Nuticia-Fortisip: Skittles

Our client, Nutricia, has an extensive portfolio of oral nutritional supplements (ONS). Nutricia challenged us to develop a creative campaign that would resonate with their customers, dietitians, and encourage them to choose and prescribe supplements from their ONS range. Nutricia’s range of nutritional supplements can help support a patient’s medical recovery and is integral to the continuum of care. What do patients love doing? What could they get back to with the help of Nutricia’s ONS range? We used a range of everyday objects, which represented activities that Nutricia’s supplements could help patients get back to, and wrapped these in distinctive, range-printed paper. The resulting ads are simple, subtle and beautifully executed.

Nuticia-Fortisip: Wellies

Our client, Nutricia, has an extensive portfolio of oral nutritional supplements (ONS). Nutricia challenged us to develop a creative campaign that would resonate with their customers, dietitians, and encourage them to choose and prescribe supplements from their ONS range. Nutricia’s range of nutritional supplements can help support a patient’s medical recovery and is integral to the continuum of care. What do patients love doing? What could they get back to with the help of Nutricia’s ONS range? We used a range of everyday objects, which represented activities that Nutricia’s supplements could help patients get back to, and wrapped these in distinctive, range-printed paper. The resulting ads are simple, subtle and beautifully executed.

Estoril Conferences: We are all in the same boat

What if it was us instead?

The intention is clear: to call attention to an issue that is neither regional nor limited by political or economic boundaries.

With the theme “Global Migration: Leaving Home in a Globalized World” and under the thematic framework of the Estoril Conferences – Global Challenges, Local Answers – this film is a realization of the necessary awareness that migrations are a global issue that affects us all.

A realistic metaphor that calls into question the common stereotype of migrants – their origins, their social class, their intentions.

By drawing a parallel with our own reality – a society that believes to have its rights fully guaranteed – it opens space for a hard but also hopeful reflection on our ability to change the world.

We are all in the same boat

Video of We are all in the same boat

“Z: A Cidade Perdida” é um dos grandes filmes do ano

Em seu sexto e mais ambicioso longa, James Gray faz aventura clássica com uma voz original

> LEIA MAIS: “Z: A Cidade Perdida” é um dos grandes filmes do ano

Martin Williams Hires Kathy DiToro as Vice President, Director of Content Production

Minneapolis-based Omnicom agency Martin Williams Advertising hired Kathy DiToro to lead its content studio as vice president, director of content production, tasked with overseeing the production of digital and video content, expanding and complimenting Martin Williams’ existing digital and broadcast teams.

“We’re thrilled to have Kathy join the Martin Williams team as she embodies the power of curious and has a passion for identifying creative ideas that connect brands to their audiences in culturally relevant ways,”Martin Williams Advertising Lori Yeager Davis said in a statement. “I worked with her earlier in my career and was consistently impressed by her ability to recognize what clients want and need, and then providing unique, highly creative solutions quickly and efficiently.”

DiToro joins Martin Williams from project-based content studio Craft Minneapolis, where she has served as director of production for the past year and a half. Prior to that she spent over 25 years with Mithun in Minneapolis, most recently serving as director of integrated production. She has worked with clients including Burger King, General Mills, H&R Block and Land O’Lakes. DiToro is also a founding member of MN Women in Film and TV and has served as a member of the board, as well as the board of the Tubman Family Alliance.

DiToro’s arrival at Martin Williams follows the departure of chief creative officer and CEO Tom Moudry in January.

Things Are Looking Up for Female Chief Creative Officers


“I never aspired to be in charge of the creative department because of the men that ran them,” said Vicki Maguire, who was recently promoted to joint chief creative officer at Grey London alongside Caroline Pay. “I don’t get in the way of people’s work in progress. I don’t give people ideas and tell them to go away and write them. And I would never have a row of five junior creatives waiting in line outside my (nonexistent) office waiting for me to get back from lunch at the Ivy.”

And yet, she says, these are all indignities she’s endured at the hands of male superiors.

Advertising may still be a boys’ club, but creative departmentsoften seen as the most misogynistic part of the agencyare on the cusp of change after an unprecedented number of women stepped into the role of chief creative officer within the past year. Wieden & Kennedy has just promoted Susan Hoffman to global chief creative officer, joining Colleen DeCourcy, who became the agency’s first chief creative officer last October and continues in that role as partner with Hoffman. Other recent chief creative appointments include FCB’s Liz Taylor and Margaret Johnson at Goodby, Silverstein & Partners last August; Robin Fitzgerald at BBDO Atlanta in July; BETC London’s Rosie Bardales and Grey London’s Maguire and Pay in March; and Chloe Gottlieb, who was promoted to R/GA’s U.S. co-chief creative officer alongside Taras Wayner just last month.

