Sutter Health: Confidence

Advertising Agency: BBDO, San Francisco, USA
Executive Creative Directors: Craig Mangan, Matt Miller, Steve Rutter
Creative Directors: Amber Justis, Kevin Thomson
Art Director: Alyssa Collis
Copywriter: Nate Totten
Senior Producer: Patti Bott
Account Director: Sophie DeSchepper
Account Supervisor: Lizzie Agra
Production Company: Epoch Films
Director: Jeff Preiss
Director of Photography: Chris Blauvelt
Executive Producer: Youree Henley
Producer: Martha Davis
Editorial Company: Jump/LA
Editor: Michael Saia
Producer: Betsy Beale

Sutter Health: The talk

Advertising Agency: BBDO, San Francisco, USA
Executive Creative Directors: Craig Mangan, Matt Miller, Steve Rutter
Creative Directors: Amber Justis, Kevin Thomson
Art Director: Alyssa Collis
Copywriter: Nate Totten
Senior Producer: Patti Bott
Account Director: Sophie DeSchepper
Account Supervisor: Lizzie Agra
Production Company: Epoch Films
Director: Jeff Preiss
Director of Photography: Chris Blauvelt
Executive Producer: Youree Henley
Producer: Martha Davis
Editorial Company: Jump/LA
Editor: Michael Saia
Producer: Betsy Beale

Redd's: Caribbean

Advertising Agency: PZL, Warsaw, Poland
Creative Director / Art Director: Iwo Zaniewski
Copywriters: Magdalena Goll, Cezary Filew, Iwo Zaniewski
Published: April 2015

Foot Locker: It's really happening

Advertising Agency: BBDO, New York, USA
Chief Creative Officers: David Lubars, Greg Hahn
Executive Creative Directors: Chris Beresford-Hill, Dan Lucey
Copywriter: Mike Motch
Art Director: Austin Mankey
Director of Integrated Production: David Rolfe
Executive Producer: Anthony Curti
WW Senior Account Director: Troy Tarwater
Account Director: Janelle Van Wonderen
Account Manager: Nick Robbins
Account Executive: Samuel Henderson
Production Co: O Positive Films
Director: Kenny Herzog
Executive Producers: Ralph Laucella, Marc Grill
Line Producer: Grayson Bithell
Director of Photography: Marc Laliberte
Editorial: MackCut
Editor: Erik Laroi
Executive Producer: Sasha Hirshfeld
Assistant Editor: Patrick Blumer
Sound: MackCut
Sound Mixer: Sam Shaffer
Online: Smigital
Flame: Jim Hayhow
Asst. Flame: Joseph Miller
Color: Company 3
Colorist: Tim Masick

Tinder: Now with Instagram

Advertising Agency / Production Company: Magna Carta, USA
Executive Producer: Maximilian Guen
Director / Editor: Matthew K. Firpo
Producer: Miranda Hill
Cinematography: Jake Saner, Partos
Assistant Camera: Dan Marino
Art Director: Michael Gray
Sound Mix: Luciano Vignola
Visual Effects: Matt Lincoln
Associate Producer: Rosanna Bach

The Partnership for Drug-Free Kids: Embrace

Advertising Agency: DDB California, San Francisco, USA
Creative Director: Jonathan Byrne
Associate Creative Directors: Tim Stier, Todd Taber
Production Company: Rock Paper Scissors
Integrated Production Lead: Holly Jane Butler
Junior Integrated Producer: Adrian Hernandez
Freelance Print Producer: Agnes Arceo
New Business Lead: Kevin Wakefield
Integrated Project Manager: Nicki Krinsky

The Partnership for Drug-Free Kids: Just a phase

Advertising Agency: DDB California, San Francisco, USA
Creative Director: Jonathan Byrne
Associate Creative Directors: Tim Stier, Todd Taber
Production Company: Rock Paper Scissors
Integrated Production Lead: Holly Jane Butler
Junior Integrated Producer: Adrian Hernandez
Freelance Print Producer: Agnes Arceo
New Business Lead: Kevin Wakefield
Integrated Project Manager: Nicki Krinsky

