Brazil
Creative Directors:João Delpino, Angela Dourado
Art Director:Rodrigo Carvalho
Copywriter:João Marcelo Meira
Producer:Lucas Cavazza

Getty Images: Pen Project


Film
Getty Images

Advertising Agency:Almap BBDO, São Paulo, Brazil
Partner:Luiz Sanches
Chief Creative Officer:Luiz Sanches
Executive Creative Director:Bruno Prosperi
Creative Directors:André Gola, Benjamin Yung Jr, Marcelo Nogueira, Pernil
Digital Creative Director:Luciana Haguiara
Digital Head Of Art:Pedro Burneiko
Copywriter:Gustavo Tasselli
Art Director:Francis Alan
Interface Design:Francis Alan
Project Manager:Mayra Otsuka
Technology Director:Eduardo Bruschi
UX Designers:Rhian Wagner, Mauro Molinari

Microsoft: They look alike but they are different


Film
Microsoft

Advertising Agency:004, Lisbon, Portugal
Chief Creative Officer:João Gomes de Almeida
Creative Director:João Gomes de Almeida
Art Director:Joana Migueis
Copywriter:João Vaz
Account Manager:Joana Monteiro
Production Company:Um segundo filmes
Director:Marco Oliveira
Producers:Humberto Rocha, Pedro Medeiros
Photography Director:Pedro Azevedo
Wardrobe:Vânia Vilas Boas
Makeup:Mónica Mota
Clapperboard:Francisco Cortez
Edition:Romeu Pinto
Postproduction:Romeu Pinto
Making Of Victor Carvalho:Francisco Morgan
Actresses:Inês Aguiar, L’agence, Joana Aguiar, Central Models

Ótcas Paris: Shoe, Hotel

Print
Ótcas Paris

See from afar and up close.

Advertising Agency:MP Publicidade, Vila Velha, Brasil
Creative Director:Mônica Debbané
Art Director:Daniel Galvão
Copywriter:Rodrigo Pegoretti

Renault: Selfies

Print
Renault

Don’t selfie and drive.

Advertising Agency:Neogama, Sao Paulo, Brazil
Chief Creative Officer:Alexandre Gama
Creative Directors:Fabio Mozeli, Marcio Ribas
Art Director:Fernando Saú
Copywriter:Rico Lins
Photographer:Mauricio Nahas

Pepsi: Memory Exchange


Media
Pepsi

Inspired by the Champions League, the biggest interclub soccer championship in the world, Pepsi invited some soccer tickets collectors and asked them to exchange their most valued one for a Champions League finals ticket. Some of them have said “yes,” others “no.” And those that had proved their true love for the sport have won the real prize.

Advertising Agency:Rapp, São Paulo, Brazil
Creative Director:Felipe Andrade
Art Director:Andre Marchesi
Copywriters:Henrique Guimarães, Lucas Sliva
Production Company:Trator Filmes
Director:Will Mazzola

Thai Health Promotion Foundation: The Doctor Fortune Teller


Media
Thai Health Promotion Foundation

Advertising Agency:Leo Burnett, Bangkok, Thailand
Executive Creative Director:Chanyutt Boonyagate
Chief Creative Officer:Sompat Trisadikun, Sompat Trisadikun
Art Director:Sompat Trisadikun, Juthamas Udomlapsakul, Sompat Trisadikun
Copywriter:Jakkaphong Kirdtongkum
Creative Group Head:Skon Khanawuthikarn
Account Director:Panjaporn Kruapanichwong
Editor:Pisut Pankratuek

Canon: CanonLife Redefine – Thai Alphabet


Media
Canon

Learning the Thai Alphabets is the first step of Thai education. Through the power of photography, Canon believes there is a way we can create a more inspiring learning experience for Thai students by modifying the original format of the current Thai alphabet textbooks.
We launched the “Canon Life Redefine: Thai Alphabet” campaign as a photo contest that turns an online community into a hub that lets photographers bring the power of photography to create a new set of Thai alphabet based on photographs. 6,253 photographers participated in the campaign and the total of 8,653 photographs were sent in. At the end of the campaign, we were able to produce a whole new set of learning tools for over 400 schools all across Thailand. The campaign’s meaningful objective made millions of impressions through shares on social media channels. Most importantly, this campaign successfully redefined Thai education’s most crucial learning tool through the power of photography.

Advertising Agency:Rabbit’s Tale, Bangkok, Thailand
Executive Creative Director:Noranit Yasopa
Creative Director:Papop Chaowanapreecha
Copywriter:Nalin Viroonhatham
Art Director:Valunch Charoensombut-Amorn
Account Director:Kathleen Wongsaenganan
Account Executive:Natthawut Chartpatthomrak
Strategic Planning Director:Saroj Laohasiri
Associate Account Director:Nat Luevarapong
Digital planners:Kook Khampain, Sayomphu Pongmai
Head Of Design Team:Sibb Sattakhunchutipas
Senior Graphic Designer:Chakrit Boonjaroen
Graphic Designers:Saratoon Chanvichit, Nattawat Mongkol-Adisai
Assistant Producer:Worarat Kaewkhow, MeOur Production, Worarat Kaewkhow
Production Managers:Mittraphorn Phongsaroj, Vananan Whangpuam, Mittraphorn Phongsaroj, Vananan Whangpuam
Director:Teewin Varapaskul
Cinematographer:Setthawut Samathimongkol
Gaffer:Apiwat Thongyoo
Film Producer:Thanaphorn Phiansomphol
Assistant Director:Pongsakorn Chomwong
Production Manager:Parisoot Naraiprasit
Editor:Tanat Suraboonkul
Senior Post Producer:Kanitha Samran
Lead Flame Artists:Chatpatt Ittipitchayawat, Lhin Koedliam
Visual Effects Supervisor:Kem Suraphongchai
Cg Artists:Yuttasak Jarupitak, Benz Piyawong

