Jordan Spieth Can’t Stand the Rain in W+K Portland’s New Coke Spot

After signing the professional golfer to an endorsement deal in January, Coca-Cola wanted W+K Portland to make an ad with Jordan Spieth reaching for an ice cold bottle of Coke during a hot day on a Texas golf course. They ran into one big problem though: rain. Lots of it. When they tried to reschedule the shoot, the forecast once again called for lots and lots of rain. So W+K Portland and Coca-Cola rolled with the punches, changing the creative concept on the fly, with the spot’s new framework imitating the real life impediments to their original plan.

“Rain” depicts Spieth in his RV while waiting for the rain to stop to film a commercial. So how does a pro golfer like Spieth kill an hour? By reaching for a cold Coke and sinking a bunch of trick shots, naturally. Set to the Missy Elliott classic ” The Rain (Supa Dupa Fly),” the results are rather charming and fun, all the more so knowing the story behind the ad.

“It was a very high stress environment,” Peggy Loos, vice president of connections activation for Coca-Cola North America, told AdAge in an interview discussing the shoot. “We literally walked in on that shoot day not sure which concept we were shooting. Everyone was monitoring the weather hour-by-hour. Since it was very dark and gloomy we decided to go with the second concept that had just been created within the last 36 hours.”

Funnily enough, once W+K and Coca-Cola committed to the new concept and began filming, the rain stopped. “Wieden & Kennedy had to bring in rain towers to create the rain for that part of the shot,” Loos added. 

The spot made its first appearance on the brand’s social channels today and will make its broadcast debut Saturday during Fox’s coverage of the U.S. Open.

Motive Trolls Coke for Pepsi

Motive launched a new campaign for Pepsi entitled “But Only with Pepsi,” which mocks two Coca-Cola marketing devices: the brand’s polar bear mascot and “Share a Coke with…” name on a bottle packaging. Two new 15-second spots bring the take-downs while hyping Pepsi’s summer promotion offering consumers the chance to win concert tickets.

Both ads open with a voiceover announcing, “This summer you can win tickets every hour to concerts of your choice” as two friends each buy a soda from a vending machine, one a Pepsi and the other a Coke, before the voiceover adds, “…but only with Pepsi.” In the ad with the more better takedown, a girl turns to her friend and says, “At least your name’s on the bottle,” to which she replies, “Do I look like a Larry to you?” It’s a succinct yet effective criticism of the name on a bottle stunt, emphasizing its randomness. A second spot sees a guy reassure his friend, “You still got the polar bear.” The spots promote the Pepsi Pass loyalty program app, which will offer consumers the chance to win tickets to concerts and even the MLB All Star game, as well as dining points at participating restuarants by scanning the barcode on Pepsi products.

“We know that there are few things that grab our fans’ attention as much as seeing our beloved blue and that red next to each other,” Linda Lagos, brand marketing and digital director for Pepsi, told Ad Age. “It’s done well for us in the past, and it’s just something that we know works and that they love to see”

JWT Brasil Teams Up with Dolby to Celebrate Sound of Coke

While recent efforts for Coca-Cola have celebrated the centennial of the classic Coke bottle, JWT Brasil chose to highlight a different side of the experience of cracking open a Coke: the sound. The agency teamed up with Dolby to capture the sound of opening a bottle of Coke and pouring it over ice in Dolby 7.1 Surround Sound for a cinema campaign in Brazil.

The resulting 30-second spot presents a view from inside the bottle as it is popped open. As the carbonation bubbles and the soda streams upward, the shot changes to the soda being poured into a glass. All the while, the main focus is on the sound of the drink’s effervescent release. While it’s hard to get the full experience without being in a theater, JWT Brasil seems to have done a good job capturing the moment of opening a Coke in auditory form — not a bad way to get movie goers thirsty for the beverage.

“Only an iconic brand like Coca-Cola can turn the act of opening a bottle into an amazing sensory experience,” said JWT Brasil chief creative officer Ricardo John, in a statement. “With that in mind, our goal was to bring this sensation to the extreme. To achieve that, we could only rely on the sound quality of a brand like Dolby.”

Credits:

Agency: J.Walter Thompson
Client: Coca-Cola
CCO: Ricardo John
CIO: Mauro Cavalletti
Head of Art: Fabio Simões
Creative Director: Enoch Lan, Santiago Dulce
Art Director: Rodolfo Garcia, Pablo Lobo, Marcelo Monzillo
Copywriter: Fernando Duarte, Hiroito Gomes
Producer (ArtBuyer, RTV, Graphic, Digital): Márcia Lacaze e Daniele Pizzo
Account Manager: Felipe Giacon, Stefano Paduan
Project Manager: Thiago Segundo, Daniel Rybak
Media: Stella Lopes, Beatriz Luna, Ligia Mattos
Planning: Fernand Alphen, Gisele Bambace
Client Approval: Javier Meza, Adriana Knackfuss, Marcelo Pascoa, Paloma Azulay, Juliana Assad
Composition: Ruriá Duprat
Music Production: Ruriá Duprat e Eduardo Santos
Dolby’s Team: Carlos Watanabe e Alex Sobral
Film Producer: CLAN vfx
Sound Producer: Banda Sonora
Mix and Recording: Eduardo Santos, Marina Santana, Márcio Amaral
Account: Rosária Santana, Dudu Santos
Sound Producer: Estúdio JLS & UpMix
Producers: José Luiz Sasso, Ricardo Bertran e Toco Cerqueira
Account Production: Bia Ambrogi
Guidon’s team: Guto Guidon, Tabida Barrionuevo, Edielson Aureliano, Eduardo Rocha, Pedro Jafet, Giovanni Asselta, Nick Viana

Coca-Cola faz homenagem a Oscar Niemeyer

Ontem a Coca-Cola postou em seu Facebook um lindo poster em homenagem à Oscar Niemeyer.

A ilustração pegou carona na curva do edifício Copan, uma das mais conhecidas obras de Niemeyer, e fez uma junção com a curva da identidade da Coca-Cola. Lindo!

“Se a reta é o caminho mais curto entre dois pontos, a curva é o que faz o concreto buscar o infinito.” Oscar Niemeyer

A criação é da JWT Brasil e da Mutato, com idéia de Pablo Lobo Filipe Cuvero.

 

Brainstorm9Post originalmente publicado no Brainstorm #9
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Coca Cola – Beat 2012

Réalisé par Kim Gehrig et conçu par Somesuch & Co, voici le trailer de ce documentaire “Beat 2012″ produit pour Coca-Cola à l’occasion des Jeux Olympiques 2012 à Londres, et de sa bande son par Mark Ronson. Un travail de montage sur les bruits des athlètes à découvrir dans la suite.



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Coke Zero Debuts New Ad at Super Bowl XLIII

Troy PolamaluFrom Mean Joe Greene to Mean Troy is what fans can expect from this new Coke Zero ad set to appear at the Super Bowl. Starring Pittsburgh Steeler Troy Polamalu, the first 12 seconds of the new Coke Zero spot are certain to cause double-takes as they mimic the look of the original ad.

The scene opens with Polamalu limping down a tunnel to the locker room, followed closely by a young fan who offers an ice-cold Coke Zero to his battered hero. All similarities end there as the action takes a surprising turn to humorously reinforce that with Coke Zero, it’s possible to have “Real Coke Taste and Zero Calories.”

(Source) Press