Uber Sets Up a Curbside Breathalyzer, Drives You Home If You're Over the Limit

Drunk-driving messaging is a naturally fruitful creative area for any taxi or car-service company, and Uber has produced a very cool campaign around the topic with this curbside breathalyzer in Toronto.

A sidewalk kiosk—dreamed up by agency Rethink and built by design and fabrication studio Stacklab—functions as a typical breathalyzer. You blow through a disposable straw for six seconds, and it analyzes the alcohol content in your breath. If you’re over the legal limit, it offers you a ride home. (The people seen in the video got free rides, in fact.)

“We want to ensure a safe, reliable and affordable ride home is available to everybody, especially late at night when drunk driving is most common and can be avoided,” says Ian Black, General Manager of Uber Toronto.



Homeless People Read Mean Tweets in This Heartbreaking PSA

People reading mean tweets is turning into a PSA genre.

Last month, the Canadian Safe School Network took Jimmy Kimmel’s hit comedy bit, usually featuring celebrities, and repurposed it as a potent anti-cyberbullying ad. Now, Raising the Roof Canada has upped the ante even further with a stunning and heartbreaking spot about the homeless.

In a perfect world, it would be hard to imagine anyone seriously saying (or typing) the things repeated in the clip. But once again Twitter proves its brief format is the perfect platform for bad wannabe comics and self-absorbed asses (whereas Instagram is the favored choice of glib, blithe fashion editors).

The clip is all the more powerful given that, compared to an in-vogue issue like cyberbullying, homelessness is less visible (at least, online). This ad, created by Leo Burnett Toronto, simply put, succeeds in humanizing the homeless population, and gives at least a small handful of its members a bigger platform. For anyone interested, the campaign website has more videos delving deeper into each person’s reaction, as well as some of their backstories.

Luckily, Twitter, as a company, is doing its part to address the broader issue in San Francisco, too—by planning to teach the homeless to code as part of a tax break obligation.



The Labels on These Clothes Tell the Tragic Stories of the Workers Who Made Them

The label on a piece of clothing might reveal something about its provenance, but it hardly tells the whole story. The Canadian Fair Trade Network wanted to change that. To draw attention to people around the world who are working in unsafe conditions, these remarkable ads tell their stories on the labels of clothes they make. Powerful work by from agency Rethink.

The label above reads:

100% cotton. Made in Sierra Leone by Tejan. The first few times he coughed up blood he hid it from his family. They couldn’t afford medical treatment and he couldn’t risk losing his long-time job at the cotton plantation. When he fell into a seizure one day it could no longer be ignored. The diagnosis was pesticide poisoning. The lack of proper protective clothing has left him with leukemia at the age of 34. He has two daughters. One of them starts work at the factory next year. The label doesn’t tell the whole story.

See two more ads below.

100% cotton. Made in Bangladesh by Joya who left school at the age of twelve to help support her two brothers and newly widowed mother. Her father was killed when a fire ripped through the cotton factory where he works. She now works in the building across the street from the burned down factory. A constant reminder of the risk she takes everyday. The label doesn’t tell the whole story.
 

100% cotton. Made in Cambodia by Behnly, nine years old. He gets up at 5:00 am every morning to make his way to the garment factory where he works. It will be dark when he arrives and dark when he leaves. He dresses lightly because the temperature in the room he works reaches 30 degrees. The dust in the room fills his nose and mouth. He will make less than a dollar, for a day spent slowly suffocating. A mask would cost the company ten cents. The label doesn’t tell the whole story.

CREDITS
Client: Canadian Fair Trade Network
Agency: Rethink, Toronto/Vancouver/Montréal
Creative Directors: Ian Grais, Chris Staples
Art Director: Leia Rogers
Writer: Arrabelle Stravoff, Danielle Haythorne
Print Producers: Cary Emley, Sue Wilkinson
Photographer: Clinton Hussey
Studio Artist/Typographer: Jonathon Cesar
Account Manager Albane Rousellot



It's Funny When Celebs Read Mean Tweets. Here's What Happens When Kids Read Them

“Celebrities Read Mean Tweets” is one of Jimmy Kimmel’s most popular segments. It’s been spoofed here and there—even by ad agencies. But now, Canadian agency John St. takes the theme in a bit of a different direction with “Kids Read Mean Tweets.”

Check it out here:

“It’s easy to laugh at rich celebrities reading some of the terrible things people have said about them online. We condone it. We even revel in it,” the advertiser, Canadian Safe School Network, say in a press release. “But this same behavior is turning almost 40 percent of Canadian kids into victims of cyberbullying. It’s a growing epidemic that invades their lives and leaves many feeling like there’s no way out.”

