An Inside Look At How These 4 Agencies Collaborate to Create Awesome Content

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Content marketing, inbound marketing and native advertising practices have entrenched themselves in every corner of the marketing spectrum. Entire businesses like Buzzfeed, Nativo and ShareThrough have sprouted to serve this growing marketing practice. But it’s not just publishers and ad tech vendors who have hopped aboard this train. It’s ad agencies as well. But how are these agencies folding these new methods of marketing into their service offerings? How are they collaborating internally and with external resources to ensure everything moves along swimmingly?

To find out, we reached out to several agencies to query them on their mindset, approach, and collaborative practices as they relate to the creation and dissemination of content. In general, agencies are approaching the creation of editorial content much in the same way they approach the creation of an ad campaign. But differences arise with the addition of new players in the process.

Content Creation is Collaborative

Perhaps stating the obvious (which, let’s be honest, can’t be done enough in this fast-moving business), School of Thought creative director Tom Geary says it’s all about a strong partnership and three key steps. As he explains, “Content marketing has to be collaborative. The client, after all, is the expert in their field. Our job is to leverage that expertise. That means, one, get up to speed fast – researching, studying, and most importantly, asking questions. Two, hone in on the key message(s). Three, translate it/them into a suitable content format. It’s a rewarding process. Pretty much any vendor can perform step three. It takes a partner to execute steps one and two.”

So, much like creating an ad campaign that resonates effectively with its intended audience, partnership and knowledge sharing are key. It’s collaborative, too. And the creation of content has changed the way agencies work with clients and how they work internally.

Getting down to details on just how his agency effectively collaborates and approaches the process of content creation, Brunner VP, director of social media George Potts says, “Content creation at Brunner is not the exclusive domain of one agency function. It is a cross-functional team process, involving social media strategists, community managers, public relations specialists, paid media planners, account leaders, consumer/readership researchers, creative writers, visual designers and production professionals.”

MRY CMO David Berkowitz concurs, saying, “All content marketing and native advertising comes out of our media team, which covers earned, owned, and paid media, in collaboration with the creative and production teams depending on the content involved. We have account managers and project managers handling the process, but then various media specialists executing the advertising. The client is involved throughout the process, from aligning on strategy and goals at the outset to reviewing creative and copy.”

Over at Brunner, Potts says his agency has adopted a brand publishing model that “evolved from traditional journalism” that puts the reader, not the brand, first. Shaking up internal functions at the agency, he says “the agency fused social media, public relations, media planning & placement, research and strategy into one communications planning department, whose leaders, along with a few content marketing champions in our creative department, manage content creation. The process fosters, and benefits from, a synergy between owned, paid and earned media perspectives. Also, we’re experimenting with new roles such as brand publisher/content strategist and brand editor to further elevate our approach. These positions currently report to the VP, director of social media and SVP, communications planning.”

Who Creates the Content?

New models of collaboration will continue to evolve to properly serve content marketing and native advertising. As they should. But, cutting to the chase, who actually creates the content? And what processes surround the creation of the content?

MRY’s Berkowitz says most of the content created for clients is done in-house, but outside production studios or other specialty shops are tapped when needed. At TDA_Boulder, it’s a tight ship, with executive digital director Gene Paek saying, “We concept, write and direct all brand-created — as opposed to user-generated or influencer-created — content in-house for our clients.”

At School of Thought, it’s not so cut and dry; the agency uses both internal and external resources to create content. But key to the process is central management. “We are always the client’s point of contact with the developing content. We project manage,” says Geary.

Pointing out the fact that not all content is original (nor does it need to be) and that, sometimes, it’s reformatted, reused or repurposed, Brunner’s Potts says his agency occasionally partners with content marketing companies such as NewsCred, which can both license existing content as well as call upon its network of content creators on behalf of the agency. And the agency has forged a relationship with content distribution company Nativo to bring scale to content on behalf of its clients.

