To Start a New Company, You Need Two Strategies


Twenty-seven million Americans of working age (or 14% of the population) are starting or running new businesses. How many of these entrepreneurs are likely to be successful? Very few.

One problem is the presumption that you need a single strategy to be successful. Not true. Companies that become successful usually have two strategies.

It’s like building an airplane designed to fly at 500 miles per hour at an altitude of 30,000 feet. To do that takes a certain amount of engine power and a streamlined design with minimum drag. But that’s not enough.

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Long Live Reach: Buying Eyeballs Still Works If It's Done Right


Broad reach was the cornerstone of advertising media for decades. But its position has come under steady attack. Media’s biggest traditional reach vehicle, TV, has seen that very quality ebb as viewers drift away. Growing alternatives use finely targeted messages against smaller online communities, model personas and individuals.

TV networks, cable networks and agencies have been on the losing side of this battle for years. Agencies in particular made a big bet on reach in the mid-1990s by ripping media planning and buying out of creative agencies and founding the media company giants we know today (OMD, Zenith Optimedia, GroupM, etc.). The core idea driving this big move was that eyeballs could be commodified. As far as reach was concerned, an eyeball was an eyeball; and a cheap eyeball was better than an expensive eyeball. Consolidation of huge budgets meant that big media agencies set the negotiating field, and the network and cable players played the game according to the new eyeball-commodification rules.

The internet, of course, turned this world upside down. As media-planning options went from eight or nine media choices to hundreds, creative agencies were left in the lurch. The connection between media planning and creative, which had always been tenuous, was now almost nonexistent. Aligning creative ideas to emerging media opportunities became the definition of great creativity, yet the media people and the creative people were usually not even in the same building. At the same time, when networks and cable stations were most under attack for their lack of targeted impact, media buyers were focused on lowering the cost per eyeball.

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VIDEO: The Battle For Custom Content


The battle over custom content just keeps heating up.

The agencies have the creative track records and talent, but the audiences belongs to publishers. And publishers have been building in-house production teams that can increasingly handle agency services.

But now an agency has gone ahead and bought a publisher of its own.

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Women's Marches This Weekend Get Ad Campaign From McGarryBowen, Intel's Teresa Herd


McGarryBowen and Intel Global Creative Director Teresa Herd are helping to promote the planned global marches for women’s rights on Saturday with a new campaign.

According to the Women’s March website, more than 600 marches around the globe are expected to take place one day after Donald Trump’s inauguration as president of the United States.

Ms. Herd got involved with Gathering For Justice, the nonprofit organizing the marches, through a friend, she said. Ms. Herd then connected with McGarryBowen Managing Director and Executive Creative Director Marianne Besch, who brought the agency along on a pro bono basis.

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Three Ways Marketers Can Bridge Today's Great Political Divide


Brand strategists are supposed experts at finding common ground. It’s our job to look at a target and find the narrative that individual consumers, with their varied tastes, aesthetics, styles and beliefs, will coalesce around. We know we’ve met with success when we’ve created something that transcends differences to captivate and invite people to belong.

This past election has shown us that America is struggling to find that common ground. At its worst, we’ve witnessed acts of hate. And at its most civil, we’ve seen carefully constructed judgments posted to the echoing walls of Facebook users. The nation is more divided than ever, but as any brand strategist can tell you, for every tension there’s a counter tension. The counter to division is unity, and I believe that in the coming four years, we will see a surge in brands that tell stories of togetherness. Here are some brands that have already begun, making inspiring work throughout the increasingly acrimonious past 12 months:

Mini’s “Defy Labels” campaign, which made an impressive showing in Super Bowl 50 a year ago, speaks to togetherness by challenging viewers to defy the labels that divide us.

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Ad Agencies Are Busing Staffers to Women's Rights March in D.C.


A number of advertising agencies are supporting and organizing efforts around the global marches for women’s rights on Saturday, including several that are paying for transportation down to Washington, D.C.

The grassroots event, which started as the Women’s March on Washington, has vastly expanded, with more than 600 marches expected to take place worldwide one day after Donald Trump’s inauguration as president of the United States, according to the Women’s March website. Marches are scheduled in cities across all 50 states and dozens of countries including Mexico, Canada, India, Iraq, Spain, Japan and the U.K.

Interpublic Group shop Huge is busing 50 staffers, men and women, to D.C. from New York on Friday ahead of the march, while also covering expenses for meals, Metro transportation and poster-making materials. Most of the team plans to sleep at Huge’s D.C. office, but a few will bunk with colleagues in the city.

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The Demise of the Department Store Experience


Department stores can’t compete against internet shopping because they are bland and predictable. Unexpected and quirky is a better formula.

