Two New ECDs at Saatchi & Saatchi

Chris MoreiraMark SchollerHere’s one we missed today: Jay Benjamin of Saatchi & Saatchi New York has signed two new ECDs to his roster.

In what looks like one of the bigger moves made since Benjamin left Leo Burnett for Saatchi in April, he hired Chris Moreira and Mark Schöller, both of whom most recently served as creative directors in CP+B’s Miami office.

The two are native Australians, and they worked together at both JWT and Leo Burnett’s Sydney offices before moving to Miami just over a year ago.

AdAge notes that the pair will be “working across the agency’s account portfolio”, which most recently included work for Cheerios (Honey Nut and otherwise), UGG and Duracell.

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Cheerios Tugs at the Heartstrings Again With a Dad Working the Third Shift

Oh man, grumpy dad who’s working weird hours in this new Cheerios ad from Saatchi & Saatchi. Don’t get mad at your kid. Take a lesson from Peanut Butter Cheerios dad, and be cool. Hang out for a minute and laugh with Junior. It’ll be nice before you head off for however many grueling hours of whatever it is you do.

Judging by your rugged appearance and attire, and that clocking in at midnight is even an option, it’s presumably something blue-collar. Dock worker? Warehouse worker? Auto worker? You are in the Cheerios demo. You should be eating lots of Cheerios at 11 p.m.

Sure, Cheerios might being mimicking your frustrating but also beautiful existence right back at you just to sell more breakfast cereal, because times aren’t just tough for salt-of-the-earth people with families to support, they’re tough for cereal brands, too. Nobody wants to eat cereal with their kids at any time of day these days.

So, also don’t get mad at Cheerios, because making ads that use children to pander to your heartstrings is what they do. Indeed, sometimes manipulating your love for sentimental family moments really does work well … so Cheerios is probably going to keep trying.

Saatchi & Saatchi Pulls Heartstrings for Cheerios

Saatchi & Saatchi gets emotional in its latest spot for Cheerios, entitled “3rd Shift.”

The 30-second broadcast spot tackles the harsh reality of juggling family life with an unorthodox work schedule for hardworking Americans. At the beginning of the spot, a man sighs as his wife says, “I know, this third shift is rough” and their son watches in the background. In the next scene we see a light flicker on as the boy reaches into the refrigerator for milk, a box of Cheerios under his arm. When his father sternly asks him what he’s doing up so late he replies, “I just wanted to have breakfast with you.”

“3rd Shift” comes as something of a shift to a more down-to-earth approach for the brand, following on the heels of recent spots featuring celebrities both human and feline. The emotional tone attempts to highlight the cereal’s function as a quick, yet somewhat healthy, option for families too busy for a more involved breakfast. We’ve reached out for credits and will add them if/when we receive them.

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M&C Saatchi Launches ‘This Is UGG’ Featuring Tom Brady

M&C Saatchi is launching UGG’s first-ever global marketing campaign, entitled “This Is UGG,” which enlists the help of veteran brand ambassador Tom Brady in the brand’s latest effort to change its perception as the official fuzzy boot of Starbucks-toting girls everywhere.

Launching today, the campaign focuses on life’s smaller moments, centered around the 60-second spot “Time Out.” In the spot, Brady shares the message that in life you only get so many time outs and you need to make them count, because you can’t back pocket them or carry them over to another day. Tom’s voiceover plays out over a scene of him driving to play golf with his father, a pastime the two have shared since Tom was old enough to play. Another spot, featuring Brady and his mother, is set to follow in October, with a third entitled “Down Time” arriving in December.

“For the new UGG for Men campaign, we started with this premise: small moments can carry as much weight as the big moments,” explained Nancy Mamann, vice president of marketing for UGG Australia. “We conceptualized the spots to capture authentic moments that relate to men across the world. For Tom Brady in particular, we explored his life off the field, along with more personal settings, to show some of the moments that he considers meaningful.”

