'Invention Donkey' Takes Over GE's Twitter Account


GE today is launching an online campaign called “Invention Donkey,” featuring a donkey character that will take over GE’s Twitter account for the day and provide custom video tweets to users.

The campaign, which will include other social channels such as YouTube, Facebook and SnapChat, is designed to show how GE is dedicated to creating new ideas and inventions to help businesses and the world work better. The campaign was created by GE’s agency partner BBDO New York.

“It’s comparable to what we did with ‘Ideas Are Scary’ — to show that invention is not easy,” said Andy Goldberg, global creative director at GE, referring to a TV campaign also created by BBDO New York, which featured an imaginary character who scared away people but ended up being hired by GE to bring his creative ideas to life.

Continue reading at AdAge.com

Beautiful Speed Photography

En photographie, la panoramique est un mouvement rotatif horizontal de l’appareil photo qui donne l’impression que tout est en mouvement au second plan pendant que le premier plan reste relativement net et fixe. Nous avons réuni pour vous une belle sélection de 10 photos utilisant cette technique.

By Luca Libralato.

By Amith Nag.

By Gary Seloff.

By Grant Brummett.

By Kirsty.

By Luca Pietrobono.

By Matt.

By PG&GH.

By Redeyesatdawn.

By South Africa Photography Safaris.

By SOUTH AFRICA PHOTOGRAPHY SAFARIS
By REDEYESATDAWN
By PGandCH
By Matt
By LUCA PIETROBONO
By KIRSTY
By GRANT BRUMMETT PHOTOGRAPHY
By GARY SELOFF
By AMITH NAG
0By LUCA LIBRALATO

NYC Service Poster Campaign

Le service de bénévolat de la ville de New York a été confronté à un problème de plus en plus pressant : celui de convaincre les New-Yorkais de faire du bénévolat pour leur ville. L’agence Sid Lee a réalisé la campagne de prints très colorés « Good for you good for your city » ainsi qu’une ligne de vêtements afin d’attirer l’attention de ses concitoyens.

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Feminine Fitness Editorials – Alejandro Bauducco Photographs Alina for C-Heads (GALLERY)

(TrendHunter.com) Argentinian photographer Alejandro Bauducco shot Alina from Civiles Management in this infectious editorial for C-Heads.

Fitness culture is, undoubtedly, on the rise; however, it’s often…

The Folding Light

La lampe de table de SIVU utilise une action de pliage intuitive pour activer et désactiver sa source de lumière. Imaginée par le designer Simo Lahtinen, l’objet a été fabriqué à partir de noyer massif, de cuir et de plexiglas. Son ouverture adaptable en fait un accessoire de bureau absolument parfait.

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The Motorcycle Documentary

Réalisé entièrement en super 16mm par Clément Beauvais et Arthur De Kersauson, The Greasy Hands Preachers est un long métrage documentaire visant à explorer le retour du travail manuel grâce à la passion d’amateurs de moto. Voici une sélection de photographies tirées du tournage qui a eu lieu entre les Etats-Unis, la France, l’Ecosse, l’Espagne et l’Indonésie. Retrouvez également le teaser du film en bas de l’article.

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Simulacra of Nature

Le vidéaste Mustard Cuffins, basé à Londres, maitrise brillamment After Effects comme en témoigne sa dernière vidéo « Simulacra ». A l’aide de ce logiciel de post-production, il a découpé en petits carrés des vues aériennes de paysages et de gratte-ciels. Sur une musique de Moby, la vidéo est à découvrir ci-dessous.

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Youthful Senior Models – 79-Year-Old Wang Deshun Walks Down Designer Sheguang Hu's Runway

(TrendHunter.com) Industries around the world are celebrating age in unique ways and Wang Deshun is proof positive of that. The 79-year-old model and actor took China Fashion Week by storm, showing off his youthful…

Differences Between Eastern And Western Cultures

L’artiste et designer visuel basé en Allemagne, Yang Liu, a imagine une série de graphiques qui explique les différences entre la culture orientale et occidentale. Sur la base de sa propre expérience, elle tente, à travers des visualisations minimalistes, de transmettre, de la plus simple des manières, son ressenti face au fossé qu’il existe entre ces deux cultures.

