Venables Bell & Partners, Audi Present ‘A Special Message from Sarah McLachlan’

We know what you’re thinking: “Holy shit, Sarah motherfucking McLachlan!!” But you should probably sit back down, take a deep breath, maybe drink a glass of water. You don’t want to get yourself too worked up. We don’t want you to start pounding your desk and throwing chairs in excitement. Hopefully you didn’t just scream that out loud for your boss to hear.

The Lilith Fair founder stars in this bizarre Super Bowl teaser that Venables Bell and Partners put together for its longtime client and perennial big game advertiser, Audi. In the spot, McLachlan parodies her own advertisements in support of the ASPCA, offering up a “special new song” to raise awareness for “misunderstood animals.” In this case, the “misunderstood animals” are Doberhuahuas (a cross between a Doberman and Chihuahuas, get it?). The freaky-looking things populate the spot, pictured hanging on couch by the fireplace, on a walk along the beach, tearing up a couch, and hanging out with kittens, ducklings and bunnies. It’s a bit bizarre, but it certainly should get people’s attention. And it features the always exciting music of Sarah McLachlan. You might want to wait until later to watch this, so you can appropriately rock out and get your Sarah on. Just saying.

The ad marks the second teaser from Audi, following “Dog Show,” which debuted earlier this week. Audi’s latest Super Bowl effort will be promoting the automaker’s all-new A3, billed as “the brand’s entry-level luxury sedan.” It will mark Audi’s seventh return to the Super Bowl. Keep an eye out for the spot during the first in-game break and following the third quarter kickoff. Stick around for “Dog Show after the jump. continued…

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Livro infantil conta a “história” da Audi

Hoje em dia, com as incontáveis plataformas e tecnologias disponíveis, há N maneiras de se contar uma história. É exatamente por se ter à disposição uma variedade tão grande de meios, que surpreende a escolha da Audi de contar “sua” história em um livro infantil. Criado pela Venables Bell & Partners, com produção do estúdio Mattson CreativeIt Couldn’t Be Done: An Audi Story é daqueles projetos que dá gosto de ver.

Com 28 páginas, o livro infantil mostra que simplicidade não é, de maneira alguma, sinônimo de simplista. As ilustrações têm uma pegada no estilo de Saul Bass, enquanto o texto escrito originalmente por Edgar August Guest em 1916 segue o ritmo das rimas de Dr. Seuss.

Apesar de não ser a história oficial da montadora, It Couldn’t Be Done “se aplica perfeitamente a tudo que nós somos e tudo que fazemos todos os dias na Audi”. O vídeo acima dá uma ideia de como o projeto ficou, assim como as ilustrações abaixo.

mattson1 mattson2 mattson3 mattson4 mattson5

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VB&P, McAfee Think Your Digital Self is a Complete Idiot

 

San Francisco-based Venables Bell & Partners continue their ”Protect Yourself from Your Digital Self” campaign for McAfee LiveSafe, produced by its in-house content production facility, Lumberyard, with a new spot entitled ”Beth vs. @simply_the_beth.”

The spot builds on the notion of the careless, naive digital self they’ve explored in the past. In this case, @simply_the_beth’s carelessness leads to identity theft, an opportunity for VB&P to tout McAfee’s identity protection. The way in which this happens is a bit over-the-top, and I have to think the spot would be more successful if  @simply_the_beth got in trouble in a more realistic way. I understand the ad is attempting to be humorous, but it really pushes things way past believability. Aren’t you trying to get people to identify with Beth and her digital self? And by making Beth’s digital self a complete idiot, aren’t you kind of insulting your potential customers? Making @simply_the_beth so unbelievably stupid just seems like a big misstep. On an unrelated note, I really want that owl mug Beth is holding.