The client has even started an Indiegogo campaign to raise money, all of which will go into buying online video so the spot can be seen by more people.

CREDITS
Client: Canadian Safe School Network
Agency: John St, Canada
Executive Creative Directors: Stephen Jurisic, Angus Tucker
Creative Director: Niall Kelly
Copywriters: Kohl Forsberg, Jacob Greer
Art Directors: Jenny Luong, Denver Eastman
Agency Producers: Madison Papple, Cas Binnington
Account Supervisor: Matty Bendavid
Digital Strategy: Adam Ferraro, Michael Nurse
Community Manager: Jacqueline Parker
Production Company: OPC
Director: Chris Woods
Director of Photography: James Gardner
Executive Producers: Harland Weiss, Donovan Boden, Liz Dussault
Line Producer: Dwight Phipps
Editorial: Saints Editorial
Editor: Mark Paiva
Editorial Executive Producer: Stephanie Hickman
Editorial Producer: Ardith Birchall
VFX, Online & Finishing: The Vanity
Colourist: Andrew Exworth
Flame Artist: Naveen Srivastava
VFX Executive Producer: Stephanie Pennington
Audio Post Facility: Eggplant Collective
Audio Director / Composer: Adam Damelin
Audio Head of Production: Nicola Treadgold



Halifax's Horrifying Date-Night Ad Will Make You Not Want to Date for a While

The downtown business commission in Halifax, Nova Scotia, created this video to get you to buy one of its date-night packages. But it might force you to give up dating altogether.

The concept is actually based on this viral video from 2009, featuring a montage of 1980’s VideoMate dating profiles that was truly full of nerfherders. Halifax’s collection of clueless Romeos and one singular Juliet is likewise sure to bring the Internet to the schadenfreude party as quickly as the original did.

The point is that the hardest part of dating in Halifax is finding someone to date. (And that is probably true, given that OkCupid has an outdated interface, eHarmony will reject you, Craigslist will probably get you killed, and you’re now going to have to pay twice as much for Tinder if you’re over 30.)

But if you’ve got the dating part covered, Halifax will handle the rest.

And after watching the video, couples probably will book date nights right now—if only to make sure they never have to get back in the dating pool again.



Agency Creatives Need to Shut Up About Entering Ad Contests, and Here's Why

Attention, creatives: You have actual paying clients, and shouldn’t be pissing your time away working on briefs for some cockamamie ad contest. But if you do, at least keep it quiet.

That’s the message of this amusing video by agency Zulu Alpha Kilo encouraging entries to Canada’s National Advertising Challenge—a contest that challenges creatives to dream up the most unconventional solutions for Canadian marketers. Sounds like fun? Sure, but you’d better not let certain colleagues know you plan to enter.

The winning teams get a trip to Cannes in June. The NAC got 200 entries last year, but hopes to double that this year. The briefs go live March 2, with a deadline of March 30.

“We have big aspirations for the NAC, but we were facing a serious comprehension issues within the creative community,” says Ellie Metrick, marketing and communications manager at NAC. “This year’s online video goes a long way in explaining that we offer creatives an opportunity to do original work in exchange for a chance to go to Cannes.”

CREDITS
Agency: Zulu Alpha Kilo
Client (Company): National Advertising Challenge
Creative Director: Zak Mroueh
Art Director: Ari Elkouby
Copywriter: George Ault
Agency Producer: Tara Handley
Production House: Someplace Nice
Director: Pete Henderson
Account Team: Alexandra Potter
Client: Ellie Metrick
Production House Producer: Robbie McNamara
Video Post Facility / Editing Company: Rooster
Editor: Chris Parkins
Online/Transfer: Fort York
Flame Artist: Lauren Rempel
Audio Post Facility/Music House: Zulu Alpha Kilo
Audio Director: Stephen Stepanic
Engineer: Stephen Stepanic



How Jesus and His Marketing Team Came Up With the Craziest Ad Stunt in History

Jesus Christ pulled off some pretty impressive brand stunts in his day: turning water into wine; healing the blind; feeding the multitude with the loaves and fishes. But when it came to one of the biggest stunts of his career, he turned to Montreal’s 1one Production—at least, according to this “never-before-seen original footage” of Christ and his marketing team from a couple thousand years ago.

As self-promo films go, it’s pretty well done. “With the evolution of media, and the viewer becoming more intelligent (and cynical) towards traditional advertising, we need to create stunts that can’t look like anything short of amazing,” says Jean-René Parenteau, executive producer and associate at 1one. “When it comes to doing that, you want an expert, not someone who’s just hoping they can pull it off. This has been our focus for the past five years. Stunts aren’t a new trend for us. It’s what we’ve always done and focused our expertise towards.”

