As The Pendulum Swings…

Newsweek is floating the idea that the heyday for consumer generated content has come and gone.

In short, the expert is back. The revival comes amid mounting demand for a more reliable, bankable Web. “People are beginning to recognize that the world is too dangerous a place for faulty information,” says Charlotte Beal, a consumer strategist for the Minneapolis-based research firm Iconoculture. Beal adds that choice fatigue and fear of bad advice are creating a “perfect storm of demand for expert information.”

“The wisdom of the crowds has peaked,” says Calacanis. “Web 3.0 is taking what we’ve built in Web 2.0—the wisdom of the crowds—and putting an editorial layer on it of truly talented, compensated people to make the product more trusted and refined.”

Did he really need to say Web 3.0? I suppose he did. But I’m so not ready for it. Although, I am more than ready for better content from trusted sources.

Just because one’s cell phone shoots video doesn’t mean the person operating the device has the faintest clue about building an audience.

Content Is Still King

According to the Online Publishers Association’s Internet Activity Index, 42.7% of consumer time online is spent with content sites, 28.6% is with communication sites, 16.1% with commerce sites and 5% on search sites.

The OPA describes content sites as those designed primarily to provide news, information and entertainment. Examples of those included in this segment are CNN.com, ESPN.com and MapQuest.

[via Ad Age]

L.C. in da House

Lindsay Campbell, formerly of Wallstrip, has been charging around Austin this week with her camera crew in tow. Her goal? To better understand the mind of an SXSW attendee.

Her new show, which is backed by CBS, is called Moblogic. It’s a news, culture and politics program.

Where Commercials Once Were

I can’t believe I haven’t heard about Lovebites, a content play from JWT for Sunsilk Hair products, until now. Thankfully, Damiano Vukotic has heard.

Lovebites is a 2-minute show that runs during commercial slots on “Sex in the City” reruns. The show was developed by JWT in conjunction with Paul Reiser (Mad About You).

According to JWT’s blog, The Good Stuff, a second season of 65 episodes was commissioned by the client. I’d love to work on a series like this.

quarterlife Moves To Bravo

New Tee Vee has several posts about quarterlife’s network debut and the fallout from said TV event.

In a development that could kill the network dreams of other fledgling web series, quarterlife’s premiere on NBC bombed. TV by the Numbers paints the not-so-pretty picture: quarterlife came in last place in its time slot, with a mere 3.86 million viewers. An ABC Primetime news special won the hour with 7.64 million viewers, and even the wait-wasn’t-that-canceled Jericho did way better, attracting 6.9 million people.

Our own Liz Gannes spoke with quarterlife creator Marshall Herskovitz at the Harvard Business School Entertainment and Media Conference today. In a nice moment of candor, even Herskovitz admitted that the show “bombed” last night, and offered up some interesting commentary.

Herskovitz said “We shouldn’t have been on a network to begin with. Our show, probably if it was going to TV should have been on a cable network, and that’s probably where we’re going to end up.”

He’s correct. After one episode on NBC, the show is now headed to Bravo.

Set Your DVRs

In anticipation of the web show quarterlife’s network debut on NBC (premiere episode on Tuesday, Feb. 26 10/9c) and MTV (premiere on the afternoon of the 26th), New Tee Vee spoke to series creator Marshall Herskovitz and star Bitsie Tulloch.

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Herskovitz says, “I’m on the site literally 15 times a day and I’m reading every comment. When we were doing Once and Again, I would go to the fan sites maybe once a week at most. It was not a daily relationship the way it is now. And John O’Shaughnessy, the cinematographer, does it too.”

Tulloch says, “It was a big task trying to give this awkward, bumbling character some integrity. Having to not only act but also do this whole new thing with a camera and blogging — I’d never done that before.”

It Was The Best of Times, It Was The Worst of Times

The New York Times looks at the importance of storytelling in the workplace.

Of all the repetitive, mind-numbing jobs in the late 19th century, cigar-rolling was special.

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Unlike sewing clothes, mining coal or forging steel, it was blessedly quiet. And thus cigar workers, whether in Chicago or Havana, were the first ones in their time who managed to introduce that vital commodity — distraction — onto the work floor.