In an effort to better collaborate with content creators and convey to those content creators the place and purpose of a particular piece of content, Potts delineates content into three categories: hero, hub and hygiene. “Hero content inspires through emotional storytelling, and is typically higher production value, and promoted through paid media,” he explains. “Hub content appears at a regularly updated destination (typically social or brand.com); it must be valuable and engaging, worth returning to or sharing. Hygiene content delivers our most compelling or useful response to a user’s question, most typically through search, social and brand.com.”

Collaborating With Publishers and Content Syndicators

The collaborative process of producing content and the decision of who does the actual producing are both important elements of content marketing, inbound marketing and native advertising. Of equal importance is working with entities that get that content in front of an audience. Sometimes its just an internal, client-side process such as publishing content on a corporate blog. Other times it’s finding more legs for the content through PR efforts, paid native placements or ad network-like content distribution mechanisms. In all cases, collaboration remains key.

In terms of working with a native advertising partner or content syndication vendors, Brunner’s Potts says his agency follows “three critical steps.” First, “be clear on goals and objectives upfront with all parties.” Second, “determine a way to make sure the readers’/consumers’ needs are met.” And third, “establish a clear chain of communications. You can have many varied points of view within the team, beyond just the agency’s. All will need to be heard. And the agreed upon criteria will need to be revisited regularly.”

Though Potts doesn’t usually work directly with publishers — preferring, instead, to work with content syndicators like Nativo, Sharethrough and Outbrain — when he does he says “we doggedly pursue a co-created approach to the content. Doing so exposes us to how they run their pub/property — which, in turn, helps us understand how we’ll get, and certify that we will get, the publicity we seek. Also, co-creation lets the publisher understand our brand publishing mission, which further helps guarantee success.”

Creating content that will be used on a corporate blog, syndicated through a content distributor or spread through social media can be a complex process, but, like anything complex in this world that requires more than one person to complete, effective collaboration will lessen headaches and streamline the process.

This article was previously published on the Central Desktop blog.

Urzza: Swimming pool

Advertised brand: Urzza
Advert title(s): Swimming Pool
Headline and copy text (in English): Urzza : Swimming Pool

Advertising Agency: Soho Square, Mumbai, India
Executive Creative Directors: Anuraag Khandelwal, Satish Desa
Client Servicing Team: Samrat Bedi, Mohit Ahuja, Vikram Turakhia
Agency Producers: Porus Khareghat, Shagun Shah
Production Company: Bang Bang Films
Director: Nic & Sune
DOP: Nic & Simon Hawken
Producers: Roopak Saluja, Chahna Rupani, Ujaala Chaudhuri
Group Head of Production: Cyrus Mendes
Assistant Producer: Alisha D’souza
Production Service: Giuliano Doman / Family Film
Assistant Directors: Joel Morales, Cristian Corduneanu
Head of Post Production: Tarun Mahajan
Post Production: Colorgrade (Romania), Storyline (Norway), Teamworks & After (India)
Editor: Patrick Larsgaard
Music Director: Dhruv Ghanekar
Published: September 2014

Urzza: Junkyard

Advertised brand: Urzza
Advert title(s): Swimming Pool
Headline and copy text (in English): Urzza : Swimming Pool

Advertising Agency: Soho Square, Mumbai, India
Executive Creative Directors: Anuraag Khandelwal, Satish Desa
Client Servicing Team: Samrat Bedi, Mohit Ahuja, Vikram Turakhia
Agency Producers: Porus Khareghat, Shagun Shah
Production Company: Bang Bang Films
Director: Nic & Sune
DOP: Nic & Simon Hawken
Producers: Roopak Saluja, Chahna Rupani, Ujaala Chaudhuri
Group Head of Production: Cyrus Mendes
Assistant Producer: Alisha D’souza
Production Service: Giuliano Doman / Family Film
Assistant Directors: Joel Morales, Cristian Corduneanu
Head of Post Production: Tarun Mahajan
Post Production: Colorgrade (Romania), Storyline (Norway), Teamworks & After (India)
Editor: Patrick Larsgaard
Music Director: Dhruv Ghanekar
Published: September 2014

Florette: Girl

Freshness and imagination.

