Deutsch L.A. Goes Bacon Crazy in Latest for Taco Bell

Deutsch LA launched a campaign for Taco Bell supporting the brand’s new Bacon Club Chalupa with a surreal look at a bacon product world gone mad.

The campaign is built around a 30-second spot, entitled “Bacon Mall” which sees a young man perplexed by a vast array of inedible bacon products before arriving at Taco Bell for a Bacon Club Chalupa. Set to a new cover of “Mad World” by Halsey, the spot spreads the message, “Bacon you can’t eat is bacon you don’t need.” Among the ad’s befuddling bacon products are Bacon Couture, bacon sunglasses, Bacon One Hightops and Bacologne. Those last two are among the ten (fictional) products featured in the campaign’s social video component, five of which have been released thus far. Others include “Bacon Headphones,” “The Bacon Racing Chair,” and “The Sizzling Bacon USB Drive.” Clearly aiming for shearability via pure ridiculousness, the spots heartily endorse these mock products before ending with the “Bacon you can’t eat is bacon you don’t need line” and a nod to the new product. There’s also just enough of a kernel of truth to the bacon-crazy product schtick that some viewers may wonder for a second if a given product is real before being interrupted by the line.

Following on the heels of the agency’s “Sharing Sucks,” it appears Taco Bell and Deutsch LA are taking a break from targeting McDonald’s lately to promote new, on-breakfast items. That said, it’s unlikely we’ve seen the last of their Ronald-bashing.

Broadcast Spot Credits:

Client Credits
Chief Marketing Officer: Chris Brandt
VP, Brand Creative Director: Tracee Larocca
Director of Advertising: Aron North
Brand Experience: Alexandra Bunn
Food Consultant: Carolyn Avelino

Deutsch Credits

Creative Credits:
Chief Creative Officer, North America: Pete Favat
Executive Creative Director: Brett Craig
Group Creative Director: Guto Araki
Group Creative Director: Tom Pettus
Creative Director: Andy Pearson
Creative Director: Ken Slater
Associate Creative Director: Jeremiah Wassom
Senior Copywriter: Chris Pouy
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Paul Roy
Integrated Producer: Jamie Gartner
Assistant Integrated Producer:  Evan Aronson
Music Director: Dave Rocco

Account Management Credits:
Group Account Director: Walter Smith
Account Director: Sandy Song
Account Supervisor: Monica Tobin
Account Executive: Sasha Rawji

Account Planning:
Chief Strategic Officer: Colin Drummond
Group Planning Director: Lindsey Allison
Senior Account Planner Kelly Mertesdorf

Business Affairs/Traffic:
Director of Integrated Business Affairs: Abilino Guillermo
Business Affairs Manager: Nestor Gandia
Director or Broadcast Traffic: Carie Bonillo
Sr. Broadcast Traffic Manager: Sarah Freeark

Executives:
CEO, North America: Mike Sheldon
President, Los Angeles: Kim Getty

Live Action Production Company: Reset
Director: Vesa Manninen
Managing Director: Dave Morrison
Executive Producer: Jeff McDougall
Producer: Jennifer Ingalls
Line Producer: Ahnee Boyce

Editorial Company : Therapy Studios
Editor: Doobie White
Assistant Editor: Amy K. Bostrom
Executive Producer: Joe DiSanto
Head of Production: Allegra Bartlett

Post Facility: MPC
Producer: Summer McCloskey
Senior Colorist:  Mark Gethin

Post/VFX: Therapy Studios
Executive Producer: Joe DiSanto
Lead Flame Artist: Wren Waters

Licensed/Composed Music, Credits and Track Info:
Track:  “Mad World”
Covered by: Halsey
Writer: Roland Orzabal

Audio Post Company: Therapy Studios
Executive Producer: Joe DiSanto
Mixer: Jeff Fuller
Sound Design: Eddie Kim

Shoot Location: Santiago, Chile

 

Social Video Credits:

Client Credits:
Chief Marketing Officer: Chris Brandt
VP, Brand Creative Officer: Tracee Laroocca
Director of Advertising: Aron North
Associate Manager, Brand Experience: Alexandra Bunn

Deutsch Credits

Creative Credits:
Chief Creative Officer, North America: Pete Favat
Director of Integrated Production: Vic Palumbo
Executive Creative Director: Brett Craig
Group Creative Director: Tom Pettus
Group Creative Director: Guto Araki
Creative Director: Andy Pearson
Creative Director: Ken Slater
Art Director: Cheston Kwan
Copywriter: Josh Hill
Executive Producer: Paul Roy
Producer: Damon Vinyard
Associate Producer: Josh Goldsmith

Account Management Credits:
Group Account Director: Walter Smith
Account Director: Sandy Song
Account Supervisor: Monica Tobin
Account Executive: Kaitlin Tabor

Account Planning:
Chief Strategy Officer: Colin Drummond
Group Planning Director: Lindsey Allison
Senior Account Planner: Kelly Mertesdorf
Senior Digital Strategist: Amelia Hall

Business Affairs/Traffic:
Director of Integrated Business Affairs: Abilino Guillermo
Business Affairs Manager: Nestor Gandia

Executives:
CEO, North America: Mike Sheldon
President, Los Angeles: Kim Getty

Live Action Production Company: Brand New School, Santa Monica CA
Director: Brumby Boylston
Executive Producer: Paul Abatemarco
Head of Production: Julie Shevach
Line Producer: Brian Armstrong

Editorial Company: Brand New School, Santa Monica CA
Editor: Marc D’Andre
Assistant Editor: Austin Lewis

Post Facility: Brand New School, Santa Monica, CA
Executive Producer: Paul Abatemarco
Senior Producer: Alex More
Senior Colorist:  Loren White

Post/VFX: Brand New School, Santa Monica, CA
Executive Producer: Paul Abatemarco
Senior Producer: Alex More
Lead Flame Artist: Kevin MacDonald
Animator / Compositors: Adam Smith, Ben Bullock, Joseph Moon
Designers: Karen To, Yoon Lee

Licensed/Composed Music, Credits and Track Info:

Track: A Touch of Magic
Composed by: David Wittman
Publisher: Marc Aaron Jacobs
Company Name: NSLE Music
Elias Arts Music Library, LLC NY, NY
Asche & Spencer Minneapolis, Minnesota

Executive Producer: Matt Locher
Audio Post Company: Lime, Santa Monica, CA
Mixer: Matt Miller
Assistant Mixer: Mark Nieto

Deutsch LA Celebrates Single Mothers for Angel Soft

Deutsch LA took an unusual approach to Father’s day for Angel Soft, celebrating single mothers with the spot, “Happy Father’s Day, Mom.”