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AntiCast 176 – Autor e Autoria

ANTICAST_POST

Olá, antidesigners e brainstormers!
Neste programa, Ivan Mizanzuk, Marcos Beccari e Rogério de Almeida discutem um dos elementos mais presentes no mundo das artes: o Autor. Ele sempre existiu? Como ganhou importância? Como devemos estudá-lo? E por que tem tanta gente querendo matar esse pobre coitado? AntiCast old school, moleque, cheio de ginga e discussões teóricas inebriantes!

» 0h14min13seg Pauta Principal
» Download aqui

Leitura de Comentários do AntiCast 175

» 0h38min06seg Música de encerramento: “The Trip I Never Did”, de Felipe Ayres
» Download

Patreon do AntiCast

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Links

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Livro

» Livro “Até o Fim da Queda” de Ivan Mizanzuk
» Livraria Cultura
» Kindle

Workshops Ivan

Oficina Literária
» São Paulo
10 de Maio de 2015

Pensar Infográfico

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» São Paulo | 23 de Maio
» Mais Informações sobre os cursos www.pensarinfografico.com.br
» Quer o pensar infográfico na sua cidade?
» Curta a nossa página no facebook e acompanhe novidades sobre nossos cursos e palestras, além de curiosidades sobre infográficos e visualização da informação.
» Dúvidas, informações e etc. contato@pensarinfografico.com.br


Contatos
» @anticastdesign
» Facebook
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» contato@anticast.com.br

Brainstorm9Post originalmente publicado no Brainstorm #9
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D&AD Judging Preview : Meera Sharath Chandra

desicreative
desicreative – Indian Advertising Creative Blog and Community (beta 1.4)

D&AD Judging Preview – DesiCreative
Name: Meera Sharath Chandra

Title: Founder CEO & Chief Creative Officer
Organisation: Tigress Tigress
Why did you choose a career in digital?
After 15 years in above-the-line advertising on global brands, there was a restless energy to stop doing more of the same and to be an early adopter of newer forms of conversations with consumers. I have always believed that the communication must go where the customer goes and when the world gravitated towards the online space I wanted to be a few steps ahead, ready and waiting.

Did you attend school for fine art, design or communications?
I am a writer and I majored in English Literature and then in Journalism. I have UI/UX specialisations as well. That said, the only real learning curve in this field is on the job – and I would like to think that I will always be an eager student.

What role models did you have growing up?
My role models have always been drawn from outside the industry and I have used them to inspire me in the field of communication. Cricketers, women entrepreneurs, innovators.

Who has been the most influential personality on your career in advertising?
On the business side, Sir Martin Sorrell (I am fortunate to have spent the better part of my career in the WPP Group). On the creative side Marcello Serpa and David Droga.

Tell us a bit about how Tigress Tigress came about. When and where did it start?
After 30 years in the industry, wearing the two hats of Head of Creative and Head of Business (and loving both!) and with experience across the US, Hong Kong, India and more recently the UK (all of which shaped a rich cross-geography consumer understanding), I felt ready to start off on my own across India and the UK. Tigress Tigress began 2 years ago headquartered in Mumbai but with clients in both countries.

What’s the office environment like at Tigress Tigress?
Tigress Tigress runs on a very differentiated alliance-based model – it has 75 alliance partners, all specialists, from all over the globe. When a brief comes in, a best-of-breed team is pulled together that exactly meets the requirements of that project – and so no two teams are ever the same as no two briefs are ever the same! This separates the company from standard agency offerings, as it is my belief that every job deserves the best team for it. So a typical day at work is a time-zone challenge, but a fabulous cross-geography effort and a very enriching dialogue with the finest brains in the world till we have created a truly “creative business solution”.

What projects are you working on currently?
Right now I am on a fascinating project on a women empowerment theme for the Welspun Group. The Group has encouraged and mentored the women of the conservative desert lands of Great Rann of Kutch – especially after the disastrous earthquake – and co-opted them into reviving the dying arts and crafts of the region. Called the Spun Project, this is a commitment to empower women to empower society. We are in the process of helping sell their hand-crafted works of art online and are planning a delightful one-day camel-back tourist trail through the desert to understand the very fabric of their lives.

Apart from large brands across domains, the Tigress Tigress roster is always full of social causes and cross-cultural marketing assignments, both of which are defined areas of passion.

