Visa and Uber Dole Out Free Rides in Rewards Push


Visa aims to drive more retail loyalty through a new initiative with ride-hailing company Uber. The program, Uber Local Offers, allows consumers to earn points toward a discounted Uber ride when they use their Visa cards at select merchants. Riders earn one point for each $1 spent at an enrolled merchant100 points lead to a $10 Uber discount.

“It’s a way to effectively reward cardholders and loyal Uber riders,” explained Terry Angelos, VP of offers and loyalty at Foster City, Calif.-based Visa. “Normally with a reward or redemption program, you have to have a coupon code or a QR code,” he added, noting that this partnership simplifies the process and also helps build repeat customers for the hundreds of local merchants, including Barcito, Lucille’s Smokehouse BBQ and Peet’s Coffee, who have signed on. Since the program is performance-based, stores pay only when a customer buys something.

Rolling out in San Francisco and Los Angeles this week, the initiative follows several pilot programs Visa developed with Uber in recent months. The payments company developed a similar rewards program with Whole Foods earlier this year, for example, and created an Olympic-themed ride share during the games in early August.

Continue reading at AdAge.com

American Family Insurance: School on wheels

American Family Insurance: With love market

American Family Insurance: Hometown heroes

Top 80 Commercial Trends in August – From Sporty Feminine Hygiene Ads to Heroic Streaming Campaigns (TOPLIST)

(TrendHunter.com) These August 2016 commercials range from sporty feminine hygiene ads to heroic streaming campaigns that promote a popular website with the help of a well-recognized social media mascot.

Additional…

On Photography: The Mystery at the Heart of Great Photographs

Pictures that capture a moment in history sometimes contain a glint of magic, an element of wonder that can never be fully understood.

First Words: America Is Safer Than It Used to Be. So Why Do We Still Have Calls for ‘Law and Order’?

What Donald Trump is really borrowing from Richard Nixon’s campaign rhetoric

Feature: Edward Snowden’s Long, Strange Journey to Hollywood

Oliver Stone wanted a hit — and the chance to put America’s most iconic dissident onscreen. The subject wanted veto power. The Russian lawyer wanted someone to option the novel he’d written. The American lawyer just wanted the whole insane project to go away. Somehow a film got made.

Zulu Alpha Kilo: Zulu Alpha Kilo pitches Trump and Clinton

As Price of Granting Wishes Goes Up, Make-A-Wish Goes Digital


The cost of a wish is going up.

To keep on top of its wish-granting game, Make-A-Wish is turning to digital crowd-sourcing as a fundraising tool and backing it with an aggressive push that will encompass channels like Snapchat, Instagram, Twitter and TV — as well as the foundation’s celebrity influencers. And it’s partnering with PricewaterhouseCoopers for its digital and marketing efforts.

The amount it takes to fulfill a wish has been increasing every year since Make-A-Wish opened its doors 36 years ago. The latest figures provided by the nonprofit reveal the average price to grant a wish is $10,130, up more than 30% from 2010 and an uptick of 7% from the previous year.

Continue reading at AdAge.com

Why the Ad Industry's Diversity Strategy Needs a New Brief


When Kevin Roberts dismissed gender equality, referring to it as a “non-issue,” I was reminded of Ad Age editor Ken Wheaton’s recent column on the positive role women might play in what is often referred to as the “diversity problem.”

Mr. Wheaton is relying on change coming from those women with “hiring power,” which, in effect, means white women. I appreciate his optimism and his faith in my gender but, in my experience, which spans three decades in multicultural marketing, I have found white female ad execs just as likely as their male counterparts to shy away from serious conversations about systemic racism in our industry.

Kevin Roberts was inadvertently right about one thing. We need to stop talking about gender and racial diversity as a problem. Our industry’s impotence when it comes to dealing with structural racism and gender bias isn’t a “problem,” because if it were, it would be fixed. That’s what we do in advertising. We design strategies to solve problems.

Continue reading at AdAge.com

Do Web Celebs Have Less Need for Snapchat Now That Instagram Has Stories?


Andreea Cristina has twice the workload these days when it comes to talking with her thousands of online followers.

First, she takes one video, usually a short confessional from one of her day’s activities. Then she takes a second, posting one to Snapchat and the other to Instagram.

“If I’m going to the gym, I might do a Snapchat story and then do an Instagram story,” said Andreea Cristina, whose full name is Andreea Cristina Bolbea, during a recent phone interview from Los Angeles. “Instagram has created double the work for social influencers who now do everything twice.”

Continue reading at AdAge.com

Pedigree: Mothers


Film
Pedigree

In Thailand, it is a norm for Thai dog owners, especially for women, to perceive their pet dogs as their own children. 

To communicate based on their ‘Feed the good’ campaign, Pedigree worked on this insight to show how dogs and owners bringing the good in each other in their latest commercial ‘Mothers’, which was launched on Thailand’s Mother’s day along with another Mother’s Day commercial. 

Something another pet food brand has never done before. The film tells the story as a typical Mother’s day commercial. As it shows how various mothers dedicate and devote themselves to take care of their children in many ways. 