Advertising Agency: Havas 360, Paris, France
Executive Creative Director: Chermine Assadian
Art Director: Damien Guiol
Copywriter: Sami Benama
Agency Producers: Anne Mascorda, Cécile Ousset
Account Executive: Saida Maalou
Business Director: Arnaud Thizy
Account Director: Vanessa Bernard Granger
Artists: Hong-Yi

Florette: Boy

Freshness and imagination.

Advertising Agency: Havas 360, Paris, France
Executive Creative Director: Chermine Assadian
Art Director: Damien Guiol
Copywriter: Sami Benama
Agency Producers: Anne Mascorda, Cécile Ousset
Account Executive: Saida Maalou
Business Director: Arnaud Thizy
Account Director: Vanessa Bernard Granger
Artists: Hong-Yi

Florette: Surfer

Freshness and imagination.

Advertising Agency: Havas 360, Paris, France
Executive Creative Director: Chermine Assadian
Art Director: Damien Guiol
Copywriter: Sami Benama
Agency Producers: Anne Mascorda, Cécile Ousset
Account Executive: Saida Maalou
Business Director: Arnaud Thizy
Account Director: Vanessa Bernard Granger
Artists: Hong-Yi

Samsung: Victo

Advertising Agency: Cheil, South Korea
Creatives: Yunkyung Oh, Garam Lee
Account team: Monica Bae, Taeyoon Lee, Yousik Jeon
Project lead: Monica Bae
Production company: Museum Film
Director: Jongmin Lee
Producer: Youngjin Oh
VFX: Jaechul Song
SFX: Minwoo Lee

Earthwatch Institute: The balls to save the Earth

Advertising Agency: Adwatch Isobar / Mail.ru, Russia
Creative Directors: Roman Pavlenko, Andrey Tyukavkin
Art Director: Ivan Prokhorov
Copywriter: Andrey Tyukavkin
Production team: Anastasia Goncharova, Kseniya Korobeynikova
Account team: Anna Yarosh, Mikhail Bykov, Marina Tron
Published: September 2014

Minivegas: New Directors

Production Company: Minivegas

Tribanco Concerts: Beethoven

Masters of music aren’t born every day, but they play every year.
Season 2014 of the Tribanco Concerts.

Advertising Agency: Agencia Sic, Uberlândia, Brazil
Creative Directors: Henrique Damião, Thiago Schmidt
Art Directors: Henrique Damião, Thalles Nunes, Demerval Gonçalves
Copywriters: Henrique Damião, Gabriela Alvarenga
Photographer: Erich Gebhardt
Published: September 2014

Tribanco Concerts: Mozart

Masters of music aren’t born every day, but they play every year.
Season 2014 of the Tribanco Concerts.

Advertising Agency: Agencia Sic, Uberlândia, Brazil
Creative Directors: Henrique Damião, Thiago Schmidt
Art Directors: Henrique Damião, Thalles Nunes, Demerval Gonçalves
Copywriters: Henrique Damião, Gabriela Alvarenga
Photographer: Erich Gebhardt
Published: September 2014

Tribanco Concerts: Vivaldi

Masters of music aren’t born every day, but they play every year.
Season 2014 of the Tribanco Concerts.

Advertising Agency: Agencia Sic, Uberlândia, Brazil
Creative Directors: Henrique Damião, Thiago Schmidt
Art Directors: Henrique Damião, Thalles Nunes, Demerval Gonçalves
Copywriters: Henrique Damião, Gabriela Alvarenga
Photographer: Erich Gebhardt
Published: September 2014

Digital Art by Kyuin Shim

Le jeune artiste sud-coréen Kyuin Shim, basé à Séoul, est spécialisé dans l’art numérique. Il crée d’incroyables sculptures digitales : des oeuvres abstraites et étranges mettant en scène des corps nus noirs ou blancs qui ont toujours l’air de se déverser. Une sélection de ses oeuvres est disponible en images.

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Marca de sorvete conta o que os pais fazem enquanto seus filhos dormem

Já parou para imaginar o que os pais costumam fazer depois que colocam seus filhos para dormir? A marca de sorvetes Breyers (do grupo Unilever) resolveu abrir o jogo e mostrar a enorme sacanagem que os adultos aprontam… com as crianças, ficando com o sorvete só para eles.