What will you bring to the jury?
I do believe I am among the more animated contributors to the juries I am on. I have served on all major international juries – Cannes Lions, ADC, Clio, One Show, New York Fest – more than once and every time it is a truly fulfilling experience. I was delighted to be named on the D&AD jury, as I was always keen to be on that. Every award fest has a distinct thumbprint and DNA and D&AD carries the added mandate of absolute creative finesse over and above the big idea and breakthrough. I believe my past award-winning and jury experience will help me refine my decisions and hone in on the truly impeccable pieces of communication.

Digital Marketing is one of the biggest juries and sees a lot of submissions, what will you be looking for amongst the entries?
Yes, we do see a huge groundswell of eager contenders in this category – and the category itself is expanding to cover various aspects of the social web and other exciting digital technologies like wearable devices, shopper marketing and outdoor innovations. The mobile and its fantastic opportunities cannot be ignored. I would look for breakthroughs in five areas (which I follow for Tigress Tigress as well) I look for what path-breaking difference has been made in: 1. The business model 2. The strategic insight 3. The big creative idea 4. The technology 5. The consumer conversation

Presentation of work is always important at global shows. What advice would you have for entrants?
Cut the hyperbole, cut to the chase, let the idea speak. When jurors are seeing thousands of pieces, they need to see a story unfold simply, powerfully, honestly, succinctly. Remember, your juror is your consumer of the award entry.

What piece of digital creative work has stood out for you in the past twelve months that made you say ‘I Wish I’d Done That’?
I wish I had done the cheeky Newcastle Brown Ale campaigns for both Superbowl and 4th of July. I wish I had done socially impactful work like Sweetie. I wish I could have used technology as powerfully as the Sound of Honda.

What are you most looking forward to about judging at D&AD?
I am fortunate that my jury foreman is someone I admire and I know he will get the best out of us – P J Pereira is an inspirational leader and I look forward to working with him again. I also look forward to soaking in the knowledge of my fellow-jurors from whom I always learn so much. And of course, this will be an awesome preview of the best of the best work in 2015.Can’t wait!

Do you think brands who do well with creative awards also do well in the market?
That is my firm belief. Brands that manage to do well despite a poor creative idea are those who burn and waste large media budgets. The sharper the creative nail, the less heavy the media hammer you need. In an attention-challenged world, ideas are the most powerful currency.

What would be your dream project?
A large UN assignment that impacts lives at the grassroots level. And a feisty tiny brand that is ready to take on a giant.

What advice would you have for aspiring professionals?
Never think you’ve learned it all – at any given time especially in the digital space, you hold just a few pieces and the technology is progressing at a pace we find hard to match. Learn, read, soak it all in and never be afraid to collaborate, share, co-create. Today even marketers realise that their brands are co-parented by their consumers. I follow and advise the CBA model – Consumer before Brand and Brand before Advertiser. Most often we approach it just the other way around!
Mac or PC?
Mac and only Mac.

If you could take anyone out for dinner, who would it be?
Brian Solis, Sheryl Sandberg

What’s on your ipod at the moment?
60s, 70s, 80s rock – not just at the moment but for always.

The post D&AD Judging Preview : Meera Sharath Chandra appeared first on desicreative.

Braincast 142 – Aprendizados do SxSW 2015

BRAINCAST

Por que tanta gente fica falando desse South by Southwest? É assim tão legal? São dúvidas que desaparecem assim que se chega em Austin, no Texas, em meados de março, quando acontece o evento que se tornou vital para startups, marcas de tecnologia, entretenimento, e, claro, para o mercado publicitário.

No Braincast 142, Carlos Merigo, Guga Mafra e Cris Dias conversam com Karina Imoto, Head da Africa Insights e Juliana Nascimento, Diretora de Atendimento da AlmapBBDO, sobre o que torna o SxSW único e importante para o nosso mercado.

Discutimos quais foram os aprendizados, o que teve de melhor esse ano, o que pode ser aproveitado pelos criativos e empreendedores no Brasil, destacamos um guia de sobrevivência para os marinheiros de primeira viagem que querem ir para o SxSW no ano que vem, e você vai descobrir o que Alfred Hitchcock tem com tudo isso.