In the online ad, several children of single mothers talk about how much their moms did for them growing up, essentially acting as two parents. Thankfully, there’s no gimmicky surprise; the moms aren’t watching via remote video or listening in from the next room, it’s just people expressing their deep appreciation for their single mothers. While unorthodox in subject matter (for a Father’s Day ad) the approach is very straightforward, balancing tearful moments with humorous ones in celebration of the single moms.

The approach does run the risk of alienating dads, however, who may feel like their turn in the spotlight has been stolen (and who already tend to get the short end of the stick compared to moms on Mother’s Day). Additionally, as Adweek points out, the implication that single mothers must be both “strong” and “soft” reinforces tired gender stereotypes about the roles of mothers and fathers, however well-intentioned. In addition to the online spot, the brand also launched a social initiative calling on viewers to post their own stories about their mothers with the hashtag #HappyFathersDayMom.

Credits:

Client: Angel Soft
Chief Marketing Officer: Douwe Bergsma
Senior Vice President & General Manager, Bath Tissue: Vivek Joshi
Senior Marketing Director, Brand Center: Shari Neumann
Senior Brand Director: Joe Stempien
Senior Brand Manager: Todd Wingfield
Brand Manager: Melissa Blunte

Agency: Deutsch L.A.

Creative Credits:
Chief Creative Officer, North America: Pete Favat
Executive Creative Director:: Karen Costello
Executive Creative Director: Juan Oubina
Associate Creative Director: Melissa Langston-Wood
Associate Creative Director:: Jorge Ortega:
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Rachel Seitel
Integrated Producer: Win Bates
Associate Integrated Producer: Justin Polk
Music Director: Dave Rocco

Account Management Credits:
Group Account Director:: Erik Petersen
Group Account Director:: Montse Barrena
Account Director:: Megan Prince:
Account Director:: Lauren Pollare
Account Executive:: Melanie Faessler
Assistant Account Executive : Bianca Brittain

Account Planning:
Chief Strategic Officer: Colin Drummond
Executive Planning Director:: Jeffrey Blish
Group Planning Director:: Thas Naseemuddeen
Account Planner:: Eva Cantor
Digital Strategist : Janet Shih

Business Affairs/Traffic:
Director of Integrated Business Affairs:: Abilino Guillermo:
Senior Business Affairs Manager:: Terry Miglin:
Director or Broadcast Traffic:: Carie Bonillo
Broadcast Traffic Coordinator:: Anna Brito

Executives:
CEO, North America:: Mike Sheldon
President, Los Angeles: Kim Getty

Production Company: Steelhead
Director: Eric Kaufman
Executive Producer: Ted Markovic
Producer: Matt Johnson
Line Producer: Melissa Verdugo

Editorial Company: Steelhead
Editor: Morgan Griswold
Executive Producer: Ted Markovic
Producer: Simone Gurren

Post Facility: Company 3
Executive Producer: Rhubie Jovanov
Senior Colorist: Stefan Sonnenfeld

Post/VFX: Steelhead
Executive Producer: Ted Markovic
Broadcast Motion Design Director: Jason Porter

Music by: Elias Arts
Track Title: Father’s Day
ECD: Vincenzo LoRusso
CD: Michael Goldstein
EP: Vicki Ordeshook
Head of Production: Katie Overcash

Audio Post Company: Steelhead
Executive Producer: Ted Markovic
Mixer: Chase Butters

Angel Soft Wishes Single Moms a Happy Father's Day in Unique Take on the Holiday

Adult children raised by single mothers wish their moms a happy Father’s Day in this interesting, unconventional take on the holiday by Deutsch L.A. for Georgia Pacific’s Angel Soft bathroom tissue.

The two-and-a-half-minute video presents various men and women who speak directly into the camera, thanking their moms for being both mothers and fathers in their lives. “She did it all, as though she was two people,” one subject says. The others echo this sentiment, explaining how their moms combined softness and strength, tying back to the brand’s new tagline, “Be soft, be strong,” which is introduced here.

Quite a few of these folks get choked up, but that’s de rigueur for the “gratitude advertising” category, and the tears are balanced by some lighter moments. (One guy recalls his mom teaching him to defend himself on the playground: “She was like, ‘When you punch, you put your knuckle out and you just go for it.’ I don’t even know if that’s a thing.”)

Sure, this is another attempt to yank viewers’ heartstrings, but the novel concept and no-frills presentation really carry the day. The subjects simply tell their stories, and there are no “dramatic appearances” by the moms, or clichéd hug sessions, so the spot feels less contrived than others in the genre. Another plus: The ad honors moms and dads by implicitly acknowledging the importance of the latter.

All that said, the work, from my perspective, has a basic conceptual flaw. While well-meaning, it could be be construed as trading in gender stereotypes. Some might find the suggestion of one parent typically being “soft” and the other “strong” kind of regressive. (Gee, I wonder which is supposed to be which?)

Don’t men and women—raising kids alone or together, or childless, for that matter—usually combine both traits to varying degrees?

CREDITS
Client: Angel Soft
Chief Marketing Officer: Douwe Bergsma
Senior Vice President & General Manager, Bath Tissue: Vivek Joshi
Senior Marketing Director, Brand Center: Shari Neumann
Senior Brand Director: Joe Stempien
Senior Brand Manager: Todd Wingfield
Brand Manager: Melissa Blunte

Agency: Deutsch L.A.

