Is There Such Thing as a 'Men's Media Company' Anymore?


Some of the digital media brands most associated with men are starting to either broaden their focus beyond traditional bro content or clean up their act a bit, all the better to attract readers of all genders and play nice with much-coveted advertisers.

It seems that few brands these days really want to be seen as being for men, which is notable considering that a bunch of blatantly female-focused publications — Bustle, Broadly, Lenny Letter, Motto, among them — have arrived over the past few years. (One notable example is Beta Male, a New York magazine popup blog that attracted some internet ire along with a solid readership.)

Thrillist Media Group, for example, is often described as being for millennial men. But the company would like to change that perception. “Over the last year or so, Thrillist has been shifting beyond being a solely male-focused media brand,” a spokeswoman told Ad Age as she declined an interview request for an article about men’s media.

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Marketer MVPs of Social Media: Pumpkin Spice Puts Starbucks Atop Facebook and Instagram


It happens every year: Starbucks (and other marketers) mark the arrival of fall by introducing pumpkin spice product varieties, and every year consumers eat it up. This time pumpkin spice helped Starbucks outperform all other brands’ posts on Facebook and Instagram alike in terms of engagement measures such as likes, shares and comments.

Netflix, meanwhile, repeated its two-fer from last week, partly by sharing a Complex video bringing Hillary Clinton into the world of the Netflix series “Stranger Things.”

Check out the week’s other most-engaging brand posts on major social-media platforms, and click on the chart to see the original posts in their native social habitat.

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Facebook's Faulty Stats: Solving the Video Engagement Measurement Problem


Seismic. That’s the best description of the revelation that Facebook inflated the level of its users’ time commitment to video. “Inflated” as in 60% to 80% too high, according to the first round of credible estimates. Predictably, the news triggered an earthquake from U.S. advertisers, and we probably haven’t felt the last of it.

Why? Telling advertisers that they weren’t billed for inflated audience numbers, and providing third-party verification that their ads ran, doesn’t solve the underlying issue of transparency. The single biggest decision advertisers make is allocation: which media channels receive how much of the budget. To get this right, advertisers rely on credible, comparable audience estimates. No one buys media on time spent, but everyone allocates with it. As the video marketplace expands, the pressure for transparent time measures will only increase.

Before the new revelations, Facebook’s promise for advertisers was rightly compelling: mining/matching/marrying advertiser data and Facebook data for precision targeting, with ads served just-in-time to mobile viewers, all powered by “world class” Facebook data. There was a meteoric rise in ad dollars directed at Facebook Mobile, and the social media units at agencies gave rise to social-dedicated agencies.

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AT&T Building Niche Streaming Network VRV as CollegeHumor Joins Lineup


AT&T and media executive Peter Chernin are doubling down on their efforts to convince the YouTube generation to pay for videos.

The owners of Otter Media are backing VRV, a new streaming service with videos from popular web channels Crunchyroll, Rooster Teeth and Cartoon Hangover. VRV announced Thursday it also signed CollegeHumor, Funimation and Machinima to join its programmer lineup, the final additions before the service debuts later this year.

The channels boast a combined audience in the tens of millions on YouTube, and more than a million paying subscribers on their own. By bringing them together into one place, VRV aims to build a new web media brand that can stand out in an increasingly crowded marketplace. The price for the paid service hasn’t been set.

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TV Ad Pricing Chart: A Show in Its 13th Season Returns to the Top 10 Most Expensive Buys


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Trump's Last-Minute $140 Million Ad Blitz Is Starting to Happen


The Ad Age Presidential Campaign Ad Scorecard is sponsored by The Trade Desk

Editor’s note: Here’s the 33rd installment of the 2016 Presidential Campaign Ad Scorecard. The chart below represents a collaboration between the Ad Age Datacenter — specifically, Kevin Brown, Bradley Johnson and Catherine Wolf — and Kantar Media’s Campaign Media Analysis Group (CMAG), together with Ad Age Digital Content Producer Chen Wu. Some context from Simon Dumenco follows. –Ken Wheaton

The running narrative of Campaign Scorecard over the past couple of months: Donald Trump’s campaign has been spending a relative pittance on TV and radio advertising compared to Hillary Clinton’s campaign. But in Ad Age’s Sept. 12 cover story, I speculated that Trump was “conserving cash for an October all-out attack-ad blowout against ‘Crooked Hillary.'”

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Clinton: Why Aren't I 50 Points Ahead? New Trump Ad: Uh, Here's Why


On Sept. 21, during an address to a Laborers’ International Union of North America meeting in Las Vegas, Hillary Clinton said, “Why aren’t I 50 points ahead, you might ask.” Somebody in the Trump campaign probably said “Yes! Thank you, Hillary!” when viewing the footage — especially since Clinton was speaking to the group via a video-conference link, which caused her to bark the words out in an unusually awkward fashion.

Now the Trump campaign has released a 30-second ad that uses Clinton’s unfortunate soundbite against her, and answers the question with a folksy voiceover: “Maybe it’s because the director of the FBI says you lied about your emails.” (Cue a clip of FBI Director James Comey testifying before Congress.) “Or maybe because your policies have allowed ISIS and terrorism to spread.” (Cue scary clips of ISIS.) “Or maybe it’s because you called Americans deplorable.” (Cue a clip of Clinton saying half of Trump’s supporters belong in the “basket of deplorables.”) In the end, Clinton’s “Why” clip is replayed, followed by a weary response from the announcer: “Do you really need to ask?”

It’s worth noting that the Trump campaign previously released a 40-second version of this piece as a web ad, which was saved and uploaded to YouTube by the All Political Ads channel. Compare the new version (above) to the earlier version (below) to see some striking changes — particularly the use of a filter on the opening clip of Clinton that drains the color out of her face and gives her surroundings a sinister, dungeon-like gloom.

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Why Clinton's Pretty Good Ad Isn't a Good Sign for Campaign


The Hillary Clinton campaign released a video that week designed to bridge the enthusiasm gap. The ad features Barack and Michelle Obama, Joe Biden, Bernie Stein and Elizabeth Warren and was initially called “Squad Goals.” It’s a good ad, says Ad Age Editor Ken Wheaton, but that she’s still playing to the base at this point in the game isn’t necessarily a good sign.

Video by David Hall

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