Hasta La Creative!

Advertising Agency: Draft FCB Barcelona, Spain

Volume that keeps up longer. Extra strong hairspray.

Advertising Agency: Y&R Germany
Creative Director: Uwe Marquardt
Copywriter: Kai-Oliver Sass
Art Director: Harald Schumacher
Graphics: Julia Sturm

Smart cats prefer whiskas.

Copywriter: Sangeeta Vinay
Concept / Illustrator: Harshik Suraiya

This brings back memories of WOR, which was on my Atlanta cable system in the 80’s.

Men don’t want to look at naked man.
jbs mens underwear

Advertising Agency: & Co, Denmark
Creative Director: Thomas Hoffmann
Art Directors: Thomas Hoffmann, Martin Storegaard
Photographers: Rasmus Mogensen, Morten Laursen

Advertising Agency: Heimat, Berlin, Germany
Creative Directors: Guido Heffels, Juergen Vossen
Copywriters: Sebastian Kainz, Guido Heffels, Till Eckel
Art Directors: Tim Schneider, Marc Wientzek
Photographer: Wolfgang Stahr
Illustrator: Michael Mackens
Art Buying: Marjorie Jorrot
Print Producer: Carola Storto

Advertising Agency: Heimat, Berlin, Germany
Creative Directors: Guido Heffels, Juergen Vossen
Copywriters: Sebastian Kainz, Guido Heffels, Till Eckel
Art Directors: Tim Schneider, Marc Wientzek
Photographer: Wolfgang Stahr
Illustrator: Michael Mackens
Art Buying: Marjorie Jorrot
Print Producer: Carola Storto

Advertising Agency: BBH London, UK

Quarterlife, the new series from Marshall Herskovitz and Edward Zwick, is far from racking up impressive broadcast-style numbers on MySpace and YouTube, which leads The New York Times to question.

The low traffic numbers are significant because the series has been touted as the first television-quality production for the Web, as well as the first to be introduced online as a warm-up for its network debut. NBC will broadcast “Quarterlife” in one-hour increments beginning in February, and the Web-to-broadcast process is being closely watched as a potential business model for television on the Internet.

YouTube has the first nine webisodes posted at this time, whereas MySpace has 14, so that needs to be addressed (although I wouldn’t be surprised if there’s some kind of deal that prevents it, since the show debuted on MySpace).

Since I had the time today, I watched webisodes one through ten. While I’m outside the target demographic, I like the show. If I was the target I’d probably feel compelled to deliver some snarky commentary. But I’m not, and Gawker’s already got that covered.

I’m not overtly religious, but I have been singing this song incessantly for the past three days.
To you and yours, from me and ours — Merry Christmas.
And remember “War is over (If you want it.)