Creative Credits:
Chief Creative Officer, North America: Pete Favat
Executive Creative Director:: Karen Costello
Executive Creative Director: Juan Oubina
Associate Creative Director: Melissa Langston-Wood
Associate Creative Director:: Jorge Ortega:
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Rachel Seitel
Integrated Producer: Win Bates
Associate Integrated Producer: Justin Polk
Music Director: Dave Rocco

Account Management Credits:
Group Account Director:: Erik Petersen
Group Account Director:: Montse Barrena
Account Director:: Megan Prince:
Account Director:: Lauren Pollare
Account Executive:: Melanie Faessler
Assistant Account Executive : Bianca Brittain

Account Planning:
Chief Strategic Officer: Colin Drummond
Executive Planning Director:: Jeffrey Blish
Group Planning Director:: Thas Naseemuddeen
Account Planner:: Eva Cantor
Digital Strategist : Janet Shih

Business Affairs/Traffic:
Director of Integrated Business Affairs:: Abilino Guillermo:
Senior Business Affairs Manager:: Terry Miglin:
Director or Broadcast Traffic:: Carie Bonillo
Broadcast Traffic Coordinator:: Anna Brito

Executives:
CEO, North America:: Mike Sheldon
President, Los Angeles: Kim Getty

Production Company: Steelhead
Director: Eric Kaufman
Executive Producer: Ted Markovic
Producer: Matt Johnson
Line Producer: Melissa Verdugo

Editorial Company: Steelhead
Editor: Morgan Griswold
Executive Producer: Ted Markovic
Producer: Simone Gurren

Post Facility: Company 3
Executive Producer: Rhubie Jovanov
Senior Colorist: Stefan Sonnenfeld

Post/VFX: Steelhead
Executive Producer: Ted Markovic
Broadcast Motion Design Director: Jason Porter

Music by: Elias Arts
Track Title: Father’s Day
ECD: Vincenzo LoRusso
CD: Michael Goldstein
EP: Vicki Ordeshook
Head of Production: Katie Overcash

Audio Post Company: Steelhead
Executive Producer: Ted Markovic
Mixer: Chase Butters



Deutsch LA Complains About Sharing for Taco Bell

Deutsch LA launched a new ad for Taco Bell promoting the chain’s Grilled Stuft Nacho, entitled “Sharing Sucks.”

The 30-second broadcast spot features a young guy witnessing a group sharing a plate of nachos and lamenting, “Since you’re a kid, it’s been share this, share that.” He complains about sharing the road, the bathroom, feelings and online oversharing before introducing the Grilled Stuft Nacho, “the first nachos designed not to be shared.” Deutsch’s ode to selfishness ends with the instruction: “Don’t share this ad,” which obviously functions as a tongue-in-cheek reminder for viewers to share the ad. The spot made its debut last Sunday, and is broadcasting in both 30 and 15-second versions. The attack on sharing in “Sharing Sucks” sees Taco Bell taking a much needed breather from McDonald’s bashing to take on the cultural phenomenon of over-sharing instead, although we’re sure Deutsch LA and the brand will be back to taking down the clown in no time.

Credits:

Taco Bell
Chief Marketing Officer: Chris Brandt
VP, Brand Creative Director: Tracee Larocca
Director of Advertising: Aron North
Manager, Brand Experience: Ashley Prollamante
Associate Manager, Brand Experience: Alexandra Bunn
Food Consultant: Lois Carson Hunter

Agency: Deutsch LA
Chief Creative Officer: Pete Favat
Executive Creative Director: Brett Craig
Group Creative Directors: Guto Araki, Tom Pettus
Creative Directors: Erick Mangali, Ryan Lehr
Senior Art Director: Chris Adams
Senior Copywriter: Ross Cavin
Director of Integrated Production: Vic Palumbo
Executive Producer:  Paul Roy
Senior Producer: Alison McMahon
Music Director: Dave Rocco
Account Management Credits:
Group Account Director: Walter Smith
Account Director: Sandy Song
Account Supervisor: Kim Suarez
Account Executive: Karah duMaire
Account Planning Credits:
Chief Strategy Officer: Colin Drummond
Group Planning Director: Lindsey Allison
Senior Account Planner: Kelly Mertesdorf
Business Affairs/Traffic Credits:
Director of Integrated Business Affairs: Abilino Guillermo
Executive Business Affairs Manager: Ken Rongey
Director of Broadcast Traffic: Carie Bonillo
Senior Broadcast Traffic Manager: Sarah Freeark
CEO, North America: Mike Sheldon
President, Los Angeles: Kim Getty

Production Company: Hungryman
Director: Dave Laden
Director of Photography: Stoeps Langersteiner
Managing Partner: Kevin Byrne
Executive Producer: Dan Duffy, Mino Jarjoura
Line Producer: Jason Gilbert

Editorial Company: Cut & Run LA
Editor: Lucas Eskin
Senior Producer: Remy Foxx
Executive Producer: Carr Schilling

Post Facility: Jogger LA
VFX Supervisor/Flame Artist:  Tim Rudgard
Graphics: Jorge Tanaka
Executive Producer: Lynne Manino

Color Facility: Company 3
Colorist: Dave Hussey

Audio Post: Lime Studios
Mixer: Mark Meyuhas
Assistant: Matt Miller
Executive Producer: Susie Boyajan

Composed Music: Massive Music
Creative Director/Composer: Tim Adams
Head of Production: Jessica Entner

Tired of Sharing? Taco Bell Has an Anti-Social Nacho Just for You

Are you a greedy person who doesn’t like to share your nachos with your friends? If so, Taco Bell wants you to buy its giant nacho for one.

In a new ad from Deutsch LA, a young man with exactly the kind of dour demeanor you’d expect from a nacho hoarder rants about the injustices of sharing, the social institution. In all honesty, it’s a sentiment we’ve all probably felt in one moment of weakness or another, which gives it some resonance. And the spot scores extra points for working in some dings against Facebook—namely, the culture of excessive baby photos and cat pics (though let’s be real, people who don’t like babies and animals are, in all likelihood, soulless). The look on the actor’s face when he’s swiping through his tablet is pretty much perfect.