The Partnership for Drug-Free Kids: Awkward silence

Advertising Agency: DDB California, San Francisco, USA
Creative Director: Jonathan Byrne
Associate Creative Directors: Tim Stier, Todd Taber
Production Company: Rock Paper Scissors
Integrated Production Lead: Holly Jane Butler
Junior Integrated Producer: Adrian Hernandez
Freelance Print Producer: Agnes Arceo
New Business Lead: Kevin Wakefield
Integrated Project Manager: Nicki Krinsky

Arla: Heritage

Advertising Agency: 358 Helsinki, Finland
Copywriter: Jani Tynnilä
Graphic Designers: Mark Nurmi, HP Savolainen
Agency Producer: Elina Fredén
Account manager: Kimmo Tupala
Production: Guild Helsinki
Director: Misko Iho
Producers: Ville Varesvuo, Juha-Matti Nieminen

Paintings of Landscapes Shaping Faces

L’artiste canadienne Wanda Koop vient de sortir une série de toiles intitulée « VIEW from HERE », qui mélange deux genres différents : le portrait et le paysage. Avec de l’encre et de la peinture acrylique, elle compose des visages surréalistes à partir d’éléments de paysages. Elle questionne ce qu’on est vraiment, comment nous sommes construits socialement et ce que nous comprenons de notre relation avec le monde naturel.

Images courtesy of Wanda Koop – Winnipeg Art Gallery.
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25 Specialty Tea Houses – From French Monarch Tea Experiences to Oxidization-Organized Tea Shops (TOPLIST)

(TrendHunter.com) Especially in the east, tea houses not only serve tea, but are also an important center for social interaction. While those in North America might be more likely to hang out in a cafe or a bar, tea…

“O Pequeno Príncipe” ganha novo trailer

principe

Animação estreia no Festival de Cannes, em maio

> LEIA MAIS: “O Pequeno Príncipe” ganha novo trailer

Brainstorm9Post originalmente publicado no B9
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GoPro Hero: Trabalho de Escritório

gopro

Porque vídeos com a GoPro são sempre radicais

> LEIA MAIS: GoPro Hero: Trabalho de Escritório

Brainstorm9Post originalmente publicado no B9
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QUAL É A BOA? – Mortal Kombat X; Death Note; Raio-X Mídias Sociais; O Salmão da Dúvida

qeab

Get over here!

> LEIA MAIS: QUAL É A BOA? – Mortal Kombat X; Death Note; Raio-X Mídias Sociais; O Salmão da Dúvida

Brainstorm9Post originalmente publicado no B9
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How to Find Digital Rock Stars Just About Anywhere


If you ask any digital marketer today what’s keeping her up at night, chances are she’ll tell you it’s talent — finding the bright, smart people who can make it happen. Of course, some of them are easy to find. We meet them at award shows, see them working on major accounts, or notice them leading efforts at top brands. The problem? Those people aren’t easy to hire.

What most people don’t realize, however, is that great digital talent is often hiding in plain sight. She’s that intern/screenwriter you have chasing down image rights. He’s that store clerk who keeps an awesome fashion blog. Or that production designer who does standup comedy in her spare time. Some people have the skills and mindset that would make them great at what we do, but we miss them because we focus too much on resumes and not enough on our own radar.

Don’t believe me? A few years ago, everyone in our office had a favorite barista at a caf across the street. His name was Alex, and he knew everyone’s name and their usual order. He also had a strange habit. If you missed a day or ordered something different, he’d ask why.

Continue reading at AdAge.com

Coke Marks Anniversary of Its Biggest Screwup


It was 30 years ago today that Coca-Cola announced its decision to change the formula of its 99-year-old flagship beverage. As the company notes on its corporate blog, “mayhem ensued.” More than 1,000 calls flooded the company’s consumer hotline per day. Many consumers wrote passionate — and sometimes profanity-laced — letters to the company. The Coca-Cola archivists scanned and posted their favorites online.

The New Coke debacle became a cautionary tale for marketers everywhere. As part of a package noting the company’s 125th anniversary in 2011, Ad Age interviewed Sergio Zyman, the charismatic former chief marketer of Coca-Cola, and Marcio Moreira, part of the group of McCann execs that worked on the product’s launch.