Whether that will convince men to rush out and buy UGG remains to be seen. Stick around for behind-the-scenes footage after the jump. (more…)

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Saatchi & Saatchi NY Stages Usher Dance-Off for Honey Nut Cheerios

Saatchi & Saatchi New York staged a dance off between Usher and Buzz the Bee in its latest broadcast spot for Honey Nut Cheerios, entitled “Body Language.”

Coming on the heels of its Grumpy Cat spot, Saatchi & Saatchi New York and Honey Nut Cheerios decided to go with a human celebrity this time. Somehow Usher proves a better match for Buzz than Grumpy Cat. When Buzz tells Usher that bees communicate with dance, the two exchange moves for the remainder of the ad, finding quite a bit of common ground. The national broadcast spot is set to the new Usher tune “She Came to Give It to You” and is a fun follow-up to both the Grumpy Cat spot and last year’s effort featuring Nelly.

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Sweet, Silly Toyota Spot Transforms Prague Streets into a Choose-Your-Own Musical Adventure

In today’s episode of “Fun Public Marketing Stunts That Aren’t Firmly Connected to the Actual Product,” Saatchi & Saatchi Europe turned Prague into a giant karaoke machine on behalf of the Toyota Yaris Hybrid.

The playlist, which is an almost-impressive living monument to awful pop songs, was made by changing the street names in Prague’s town center to song titles, and then connecting the Yaris’ stereo to a GPS system that triggered a new song every time the driver turned onto a different street. That’s an awful lot of work just to hear a complete stranger’s off-key rendition of “Uptown Girl.” 

It’s not that the idea itself is bad—plenty of people sing in their cars, myself included. Some of the performances, supposedly culled from the best of live auditions, could even seem endearing. But the payoff doesn’t fit the scale of execution at all, and the whole thing looks a little silly as a result. On the other hand, maybe that’s the point. 

Seriously, though, Hall & Oates? Do they not know who Queen is? 

Saatchi LA, Busta Rhymes Remix the ‘Swagger Wagon’ for Toyota

Do not adjust your monitors: Busta Rhymes is repping Toyota.

In July, we discussed the automotive industry’s desire to distance itself from the famous “Soccer Mom” demographic. The solution to that problem came, in this case, via Mr. Trevor Tahiem Smith, Jr. and the proven “white people rapping” formula:

While the video does have more than half a million views at the moment, it has yet to approach the levels of its predecessor, which earned 12.5 million clicks and qualified as a runaway success.

The spot will certainly get your attention, but various publications have offered their opinions on its merits – and you may be surprised to learn that they are, for the most part, somewhat critical.

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Saatchi & Saatchi, Sydney Brings Out the ‘Bad in Dad’ for Toyota

Saatchi & Saatchi, Sydney has a new campaign for Toyota, entitled “Bad in Dad,” featuring one dad’s “bad” antics, attributed to his new Camry RZ.

Set to George Thorogood‘s ubiquitous “Bad to the Bone,” the dad is pictured using his leaf blower to blow leaves onto the neighbors yard (kind of funny), spraying his wife with a hose (cute) and embarrassing his son with the locked door trick as he picks him up from soccer practice (just plain cruel). The narrator at the end of the 45-second spot asserts that the new Camry will “bring out the bad in dad,” making the positioning of the vehicle as the motivator behind dad’s behavior explicit. While he may occasionally step over the line, the dad’s antics are mostly presented as the kind of things most of us think about doing, don’t, and then wish we had, which fits with the vehicle’s presentation as a sort of liberator. Stick around for credits after the jump. (more…)

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Stare at This Ford Print Ad for 30 Seconds, and It Will Suddenly Make Sense

BBR Saatchi & Saatchi created this print ad for Ford Israel that also happens to be an optical illusion. It promotes the Ford Explorer’s Park Assist feature in a way similar to those email forwards from your aunt that ask you to stare at an image until you see the face of Jesus or the outline of Elvis.

“Stare at the black dot for 30 seconds. Move your eyes to the empty parking space. See how easy it is to park,” says the copy.

Thirty seconds may be a long time to look at an ad, and my eyes kept ramming the SUV into the parked cars. But it’s still a fun way to highlight a feature without using jargon that just feels like a lot of empty words (“aerodynamic space material for precision control!”).