Continue reading at AdAge.com

Chris Evans and Omaze: How is This Video Still 'Viral'?


Unsuspecting comic book customers are thrust into a prank escape room with the assistance of Captain America in this week’s second-most viral video. In Omaze’s spot, released in January, Captain America actor Chris Evans sits in a basement, relaying instructions through his character’s action figure, leaving his subjects equally delighted and confused.

Here at Ad Age, we feel the same way. His reactions — and those of his unknowing subjects — are genuinely funny, and the six-minute spot feels more like two. But how is this video is still viral? It ranks just behind Samsung’s “Technical School.”

The Omaze spot jumped back on our chart last week, at No. 5, then got over 11 million hits this past week — a nearly 74% increase in views, the highest single-week jump in over a month. The result is a January spot near the top of a June list of brands’ most-viewed video campaigns.

Continue reading at AdAge.com

Man Sentenced to Death for Posting 'Blasphemous' Content on Facebook


Ad Age “Media Guy” columnist Simon Dumenco’s media roundup for the morning of Monday, June 12:

Today’s themes are theater and violence (see Nos. 1 and 2, below), theater (No. 3), violence (No. 5), theater (No. 6) and theater and violence (No. 7). Anyway, let’s get started …

1. Hey hockey fans: FYI, on Sunday night “Dear Evan Hansen” won the Tony Award for Best Musical, which is sort of the Stanley Cup of theater. (See “Tony Awards: Big winners, surprise losers and what it all means for the theater,” via The Los Angeles Times.) Hey theater fans: FYI, on Sunday night the Pittsburgh Penguins won the Stanley Cup, which is sort of the Tony Award for Best Musical for hockey. (See “This Pittsburgh Penguins title was a spectacle of survival,” via ESPN.)

Continue reading at AdAge.com

Three Ways Performance-Based Location Metrics Can Cause Brand Missteps


Location data allows businesses to understand consumer behavior, drive sales and inform decisions in incredible ways.

However, the underlying technology needs for accurate location intelligence are exceedingly complex. Like a Russian doll, there are multiple layers beneath the surface — all working together to collect and interpret massive amounts of data, and determine the best way to deploy intelligence in a dynamic and ever-changing world.

Admittedly, new technologies are inherently complex. Their norms have not been established, and standards compete for consensus. One recent model we’ve taken note of is Cost Per Visit (CPV). On the surface, it seems like a simple way to use location. But when you peel back the layers, there’s a lot that is unclear.

Continue reading at AdAge.com

This Brilliant Trump-Inspired Strategy Could Make All Your Awful Meetings a Total Joy


Ad Age “Media Guy” columnist Simon Dumenco’s media roundup for the morning of Tuesday, June 13:

Lots going on in today’s media scan — only some of it is Russia-related (see Nos. 1 and 2, below) — but I’m guessing you’re maybe here for the meeting tip? In that case, skip ahead to No. 7. Anyway, let’s get started …

1. USA Today, among other media outlets, will be livestreaming Attorney General Jeff Sessions’ testimony before the U.S. Senate Intelligence Committee starting at 2:30 p.m. ET this afternoon. As Vox’s Dara Lind notes, the stakes are particularly high for Sessions today because,

Continue reading at AdAge.com

Uber CEO to Take Leave, Diminished Role After Workplace Scandals


Uber CEO Travis Kalanick told staff he plans to take a leave of absence, without disclosing a return date. The company will strip him of some duties and appoint an independent chair to limit his influence after a slew of scandals, according to an advance copy of a report prepared for the board.

At a staff meeting Tuesday, the company will convey the results of a probe conducted by Eric Holder, the former U.S. attorney general whom Uber hired to look into allegations of harassment, discrimination and an aggressive culture. The 47 recommendations include creating a board oversight committee, rewriting Uber’s cultural values, reducing alcohol use at work events, and prohibiting intimate relationships between employees and their bosses.

Uber’s board met Sunday to review a detailed version of the report and voted unanimously to approve the recommendations. Afterward, the San Francisco-based company ousted Emil Michael, Uber’s head of business.

