Laser Cut Record

Après avoir présenté 3D Printed Record en décembre 2012, Amanda Ghassaei a développé une technique facilitant la fabrication de disques avec « laser cutter », permettant d’utiliser des matériaux tels que le bois ou le papier pour créer des disques. A découvrir en détails dans la suite en vidéo.

Laser Cut Record5
Laser Cut Record4
Laser Cut Record3
Laser Cut Record2
Laser Cut Record
Laser Cut Record7

Record Label Rebrands

Un projet original imaginé par le graphiste Ben Geier, basé à Chicago et travaillant au studio Culture 22. En effet, il a réuni et transformé l’ensemble des logos et identités de ses labels préférés (Warp Records, Matador Records, Domino Records) dans un style très rétro. Plus d’images dans la suite de l’article.

WarpRecords
FactoryRecords
DischordRecords
RelapseRecords
divotrecords
DominoRecords
GravityRecords
02
TouchandGo
03
TeenBeatRecords
ThrillJockeyRecords
01
4AD
DragCityRecords
RoughTrade
matadorecords
ThickRecords
CaldoVerde
QuarterStick
DeathwishRecords
PolyvinylRecords
AntiRecords

Blue Ice Record Project

Le groupe suédois Shout Out Louds a sorti récemment leur dernier single « Blue Ice » sous la forme d’un disque de glace. Avec 10 exemplaires limités à gagner en s’adressant à Merge Records, cette initiative très réussie et insolite appelée Blue Ice Record Project est à découvrir en vidéo dans la suite.

Blue Ice Record Project
Blue Ice Record Project3
Blue Ice Record Project2
Blue Ice Record Project4

World of Red Bull 2013

Voici la nouvelle campagne de Red Bull pour l’année 2013 à venir. Cette vidéo de la marque de boisson énergisante « World of Red Bull 2013  » nous propose de découvrir un mash-up d’1min autour des différents exploits réalisés grâce à leur financement, dont Felix Baumgartner et son saut depuis la stratosphère.

World of Red Bull 20136
World of Red Bull 20134
World of Red Bull 20133
World of Red Bull 20132
World of Red Bull 20135

3D Printed Record

Amanda Ghassaei a réussi avec une imprimante 3D à créer un vinyl pouvant être lu sur une platine standard et pouvant de la même façon proposer de la musique digitale convertie sur l’objet imprimé. Une nouvelle étape dans la technique d’impression à découvrir en images et vidéo.

3D Printed Record4
3D Printed Record3
3D Printed Record1
3D Printed Record2

Vinyl Record Animations

Le designer danois Michael Hansen a pensé spécialement ce vinyle pour le compositeur Allan Gravgaard Madsen. Avec une side A et une side B, le design de ce vinyle pensé en accord avec la musique est à découvrir dans une vidéo ainsi qu’une série d’images.



vinyl-record-animations5

vinyl-record-animations4

vinyl-record-animations3

vinyl-record-animations2








Previously on Fubiz

Copyright Fubiz™ – Suivez nous sur Twitter et Facebook

Cardboard Record Player

Un packaging très intéressant pour ce mini lecteur de vyniles “GGRP Sound” construit dans une pochette cartonnée et prévu pour être envoyé aux directeurs de création au Canada. Développé par l’agence Grey Vancouver, sur une direction artistique d’Andrew McKinley.



cardboard2

cardboard3

Previously on Fubiz

Measuring Ad Success in Eight Days or Less

measuringTapeThe recession has either changed the way advertisers do business or has forced us to reevaluate the ways in which we do business. The focus has shifted to the effectiveness and efficiency of an ad campaign rather than stressing the  campaign or ad variables such as reach and effective frequency.

If you work in a media department, then measuring effectiveness and efficiency is something you’ve likely done for years with little to no fanfare from the client side. Well, the climate’s changed, and clients are concerned more than ever — with good reason — that their ads and campaigns meet efficient, effective, and measurable goals. Their priority is to connect with the target audience in a manner that’s more in-tune with a reduced budget. Clients are are requiring or searching for agencies capable of providing campaigns that work harder and smarter.

In addition, advertisers (namely P&G and Coca Cola), have instituted Value Based Compensation (VBC)  arrangements made up of a pay-for-performance (P4P) layout that can be attained in addition to a base fee.

TV.PicThe Nielsen Company has just announced that a new software product, Rapid Campaign Evaluation (RCE), a fast and inexpensive means to review ad performance in just over a week. Due to the costs incurred when an ad or campaign is launched, RCE will give agencies information quickly so as to allow them to respond in an appropriate manner.

Richard Reeves, associate director of Consumer Research Services at the Nielsen Company, notes an agency not only will have the ability to evaluate their own endeavors but the ability to evaluate their competitor’s as well.

Whenever a new commercial is executed,” Reeves says, “there is always that element of anticipation about how it will perform in the ‘real world.’ If it’s a competitor’s ad — you are usually left worrying about the damage it will do to your brand.”

RCE was designed and tested in Australia to measure the strength (or weakness) of TV spots. How many people saw or heard the ads or whether the audience was able to determine the advertiser and the take-away message will provide advertisers with almost “real-time” data they can then use to readjust their tactics such as:

  • An ad that performed strongly may provide justification to increase spend.
  • An ad with mediocre results could be re-edited to clarify the brand message and increase brand cues, or it could be taken back into qualitative research for fine tuning.
  • An ad can be created or ad spend can be increased if RCE showed strong effectiveness measures for a competitor’s ad.

In just over a week, agencies will be able to view data in order to evaluate effectiveness or lack thereof, ensuring clients get the biggest bang for their buck.

While advertising “gurus” have bandied back and forth as to the fairness or plausibility of the VBC model, companies, such as Coca Cola, have already put it into action. In truth, it’s the most equitable payment arrangement; agencies require media vendors to prove their performance. Why shouldn’t clients require the same from their agencies?

Nielsen’s new software is just another step in the ongoing evolution of the industry.

Jeff Louis has over ten years of brand-building, media strategy, and new business experience. His passion is writing, while his strong suit seems to be sarcasm.  You can follow Jeff on Twitter or become a fan on Examiner.com.