What do you think? Are you into it?

Via Digital Synopsis.



Saatchi & Saatchi NY Introduces Grumpy Cat to Buzz

Saatchi & Saatchi New York introduces Internet phenomenon Grumpy Cat to Honey Nut Cheerios in a new 30-second broadcast spot for the brand designed to appeal to younger audiences.

For the spot, entitled simply “Buzz Meets Grumpy Cat,” Saatchi & Saatchi teamed up with California-based production company Backyard and director Rob Pritts. If you count yourself among Grumpy Cat’s legions of fans, you’ll probably just be happy to see him make an appearance here. Otherwise, there’s not a lot going on beyond “Oh, you’re that Grumpy Cat,” as Buzz tries to make the feline crack a smile. His strategy consists entirely of talking about how much people like Honey Nut Cheerios.

Established brand + established meme = eyeballs.

(more…)

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Saatchi Thailand, FIFA Invite You to ‘Be the One’

Saatchi & Saatchi Thailand is capitalizing on the World Cup action by joining forces with its new client, Asian online gaming brand Garena, to hype the free EA Sports multiplayer game, FIFA Online 3. Following days of teasing last week in the form of media hijacking of Southeast Asian soccer news sites, where actual football stars mentioned in news articles were replaced with that of Thai game players, Saatchi Thailand and Garena have officially launched the campaign, “I Am the One,” via the :60 spot above.

Dubbed “Messi’s Arrival,” the clip debuted the day before the Argentinean superstar and his countrymen defeated Bosnia and Herzegovina and imagines what he experienced upon landing in Brazil through the eyes of someone who perhaps resembles your ideal gamer. Of course, Messi himself never actually appears in the spot (he’s in a million other commercials as you may have noticed, though), but it basically keeps in the line with the “I Am the One” campaign theme. Along with the spot, Saatchi Thailand is also developing content for its native audience based on results from its Live Creativity real-time social and content hub, which will follow World Cup news and social chatter as the event progresses. The agency’s ECD, Nuntawat Chaipornkaew, explains, “When Brazil scored an own goal, our content team produced an ‘interview’ with a Thai player talking about how he just wanted to score the first goal. When Spanish star Alonso lost tooth, so did our stars and even the audience. When Suerez hurt his knee, so did we.”

With the film and social components covered, the parties involved will also be launching the full website for FIFA Online 3 come tomorrow. There, an interactive version of the film will be available and allow viewers to insert their own faces into it to “be the one” and also join the world’s largest football team photo. One can only imagine how that will turn out. Credits after the jump.

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Saatchi & Saatchi London, Toyota Want You to ‘Go Fun Yourself’

Saatchi & Saatchi teamed up with Internet prankster Rahat to launch a new multichannel campaign promoting the Toyota Aygo.

Part of the “Go Fun Yourself” campaign, the debut spot features Rahat slipping into a costume that perfectly matches the seats of the Toyota Aygo, making the car appear to be driving itself. He then drives around Europe with a hidden camera documenting people’s reactions. That’s right, another hidden camera prank video. If you’re tired of these already, you might want to head elsewhere, because the 90-second “Who’s Driving” — set to the Fratelli’s track, “Chelsea Dagger,” and directed by Smuggler’s Jamie Rafn — doesn’t do a lot to distinguish itself from the pack.

The spot will launch the “Go Fun Yourself” Pan-European integrated campaign on TV, in cinemas, and online — supported by social and print components — today, in markets including the UK, France, Italy, Germany and Denmark. “Go Fun Yourself” attempts to “emphasize Aygo’s image as the playful, dynamic car of choice suited to those that don’t take themselves seriously.” Aimed at a younger audience, the campaign will comprise a series of prankster-style videos and social activity which will roll out across the year.