Download | iTunes | Feed

> 04m40 Comentando os Comentários?
> 8m40 Pauta principal
> 1h14m10 Qual É a Boa?

Críticas, elogios, sugestões para braincast@b9.com.br ou nos comentários desse post.

> Edição: Caio Corraini
> Sound Design: Caco Teixeira
> Arte da capa: Zeca Bral

Brainstorm9Post originalmente publicado no Brainstorm #9
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L'Oreal USA Launches Review of $2.3 Billion Media Account


L’Oreal USA has launched a review of planning and buying for all media, including search, social and programmatic, with a decision expected by year end, said Nadine Karp McHugh, senior VP-omnimedia, strategic investments and creative solutions, in a statement.

The review comes roughly six months after Ms. Karp McHugh moved to the post from Colgate-Palmolive Co., and less than 18 months after the company awarded digital media buying to DigitasLBi from Publicis Groupe sibling Moxie in November 2013.

L’Oreal is the seventh biggest U.S. advertiser, with more than $2.3 billion in spending according to the Ad Age Datacenter. Interpublic’s UM currently handles TV and print buying.

Continue reading at AdAge.com

Play Reimagining ‘Three’s Company’ Wins Case

A federal judge ruled that the Off Broadway play “3C,” a darkly comic reimagining of the TV hit “Three’s Company,” did not infringe the copyright of that sitcom.

National Briefing | Mid-Atlantic: Pennsylvania: Ads With Adolf Hitler Appear on Buses

Provocative advertisements showing a photograph of Hitler with a former Arab leader started appearing on Philadelphia transit buses on Wednesday.



Tom Koch, Comedy Writer for Bob and Ray, Dies at 89

Mr. Koch, a creator of the vexingly convoluted game 43-Man Squamish for Mad magazine, was the unheralded author of thousands of comedy scripts for Bob and Ray’s radio shows.



Luxe Easter Confections – These Les Marquis de Laduree Chocolate Easter Eggs Feature Vintage Cameos (GALLERY)

(TrendHunter.com) Laudree’s Les Marquis de Laduree collection features chocolate Easter eggs that are not only incredibly delicious but also luxuriously designed. Known for their handcrafted macarons, the…

Pinturas ganham versão 3D para que deficientes visuais possam tocá-las

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Enquanto a maioria das obras de arte penduradas nas paredes de grandes museus possuem uma norma rígida de “não chegue perto e não toque”, o Museo del Prado em Madri resolveu abrir das regras para que deficientes visuais também pudessem apreciar a arte.

Para isso, em parceria com o espanhol Estudios Durero, foram criadas composições tridimensionais de algumas das obras artísticas mais famosas do mundo, usando impressão 3D. A partir do toque, cegos e pessoas com problemas de visão podem “sentir” as imagens e ativiar sua percepção das pinturas.

Para fazer com que todos os elementos das composições em 3D transmitissem sentido não somente pela visão, mas principalmente pelo toque, foi preciso trabalhar em cima de interpretações artísticas, análises de texturas, formas e volumes, resultando em um processo único de criação para cada obra de arte.

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O resultado deste projeto pode ser visto no Museo del Padro durante a exposição Touching the Prado, que vai até dia 28 de junho deste ano. Ao todo, foram criados seis diferentes composições tridimensionais. Cada uma delas permite que a pintura original seja mentalizada e recriada por inteira, oferecendo uma percepção emocional fiel da obra, antes quase que impossível. Agora, deficientes visuais são capazes de obter um grau elevado de prazer artístico, estético e criativo durante uma exposição de arte.

Os visitantes podem usar um guia de áudio para acompanhar o tour. Além disso, para pessoas sem problemas de visão, o museu oferece uma máscara para tapar os olhos, com o objetivo de fazê-las sentir mais conectadas com a perspectiva dos cegos.

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“Touching the Prado” é um dos projetos mais sofisticados com a missão de desbloquear a beleza das artes visuais para aqueles incapazes de vê-las.

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No fim, o projeto fez mais do que incluir os deficientes visuais no universo dos museus tradicionais. O singificado de imagem artística foi expandido e ganhou novas dimensões, gerando um valor educacional com múltiplicas aplicações no mundo da arte e em outras áreas também.