In the slightly more successful Gregg vs. @greggs_benedict (featured after the jump), VB&P plays on the animosity between Greg and his digital self without making the digital self quite so cartoonish (he’s more of a dick than a moron). Let us know what you think of the new spot, and the ”Protect Yourself from Your Digital Self” campaign in the comments section.  continued…

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Goodby Vet Davidson Assumes Top Strategy Role at VB&P

Michael_Davidson1After spending over six years at Goodby Silverstein & Partners, where he last served as group strategy director, Michael Davidson is heading over to fellow San Francisco agency, Venables Bell & Partners, to assume the title of head of strategy. Davidson (the staring far off into the distance look never fails), who actually had two stints at Goodby, first serving as planning director at the agency in the early aughts, will now head up said department at VB&P, which of course counts notable clients including Intel, Audi and Google. This marks for a reunion of sorts for Davidson and current VB+P managing director, Paul Birks-Hay, as the pair worked together at AMV BBDO earlier in their careers. In addition to AMV, Davidson spent two years in the U.K. at TBWA London, working on Labour Party’s General Election Campaign and reporting directly to Tony Blair.

Along with new head of strategy, Venables Bell & Partners has added more to the department in group strategy director Leander Chapman, aka “Chappy” (we can dig it), who most recently ran his own consultancy and has previously served strategy director for Translation among other agency gigs.

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The Most Uplifting Ad You’ll See Today Is About a 15-Year-Old’s Incredible Cancer Research

Here's one from the warm-and-fuzzies school of advertising.

Jack Andraka, barely a teenager, decided to develop an early-detection test for pancreatic cancer after his uncle died from the disease. He asked 200 researchers and other experts for help. Only one, a doctor of oncology at Johns Hopkins, provided him with lab space to use after school. At age 15, Andraka succeeded in developing a test that is 168 times faster, 400 times more sensitive, and 26,000 times less expensive than the medical standard.

Intel tells Andraka's story in the ad below. What does a computer-chip manufacturer have to do with his invention? Not much, but Intel is the headlining sponsor—and has been since 1997—of the International Science and Engineering Fair, which gave Andraka its $75,000 grand prize for his work.

The spot, from Venables Bell & Partners (and director Britton Caillouette of Farm League, himself a bone-cancer survivor), is a little self-congratulatory on Intel's part. But it's clever, too. The ad, which proceeds in reverse chronology, might make you feel the same sort of skepticism about Andraka that his idea met—but then you'll feel like a fool when you realize how quite amazing his accomplishment is. Credits below.

CREDITS
Client: Intel
Spot: "Look Inside. Jack A."
Agency: Venables Bell & Partners
Executive Creative Directors: Paul Venables and Will McGinness
Creative Director: Tom Scharpf
Associate Creative Director: Eric Boyd
Art Director: Ezra Paulekas
Copywriter: Rob Calabro
Director of Integrated Production: Craig Allen
Agency Producer: Emily Moore
Production Company: Farm League
Director: Britton Caillouette
Director of Photography: Devin Whetstone
Executive Producers: Tim Lynch/Tieneke Pavesic
Producer: David Burden
Editing Company: Farm League
Editor: Dana Shaw
Sound Design: One Union SF
Sound Designers: Joaby Deal
Music: Elias/Michael Fraumeni
Mix: Joaby Deal/One Union SF
VFX/End Treatment: Brand New School
VFX Producer: Amy Russo


    

Como se proteger do seu eu digital, segundo a McAfee

Todo mundo tem um “eu” digital que não é lá tão parecido com o seu “eu” analógico, pelo menos nas atitudes. Além de bastante “trabalhado na edição”, às vezes ele pode ser um pouco mais inocente, distraído e até mesmo irresponsável do que você seria no mundo real. E é essa relação entre o eu analógico e o eu digital que serve de matéria-prima para três filmes que divulgam o serviço LiveSafe, da McAfee.

Coube à agência Venables Bell & Partners transformar o conceito em comerciais que pudessem criar uma identificação com o consumidor, fazendo com que ele se visse em situações comuns, como usar a mesma senha para tudo, perder documentos importantes, etc.