Continue reading at AdAge.com

New York Times Deploys Troll-Blocking AI Tech to Expand Reader Commenting


The New York Times is using technology from an Alphabet Inc. unit to let online readers comment on more stories, betting that machine-learning software will make it easier to encourage civil debate while avoiding insults, abuse and trolling.

Starting Tuesday, the newspaper will open the comments section to about one-fourth of its stories, up from 10% before, and the goal is to reach 80% by year-end, according to Bassey Etim, the Times’ community editor. The New York Times is using software from Jigsaw, a technology incubator within Google owner Alphabet, to screen what readers write, helping human reviewers spend time on cases that require judgment calls. All top stories on the homepage during business hours will accept comments.

The media industry has struggled with how to take advantage of freewheeling online conversation without giving voice to hate speech or violent threats — problems that have also dogged Google’s YouTube and other tech companies including Facebook Inc. and Twitter Inc. Jigsaw has worked with The Guardian newspaper, The Economist and Wikipedia to help develop its software. Called Perspective, it’s free for anyone to use and integrate into websites.

Continue reading at AdAge.com

Chris Evans and Omaze: How is This Video Still 'Viral'?


Unsuspecting comic book customers are thrust into a prank escape room with the assistance of Captain America in this week’s second-most viral video. In Omaze’s spot, released in January, Captain America actor Chris Evans sits in a basement, relaying instructions through his character’s action figure, leaving his subjects equally delighted and confused.

Here at Ad Age, we feel the same way. His reactions — and those of his unknowing subjects — are genuinely funny, and the six-minute spot feels more like two. But how is this video is still viral? It ranks just behind Samsung’s “Technical School.”

The Omaze spot jumped back on our chart last week, at No. 5, then got over 11 million hits this past week — a nearly 74% increase in views, the highest single-week jump in over a month. The result is a January spot near the top of a June list of brands’ most-viewed video campaigns.

Continue reading at AdAge.com

Nissan ICC Sponsorship Advert (2017) :30 (South Africa)

Nissan ICC Sponsorship Advert (2017) :30 (South Africa)
Nissan are global sponsors of the ICC and its world-famous cricket tournaments, in particular, the Champions Trophy, which opens today (Friday June 1st) at The Oval in London.

As part of this sponsorship, Nissan South Africa has signed up the highest ranked bowler in ODI cricket – South African Kagiso Rabada – as its brand ambassador.

When TBWA Hunt Lascaris were briefed to create a TVC for the games that focused on entrenching this sponsorship association in the minds of cricket fans, the creative team plugged into Nissan’s dual promises of innovation and excitement.

TBWA Executive Creative Director Rui Alves says: “It’s a daring story about energetic, passionate fans wanting to get as close as they can to the ICC and their friend Kagiso by finding their way to the best seats in the house.”

The ad, beautifully executed by Egg Films’ director Slim, opens with eager drivers, fully kitted in their cricket-fan gear, arriving at a stadium where we assume they are going to watch a game.

There is an atmosphere of exhilaration and anticipation, as well as a conspiratorial nod between a security guard and the lead driver, leaving viewers wondering what is planned.

The ad cuts straight to fans unpacking their vehicles and settling into their camping chairs while listening to commentary about the game build up.

When the security guard puts the stadium lights on, our fans are revealed in the bright spots… alone on the pitch at Wanderers where they are watching the big game on the big screen.

Alves says: “While The Oval may be out of reach for many, the next best seats in the house are right here at one of the most famous cricket grounds in the world: The Wanderers.”

The ad ends with the fans’ video-call to their buddy Rabada to wish him luck for the SA game that is about to start.

The ad underpins the campaign line “Be part of the excitement” – even though these fans couldn’t be in London for the live action, they found the best seats in SA.

Nissan spokesman, Graeme Birch, General Manager of Marketing Communications, says:”Our aim is to share with cricket fans around the world the excitement of the game and our cars. Both are created by people who have passion for what they do.

“Nissan’s values are closely aligned to those of the ICC – to be innovative, with a strong focus on delivering exciting and unique experiences for our fans and stakeholders.”

The campaign breaks today, along with squeezebacks and opening and closing billboards and a host of social media surprises to be revealed during the tournament that will engage both SA and UK fans.

Nissa South Africa facebook page and Nissan Za on Twitter.