Grandes museus como Metropolitan Museum of Art e National Gallery possuem em seu calendário atividades frequentes de inclusão para cegos, como tours com guias de áudio, oficinas de desenho e escultura baseadas na sensibilidade do toque e do corpo, entre outros. O Louvre, por exemplo, tem a chamada Tactile Gallery, com algumas cópias fiés de suas famosas esculturas para serem tocadas.

O fato de nosso mundo estar cada vez mais contando com informações visuais e táteis para dar o recado faz com que essas propostas de inclusão dos deficientes visuais em diferentes atividades sejam de extrema importância para tornar qualquer informação acessível a todos.

Brainstorm9Post originalmente publicado no Brainstorm #9
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For Some Inexplicable Reason: Cinema delivery

Advertising Agency: Y&R, Budapest, Hungary

Comp CC, o novo app para iPad da Adobe

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Adobe Comp CC é o novo aplicativo lançado para iPad como parte da família Creative Cloud. Apresentado pela primeira vez com o nome de Project LayUP na Conferência de Criatividade Adobe MAX em outubro de 2014, o app permite criar de forma simplificada e rápida layouts de alta fidelidade. 

Com usabilidade baseada em gestos intuitivos, cada ação toma o tempo de um ou dois toques e nada mais. 

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Em sua essência, é uma ferramenta para brainstorm, que busca recriar aqueles primeiros estágios do design feitos com papel e caneta. Seus recursos facilitam a integração do arquivo “rascunho” com programas como InDesign, Photoshop e Illustrator, e até permite que a finaliziação do layout ocorra por ali mesmo. 

“Existe uma demanda não atendida para o momento de brainstorm dos criativos e designers. Com dispositivos móveis e sensíveis ao toque, você tem a oportunidade de conseguir o melhor dos dois mundos – tanto da tecnologia quanto do papel/caneta” disse o VP da Adobe, Scott Belsky, para a Wired. De fato, com o Comp você poderá criar tão rápido quanto faria no papel, podendo descartar ou aprofundar ideias facilmente. Além disso, inclui acesso completo às fontes Typekit e possibilita armazenamento online de até 2GB – o que para um app gratuito é significativo. 

Formatos disponíveis

Formatos disponíveis

Typekit e estilos

Typekit e estilos

Padrões de gestos

Padrões de gestos

Usabilidade intuitiva

Como ilustra a imagem acima, a usabilidade do app foi totalmente baseada em gestos intuitivos e simples, no lugar de clicar em pequenos botões. Por exemplo, dependendo das configurações, você poderá desenhar um quadrado, e Comp saberá que se trata de caixa de texto ou imagem. Ou, desenhar um retângulo, que automaticamente se transformará em uma caixa de título. Ou seja, cada ação toma o tempo de um ou dois toques e nada mais.

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Conectividade e integração

Ao completar a ideia, wireframe ou composição no Comp, é possível exportá-la aos outros programas Adobe para finalização e maiores acabamentos. O arquivo gerado – Compound Document Format (CFD) – será transformado em vetor, com todas as layers intactas e precisão de pixel. Esse novo formato CFD é leve e acompanha a linguagem universal da Adobe, compatível com todos os seus programas.

Além de exportar, o app também permite importar qualquer tipo de arquivo criado nas outras ferramentas do Creative Cloud e que permitam usar o Adobe ID. Por exemplo, se você se logar com seu login da Adobe no app Paper, poderá salvar seus arquivos para serem abertos posteriomente no Comp

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Opções de exportação

Com esse novo lançamento da Adobe, é nítida a movimentação da empresa para aumentar seu papel no fluxo de trabalho do designer. Afinal, suas famosas ferramentas são essencias durante os estágios de execução, porém são fixas, feitas para desktop. Já Comp é móvel e se descreve ideal para quem está em movimento ou precisa ser produtivo enquanto fora do ambiente do trabalho – por exemplo, sentado num café ou esperando no aeroporto. 

A tentativa da Adobe em materializar essa “criatividade conectada” abraça não apenas uma execução de qualidade, mas também o que as origens papel/caneta significam e adicionam no design. Com tantos apps tendo essa missão no mercado, a conversão do fluxo de trabalho para tablets e smartphones parece cada vez mais natural.

Adobe Comp CC está disponível de graça para iPad.

Brainstorm9Post originalmente publicado no Brainstorm #9
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