The economic model for national department stores doesn’t work anymore. What’s the fun of going to stores that are just the same as all the others in the chain?

Consumers can and do jump from one shopping siteincluding websites for department storesto another, hitting the refresh button as they go. Doesn’t that beat the prospect of trekking to a local chain store whose floor plan you know by heart?

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Ex-LatinWorks President Sergio Alcocer Opens Agency Called Rest of the World


Sergio Alcocer, one of the best-known U.S. Hispanic creative directors, is launching an agency called Rest of the World, in a return to the ad industry following the end of his non-compete agreement with Omnicom Group.

Mr. Alcocer left Omnicom-backed LatinWorks at the end of October 2015 after 16 years at the Hispanic shop where he was president and chief creative officer.

“I always wanted to keep doing advertising, and multicultural advertising is what I love,” he said. “Rest of the World is a multicultural mission. I want to bring Latin-inspired creative to the mainstream.”

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Grupo Gallegos Restructures as Broader Group Called United Collective


The Los Angeles agency John Gallegos opened 16 years ago is pivoting from U.S. Hispanic shop Grupo Gallegos to the more integrated and broadly targeted communications group United Collective.

Over the last few years, Grupo Gallegos has hired more senior execs from the general market, most recently Dave Damman, a former chief creative officer and managing partner at Carmichael Lynch, who joined as co-president and chief creative officer last June. The other co-president, Andrew Delbridge, an Australian, joined from U.S. shop McKinney back in 2012. Neither exec had worked in the multicultural market before.

“Our vision is to be the most culturally-attuned creative collective in the U.S.,” Mr. Gallegos said. “We’re going beyond multicultural as in ethnic. Music, entertainment, gender, LGBT, ethnicity, all make up the greater culture.”

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No Shortage of Obamacare Ads Despite Trump Ad Shutdown


The Trump administration last week pulled an ad campaign promoting sign-ups for healthcare plans under the all-but-doomed Affordable Care Act before open enrollment closes on Tuesday, but there’s no shortage of online ads reminding procrastinators to get in while they still can.

One D.C.-based digital ad firm is pushing out search ads in defiance of the Trump ad shutdown. Staff from DSPolitical, a company serving political advertisers on the left of the spectrum, met at their office in Washington, D.C. this weekend solely to devise a plan to respond to the administration’s decision to pull the ACA ads.

“We wanted to make the reality of what this administration has been doing a little less horrible,” said DSPolitical CEO Jim Walsh. “We wanted to do something.”

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WPP's GTB Buys U.S. Hispanic Shop Zubi Advertising


“We’ve been able to find a way to match what GTB has done with cultural relevance, to the point where some of our work has gone into the mainstream,” Mr. Zubi said.

Within the WPP and GTB structure, Zubi Advertising will report in to Satish Korde, GTB’s global chief executive officer. “Zubi does outstanding work and exhibits an authentic culture of extraordinarily talented people,” Mr. Korde said in a statement.

“We want to make sure the Zubi agency continues to thrive and grow, and everyone here is excited about where this can lead us,” Mr. Zubi said.

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Inside the Clinton Campaign's TV Data Strategy


Call it Monday morning quarterbacking or 20-20 hindsight: Political practitioners and technologists on the left still are grasping for clues about which Clinton campaign decisions might have contributed to President Donald Trump’s win. Many wonder whether their own skills might have boosted her to a win in November. One of them is Carol Davidsen, a key developer of technology used for Barack Obama’s groundbreaking 2012 TV ad system, which was known as The Optimizer. She laments the campaign’s decision not to use a new ComScore TV analytics platform she helped build for 2016.

“It’s frustrating when you build something that is available to both sides, and the side you personally support doesn’t use it,” said Ms. Davidsen.

The Clinton camp’s decision not to work with the company, however, reflects the rapid changes that have taken place in the TV data world since 2012. Those changes enabled the campaign to build a system in-house that it says gave them a more refined and comprehensive view of the data than previously available. Among many questions surrounding the campaign, it’s now fair to ask whether that decision was the right move.

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VIDEO: Behind the Scenes With GNC's Super Bowl Nightmare


This was supposed to be GNC’s first time advertising in the Super Bowl. This was supposed to be the culmination of a two-year rebranding effort. This was supposed to be the year GNC ended its sales decline.

The NFL had other plans.

Now so does GNC.

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Bud Light Ad Will Run on Spanish-Language Super Bowl Broadcast


Another Bud Light spot in the new “Famous Among Friends” campaign from Wieden & Kennedy will debut in the Super Bowl, in Spanish on the Spanish-language telecast on Fox Deportes.