Com uma pegada cômica, a mensagem da McAfee é que todo mundo precisa se proteger do seu eu digital. Vale o play.


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VB&P, Audi Chase the White Whale in ‘Ahab Redux’

In 2012, a creative director fell into Herman Melville’s 720-page trap and reimagined Ahab as a tow truck driver, madly chasing his white whale, an Audi Quattro. “Sometimes, I actually think it’s mocking me,” Ahab says in a gruff voice, anxiously twisting his thermos as he waits in the arctic tundra.

Said creative director then got distracted by Cetology, but has now resurfaced to produce “Ahab Redux,” in which, obviously, our automotive whale has yet to meet his driver. Ahab has retired on an island “most folks would call paradise,” but he can’t escape his all-wheel drive demon. “There isn’t a road on earth that can stop it.”

Thankfully this ad is a departure from the old winding-mountain-road glamour reel, and I appreciate the attempt at literary allusion. We’re all familiar with Moby Dick, whether we became obsessed like Ahab or SparkNoted its entirety. “Ahab Redux” is a bit of a cop-out due to its repetition, but the general idea probably gives Audi’s target affluent audience a twinge of self-satisfaction: “Oh, I know that story!”

Credits and original Ahab after the jump continued…

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Little Girl Clearly Explains How Google Fiber Is Like On-Demand Birdwatching

Venables Bell & Partners is launching another campaign for Google Fiber, and it's already a little more interesting than 72andSunny's recent Google Chromecast work, which was basically watching people watch television. Dubbed “Un-Technically Speaking,” the new Venables push is taking the classic Star Trek approach of explaining a complicated thing with a simple analogy. In the case of the first spot, an extremely articulate little girl uses birdwatching as a metaphor for the Nexus Tablet's vocal command feature. I think that girl might be some kind of beta-level Google contraption, too. Her elocution definitely puts her on my “could be a robot” list. Credits after the jump.

Brand: Google Fiber
Spot: Bird Watcher
Air Date: August 5
Agency: Venables Bell & Partners
Executive Creative Director: Paul Venables and Will McGinness
Creative Director:  Lee Einhorn
Art Director: Ezra Paulekas
Copywriter: Rob Calabro
Director of Integrated Production: Craig Allen 
Agency Producers: Joyce Chen and Adam Battista
Production Company: Arts & Sciences
Director: Matt Aselton
Director of Photography: Masa Takayanagi
Executive Producer: Mal Ward and Marc Marrie
Producer: Zoe Odlum
Editing Company: Final Cut
Editor: Matt Murphy
Music: Beacon Street
Mix: Loren Silber at Lime Studios
Visual Effects: The Mill
Visual Effects Producer: Kiana Bicoy


    

Corner Office: Paul Venables: Paul Venables, on Asking for the Toughest Jobs

The founder of a San Francisco advertising agency says he would advise college graduates starting a career to volunteer for a task their boss hates.

    

Google Fiber’s Latest Spot Makes High-Speed Dreams Come True

Better than any of their campaigns with colored blocks and folky music, Venables Bell & Partner’s latest spot for Google Fiber exemplifies the coming-together of technology, passion, and creativity.

Last summer, Google Fiber was introduced to Kansas City. In the year that followed, Google wanted to “see how high speed Internet could impact lives.” At Children’s Mercy Hospital, they met Nick LeGrande, a 13-year-old baseball player who has been diagnosed with aplastic anemia, a life-threatening blood disorder. His mom said he’s only cried once during the subsequent ordeal, when his doctor said he couldn’t play baseball.