Overall, though, the commercial doesn’t do a great job of making the gloppy, cheesy mess of a ground-meat pocket that can’t rightfully be called a nacho (the “Grilled Stuft Nacho,” which the brand just brought back from the dead) actually appetizing. But at least the brand’s marketing team knows to embrace the sociopathic demographic—when it’s not busy railing against the evils of a certain totalitarian clown.

CREDITS
Client: Taco Bell
Chief Marketing Officer: Chris Brandt
VP, Brand Creative Director: Tracee Larocca
Director of Advertising: Aron North
Manager, Brand Experience: Ashley Prollamante
Associate Manager, Brand Experience: Alexandra Bunn
Food Consultant: Lois Carson Hunter

Agency: Deutsch LA
Chief Creative Officer: Pete Favat
Executive Creative Director: Brett Craig
Group Creative Directors: Guto Araki, Tom Pettus
Creative Directors: Erick Mangali, Ryan Lehr
Senior Art Director: Chris Adams
Senior Copywriter: Ross Cavin
Director of Integrated Production: Vic Palumbo
Executive Producer:  Paul Roy
Senior Producer: Alison McMahon
Music Director: Dave Rocco
Group Account Director: Walter Smith
Account Director: Sandy Song
Account Supervisor: Kim Suarez
Account Executive: Karah duMaire
Chief Strategy Officer: Colin Drummond
Group Planning Director: Lindsey Allison
Senior Account Planner: Kelly Mertesdorf
Director of Integrated Business Affairs: Abilino Guillermo
Executive Business Affairs Manager: Ken Rongey
Director of Broadcast Traffic: Carie Bonillo
Senior Broadcast Traffic Manager: Sarah Freeark

Executives:
CEO, North America: Mike Sheldon
President, Los Angeles: Kim Getty

Production Company: Hungry Man
Director: Dave Laden
Director of Photography: Stoeps Langersteiner
Managing Partner: Kevin Byrne
Executive Producer: Dan Duffy, Mino Jarjoura
Line Producer: Jason Gilbert

Editorial Company:  Cut & Run LA
Editor: Lucas Eskin
Senior Producer: Remy Foxx
Executive Producer: Carr Schilling

Post Facility: Jogger LA
VFX Supervisor/Flame Artist:  Tim Rudgard
Graphics: Jorge Tanaka
Executive Producer: Lynne Manino

Color Facility: Company 3
Colorist: Dave Hussey

Audio Post: Lime Studios
Mixer: Mark Meyuhas
Assistant: Matt Miller
Executive Producer: Susie Boyajan

Composed Music: Massive Music
Creative Director/Composer: Tim Adams
Head of Production: Jessica Entner



Deutsch Doubles Down on Digital Data

madonnaDeutsch solidified its ever-stronger focus on research and relevant data streams this week by hiring industry veteran Madonna Deverson to fill the newly created role of EVP/brand intelligence.

Deverson joins the Deutsch organization after spending four years with Ogilvy. She was the director of information and intelligence for Ogilvy North America before being promoted to the role of senior partner/executive director of the agency’s “Intelligence Group” unit, and she began her agency career by spending more than eight years in Leo Burnett’s London-based research unit Leo IQ.

Her work has not strictly concerned advertising, though. Before joining Ogilvy, she held media news and research positions with what might seem like two opposing parties: The New York Times and the Fox News Channel.

Deverson’s hire is one of the first visible moves made by Deutsch’s new North American CEO Mike Sheldon, who was promoted from his previous role as chief executive of West Coast operations in January as Donny Deutsch left to begin his new career as a scripted TV star and Linda Sawyer replaced him in the chairman role after an agency-wide restructuring.

The release itself furthers the Sheldon narrative by naming the new position “part of Sheldon’s initiative to align bi-coastal agency resources” and noting that, while Deverson will work primarily out of LA, she will report to chief strategy officers on both coasts.

What will Deverson do in the new role? Sheldon mentions “our development of original and shareable work” while the release says she will “simplify complex data and transform it into insights that provide a new foundation for clients’ marketing strategies.”

Market research, then. She will also drive self-promotional efforts from within the Deutsch organization by assisting in “the development of intellectual property and thought leadership.”

Deverson earned her Bachelor of Arts and English in Popular Culture from Australia’s University of Melbourne, and she teaches college courses in Branding & Integrated Communications as an Adjunct Professor at the CCNY CUNY Masters Program.

JWT NY Names Jennifer Usdan McBride Digital Production Director

J. Walter Thompson New York named Jennifer Usdan McBride as director of digital production, MediaPost reports. She will oversee all digital production for the New York office, reporting to Lisa Setten, head of integrated production.

McBride joins JWT from Deutsch New York, where she served as vice president, executive producer since September of 2012, working with clients including Microsoft and PNC Bank. The move marks something of a homecoming for McBride, as she was an executive producer at JWT New York before leaving for Deutsch and following a brief stint as a freelance senior interactive producer with BBH New York. McBride was a co-founder of both baby book iPhone application Emmbook and “chef-focused video restaurant guide” Savory Cities. She has served as a series producer for VH1 and Discovery Health and served a three year stint as a post production producer for Comedy Central’s The Daily Show with Jon Stewart beginning in 1996.

“Jennifer is a wonder to work with, an incredible creative thinker who is tireless in her efforts to elevate the work and bring innovative ideas to life,” Setten told MediaPost. “Add to this her knowledge and past experience with our clients, we feel extremely fortunate to be welcoming her back to the J. Walter Thompson family.”

Deutsch NY Hires Tara Levine as CMO

Deutsch New York appointed Tara Levine as its new chief marketing officer, Adweek reports, filling a vacancy created when Michael Goldberg left to become CEO of Zimmerman Advertising last September. She will begin her new role starting next week, reporting to Deutsch New York CEO Val DiFebo.

Levine joins Deutsch from OMD USA, where she has served as managing director since March of 2014 and U.S. director of business development since joining the media agency in February of 2010. Prior to OMD, Levine spent over a year and a half as director of new business for Euro RSCG. That followed an almost two year stint with Arnold New York as management supervisor, business development and director, business development. She also spent over two years as marketing manager for American Stock Exchange and five years as an account executive with DDB.

