Alder-Shah joins AnalogFolk as managing partner
Posted in: UncategorizedReeha Alder-Shah, managing partner at Dare London, has joined AnalogFolk in the same role.
Reeha Alder-Shah, managing partner at Dare London, has joined AnalogFolk in the same role.
McCann London has hired Sheryl Marjoram, Saatchi & Saatchi’s managing partner who led the Asda account, as managing director.
If there was a defining moment when advertisers started to get a proper handle on social media marketing, it was when an ex-American football star called Isaiah Mustafa was drafted in to save Old Spice from oblivion.
Twitter proves to be a good live video partner for trusted media brands and FT.com and Lloyds Bank offer sixth-formers and their teachers free access.
Richard Thomson explains how readers’ reactions on social media impact i’s front page.
It might be bit late to pull out of Cannes now, but there’s always next year.
Milton Elias looks back on his career to date and shares his lessons from the ladder.
Labour’s “video first” strategy really paid off, because the best performing posts of the whole campaign were overwhelmingly videos.
Despite the bad news we see daily in the press, Eric Schmidt, executive chairman of Alphabet believes that humanity, as a whole, is entering an age of abundance and from there, an age of intelligence.
The first day of Viva Technology Parys 2017 dwelled on the applications, advances and consequences of artificial intelligence.
Tesco has reported a 1% rise in group like-for-like sales, a growth for the sixth consecutive quarter.
Marketers in media and entertainment are the most confident about growth in their category.
Animation by Ad Age. Composite images iStock.
If you go the route of fine ros, luxe hotel rooms and chopper rides, Cannes can cost a minor fortune. A major fortune, even.
But for young, job-hopping creatives looking to cozy up to executives at big-name agencies, the festival can be priceless (though with new Hotel Access passes for unregistered delegates, that may one day be more difficult).
Happy Friday and welcome to our inaugural Agency Brief, which will hopefully will be a lot clearer (and more fun!) than the ones you get from clients.
If the name sounds familiar, it is. Piggybacking off of our recently launched Marketer’s Brief, we decided to spread the love to agencies, too. We’re carrying over some popular features like Tweet of the Week and Number You Need to Know, while keeping you concisely informed about agency people moves, accounts and other important tidbits from the last week. Tips or suggestions? Send to lstein@adage.com
So sit back (or continue packing for Cannes) and enjoy our Agency Brief.
As the ad world adjusts to a new era of project-based work, as many as two-thirds of marketers that normally work with agencies report that they would like to bring that work in house, according to research by Gartner. This puts agencies at a crossroads, and brand marketers, whether or not they realize it yet, in a very challenging position.
Brands aren’t moving in this direction just because they want to save money (although they certainly do), but because they want to streamline complex processes and work with invested professionals who are closer to the data and know their brand inside and out — something that’s been lost since the death of the AOR.
The in-house strategy makes a lot of sense, but it comes with a host of challenges, starting with the loss of a well-rounded bench of agency specialists who have the unique skills to get a message out across the many platforms and mediums. Companies are realizing that finding the right talent isn’t easy, and that managing the huge number of functions that a robust marketing arm requires — from data analytics to content production — is a very tall order.
Each year before the Cannes Lions International Festival of Creativity, Ad Age asks creatives execs around the world for their thoughts on what will nab big honors. For 2017, we checked in with the festival’s former jury presidents for insight into what they believe works best for each category and for their advice to this year’s judges. We’ll be counting down each day until the festival with their thoughts.
Today, we hear from Amina Horozic, creative lead-industrial design at electric vehicle company NIO and last year’s Product Design Lions jury president.
Since Cannes 2016, what’s the best work you’ve seen, or what should win Grand Prix in product design?
It’s easy to mock the Cannes Lions Festival of Creativity. The name alone does a lot of the work for you. While there are many things to deeply love about our business, its deep need for self-congratulations is not among them. And there’s no place where this need is expressed more strongly than at Cannes.
The most spot-on complaints from the detractors include:
You travel thousands of miles to meet with companies who would happily come to your home office tomorrow if you just asked nicely.
Category: Beyond Madison Avenue
Summary: To help the United Nations tackle issues like poverty, climate change and inequality, the six largest advertising holding companies in the world along with independent advertising agency Wieden+Kennedy have joined forces. They will be lending…
People have wondered if the Amazon chief was waiting until retirement to make a big charitable splash. In a tweet, he solicited ideas from the public.