Using their own wages, and backed by a powerful union, they paid for a “reader” who sat in an elevated chair and began the morning with the news and political commentary. By the afternoon, he would usually have switched to a popular novel. The 100 or so rollers on the floor were his captive audience, listening as they worked.

Of course, there are countless new forms of storytelling that occupy our day in 2008. Which is what makes is so hard for advertising to break through the clutter. Unless, advertising is also compelling storytelling.

Better Than A Sobriety Test

People often emerge from their favorite bar in a good mood, which makes it a perfect time to quiz them.

According to Adweek, Endemol USA and video entertainment site Metacafe plat to do just that with Buzzed, an online after-hours game show. The show will focus on bar and nightclub goers answering a series of trivia questions as they depart popular establishments nationwide.

Erick Hachenburg, CEO of Metacafe said, “Buzzed is a great example of original short-form video content that puts the power of the Internet to good use. It’s interactive, engaging and entertaining.”

Slated to launch this spring, Buzzed is now in pre-production in cities including New York, Chicago, Miami, Boston and San Francisco.

Drawing The Story Out Of The Brand

Shelly Lazarus, the CEO of Ogilvy & Mather, is speaking my language.

“Brands are more than checkbooks to develop content. Brands are cultural artifacts that have inherent story values. We see ourselves as being both in the entertainment business and the product business.”

But she loses me here:

“We can come up with a brand idea, but we can’t do programming. We wouldn’t start to even try.”

Why wouldn’t we try? In my opinion, we in the agency business need to do the work. It goes without saying that we’d partner with our friends in the production community to create advertainment, just like we do with advertising.

[via Ad Age]

How MTV Move

LA Times takes the phrase “integrated marketing” to a new place with a piece on content’s role in creating compelling advertainment.

Younger viewers are “less married to traditional long form shows and, as a result, more receptive to different forms of content as long as the content is engaging and entertaining,” John Shea, executive vice president for integrated marketing at MTV said. “Overall, the audience is very savvy and understands that sometimes ‘content’ is working hard for a brand or product.”

Appropriately, it is MTV, the pioneer in blurring the lines between advertising and content, where many of these new initiatives are being undertaken.

One of the examples the story points to is “How She Move,” an urban dance movie that opened Friday. The film was woven into MTV reality series, “Super Sweet 16.” The choreographer of “How She Move” interacted with the girls planning a Sweet 16 party, helping them master dance moves from the film so they could wow their friends on the big night.

A parallel promotion for mobile phones and other wireless devices featured briefer videos with simplified dance lessons.

Lexus Hybrid Living EcoDesignLifestyle

Lexus Hybrid Living is an interesting content play by the luxury car brand. While many hybrid buyers are Birkenstock-wearing eco-number crunchers wanting to know all the pertinent facts and figures, Lexus appeals to another demo. The demo that says, “Hey, I’m rich. The least I could do is be responsible.” Of course, never before in history, has it been so easy to “act responsibly” while stroking a check.

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The site doesn’t aim to sell cars, but to support the lifestyle. As such, it introduces and promotes key figures from green design like fashion design Linda Loudermilk and architect Michelle Kaufmann. The designers’ stories are told in video and text.

Lexus Hybrid Living also offers city guides for NYC, LA, Washington, D.C., Atlanta, Miami, Dallas, Chicago, Seattle, Phoenix and San Francisco.

The navigation is a bit hard to follow and I’d like the videos to benefit from “share this” functionality, but the content is right and well packaged.

Mad Men Meets Melrose

Quarterlife, the new series from Marshall Herskovitz and Edward Zwick, is far from racking up impressive broadcast-style numbers on MySpace and YouTube, which leads The New York Times to question.

The low traffic numbers are significant because the series has been touted as the first television-quality production for the Web, as well as the first to be introduced online as a warm-up for its network debut. NBC will broadcast “Quarterlife” in one-hour increments beginning in February, and the Web-to-broadcast process is being closely watched as a potential business model for television on the Internet.

YouTube has the first nine webisodes posted at this time, whereas MySpace has 14, so that needs to be addressed (although I wouldn’t be surprised if there’s some kind of deal that prevents it, since the show debuted on MySpace).

Since I had the time today, I watched webisodes one through ten. While I’m outside the target demographic, I like the show. If I was the target I’d probably feel compelled to deliver some snarky commentary. But I’m not, and Gawker’s already got that covered.