“Aygo is not just another car, so for the launch we wanted to do things differently,” said Stephane Rydlewski, brand & communication manager, Toyota Europe. “With ‘Go Fun Yourself’, we found the perfect way to express the true spirit of the car – fun, provocative & irreverent, without taking ourselves too seriously. We all have this fun inside, we just need to let it go. This is the magic of the new AYGO campaign.” Stick around for credits after the jump. continued…

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Toyota Hopes to ‘Go Places’ With New Ad Agency Chief


This clever towing exhibition won S+S AME Platinum and Bronze
Saatchi & Saatchi L.A., which has been Toyota’s agency for years, went shopping for a chief creative officer for the brand–and found him rolling with Nissan.

Jason Schragger, a former creative executive with Nissan’s global marketing team, has a salty record in the world of automotive creative. According to this article in Automotive News, he has dipped his pen in the ink of Ford, Mercedez-Benz, Mini, and Mitsubishi.

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Saatchi & Saatchi NZ Creates Burning Billboard for Sealord

Saatchi & Saatchi New Zealand created a flaming billboard to launch Sealord’s new line of hot smoked salmon.

The billboard was constructed using Manuka wood branches (the same type used in Sealord’s smoked salmon), which were then set on fire to replicate Sealord’s traditional smoking process. Sealord’s billboard reads, “Smoked: Just Like Our New Manuka Salmon,” although it’s pretty hard to read through all the smoke and fire. As you might recall, this is not the first burning billboard we’ve covered, but it is the first non-steakhouse-related burning billboard we can recall, so there’s that. The campaign also includes the above online video documenting the creation of the billboard, as well as pre-rolls and digital banners.

“When we learned about the wonderful artisan techniques involved in the creation of this delicious salmon, we were inspired to try and find a way to make this process the hero,” explained Saatchi & Saatchi New Zealand executive creative director Antonio Navas. Credits after the jump. continued…

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F/Nazca Saatchi & Saatchi Gets Sentimental for Electrolux

Well, Mother’s Day may have been over two weeks ago, but apparently May is Mother’s Month now (who knew?) so technically F/Nazca Saatchi & Saatchi isn’t late to the party with their maternally sentimental spot for Electrolux, entitled “Best Mother’s Day Present.”

The 2:30 spot tells the story of a daughter leaving São Paulo for college on Mother’s Day, and the sentimental surprise she received on her flight, causing the airline to make an exception to its menu. F/Nazca Saatchi & Saatchi reverse the traditional role of mothers receiving gifts on their day, ending with the message “Because being a mom is the best Mother’s Day present.” Be warned that, if you’re the kind of person who is strongly affected by this kind of thing, the emotional spot may make you shed a few tears at work, so you just might want to wait until the week is officially over to check it out. Stick around for credits after the jump. continued…

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Saatchi & Saatchi Shanghai Introduces Mutesic for VICE

Saatchi & Saatchi Shanghai is helping VICE introduce Mutesic in China. Mutesic is a mobile phone add-on that allows users to enjoy their music on any player while helping to keep them safe and aware while on the road by syncing with their GPS and lowering the volume when they approach busy intersections.

To introduce Mutesic, Saatchi & Saatchi chose to show the add-on in action. In the 1:50 video above, you can see a young man enjoying Pharell’s international hit “Happy” while walking. As he approaches a busy intersection, the music automatically decreases in volume, allowing him to hear ambient warning sounds. The spot concludes by reminding viewers that Mutesic can’t prevent all types of accidents and that “…you still need to pay attention.”

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M&C Saatchi LA Taps ‘Tiger Power’ for San Diego Zoo Safari Park

Yesterday M&C Saatchi LA launched a new campaign for the San Diego Zoo Safari Park’s new Tiger Trail exhibit, opening to the public on May 24, 2014. The multimedia campaign consists of TV, print, digital, outdoor and transit, targeting the Southern California region.

All three of the TV spots in the campaign feature kids visiting the new Tiger Trail at the San Diego Zoo Safari Park and meeting a real Sumatran Tiger face to face, allowing them to tap into their own “tiger power,” which they put to unexpected use. In “Guitar Star” featured above, for example, a tween boy (with a somewhat disturbing mustache) continues rocking out at full volume even after his father pulls the plug on his amp.