“We have a lot of big plans for our New York and Los Angeles offices, and that’s the lens through which we looked at Tara,” DiFebo told Adweek. “We’re aiming for big growth, change and doing things differently. She’s up for that. Tara has global experience and experience across all communications touchpoints. She is very modern in her thinking about clients and about our industry, which is very aligned with where we are.”

Deutsch NY Shares ‘The Last Family Portrait’ for WATERisLIFE

Deutsch New York launched a new campaign for WATERisLIFE, in which the agency and photographer Neil DaCosta traveled to the Omo Valley in Ethiopia to provide families there with framed family portraits.

“Most people go into these rural areas of Ethiopia, snap a picture of the tribes and then leave…This is the first time anyone has physically printed, framed and given them a family portrait,” explained WATERisLife president Kristine Bender. “You could see the gratitude on their faces. Knowing we are making a difference by capturing an important moment in their life, the project’s goal isn’t just to give family portraits, it’s to keep these families alive.”

Since in the area somebody dies from water-related disease every 20 seconds, many of these portraits could provide the families with documentation of a lost loved one, making them all the more meaningful. It’s a sad reality that the photos are likely not only the first but also “The Last Family Portrait” for these families, but it’s also uplifting seeing each family’s joy and gratitude at having the photo. Although only a dozen or so families are featured in the ad, over one hundred families in the area had their photos taken. Print ads featuring the portraits and a call to action will run in publications including Forbes, The Economist and Bloomberg. Donations from the effort will be used for “digging wells that will give Omo Valley families and others the clean water, sanitation and hygiene they so desperately need.”

Credits:

Agency: Deutsch New York

Chief Creative Officer: Kerry Keenan
Executive Creative Director: Menno Kluin
Creative Directors: Sam Shepherd, Frank Cartagena, Julia Neumann
Art Director: Brittany Rivera
Copywriter: Kevin Meagher
Photographer: Neil DaCosta
Design Director: Juan Carlos Pagan
Designer: Brian Gartside
Retoucher: James Cullinane
Director of Integrated Media: Karen Benson
Director of Integrated Production: Joe Calabrese
Director of Digital Production: Suzanne Molinaro
Asst. Digital Producer: Libby Carespodi
Print Producer: Donald Odell
Producer: Joe Pernice
Post Producer: Francess Tom-Sahr
Senior Editor: Eric Grush
Editor: Pete Slife, Marcus Land
Digital Designer: Alex Miller
Developer: Shane Akins

VW's Passat Clean Diesel Will Keep You, and Your Horrible Boys, Out of Gas Stations

Is this any way to celebrate Mother’s Day?

A trio of unholy terrors—pre-pubescent boys, presumably brothers—wreak havoc in a gas-station convenience store in “Mom,” an amusing Volkswagen spot from Deutsch L.A.

These little rowdies like their carbonated beverages shaken, not stirred, and heavy on the cheese-whiz, please! (Teach that chili dog a lesson!) Their acts of impish mayhem are captured in glorious Sam Peckinpah-style slow-motion as the Willie Nelson/Waylon Jennings version of “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” plays in the background. The clerk looks horrified. Guess he doesn’t like that song.

While all this is going on, Mom is outside, filling up at the pump. Too bad she doesn’t drive a 2015 VW Passat Clean Diesel. It gets “up to 814 highway miles per tank,” so you can “stop less, go more.”

If you ask me, the store got off easy. The Golden Sisters and Stinky would’ve burned that mother down.



Deutsch LA Crafts Slow-Mo Destruction for Volkswagen

Deustch LA launched the final spot in its campaign for the 2015 Volkswagen Passat TDI Clean Diesel, entitled “Mom.”

The 45-second spot depicts three young boys running wild in a gas station convenience store causing all kinds of destruction. Filmed in slow-motion and set to the classic country song “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” (as performed by Waylon Jennings and Willie Nelson) the comic approach makes for an entertaining scene of wheezing the juice, soda explosions and excessive amounts of cheesy sauce. After the boys’ shenanigans, and a shot of the mom filling up at the pump, the spot cuts to a mom in the 2015 Volkswagen Passat TDI Clean Diesel, with three well-behaved boys in the backseat. The perfect marriage of the boys’ destruction in slow motion and the music selection make for a fine sendoff spot to the campaign and follow-up to the “Old Wives Tales” spots starring the Golden Sisters.

Credits:

Agency: Deutsch LA

Chief Creative Officer, North America: Pete Favat
EVP, Executive Creative Director: Todd Riddle
SVP, Group Creative Director: Heath Pochucha
VP, Creative Director: Paul Oberlin
Partner, Director of Integrated Production: Vic Palumbo
VP, Executive Integrated Producer: Erik Press
Integrated Producer: Kaitlin Moore
Associate Integrated Producer:  Alex Saevitz
Music Director: Dave Rocco
EVP, Group Account Director: Tom Else
SVP, Group Account Director: Monica Jungbeck
VP, Account Director: Alex Gross
Account Supervisor: Aleks Rzeznik
Account Executive: Ashley Broughman
VP, Director of Product Information Jason Clark
Product Information Supervisor: Eddie Chae
Chief Strategic Officer: Jeffrey Blish
Group Planning Director: Susie Lyons
Director of Integrated Business Affairs: Abilino Guillermo
Group Director Integrated Business Affairs: Gabriela Farias
Business Affairs Manager: Jade McAdams
Director or Broadcast Traffic: Carie Bonillo
Broadcast Traffic Manager: Courtney Tylka
CEO, North America: Mike Sheldon
President, Los Angeles: Kim Getty

Live Action Production Company: Hungry Man
Director: Hank Perlman
Executive Producer: Nancy Hacohen
Executive Producer/Director of Sales: Dan Duffy
Line Producer: Caleb Dewart