“Family Friends” adds a Hispanic twist to the campaign’s friendship theme, with friends given the status of family. The spot takes place at a party, where a voiceover introduces small groups of people enjoying themselves with a Bud Light as the cousins, the aunts and uncles, the compadres, and so on.

“We know friendship is particularly relevant for Hispanic consumers,” said Maria Teresa Garcia-Rosell, senior marketing director for Bud Light at Anheuser-Busch InBev. “We know they like sharing an emotional bond with their friends. Hispanics view their friends as family.”

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How Fake News Could Make Advertising More Believable


Will advertisers take the opportunity to become more believable in this latest era of fake news and “alternative facts,” or will they blow the chance by continuing to hook up with any website that they can buy dirt cheap?

Fake news, of course, is not a new phenomenon. It was called “disinformation” during the world wars and “freak journalism” when powerfu newspaper publishers turned up the heat to promote war with Spain.

Stanley Walker, city editor of the old New York Herald Tribune, noted in his 1934 book, “City Editor,” that one of the oldest laws of the Fourth Estate was the one forbidding fake news.

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Five Themes for Marketers From Davos 2017


You might have expected this year’s Davos, the annual convening of the World Economic Forum, to have been an anxiety-ridden gathering of handwringing politicians, academics and corporate leaders. After all, 2016 hadn’t gone as planned — its political predictions were upended, new technologies threatened further disruptions and global economies continued to vacillate.

Yet the conference seemed infused with a sense of energy. This year’s uber theme, Responsive and Responsible Leadership, echoed throughout each discussion. A hyperpolarized world can’t become an excuse for inaction, which is why it is imperative that leaders respond collectively with credible actions to improve the state of the world.

And the time to do so is now. Our industry is perfectly poised to reinvent itself and face each challenge of 2017. So what can marketers learn from this year’s Davos?

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Some of Us Don't Want to Buy the World a Coke. What's Happened?


The fog of the misspelled, poorly conceived #BudwiserBoycott still hangs in the post-Super Bowl air as brands and agencies try to wrap their weary heads around what the Trump era portends for American advertising.

America is choosing up sides. If the recent past is a predictor of the future, many (if not most) brands will not be given the option of remaining neutral.

The facts say we got here because Donald J. Trump waged a divisive campaign and then rapidly issued a series of edicts culminating in his chaotic and widely contested travel ban. Trump’s order is at war with the foundational American principle that we are an inclusive nation of immigrants; that America judges people as individuals, not as groups and never based on race, sexual orientation, religion or nationality.

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Yum China Tops Expectations in First Earnings


Yum China Holdings, the Chinese fast food company that was spun off from its U.S. parent in October, topped earnings estimates in its inaugural quarterly results with the help of its growing KFC chain.

The company posted profit of 17 cents a share, excluding some items, compared with an average estimate of 10 cents. Same-store sales growth at KFC helped bolster results, while its Pizza Hut division performed worse than expected.

The results show Yum China had a respectable start as an independent company, even as it faces headwinds. Its pizza chain continues to decline as local competitors gain market share. The company added 575 outlets last year, with more than half that in the fourth quarter as it banks on aggressive expansion to keep it ahead of other U.S. chains in China.

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Paco Olavarrieta Joins Hispanic Shop D Exposito as Chief Creative Officer


Paco Olavarrieta, a well-known U.S. Hispanic creative director, is returning to New York as a partner and chief creative officer at independent Hispanic shop D Exposito & Partners, after more than five years at Omnicom-owned Dieste in Dallas.

D Exposito was started in 2005 by Daisy Exposito-Ulla and her filmmaker husband Jorge Ulla, who is chief ideation officer. Ms. Exposito-Ulla, the agency’s chairman-CEO, was born in Cuba and entered advertising as a creative at Y&R’s Hispanic shop Bravo Group in New York and rose to chairman and CEO of that agency before leaving in 2004.

Mr. Ulla said that D Exposito is a solid independent agency with loyal clients “but today we need a more audacious creative identity.”

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In a Video Appeal to Trump, Ireland Mocks Itself (and Trump)


You’ve seen the “The Netherlands welcomes Trump in his own words,” right? Born as a segment on Arjen Lubach’s Dutch TV show “Sunday with Lubach,” the hilarious video has gone hyperviral, racking up more than 20 million views on YouTube alone. The conceit (per the video’s description): “Because we realize it’s better for us to get along, we decided to introduce our tiny country to President Trump. In a way that will probably appeal to him the most.”

Satirists from other countries have followed suit — see, most recently, “America First /NAMIBIA FIRST (NOT SECOND)” from Wednesday and “Croatia Second” from yesterday — and now it’s Ireland’s turn. Behold “Ireland Second” (below), courtesy of Dublin creative agency Eightytwenty, post-production house Raygun and impressionist Oliver Callan.

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