“Tigers have an almost mythological connotation for their power and mystique. We wanted to show kids tapping into that to develop their confidence, their own tiger power, explained James Bray, creative director at M&C Saatchi LA.

“With the debut of this new exhibit, our guests will have a thrilling and awe-inspiring personal encounter with majestic Sumatran Tigers, and at the same time learn of the threats to this critically endangered species,” said Ted Molter, Chief Marketing Officer for San Diego Zoo Global.  “This campaign playfully asks our guests to identify with the confidence and power of tigers in the hopes that it will build greater appreciation for one of nature’s top predators.”

Stick around for “Monster Truck” and “Fireman,” along with credits, after the jump. continued…

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Miller Cuts Ties with Saatchi & Saatchi NY

millercoorsMillerCoors is cutting their ties with Saatchi & Saatchi New York, lead agency on Miller Lite since early 2012, Ad Age reports. Saatchi & Saatchi New York was also lead agency on the newly launched Miller Fortune, an extension of the Miller brand with higher alcohol content. Earlier this year MillerCoors moved a significant portion of the Miller Lite account to a collection of WPP agencies, who played a major role in Miller Lite’s latest campaign. The move also follows a long-term sales decline for the brand.

“We appreciate the efforts and professionalism from [Saatchi & Saatchi New York CEO] Brent Smart and his team behind our brands,” Pete Marino, MillerCoors VP-communications, said in a statement to Ad Age. “Any immediate needs for Miller Lite and Miller Fortune will be handled by other roster agencies, though we have a lot of current work to draw from that we recently debuted at our sales and marketing conference. We have no timetable for the longer term, and will take our time making decisions that strategically make sense for both brands.”

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Saatchi & Saatchi Belgrade Helps Solve Case of Murdered Journalist

In December, Saatchi & Saatchi Belgrade launched a provocative campaign called “Chronicles of Threats” for Serbian Commission for the Investigation of Murders of Journalists and Office of the OSCE’s Representative on Freedom of the Media.

The campaign featured a threatening letter in one of the country’s most widely circulated newspapers, with an accompanying video on the news outlet’s website, intended to shake public indifference to violence against journalists and rally “media outlets and journalists to document real and threatened acts of violence towards editorial staff, writers and photographers.”

“Chronicles of Threats” succeeded in getting the public’s attention. Thousands called the police in response to the threat, and soon it was featured on the news. When the stunt was revealed, it sparked debate about the kind of threats journalists receive daily. But the campaign also led to the reopening of three cases of murdered journalists, and in one case — Slavko Curuvija, “the most influential independent journalist reporting during the Milosevic regime,” who was murdered 15 years ago — to the arrest of the perpetrators of the crime.

Saatchi & Saatchi Belgrade’s executive creative director Veljko Golubovic commented: “I think the “Chronicles of Threats” campaign is a great example of true power of modern communications. Even one simple idea can move mountains and push the whole society forward. What was impossible yesterday is today’s reality. Our idea was initiation of the chain reaction that led to solving a murder case. And more than that it changed the way people feel and think about journalists.” Stick around for credits after the jump. continued…

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Saatchi & Saatchi Thailand Wins Virgin Active

Virgin Active ThailandSaatchi & Saatchi Thailand have just announced winning Virgin Active duties in Thailand, adding to the agency’s business growth momentum.

“We’re so pleased to be working with Virgin Active,” said Mark Cochrane, CEO of Saatchi & Saatchi Thailand. “They want to become the most loved fitness brand in Thailand, and with the power of Lovemarks thinking we’re really excited to be fuelling their journey. They are great people, and have a great dream.”

Virgin Active is launching their flagship location in Bangkok this month, but Saatchi & Saatchi have confidentially been working on the launch for several months prior. They will be responsible for advertising, design, branded content, PR and activation, and overseeing all social media activity. “We have really concentrated on creating a seamless launch experience for potential members that is rich with surprise and delight at every turn,” said Cochrane. “Together, we’re excited to build ‘the happily ever active movement’ and help Virgin Active become a Lovemark in Thailand.”

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