Jaguar: Musicdrome


Media
Jaguar

In order to launch Jaguar’s first SUV, the Jaguar Musicdrome, the first turntable in the world, was introduced. By tracking the car with a camera the F-Pace controls the music. The faster it drives, the faster the music goes. The higher it drives, the louder it gets. Popularly known as “wheels of death” these type of tacks are reserved for motorbikes and fast racing cars. Only a light weight SUV like the F-Pace and Jaguar’s superior performance made this feat possible. The one week event with Jaguar Musicdrome attracted 90,000 spectators while saw 55% increase in catalog online orders as well as 114% increase in website traffic.

Advertising Agency:Geometry Global, Tokyo, Japan
Regional Executive Creative Director:Daniel Comar
Executive Creative Director:Masato Mitsudera
Creative Director:Yasuhito Imai
Senior Art Director:Daisuke Suzuki
Art Directors:Tsutomu Nakagawa, Tomohiko Setoyama
Copywriter:Tomoyuki Takahashi
Freelance Scriptwriter:Fede García
Ceo:Ichiro Ota
Executive Manager:Ichiro Ota
Account Director:Yoshito Kawamura
Senior Activation Manager:Kazuyuki Motohashi
Senior Creative Producer:Sou Kobayashi, 1-10 Holdings
Creative Division Planner:Souta Tamura
Installation Developer:Teruaki Tsubokura
Event Producer:Hirotaka Fujiwara, Frontier International
Event Director:Soma Yamasaki, Enji Inc
Music Composer:Isao Yamazaki, Pinton
Producer:Toshitaka Saito, Television Corporation of Japan
Production Manager:Dai Soen
Film Director:Hajimex Murakami, Signal
Freelance Director of Photography:Tomohiko Goda
Editor:Sachi Sasaki, Cutters
Colorist:Yosuke Nakashima
Freelance Mixer:Edan Mason

Honda: Reach CR-V anywhere


Online
Honda

Before buying a car, people always check if it fits their lifestyle and the ideal place to do that is in real life. So when Honda Thailand launched the All-new CR-V in 2017 under the concept “Nothing’s Out of Reach”, we wanted to expand the possibilities of reaching Honda’s brand new model. “Reach CR-V Anywhere” is the first mobile application that can turn any car into the All-new Honda CR-V using augmented reality technology. By just scanning any license plate, users can experience both the exterior and interior of the vehicle while checking out the key features as if they own it. They can even snap photos of their new virtual car to share with friends on social media channels. The application became an instant buzz with over 8,000 downloads within the first month after the launch. 2,000 units of the All-new CR-V were booked even before they hit the dealers. Above all, we make choosing the right car easier than ever because it can now happen literally anywhere.

Advertising Agency:Rabbit’s Tale, Bangkok, Thailand
Executive Creative Director:Noranit Yasopa
Creative Director:Papop Chaowanapreecha, Witaya Junma
Copywriter:Nalin Viroonhatham
Art Director:Kajohnchai Rodklongtan
Head Of Design Team:Sibb Sattakhunchutipas
General Account Director:Kathleen Wongsaenganan
Account Director:Daranee Reuknumphet
Account Manager:Pailin Verojanavat
Account Executive:Kewalee Charoenjit, Panwadee Prayongjinda
Executive Strategic Creative Director:Saroj Laohasiri
Interactive Executive Director:Direk Tayakee, Code&Craft
Head Designer:Piya Kirdpanya
Designers:Shinnawat Vachiratrangsalit, Nattira Ardsmiti
Producer:Kiattiyot Panichprecha, Bit Studio, Thanaporn Phiansomphol
Project Manager:Sarun Chamveha, Witaya Junma
Technology Director:Sarun Chamveha
Developer:Tanapon Kitmuti, Prin Rangsiruji
3d Artist:Prin Rangsiruji, Manon Lichanatien
2d Artist:Watthanasuk Shuaytong
Director:Teewin Varapaskul, MeOur Production
Assistant Director:Pongruj Sarlee

Yamaha: Naked


Film
Yamaha

Only in Mexico City are registered more than 2,000 motorcycle accidents per year. How to solve this problem in a city where there is no road culture for cars and motorcycles to coexist? Archer Troy decided to stop talking to motorcyclists and better talk to the car drivers, because the safety of motorcyclist depends more on those who drive around, than on himself.”Naked”is an inspiring and visually striking campaign, as it shows the vulnerability of motorcyclists to another driver. The Print Ad titled Chopper was done by Revolver advertising agency for brand: Yamaha in Mexico. It was released in the May 2017.

Advertising Agency:Archer Troy, Mexico City, Mexico
Creative Vp:Mike Arciniega
General Creative Director:Miguel Suarez
Creative Director:Joaquin Garcia, Habacuc Guerrero
Copy:Joaquin Garcia, Alejandro Tlapa
Art Director:Habacuc Guerrero
Director:Miguel de Icaza
Account Director:Gabriela Rivera, Alejandra Escamilla
Photography:Habacuc Guerrero
Production Company:Camaleón Films
Production:Claudia Gonzalez, Javier Velázquez