CREDITS
Client: 1one Production
Agency: lg2
Copywriter: Philippe Comeau
Director: Pierre Dalpé
DOP: Barry Russell
Producer: Jean-René Parenteau
Production House: 1one Production
Music and Sound Design: 1one Production



A Globe-Spanning Gift Was Secretly in Store for This London Bar Packed With Canadians

Wherever you travel around the world, you’ll always find Canadians gathering together, sharing stories and racking up an impressive bar tab. But this batch was especially lucky.

Last week, Air Canada dropped by “Canada Night” at London’s Maple Leaf pub to surprise a bustling crowd of ex-parts with a holiday gift they certainly couldn’t have expected.

Organized by agency JWT Canada, the stunt took place Nov. 27 and sparked some fantastic, emotional responses from the unsuspecting Canadians who’d gathered together that night. And while these holiday videos often feel staged, everything from the crappy hand-held camerawork to the off-key anthem singing make it clear that this one’s legit.

CREDITS

Agency: JWT Canada
Chief Creative and Integration Officer: Brent Choi
Vice President, Creative Director: Gary Westgate
Vice President, Associate Creative Director: Don Saynor
Vice President, Integrated Broadcast: Andrew Schulze
Art Director: Alex Newman
Copywriter: Patrice Pollack
Producer: Caroline Clark
Brand Engagement Director: Victoria Radziunas
Account Team: Scott Miskie, Gavin Wiggins, Lindsay Hill
Client Team: Craig Landry, Selma Filali, Dani Bastien, Annie Couture, John Xydous
Production Company: The Solidarity Union / Soft Citizen
Executive Producer: Rob Burns
Director: Shaun Anderson
Producer: John Scarth
Director of Photography: Byron Kopman
Editing House: School Editing
Editor(s): Chris Van Dyke and Brian Wells
Editor Assistance: Mark Lutterman, Nicole Sison, Steve Puhach, Drew MacLeod and Lauren Piche
Editorial Producer: Sarah Brooks
Online: Online: Fort York VFX
Audio: TA2
Audio Director: Steve Gadsden

Media Agency: Mindshare



This Great Billboard for a Magic Festival Is Like Its Own Little Magic Show

Ever wonder what Harry Potter would do with an ad campaign? Have a look at this.

The Quebec City Magic Festival wanted to make sure people noticed its billboard, so ad agency lg2 sprinkled a little magic into the board itself in a playful feat of meta-vertising.

Take a look below at “Magic Mop,” a delightful little document of this whimsical stunt. And unlike regular magicians, they even reveal their secrets at the end.

CREDITS
Quebec City Magic Festival
Advertising Agency: Lg2, Quebec City
Creative Director / Copywriter: Luc Du Sault
Art Director: Vincent Bernard
Illustrators: David Boivin, Vincent Bernard, Marc Rivest
Accountant: Eve Boucher
Agency Producer: Julie Pichette
Director: David Poulin
Production House: Nova Film
Producer: Dominik Beaulieu
Engineer: Sébastien Bolduc



Mike Myers Does a Hilarious Sears Ad With His Brother, Who's Worked There for Decades

Sears Canada is struggling mightily, but it has a secret weapon in a celebrity connection.

Peter Myers has worked at Sears Canada for 32 years. And it turns out his brother is Mike Myers, who agreed to do this amusing ad playing up their connection. The spot—directed by Hungry Man’s Bryan Buckley—is nicely self-aware, too, as it comically refers to the retailer’s problems. And Mike and Peter’s banter is funny, natural and well written.

“Do you know anything about the retail business?” Peter asks Mike. “Not a lot,” Mike replies. “Just that Sears Canada has to demographically and psychographically alter the trajectory of its business model. But that would just be a wild guess.”

Stick around for Mike’s jingle singing at the end.

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CREDITS
Client: Sears
Production Company: Hungry Man
Director: Bryan Buckley
EP: Mino Jarjoura
Producer: Matt Lefebrve
Line Producer: Tony DiMarco
DP: Adam Beckman
Production Designer: Paul Austerberry
Editor: Jay Nelson @ cut and run LA



Leo Burnett Motivates Employees by Making Them Do Shots and Slapping Them in the Face

Here’s the last parody video we’re going to post from Strategy magazine’s Agency of the Year event in Toronto. It’s Leo Burnett entry, and it seems the agency has found a unique way to make its employees more creative—by having them do shots and then literally slapping the tired old ideas out of their heads.