“I think we were lazy in really recognizing that we needed to reactivate or reposition the brand. If we had done that through an advertising process, I don’t think New Coke would have ever happened, but there was such resistance to any kind of change in the advertising position of the brand that we introduced a change in the taste,” Mr. Zyman said. “I know, you’ll say that ‘s ridiculous, and I agree. But it happened.”

Continue reading at AdAge.com

Manny Pacquiao Wonders If Mayweather Fight Is On, or If It's All Just a Foot Locker Ad

Foot Locker is happy it can finally celebrate the upcoming Floyd Mayweather vs. Manny Pacquiao fight—for real.

Last fall, the shoe store released a commercial in which Pacquiao thought Mayweather had agreed to face him in the ring (when in reality, two guys he overheard at a gym were actually talking about a different wildly anticipated event … a sale at the retailer).

But now, with details of the May 2 match finalized—both fighters were committed as of February after years of failed negotiations, though an 11th hour impasse between promoters wasn’t resolved until Wednesday—Foot Locker is patting itself on the back for the old spot by running a new one, in which Pacquaio revisits the ups and downs of his false hope.

The boxer gets credit for self-deprecating charm, even if the whole thing is like the Russian nesting dolls version of a Foot Locker commercial. And while he may be confused in the end, rest assured that—as a manager type explains—the fight is, in fact, really happening.

That, even if the $90 pay per view price ($100 to watch the pros beat the crap out of each other in high definition) costs about the same as a pair of sneakers.

Check out the 2014 spot here:

CREDITS
Client: Foot Locker

Agency – BBDO New York
Chief Creative Officer, Worldwide – David Lubars
Chief Creative Officer,  New York – Greg Hahn
Executive Creative Director – Chris Beresford-Hill
Executive Creative Director – Dan Lucey
Copywriter – Mike Motch
Art Director – Austin Mankey
Director of Integrated Production – David Rolfe
Executive Producer – Anthony Curti

WW Senior Account Director – Troy Tarwater
Account Director – Janelle Van Wonderen
Account Manager – Nick Robbins
Account Executive – Samuel Henderson

Production Co – O Positive Films
Director – Kenny Herzog
Exec Producer – Ralph Laucella
Exec Producer – Marc Grill
Line Producer – Grayson Bithell
Director of Photography – Marc Laliberte
Editorial – MackCut
Editor – Erik Laroi
Executive Producer – Sasha Hirshfeld
Assistant Editor – Patrick Blumer

Sound – MackCut
Sound Mixer – Sam Shaffer

Online – Smigital
Flame – Jim Hayhow
Asst. Flame – Joseph Miller

Color – Company 3
Colorist – Tim Masick



Benzac Acne Solutions: The Benzacs, 1

Pretty in Pink and Sixteen Candles…the time-honored high school dramas. But how does the classic teen story translate to a modern social world? On Instagram of course!

“The Benzacs” – an engaging teen insta-dramedy, lets you witness the angst, hilarity, romance, and group dynamics of four East Sandalwood High School friends—Ivy, Cam, Oak and Essy— as they strive to be cool while still being true to themselves! The Benzacs focuses on all the fun, friendship and day-to-day teen drama—including the ultimate goal of clearer skin.

Advertising Agency: Deutsch NY, USA

Benzac Acne Solutions: The Benzacs, 2

Pretty in Pink and Sixteen Candles…the time-honored high school dramas. But how does the classic teen story translate to a modern social world? On Instagram of course!

“The Benzacs” – an engaging teen insta-dramedy, lets you witness the angst, hilarity, romance, and group dynamics of four East Sandalwood High School friends—Ivy, Cam, Oak and Essy— as they strive to be cool while still being true to themselves! The Benzacs focuses on all the fun, friendship and day-to-day teen drama—including the ultimate goal of clearer skin.

Advertising Agency: Deutsch NY, USA

The Owl Lamp

« Ti.Vedo » (signifiant « je te vois », en italien) est une lampe en forme de hibou, imaginée par le designer Matteo Ugolini pour la marque italienne Karman qui est spécialisée dans les luminaires d’intérieur. La structure a été faite en céramique blanc et les deux grands yeux de l’oiseau s’illuminent dans le noir. Disponible sur pied ou en version murale, avec différentes tailles.

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