The Martin Agency Hires First Managing Director of Its New York Office

After a decade in the city, The Martin Agency hired Amber Guild to serve as the first managing director for its New York office, Adweek reports. Guild began the position last week, reporting directly to The Martin Agency CEO Matt Williams.

The office’s client roster includes Kayak (for which it won creative duties back in February), Sunglass Hut and Optimum.

“Martin New York has grown dramatically in the past couple of years, but we’ve been eager to find just the right person to help lead that office to an even higher level, and Amber is that person,” Williams said in a statement. “She will bring her extensive expertise and be a great partner to executive creative director James Robinson and director of brand strategy John Gibson as they grow and shape Martin New York.”

Guild joined The Martin Agency form brand consultancy Collins, where she served as president since December of 2014. Prior to Collins she spent five years at full-service agency T3, rising to managing director of the agency’s New York office after joining as a group account director in September of 2009. Before that she spent two years as a senior account director with Swift Integrated Marketing, following a year as an account director with Y&R. She has also held account management positions at Saatchi & Saatchi and Ogilvy & Mather.

“I’ve had a crush on Martin since my early days as an account executive,” Guild told Adweek. “When I was growing up in account management, my job was to become a trusted adviser to our clients by understanding their business, building and creating affinity for their brand, and creating an environment for my team that inspired great, effective work,” she said. “If anything, as I’ve become more senior, I put even more attention to building environments and cultures that allow for people from different backgrounds (diversity!) to thrive—it’s not just the right thing to do, it’s business critical.”

“It’s important to point out that Martin New York has already been here for several years and has steadily grown since it first opened its doors,” she added. “We live in one of the most diverse cities in the world—a city I was born and raised in—and our opportunity is to make sure our talent and our work reflect the creativity, diversity and complexity of the world we live in.”

Guild’s arrival follows the office expanding its creative team with a series of new hires at the beginning of the year, about a month ahead of the Kayak win. The office added executive creative director James Robinson in March of 2015.

Leland Maschmeyer Is Chobani’s First Chief Creative Officer

Chobani appointed Leland Maschmeyer as its first chief creative officer, following the announcement last May that the brand was moving away from the AOR model to pursue “more in-house and project-based agency partners” following its parting ways with former AOR Droga5 that March. Maschmeyer will oversee all creative work for Chobani, as the brand seeks to find a balance between in-house work and working with agencies on a project basis, reporting to Chobani chief marketing and brand officer Peter McGuinness.

“He’s a very sound strategic thinker, which I like,” McGuiness told Adweek. “He’s an amazing creative person and creative thinker. He’s got great design instincts. These are all qualities and traits that we love at Chobani and hold in high regard.”

Maschmeyer describes himself on his website as “the chief creative officer and founding partner of Collins,” writing, “Through a systems thinking lens, he redesigns brands and their customer experiences.”

He co-founded the brand consultancy, whose clients include Coca-Cola, Facebook, Spotify, Instagram and Target, at the beginning of 2008, originally serving as creative director. He was elevated to executive creative director in September of 2011 and CCO this past December. Prior to Collins, he spent nearly three and a half years as a senior strategist with McKinney, working with clients including Travelocity, Virgin Atlantic, NASDAQ and Qwest. He also teaches MFA-level design classes at New York’s School of Visual Arts and spent the past two years serving on the board of directors for professional design association AIGA. 

“Chobani stands in a rare class of companies that has the ambition to impact culture, the craftsmanship to produce admired products, the proven ability to fearlessly innovate, and the foresight to put design at the heart of all it does,” Maschmeyer said in a statement. “That’s why it’s iconic and beloved by millions. It’s a once-in-a-lifetime opportunity to help a company of this stature transform into a leading natural food company.”

Maschmeyer’s appointment follows Sprint, which also decided to take more of its advertising in-house last year, tasking PR veteran Christopher Ian Bennett with leading its in-house agency, Yellow Fan Studios, as executive creative director in May.

Ferrara & Company Names Former Publicis New York CEO as President, Chief Client Officer

Ferrara & Company hired former Publicis New York chief and 35-year industry veteran Joe McCarthy as its new president and chief client officer.

“We’re thrilled to have Joe join the team and share his vision and expertise to helping our clients continue to grow their business,” said Ferrara & Company president and CEO Art Ferrara in a statement. “His industry knowledge, leadership and drive for success will create an even stronger operation.”

The Princeton, New Jersey agency specializes in serving retail “challenger brands,” and its roster includes such clients as Arm & Hammer, Allegra, Heinz and the New Jersey Lottery. Atlanta-based PureRED Integrated Marketing acquired Ferrara for an undisclosed sum last summer, and the shop currently employs between 50 and 200 according to its LinkedIn page.

“I firmly understand and believe in the power of creativity to drive clients’ business. It’s what I believe in my heart,” said McCarthy in the press release. The same release credits him with helping to facilitate double-digit growth at Publicis during the height of the Great Recession by signing new clients such as Hilton Worldwide, Merck, TGI Friday’s, AXA and Lens Crafters.

PureRED CEO Michael Minasi said, “Joe’s varied background and his impressive list of creative credentials will be an asset to PureRED as we continue our growth trajectory,” citing McCarthy’s “breadth of experience, ranging from top leadership at one the industry’s biggest agencies to client leadership at some of the world’s most powerful brands.”

McCarthy joins Ferrara & Company from New York design firm Collins, where he served as president beginning in 2013. Before that, he spent four years (2008-2012) as CEO of Publicis New York.

After beginning his agency career with a 13-year stint at Saatchi & Saatchi New York, he left the agency to go client-side as vice president of worldwide advertising at Nike 1993. He then spent three years there before leaving to found his own brand strategy and creative consultancy, The McCarthy Company, whose clients included Boston Beer Company (Sam Adams), j.crew and Leo Burnett.

After subsequently co-founding McCarthy Mambro Bertino (MMB) in 2001, he joined Johnson & Johnson as vice president of global advertising in 2005 and held that position for three years before leaving to join Publicis.

Airbnb's Cool Retro Ads for the Brooklyn Half Marathon Ask You to (Gasp) Call This Number

Airbnb is going old school in its newest local campaign—promoting New York businesses with a phone tree.

To support its sponsorship of the upcoming Airbnb Brooklyn Half Marathon, the hospitality tech company is running billboards and wild postings created by agency Collins. They feature a minimal, doodle-style aesthetic, an anthropomorphic version of the company’s logo striking various running poses, and an invitation to learn more about all the borough has to offer—by dialing a 718 number, the classic area code for Brooklyn landlines.

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Bridget Collins Photography

Bridget Collins est une photographe américaine originaire de Minneapolis dans le Minnesota. Avec des clichés s’amusant à souligner des petits détails étranges et insolites, ses photographies permettent de se plonger dans un monde où les objets dialoguent avec l’environnement. Plus d’images ans la suite.

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