The story later reveals that the ‘children’ are not human but are actually their pet dogs, portraying the insights of how Thai dog owners love their dogs unconditionally just like their own children like they are mothers to them. And in return, their ‘children’ give unconditional love back to their ‘mothers’

Advertising Agency:BBDO, Bangkok, Thailand
Chief Creative Officer:Suthisak Sucharittanonta
Executive Creative Director:Anuwat Nitipanont
Creative Director:Park Wannasiri
Art Director:Panupak Siripakdee
Copywriter:Thiti Boonkerd

Heineken: Shape your city


Film
Heineken

Advertising Agency:Publicis, Milan, Italy
CEO & Executive Creative Director:Bruno Bertelli
Executive Creative Directors:Cristiana Boccassini, Luca Cinquepalmi, Marco Venturelli
Associate Creative Director:Emanuele Viora
Copywriter:Emanuele Viora
Art Director:Simone Di Laus
Producer Publicis:Mariella Maiorano
Worldwide Account Director:David Pagnoni
International Account Supervisor:Jana Uhlarikova
Production Company:Traktor
Director:Traktor
Producer:Traktor, Jay Shapiro
DoP:Jo Willems
Editor:Andy Mcgraw
Post Production:Mpc London
Sound Design:Raja Sehgal, Grand Central Recording Studio

Honda Fit: We parcel out your dream

Print
Honda

Advertising Agency:Box, Goiânia, Brazil
Creative Director:Bruno Lopes, Wesley Silva
Art Director:Wesley Silva
Copywriter:Valdeir Castro
Illustrator: Wesley Silva
Additional Credits:Fernando de Paula

Waze: Digital Siren


Mobile
Waze

Advertising Agency:CUCA, São Paulo, Brazil
Art Director:Marcelle Ferrari
Copywriter:Kayran Moroni
Additional Credits:Chiclete Produções Sonoras, Pedro Castro, Chris Johnson

Wong Supermarket Toy Store: Wongderland


Film, Online
Wong Supermarket

The very first animated shortfilm for Wong Supermarket, created by Wunderman Phantasia and produced by Plan B. With the copy and message: “We never stop being kids when we keep imagining”, this shortfilm was the main content for the re-release of Wong’s Toy Store, called Wongderland, and was played on national cinemas.

Advertising Agency:Wunderman Phantasia, Lima, Peru
Chief Creative Director:Jose Aburto
Head Of Art:Augusto Landauro
Creative Director:JORGE ‘KOKY’ BORRERO
Senior Creative:Sebastián Sánchez-Botta
Copywriter:Alvaro Camino, Bruno Calmet
Account Director:Arminda Vásquez
Account Supervisor:ERICA MELGAR
Account Executive:Fiorella Gómez, CLAUDIA DRAGO
Production Supervisor:Luis Grieve, Sebastian Castro
3D MODELING SUPERVISOR:Ricardo Villar
Producer:Plan B
Music:SORDO AUDIO STUDIOS
Script:Sebastián Sánchez-Botta, Alvaro Camino, Bruno Calmet

Triathlon Sport: Blocked clothes

Outdoor, Direct Marketing
Triathlon Sport

Advertising Agency:Anarchy, Lima, Peru

Unitel T+ Communication Services: Slashed Prices

Print
Unitel T+

Advertising Agency:Ogilvy & Mather, Lisbon, Portugal
Creative Director:Jorge Coelho
Art Director:João Marta
Copywriter:Tiago Pereira

Standard Bank: Never Stop Moving Forward


Film
Standard Bank

Egg Films’ Sunu directed ‘Never Stop Moving Forward,’ TBWAHuntLascaris’ new pan-African campaign for Standard Bank. Sunu’s treatment was all about bringing the human element to a depiction of Africa as a place of possibility.

“Industry is because of people, so we focused on finding the humanity and emotion in each of the sequences,” says Sunu, who also focused on finding fresh imagery for the Africa rising narrative, flipping expectations wherever possible. The final 45-second ad packs in 60 shots. “We wanted to capture the energy and pace of Africa,” says Sunu. 

“Africa has so much going on, we wanted you to see something different each time you watch it, to give it a long shelf-life. The pace also differentiates it from the other bank ads out at the moment.” DOP Rory O’Grady shot much of the footage hand-held. “Everything is so clean and perfect in most bank ads,” says Sunu. “We wanted this to be a lot more gritty.” 

Sunu directed with Gordon Midgely’s edit in mind, so aerial shots of crops line up with haircut lines and each image ties into the next. Similarly the last image of each section carries a double meaning, also acting as the first image of the next section.

Advertising Agency:TBWAHuntLascaris, Johannesburg, South Africa
Agency Producer:Sandra Gomes
Chief Creative Officer:Peter Khoury
Executive Creative Director:Jenny Glover, Rui Alves
Creative Director:Shane Forbes, George Low
Production Company:Egg Films
Director:Sunu Gonera
Director Of Photography:Rory O’grady
Production co art director:Keenan McAdam
Production Co Producer:Vjorn du Toit
Executive Producer:Kerry Hosford
Editing company & City:Deliverance
Editor:Gordon Midgely
Post production co & City:Sinister Studio’s
Music & Music Publisher:Waves Studio
Composer & Sound:Dugal MacDiarmid