Com criação da DDB e produção da EUE Screengems, Late Night with Breyers Gelato Indulgences revela uma realidade em que os pais assistem à programas com linguagem adulta – e até nudez parcial -, comem as coisas gostosas que geralmente vetam aos filhos e que, por isso mesmo, costumam ficar escondidas, entre outras coisas.

Pena que, no mundo real de verdade, os pais que têm filhos e trabalham ainda têm brinquedos para recolher, roupas para lavar e passar, lanches para preparar… mas sempre deve sobrar um tempo para um sorvetinho…

Captura de Tela 2014-09-28 às 20.02.08

Brainstorm9Post originalmente publicado no Brainstorm #9
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Finding There Were Too Many Apps for That, Second-Screen Startups Try Plan B


Philo, Miso, GetGlue, IntoNow and Umani. Do these names sound familiar? They are relics of the dozens of so-called second-screen startups that hit the market between 2007 and 2013, promising to revolutionize TV.

It was a very sexy proposition to both TV networks and advertisers: a way to engage (and monetize) viewers who were using other devices while watching TV.

There was an app for seemingly everything. Users could check in to TV shows and receive points, play games, discover content and interact with other TV fans. Most major marketers were eager to test companion apps by sponsoring show experiences with these features and syncing ads that ran on TV to these platforms.

Continue reading at AdAge.com

Dole Printed Some Very Special Bananas for 200 Runners of the Tokyo Marathon

Kudos to Dole and Denstu Y&R for making what might be the coolest bananas in the world.

At this year’s Tokyo Marathon, 200 runners received personalized Dole bananas with information like finish times and praise from Facebook friends all printed in edible ink (though hopefully nobody tried to eat the peels).

The idea manages to be pretty sweet, even if it is a little silly … not altogether unlike a banana. It aimed to amplify Dole’s broader role of handing out some 91,000 bananas to participants in the race, and by the agency’s measures, it was a roaring success, earning some $1.1 million in media coverage.

Dole determined the winners of special trophy bananas by lottery, but even the boring, textless bananas available to all the runners were still “Gokusen,” or the high-end kind that can cost $12 a bunch—or as much as $6 per banana with special gift packaging.

Then again, in a culture where gift giving is prevalent, and where supermarkets therefore tend to carry $300 cantaloupes—and where even more special melons have sold for  $16,000—a pricey banana starts to sound like a total steal.

Via Design Taxi.



Diatoms Patterns

L’artiste anglais Klaus Kemp a réalisé une série de plusieurs espèces de diatomées capturées au microscope et assemblées de manière à créer de très belles oeuvres harmonieuses. Les diatomées sont des micro-algues présentes dans tous les milieux marins. Quand l’art et la science se rencontrent, à découvrir en photos et dans une vidéo de Matthew Killip.

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Mondelez names former Walkers marketer Mary Barnard as European president

Mondelez has promoted Mary Barnard to the position of president, Northern Europe, where she will be responsible for Mondelez in the UK, Ireland, Norway, Sweden, Finland and Denmark.

In Shift, IAB to Grant Ad-Tech Companies Full Membership


The publisher-dominated Interactive Advertising Bureau has long relegated ad-tech companies to second tier, “associate” membership. But that era is now over. Today, the industry group announced a restructuring which will grant ad-tech companies full general membership, allowing them to vote on the IAB’s policies and assume leadership positions for the first time.

“This reflects the changing and evolution of the industry,” said Patrick Dolan, exec VP-chief operating officer of the IAB, in an interview with Ad Age. “It’s much more representative of what reality is.”

The inclusion of ad-tech companies signals a major philosophical shift among digital publishers. Not long ago, these publishers engaged ad-tech companies with a sense of dread, fearing automation and the aggregation of audiences would drive down their ad prices. In a short period though, automation turned into an unavoidable fact of life in the digital advertising industry.

Continue reading at AdAge.com

PROTIPS: What are you bingeing on?


We asked thought leaders what shows they can’t get enough of and why.

Ira Bahr

Continue reading at AdAge.com