Editorial Company: Spot Welders
Editor: Haines Hall
Assistant Editor: Oliver Hecks
Managing Partner: David Glean
Executive Producer, Director of Development: Victoria Guenier
Executive Producer: Carolina Sanborn
Producer: Evan Hunningham

Post Facility: Color Correct: Apache
Executive Producer, Managing Director: LaRue Anderson
Producer: Caitlin Forrest
Senior Colorist:  Steve Rodriguez

Post/VFX: Arsenal FX
Executive Producer: Ashley Hydrick
Senior Producer: Pravina Sippy
Lead Flame Artist: Matt Motal
Flame Artist: Jeff Aquino

Licensed/Composed Music, Credits and Track Info:
Track: “Mammas Don’t Let Your Babies Grow Up to Be Cowboys”
Performed by Waylon Jennings and Willie Nelson
Composed by Ed Bruce and Patsy Bruce
Courtesy of Sony Music Entertainment
By arrangement with Sony ATV Music Publishing

Audio Post Company: LIME Studios
Executive Producer: Susie Boyajan
Mixer: Mark Meyuhas
Assistant Mixer: Matt Miller

Barkley Hires Deutsch Vet as ECD

jason elmKansas City agency Barkley, which definitely did not commission an impressive “Creation of Adam” mural in its office last summer, hired longtime Deutsch veteran Jason Elm as its newest ECD.

He will join former CP+B ACD Berk Wasserman, who came to Barkley last July as VP/creative director, as well as VP/group account leader and fellow Deutsch alum Valencia Gayles. (Both moved to the Midwest in a mini-hiring spree during the Summer of 2014.)

Elm, who spent the last year and half as a freelancer in the San Francisco area with clients ranging from Google to Walmart, will officially become ECD on April 13th. In the new role, he will “enable and inspire all creative output for one of the nation’s largest independently-owned creative agencies,” which includes Target, Cargill, Spirit Airlines, Dairy Queen, and others on its client roster.

He will also work closely with Tim Galles, the former ECD/CSO who Barkley recently named its first “chief idea officer.”

Elm wrote copy for a couple of California agencies before joining Deutsch LA in 1998. He worked on Expedia and TGIFriday’s before helping the agency win the Sony PlayStation and Diamond Foods accounts and ascending to the EVP role.

Back in 2012, Business Insider mastered the grammatically awkward headline while naming Elm as one of its 37 creatives “most lusted after by rival agencies.” This diagnosis proved accurate: less than a year later, he left Deutsch for DDB California and wrote a guest post for us on “unplugging” at Cannes. The DDB gig ended up lasting less than three months, however, and led our readers to speculate on what caused the relationship to dissolve.

In 2014, Barkley CEO Jeff King told Kansas City Business Journal that he hires executives by positioning KC “as an advertising destination and an advertising market,” adding, “the city sells itself.”

3 Salty Old Wives Shout Lies About Diesel in Sweet, Silly Ads From Volkswagen

Your cranky straight-talking grandmother might not think much of diesel engines, but Volkswagen would like her—and you—to reconsider.

“Old Wives Tales,” a new campaign from Deutsch LA for the automaker’s Passat TDI, features the Golden Sisters, who rose to fame with their salty commentary on Kim Kardashian’s sex tape back in 2012. Now, the trio are riding around in a VW, sounding off on diesel cars—and getting it wrong.

They weigh in on rappers (dismissively, of course) and play “Who’s on First” with the question of whether the car is even running—because aren’t diesel engines supposed to be loud? While looking for a gas station, they start obsessing over food—Italian, in this case (the real-life siblings were all born Conticchio, in the Bronx)—though their heritage could, in many moments, just as easily be another variety of old, white and loud.

In other words, the four spots are all set pieces that showcase a certain type of gleefully abrasive charm—a shtick that will appeal best to the demographic that knows and loves the caricature. It’s a nice vehicle for the message. People who bear these misconceptions are likely more concerned with volume than accuracy, so don’t be like them (even if you think they’re funny).

The best moment by far is a close-up of what might be the world’s ugliest dog (a cameo that deserves credit for extra cutting against the grain of everyone everywhere putting adorable puppies in their ads). And in a discovery on which more mercenary brands should capitalize, it turns out even marketing hashtags like #tunameltsmyheart are less obnoxious when yelled by an old woman—probably because you don’t have a choice but to forgive them for being cheesy.

CREDITS
Client: Volkswagen
Agency: Deutsch LA
Chief Creative Officer: Pete Favat
Chief Digital Officer: Winston Binch
Executive Creative Director: Todd Riddle
Digital Executive Creative Director: Jerome Austria
Group Creative Director: Heath Pochucha
Group Creative Director: Tom Pettus
Art Director: Alice Blastorah
Copywriters: Shiran Teitelbaum, William Sawyer
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Erik Press
Integrated Producer: Win Bates
Group Account Director: Tom Else
Group Account Director: Monica Jungbeck
Account Director: Alex Gross
Account Supervisor: Aleks Rzeznik
Account Executive: Ashley Broughman
Director of Product Information: Jason Clark
Product Information Supervisor: Eddie Chae
Chief Strategy Officer: Colin Drummond
Senior Digital Strategist: Brendon Volpe
Group Planning Director: Susie Lyons
Director of Integrated Business Affairs: Abilino Guillermo
Group Director Integrated Business Affairs: Gabriela Farias
Business Affairs Manager: Jade McAdams
Director or Broadcast Traffic: Carie Bonillo
Broadcast Traffic Manager: Courtney Tylka
Production Company: LMNO Productions
Director: Eric Schotz
Executive Producer: Ed Horwitz
Editorial House: Union Editorial
Editor: Paul Plew
Assistant Editor: Otto Mertins
President: Michael Raimondi
Senior Producer: Rob McCool
Post-Facility: Resolution
Sound Studio: Resolution
Producer: Logan Aires
Mixer: Milos Zivkovic



Jägermeister Takes Handcrafted to Next Level With Three Incredible Wooden Works of Art

We’ve seen plenty of ad campaigns that have handcrafted elements meant to evoke some handcrafted aspect of the product. (Patron tequila’s ads from 2013 were particularly lovely.) But Deutsch New York takes things up a notch in this beautiful work for Jägermeister.

