Your parental guilt trip of the day.

Oh, how many times have I given my own children “the finger.” Thanks for the find Sir Ernie.

Sharpie + creative + styrofoam = awesome.

Oh, Sharpie, you are so delicious.

Your parental guilt trip of the day.

Oh, how many times have I given my own children “the finger.” Thanks for the find Sir Ernie.

Sharpie + creative + styrofoam = awesome.

Oh, Sharpie, you are so delicious.

Sharpie + creative + styrofoam = awesome.

Oh, Sharpie, you are so delicious.

Your parental guilt trip of the day.

Oh, how many times have I given my own children “the finger.” Thanks for the find Sir Ernie.

Fast Company likes American Copywriter’s hometown.

Kansas City has been named by Fast Company as one of the Best Cities for Innovation. We like the honor for our hometown despite the fact that the peeps at FC really tortured the ‘ol cow town analogy.

In terms of the creative culture, KC’s sports architecture firms are formidable. The Crossroads Art District, home of SHS, has been called a "Midwest Soho" by The New York Times. And, of course, we are home to one of the world’s largest creative companies.

In terms of advertising, one can argue that Kansas City has the largest and most successful collection of independent agencies in the country (plus a WPP player). I found a non-sourced article that said Kansas City agencies generate about $214 million in revenues (cash not billings). You can compare that to $149 million for Atlanta or $63 million for St. Louis. And while it’s not happening on the mass level our creative community would like, work from Kansas City is now consistently making the books and the shortlist at Cannes. And the cost of living is still pretty cheap. So, cheers to ‘ol KC.

 

American Copywriter salutes Phil Dusenberry

Dusenberry8Former chairman and CCO of BBDO, Phil Dusenberry, passed away on December 29th after a battle with lung cancer. He was 71. In 1999, Ad Age ranked him 31 on their list of the century’s most influential advertising people. He was a bona fide advertising luminary. His lofty titles and achievements disguise the fact that he was, throughout his career, a copywriter’s copywriter. Dusenberry’s work is the stuff of legends including Pepsi’s Michael Jackson spot and Ronald Regan’s Morning in America commercials. He penned a few screenplays, too, most notably The Natural. An apt description for Dusenberry himself in the context of his chosen profession.

When I was in college I interned in the corporate communications department of Pizza Hut, Inc. When it came time for the big franchisee convention, I got plopped down in some back room of a Wichita Marriott hotel making last minute changes to speeches for the Pizza Hut execs. I was pecking away (on an original Mac BTW) when I heard someone say, "Hi Phil!" I turned and saw Dusenberry sweep through the room. He was there to present BBDO’s new crop of spots to the franchisees. I punched "save" and stole into the darkened hall with everyone else. I really wasn’t supposed to be there but no one hassled me. The room was electric. Advertising is a big expense and franchisees pay much of the bill. Hundreds of eyes locked on Dusenberry as he took the stage. From word one, he owned that room. With his white hair, whiter teeth and power suit, Dusenberry was the definition of an "ad man." He deftly introduced several spots to the crowd that afternoon including (if memory serves) the classic "Right Field." The crowd loved it. And him. It was a lesson to me. An advertising contract is a potent mix of money, power, politics and creativity. Yes, it’s always about the work, the work, the work. But a little showmanship never hurts.

Here’s to you, Mr. Dusenberry.

Son of a carpenter, Mary carried the light. This must be Christmas must be tonight.

I’m not overtly religious, but I have been singing this song incessantly for the past three days.
To you and yours, from me and ours — Merry Christmas.Picture_1
And remember “War is over (If you want it.)

The Canadians have creeped me out.

Holy jumping bass! I know I must be way, way late to the conversation about this campaign but, sweet baby peas, this made me jump right out of my chair.

I had heard tale of a campaign from the big, snowy that made Safe Happens look like an Archie comic, but  I just ran across it today. What say ye people? Horror film or effective ad? I’ll go first. Generally, I don’t go for the gore. But I have to admit these do change my thinking about safety. Or, at least, they really have made me think about safety. Somehow that gets me over the "taste’ hump.