King of Shaves founder Will King relinquishes top role

King of Shaves founder Will King is to step down as chief executive and hand the reins of the business to long-standing colleague Andy Hill.

BSkyB chief Jeremy Darroch's pay slumps by 70%

Jeremy Darroch, the chief executive of BSkyB, took home £4.9 million in the 12 months to the end of June 2014, less than a third of the £17 million he was paid a year earlier.

Domino's and Microsoft deal to let Xbox gamers order pizza through consoles

Xbox users will soon be able to order a Domino’s pizza without having to tear themselves away from their gaming console, thanks to a deal between Microsoft and the pizza chain.

Enjoyed getting an hour back on Sunday? You'll get years back if you stop smoking, says charity

Quit, the anti-smoking charity, shows people how much longer they would live if they gave up the habit in a campaign to coincide with the end of British Summer Time.

Ad Review: Headphone Maker JBL Wins With Humor and Humiliation


You’d have to be slightly insane to throw marketing money into the headphone arena these days. Just as Apple and Samsung are sucking up all the oxygen in the smartphone space, Beats and Bose seem to be doing the same in the personal audio industry. Granted, the majority of the country may be simply walking down to the closest Walmart and buying whatever’s on sale for $12.99, but if you were to ask the average consumer what the best headphones are, he’d likely say Bose or Beats.

In terms of marketing, Bose is tying up with the NFL as an official sponsor and Beats is tying up with NFL players and just about every other celebrity out there. Beats, in particular, has rolled out solid advertising over the last year, the most notable of which featured star athletes shutting out a world of hate-fueled opposing fans with a pair of Beats.

So when the JBL press release landed at Ad Age HQ, my first response wasn’t “How odd,” but rather, “How sad.”

Continue reading at AdAge.com

Glue Maker Loctite Gambles Big With Super Bowl Spot


Move over, Budweiser, Pepsi, Coca-Cola and automotive brands galore. The Super Bowl will have a new advertiser in 2015 — glue giant Loctite.

The estimated $4.5 million price of a Super Bowl spot represents a big gamble for Loctite, which has spent $4 million in total on measured media each of the past two years, according to Kantar Media. Through the first six months of this year, the brand spent $1.7 million. Parent Henkel, however, spent $46 million overall last year on brands that also include Dial, Purex, Right Guard and Renuzit, Kantar said.

Loctite will go all in with a spot at the beginning of the fourth quarter with the latest installment of its less-than-year-old #WinAtGlue campaign from Fallon, Minneapolis.

Continue reading at AdAge.com

Agencies Paying Top Dollar for Data Analysts


Trying to recruit a director of analytics who had been making $125,000 at another agency, Andrew Swinand, CEO of digital-analytics shop Cardinal Path, offered the candidate $140,000. It wasn’t enough: Accenture snagged him with $160,000 and a $20,000 sign-on bonus.

Such is the market for data roles, which is driving big salaries at shops.

Mr. Swinand was president of media agency Starcom MediaVest Group prior to co-founding Abundant Venture Partners. That venture group is associated with Cardinal Path, which conducted an analysis of salaries based on its own staffers’ experience and past gigs, mostly at agencies and consultancies. It found that entry-level salaries for data-related jobs at agencies tend to start at close to $60,000 compared to around $30,000 for standard entry-level agency jobs. Staffers with data experience and jobs also move up more quickly than others, jumping from $60,000 to $100,000 in just two years and reaching up to $150,000 after five years, he said.

Continue reading at AdAge.com

Cactus And Virus Popsicles

Le studio Bold Or Italic, fondé par le designer Wei Li, a rendu possible le fait de « lécher des cactus et des virus » avec son projet de sucettes reprenant les formes et couleurs de différents cactus et virus. Il a intelligemment associé les formes des cactus aux formes de certains virus. Des sucettes à l’eau et au sucre, dont l’idée conditionne quelque peu la saveur.

Procédé : Grâce à l’imprimante 3D Objet Connex 500 et après avoir esquissé la forme sur ordinateur, un modèle 3D est tiré et utilisé pour concevoir des moules en silicone. Les ingrédients sont donc mélangés dans le moule pour en faire ressortir des sucettes en cactus ou en virus.

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Egyptian Media to Limit Criticism of Government

A group of Egyptian newspaper editors pledged to limit their criticism of state institutions, after Egypt’s president warned of a “conspiracy” behind a militant attack last week.

Halloween time: The top 15 most-shared scary ads of all time

It’s that time of year again. The nights are drawing in, temperatures are plummeting, the wind and rain are lashing at our windows, the trees stand skeletal. Yup, autumn is here and Halloween is almost upon us.