The agency got artists Olivia Knapp, Yeahhh! Studios and DKNG Studios to create three unique wooden works of art corresponding to the brand’s three pillars—heritage, ingredients and process. Each piece was constructed in 56 separate parts that fit together like a puzzle—representing the 56 different ingredients (roots, fruits, herbs and spices) that go into Jägermeister.

The art works, weighed up to 250 pounds, were then photographed for use as ads—out-of-home, painted wallscapes, rich media, print, mobile and social media. The campaign is called “56 Parts. Best as One.”

Check out a ton of the art below.

 
—”Cheers” by Yeaaah Studio

 
—”Fount” by Olivia Knapp

 
—”The Process” by DKNG

CREDITS
Client: Sidney Frank Importing Co., Inc./Jägermeister
Deutsch New York:
Chief Creative Officer: Kerry Keenan
Executive Creative Director: Menno Kluin
Associate Creative Directors: Sean Lee, Luke Hughett
Copywriter: Brian Alexander
Art Director: Katrina Mustakas
Design & Typography: Juan Carlos Pagan, Brian Gartside
Interactive Design Director: Aliza Adam
Interactive Designer: Alex Miller
Experience Design: Anna Farrell
Art Buyer: Ali Asplund
Director of Creative Operations: John Bongiovanni
Senior Studio Artist: Tom Eberhart
Print Producer: Melissa Betancur
Retouching: James Cullinane
Director of Integrated Production: Joe Calabrese
Director of Digital Production: Suzanne Molinaro
Digital Producers: Josh Deitel, Katie Miller
Digital Developer: Patrick Batey
Senior Motion Designer: Matthew Severin
Motion Designers: John McLaughlin, Aaron Epstein
Director of Photography: Owen Levelle
Producer: Joe Pernice
Editors: Bryan Reisberg, Chris Pensiero
Asst. Editor: Drew Bolton
Senior Project Manager: Marea Grossman
Production Company: Remote Control Productions, NY
Photographer: Andrew Myers, Adam Coleman (BTS)
Photo Assistant: Scott Burry, Landon Speers
Digital Tech: Adrien Potier
Fabrication Company: Bednark Studios, Brooklyn, NY
Artists: Olivia Knapp, DKNG Studios, Yeaaah! Studio
Additional Deutsch Credits:
EVP, Group Account Director: Talia Handler
Account Director: Kristen Rincavage, Michelle Ziff



Deutsch LA Brings Mophie to Super Bowl with ‘All Powerless’

Deutsch LA is taking Mophie to the Super Bowl with an apocalyptic 60-second ad that is also the brand’s broadcast debut.

The spot, entitled “All Powerless” depicts all kinds of doomsday events, from gravity ceasing to function properly, to flying penguins, natural disasters and, for some reason, dogs walking their owners. Drawing in viewers with its visual imagination and mysterious premise, the ad finally brings everything together in its final seconds with the reveal that the preceding events were God’s cell phone losing power.

“All Powerless” was built around the insight that cellphone users feel powerless when their phone dies, which can have all kind of disastrous effects on their day. Deutsch LA places the dilemma on an epic scale by imagining what it would be like for a higher being.

“When your phone loses power, you lose power,” Pete Favat, chief creative officer, Deutsch LA, told Adweek.  “We’ve all had that feeling of vulnerability…For us, that might mean missing important meetings, getting lost while traveling or being unable to make that one important phone call. For the most powerful being in the universe, losing power truly means losing power.”

Favat went on to explain the strategy behind the fledgling brand’s costly broadcast debut, telling Adweek, “We’re trying to establish a new market with this ad. There’s 10 percent category awareness, 9 percent brand awareness for us. There’s no better opportunity than the Super Bowl to get attention for your brand.”

Mophie will support the broadcast spot with a promotional sweepstakes, giving away one million dollars worth of prizes should the game go into overtime (currently a 16:1 shot), and $10,000 in prizes if it does not.

Sprint Apologizes in Teaser for Deutsch’s Super Bowl Spot

Late yesterday, Sprint released a teaser for its Super Bowl ad from Deutsch LA “apologizing” to competitors Verizon and AT&T.

The teaser is a simple text scroll and accompanying voiceover imposed on an image of a sheep. Addressed to Verizon and AT&T, the ad claims Sprint owes these companies an apology — “not for cutting your customers’ rate plans in half — we’re gonna keep doing that” — but rather for comparing the brands to sheep in a recent advertisement. Sprint promises to apologize in the third quarter of the Super Bowl to make up for the whole “sheep thing,” but something tells us Deutsch LA has something other than a contrite apology up its sleeve.

The ad will mark Sprint’s fourth appearance in the big game and its first from Deutsch LA, who officially took over as Sprint’s agency of record last month (although rumors of Deutsch’s appointment began spreading over a month earlier).

Jeff Hallock, chief marketing officer for Sprint, hinted that the ad would deal directly with Sprint’s bill-cutting promise. “We have a very crowded industry, very competitive industry and there’s some confusion that comes in customers trying to understand plans and whatnot. We think with this promotion (cut your monthly bill in half), it’s the simplest thing for people to understand. So, we want to make sure we get the awareness as broadly as we can get on it,” he told Adweek.

 

 

 

Donny Deutsch Scored a TV Show

Donny Deutsch may be out at the agency that bears his father’s name, but he’s all the way in at The USA Network.

Yesterday, we caught word from TV Guide that Deutsch the younger will soon star in his own old-style television programme called Donny!. No, it won’t be a Trump-style reality competition to find the hottest young advertising creatives — it will be “a half-hour satire that centers on his professional life, as well as his personal life as a single dad looking for romance” in the vein of Curb Your Enthusiasm.

The “professional life” mentioned in the press release will not have anything to do with advertising. Rather, it will follow Donny’s adventures as the host of a daytime talk show also called Donny!.

Here’s a key line:

“…his very put-together public persona is in stark contrast to his private reality as he struggles to find love and also to be a good parent.”