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Plus: Undercover Vegetables – Undercover vegetable sauces (2017) :30 (The Netherlands)

Plus: Undercover Vegetables - Undercover vegetable sauces (2017) :30 (The Netherlands)
PLUS is the nr.4 Dutch supermarket chain with good food at the heart of its business. Their brand mission is about providing good food, for everyone, every day – and this, of course, includes helping parents to get their kids eating healthy food on a daily basis. Not always an easy task, because in general, kids hate vegetables.

Enter J. Walter Thompson Amsterdam and their whole new product: SuperSauce. An undercover sauce that’s actually made out of vegetables. Not branded as such, mind you, because these fun sauces stay undercover so that the kids will eat more veg, drenched in extra veg. Sounds too good to be true, but if you think about it, all of these sauces must taste sweet, without the added sugars that ketchup has, and kids have sweet tooths. Made with pure beetroot, carrot and parsnip. I love the design on the packaging, it’s just the kind of look that will attract a kid, and so will the happy colours.

The name is great too: “Super sauce”, alluding to superheroes, but not revealing they’re just plain old mild mannered carrot hiding behind that super hero suit.

Bas Korsten, Creative Partner, J. Walter Thompson Amsterdam:

“We love moving advertising into new directions and creating real solutions to real problems – both big and small. As food is also central to our agency culture inside the office, it’s great to take one of our secret weapons – innovative thinking around food – out of the office and onto families’ tables.”

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RT – Going Underground (gold winner) (2017)

RT - Going Underground (gold winner) (2017)
Three times a week Afshin Rattansi and his team go underground to discover the stories that aren’t being covered by the mainstream UK media. This promo just brought home a gold in the category “News – Program Promotion” at PromaxBDA
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The Chernobyl Disaster (Special Coverage Promo) (2017) :20 (UK)

The Chernobyl Disaster (Special Coverage Promo) (2017) :20 (UK)
RT’s promo for its special coverage of the 30-year anniversary of the disaster at Chernobyl, took home top honors in the category “News – Special Report” over Germany’s ZDF and Australia’s ABC in the PromaxBDA.

PromaxBDA is one of the largest and most prestigious international awards competitions celebrating achievements in television promotion, design and marketing.

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RT – Never giving up: Intl wheelchair racers show their skills on F1 track in Sochi

RT - Never giving up: Intl wheelchair racers show their skills on F1 track in Sochi
In the “Public Service Announcement” category of the PromaxBDA, RT’s video clip “Never Giving Up” won bronze. The clip features members of Russia’s Paralympic team as they compete in special wheelchair race held at the Formula 1 track in Sochi after being stripped of the opportunity to compete in the 2016 Olympic games in Rio. Even the rain could not stop them.
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RT '2035' promo: Retired Obama, John Kerry, & ft President Snowden

 RT '2035' promo: Retired Obama, John Kerry, & ft President Snowden
This promo for RT just won bronze in the PromaxBDA awards. Featuring a retired Barack Obama and John Kerry, who both gripe at the TV where Edward Snowden is seen as the president.
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The Washington Post to offer audio articles using Amazon Polly

The Washington Post today announced it has started experimenting with audio articles using Amazon Polly, a service that converts article text into lifelike speech. Unlike those robot-read youtube videos that simply read other papers articles, in order to scrape up easy AdSense money with little effort, Amazon Polly sounds quite a lot better. For the next month, mobile users will be able to listen to an audio version of four articles daily across the business, lifestyle, technology and entertainment news categories and they are available here.

“This is a new technology that can give users more choice and better accessibility to our content, so we wanted to create an experiment to dive deeper into the user experience,” said Joseph Price, product manager at The Post. “After a month, we’ll take what we’ve learned about how users engage with this feature to develop our first iteration of a product with Amazon Polly.”

Listening to news is very useful in several scenarios, when commuting, when at the gym, and so on. This could be a huge leap forward for the Washington post in supplying the news to people who are always on the go. They will in the future make playlists available, where the reader – er, listener – can select the type of news they want. Amazon Polly provides 47 high-quality text-to-speech voice options and is part of Amazon Web Services (AWS).

“As we’ve seen in the growth of our podcasts and offerings on Alexa, audio is an increasingly popular choice for news consumption,” said Joseph Price, senior product manager at The Washington Post. “With Amazon Polly and voice articles, we’re excited to give users more control over how they choose to engage with our content and to increase the accessibility of our site and apps.”

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