Bridgestone: Frontline

Advertising Agency: JWT-International, Amsterdam, The Netherlands
Executive Creative Director: Ian Thomas
Creatives: Thom van Rijckevorsel, Max Gershfield, Andrew Duncan
Head of TV: Danielle van Berkel
Film Production: Bang TV
Director: Laszlo Kadar
Executive Producer: Jeremy McWilliams
Producer: Tom Whitehead
Editors: Paul Watts, Bruce Townend / The Quarry
Post Production: Absolute Post
Colourist: Matt Turner / Absolute Post
Sound Design: Vaudeville

Bridgestone: Turanza

Advertising Agency: JWT-International, Amsterdam, The Netherlands
Executive Creative Director: Ian Thomas
Creatives: Thom van Rijckevorsel, Max Gershfield, Andrew Duncan
Head of TV: Danielle van Berkel
Film Production: Bang TV
Director: Laszlo Kadar
Executive Producer: Jeremy McWilliams
Producer: Tom Whitehead
Editors: Paul Watts, Bruce Townend / The Quarry
Post Production: Absolute Post
Colourist: Matt Turner / Absolute Post
Sound Design: Vaudeville

Job Postings, Translated

Category: Up Your Game
Summary: “Must be able and willing to defend the creatives against outside interference from account services, clients, traffic, agency principals, etc. Must approve and ‘sell’ the creative work to the account team and client. If the creative work isn’t sold properly to the account executive, it will not be sold properly to the client.” Yikes…I get it! Why would I want to work there?

UNO restaurant: Eatspirations

Advertising Agency: Voskhod, Yekaterinburg, Russia
Creative Director: Andrey Gubaydullin
Copywriters: Darya Ovechkina, Anton Rozhin
Art director: Vladislav Derevyannikh
Designers: Kirill Ratman, Evgenya Surovtseva
Published: August 2014

Fresh Mug Beer: The Big Fresh Mug

Advertising Agency: Openeyes DDB, Almaty, Kazakhstan
Creative Director: Sergey Radionov
Art Directors: Ilya Kodintsev, Timur Bekirov
Designers: Marina Kharitonova, Yelena Lepshina
Copywriter: Yuriy Mashkunov
Client Service Director: Evgeniya Lyssenko
Account Director: Nataly Lutchenko
Published: October 2014

Lockwood: The pin change

Production Company: Bengar
Director Director / Creative Director: Ben Gartland
Copywriter: Michael Princi
Art Director: Jackson Dickie
Producer: Melina Flood
Junior Art Director: Keith Bradley
Account Director: Catherine Gunn
DoP: John Wheeler
Sound: Method
Visual Effects: Ange Bibier
Post production / Casting: Bengar
Fashion Stylist: Penny Dickinson
Retoucher: CJ Dobson
Photographer: Mark Pokorny
Production Manager: Justine Pitcher

Lockwood: The key party

Production Company: Bengar
Director Director / Creative Director: Ben Gartland
Copywriter: Michael Princi
Art Director: Jackson Dickie
Producer: Melina Flood
Junior Art Director: Keith Bradley
Account Director: Catherine Gunn
DoP: John Wheeler
Sound: Method
Visual Effects: Ange Bibier
Post production / Casting: Bengar
Fashion Stylist: Penny Dickinson
Retoucher: CJ Dobson
Photographer: Mark Pokorny
Production Manager: Justine Pitcher

Lockwood: The lock out

Production Company: Bengar
Director Director / Creative Director: Ben Gartland
Copywriter: Michael Princi
Art Director: Jackson Dickie
Producer: Melina Flood
Junior Art Director: Keith Bradley
Account Director: Catherine Gunn
DoP: John Wheeler
Sound: Method
Visual Effects: Ange Bibier
Post production / Casting: Bengar
Fashion Stylist: Penny Dickinson
Retoucher: CJ Dobson
Photographer: Mark Pokorny
Production Manager: Justine Pitcher

Wellington's Sweet Chilli Sauce: Married

Advertising Agency: Ogilvy, Cape Town, South Africa
Executive Creative Director: Chris Gotz
Art Director: Ross Nieuwenhuizen
Copywriter: Taryn Scher
Production Company: Macduff Films
Director: Dave Meinert
Producer: Petar J
Agency Producer: Iris Vinnicombe

Wellington's Sweet Chilli Sauce: Party

Advertising Agency: Ogilvy, Cape Town, South Africa
Executive Creative Director: Chris Gotz
Art Director: Ross Nieuwenhuizen
Copywriter: Taryn Scher
Production Company: Macduff Films
Director: Dave Meinert
Producer: Petar J
Agency Producer: Iris Vinnicombe