Six episodes will premiere in late 2015. But who will be the Jeff to Donny’s Larry?!

Deutsch LA Introduces ‘Mop Dog’ for Dr. Pepper

Deutsch LA recently launched a new ad for Dr. Pepper, introducing “Mop Dog.”

“Mop Dog” is a Puli — a Hungarian breed that develops natural dread locks or “cords” giving it a distinct, comical appearance — who roams around in search of a home. The dog walks past an owner taking her two (more normal looking) dogs for a walk and passes two shops with mops in the window before finally being taken in by a Dr. Pepper truck driver (who Breaking Bad fans may recognize as “Krazy 8?). From there it’s straight Puli cuteness as the dog tags along. For a moment it seems the driver is going to drop the dog off at an animal shelter, but, predictably changes his mind. The spot ends with the “Always Be One of a Kind” tagline.

While the ad could hardly be accused of originality, Deutsch LA handles the canine approach as well as most with “Mop Dog.” Saccharine as it might be, it’s hard to imagine that people won’t eat this one right up (who doesn’t love Pulis?), and we wouldn’t be surprised if Dr. Pepper’s “Mop Dog” makes a reappearance.

Big Changes at Deutsch

Deutsch Inc. has big plans for 2015, according to an agency-wide internal memo that went out this afternoon.

Following the Pizza Hut and Sprint wins, the year begins with several big staffing changes at the agency, most prominent among them being the appointment of LA CEO Mike Sheldon to the position of North American CEO and the departure of Donny Deutsch, who has been “a non-active Chairman for the past several years.”

Deutsch LA is the big winner in the new arrangement, which also sees CCO Pete Favat promoted to chief creative for the entire North American organization.

COO Kim Getty will assume the presidency of the West Coast office while LA-based SVP/Director of Business Development Jeff White will be North American EVP/CMO.

The biggest surprise in the announcement may be the fact that very little will change at the agency’s New York office.

Here’s the note from current North American CEO Linda Sawyer, who will soon replace Deutsch as chairman:

Deutschers –

I am pleased to share with you some exciting news about the future of Deutsch. I am announcing our succession plans and appointing Mike Sheldon as North American CEO overseeing both the LA and NY offices. Mike will report to me as I take on the role of Chairman. Donny, who has been a non-active Chairman for the past several years, becomes Chairman Emeritus. He will formally end his relationship with the agency at the end of March 2015 as he begins work on his recently announced new USA Network show.

Those of you who have had the pleasure to work with Mike know he has a big heart and big brains to match. Under Mike’s 17-year run, the LA office has grown from a handful of people to what is now the largest agency on the West Coast. He has built strong client relationships, has an innate ability to attract top-tier talent, land new business and to foster our culture. Beyond Mike’s business skills, you’ll find a down to earth guy who is the epitome of a fearless leader. It will be exciting to see how Mike helps write the next chapter of our agency.

New York will continue to be run under the strong leadership of Val DiFebo, CEO, and her management team. Val’s tenaciousness and unstoppable passion has made her a true force at the agency. She is an inspiring leader focused on influencing client’s business results through creative solutions.

Additionally, Mike and I are making a few other changes. To help grow both offices we have tapped Winston Binch as Chief Digital Officer North America, and Pete Favat as Chief Creative Officer North America. They will work hand-in-hand with both offices to maximize talent, share best practices and sharpen the tools in our toolbox.

Winston is a highly respected digital leader in our business. Since joining four years ago he has built a team of 190 digital specialists. As a result, digital is now

35% of the LA office’s revenue. Pete has been with LA for just over a year. In that time he has attracted top-tier talent, helped the office win eight pieces of new business, and bought home eight Lion’s from Cannes.

Mike and I are also happy to announce that current Partner, Chief Operating Officer Kim Getty is being appointed President, Deutsch LA. Over the years Kim has been responsible for helping manage LA’s fast-paced growth. Under her ambitious and get-it-done leadership, Kim has nurtured a world-class department of entrepreneurial thinkers and expanded services in experiential, public relations, and multicultural marketing.

And finally, SVP, Director of Business Development in LA, Jeff White, is being promoted to EVP, Chief Marketing Officer, North America. Deutsch LA has had some banner years, and working with the vast talent in both offices, Jeff will help generate even more new business for Deutsch.

Donny’s legacy, along with his father David’s, will be an enduring part of who we are. Every one of us will continue to make them proud. The Deutsch brand has always been dynamic, passionate and progressive. This leadership team, along with the strong and talented teams we have in NY and LA are going to be an unstoppable force in this industry.

Next Wednesday, January 21st, Val will be arranging an agency meeting in the afternoon to introduce you to Mike, and hopefully Winston, Pete and Jeff will join. It will be a nice opportunity for everyone to have a chance to connect with one another. More details to follow on this.

Please join me in congratulating Mike and the entire team of executives. 2015 is going to be a landmark year for us.

Advertising Could Use Another Adorable Dog, Right? Sure It Could, Says Dr Pepper

Deutsch LA unleashes some potent adorbs for Dr Pepper in this ad starring a super-shaggy “mop dog”—a Hungarian herding pooch known as a Puli with a dreadlock-style corded coat.

Try as it might, our lovable hero just can’t seem to fit in. The stray hitches a ride with a Dr Pepper delivery dude, played by Domingo Molina, who memorably essayed a villain in early episodes of Breaking Bad, and they head for the pound. Will the guy keep the misfit pooch, validating the brand’s new tagline, “Always be one of a kind,” and giving us a three-hanky happy ending? C’mon, Krazy-8, what’s your play?

This stuff is hokey and sentimental, manipulative in the extreme—one more example of a brand taking the easiest route to play on consumers’ emotions. (Why not just drive the beast to the Super Bowl so it can frolic with the cuddly canine commercial stars from Anheuser-Busch and Go Daddy?)

That said, director Simon McQuoid of Imperial Woodpecker unfurls the tale, and the tail, with understated aplomb. And that scrappy scamp is so darn cute … sniff … I can barely see the screen as I type this.

Oh man, that mop dog will wring every last tear from your eyes.