Last night, Google Fiber technology (and the generosity of the company itself),  gave Nick the chance to get back in the game. He threw the first pitch at an Oakland A’s game, even though his illness prevents him from being around crowds and he’s 1,800 miles away from the stadium. With help from a Google-Fiber enhanced, Deeplocal-built telerobotic pitching machine, Nick’s movements were translated to Oakland as he felt the field in Kansas City via live camera. He stood on a specially-made indoor baseball stadium, with real sod and clay. The crowd cheered in real life and online. I cried.

Here’s hoping VB+P continues in this innovative, benevolent direction. If Google Fiber means making dreams like this come true, then we need it all across America. In the meantime, our thoughts are with Nick.

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Audi Shows Us How ‘It Couldn’t Be Done’ Got Done

Audi has been busy lately, pumping out ads for their newest cars in sponsorship deals with Iron Man while simultaneously pitting past and present versions of Spock against each other. The automaker seems to be at it again, now with longtime agency Venables Bell & Partners, for a 60-second spot that traces back to the origin of the company. Retro footage of Audi’s founder, August Horch, and old-school automobiles plays for most of the spot, set to narration of the children’s poem It Couldn’t Be Done, written by Edgar Albert Guest. I guess Dr. Suess was busy.

By design, most of the commercial feels like it belongs to pre-1980, but the dissonance of the kid’s poem and the speeding-car shots strikes a cool chord. While previous car spots may be clever or topical when full of movie stars, this one stands out in a good way. It’s smooth and engaging, presumably, like a ride in a new Audi. Credits and a couple of :15 second spots after the jump.

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Audi, Iron Man Try to Make Commuting Sexier Than It Really Is

This 30-second spot, produced by Venables Bell & Partners, attempts to show the audience how billionaire superheroes commute to work. The average worker takes the bus, the train, maybe drives an average car. Tony Stark drives an Audi R8 supercar. Of course, he could also just commute in his Iron Man suit, which would make the R8 seem irrelevant, but that wouldn’t be very good Audi product placement.

You’ve seen this type of spiel before: “It’s never a bad day at work when your commute looks like this.” I’ve never been a fan of this pitch to consumers. After enough time, a car becomes a car. And if your job still sucks, if you have that pontificating boss, or you work till 9 p.m., going home in an R8 won’t stop you from hating a job (but it might help you attract women). And with a minimum MSRP of $114,000 on last year’s model, you’ll most likely hate your bank account afterward, too. But at least it looks cool, right? Credits after the jump.

continued…

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VB&P May Need Honkaholics Anonymous

What the beep? is right. Venables Bell & Partners is teaming with gasoline company 76 to stop honkaholism, a vicious nonexistent affliction that doesn’t actually affect many people. If you happen to live in New York City, you may hear the occasional overzealous honker, but building an ad campaign around the concept of overhonking seems overzealous in and of itself. Not to mention the humor rooted in the idea of a gasoline company trying to stop noise pollution, which is like a drug dealer trying to stop people from taking Tylenol.

The campaign comes fully stocked with website, billboards, the above 30-second spot, and even a touring “Stop Honkaholism Bus.” If you’re compelled to dig deeper, you can receive a free Honk Suppressor for your dashboard, which means instead of hitting your car horn, you pound a fist into the suppressor instead. Kind of like a Nicotine patch for your vehicle. It is free, so VB&P and 76 should get points for that. Credits after the jump.

continued…

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VB&P Cuts Staff, Thanks in Large Part to eBay

Sources familiar with the matter confirm that San Francisco agency Venables Bell & Partners had to let go of 11 staffers across departments late last week. Why? Well, mainly because its client, eBay, has decided to cut spending on brand advertising this year. From what we’re hearing from spies, eBay’s decision had more to do with ROI concerns than it did with VB&P’s actual work for the brand, which includes the recent “Pony” holiday effort below.

You can check out VB&P’s first work for eBay after taking on lead creative agency duties for “the world’s largest online marketplace” here. We’ve been told that following the cuts, which spies affected some senior-level staffers as well, staff count at VB&P is approximately 200. The agency, of course, works with other notable clients including Audi and Intel.

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