Burnett calls it “Slapshot,” and it seems to be working, judging by the impressive numbers in the fake case study below. And certainly, beta testing in Cannes was an inspired idea.

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The slapshot idea isn’t new—most other places it’s called a “whiskey slap,” and it appears to be a party game among bros in certain parts of the country. (It also shows up in the movie Beside Still Waters, judging by the trailer.)

It’s jarring, for sure, to see the Burnett staffers, male and female, clearly getting slapped in the face for real. Though as the voiceover says at the end: “No one was harmed or offended during the making of this video. Participants were willing and even excited about their involvement. Leo Burnett company in no way endorses violence of any kind against advertising people or any people.”



Live Stream: Agency Gives Virtual Tour via a GoPro Strapped to a Dog's Back

It really is the best way to see an agency: the dog’s-eye view.

Toronto animation, design and VFX studio Crush did it last year, attaching a GoPro camera to their dog Sadie and live-streaming her travels around the building. Crush has since merged with Notch, AXYZ and Lollipop to create a new agency called Smith—and what better way to introduce the new place than bringing Sadie back for an encore?

Follow the live stream below until 2 p.m. to see every nook and cranny of Smith’s offices, particularly the ones where delicious unclaimed food may lie.



DDB Employees Read Mean Tweets About Their Ads

DDB Canada takes a page from Jimmy Kimmel’s playbook in this amusing video, in which employees read mean tweets about their work.

The staffers seem both entertained and mildly horrified as they rattle off insult after insult aimed at eight of the agency’s recent campaigns.

It’s actually a fun way to showcase the work in an ego-puncturing way, and it surely went over well at Strategy’s Agency of the Year event, where self-lacerating videos are all the rage.

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This Agency Pulled Off the Vending Machine Stunt to End All Vending Machine Stunts

Tricked-out vending machines have become the vehicle of choice for brand to push all sorts of zany promotions or social media stunts. We’re almost to the point where if you see one outside of its natural habitat, you assume it’s going to do something out of the ordinary if you just … wait for it.

Well, Canadian agency Taxi noticed that trend, too, and takes an amusing cynical stance on it in this video—yet another hilarious industry spoof from Strategy’s Agency of the Year event. Take a look below as unsuspecting passersby encounter this mysterious machine—which, well, actually does kind of surprise folks.



Why Every Marketing Person in Canada Is Cursing the Name of This One Agency (NSFW)

Today in amusing Canadian agency videos, we have this one from Cossette—in which marketing people all over the country ask the same bewildered question: “What the fuck is going on at Cossette?”

It’s a good question, as it turns out. And kudos to people from rival agencies who make cameos here, including Carlos Moreno and Peter Ignazi of BBDO and—at the very end—Geoffrey Roche, who founded Lowe Roche. Other folks making appearances include the Trailer Park Boys, Chris Van Dyke of School Editing and Ted Rosnick of RMW Music.

Also, Cossette’s Dave Daga gets points for allowing himself to be hit in the balls.

The video, which was made for Strategy magazine’s Agency of the Year event, is NSFW, mostly due to language, though there a couple of unsightly visuals too.



Remarkable Ads Protest the Absurdity of the Open-Carry Gun Policy at Kroger

Agencies have taken many approaches to creating memorable gun-control ads. Grey Toronto’s latest work for Moms Demand Action, opposing an open-carry gun policy in Kroger supermarkets, is thought-provoking—and notably restrained by category standards.

A pair of minute-long radio spots use actual recorded phone calls in which Kroger employees try to explain why people can openly carry firearms in the store, but pets and kids’ scooters are banned. This approach could easily have veered into mean-spiritedness, but the conversations never make the employees sound foolish. These folks are, after all, not the policy makers.

Print ads effectively illustrate the same theme. They use the headline, “One of them isn’t welcome at Kroger. Guess which one.” A schoolgirl with an ice-cream cone, a teen carrying a skateboard and a big shirtless dude are shown beside men and women toting scary-looking firearms. (The print ads are variations on earlier Moms Demand Action efforts.)

“We wanted to pick a campaign that would give us the opportunity, frankly, to do more brand damage by running ads,” says Shannon Watts, founder of Moms Demand Action. “They may at first sit back and allow the brand damage to occur, and then realize, ‘Oh, wait, we’re alienating most of our customer base, which is women and mothers.’ “

A spokesman for the chain, which operates more than 2,400 stores in 31 states, told the Huffington Post: “Kroger’s policy has been and continues to be to follow state and local laws and to ask customers to be respectful of others while shopping in our stores.” Kroger has also blasted the Michael Bloomberg-backed Everytown for Gun Safety, which is funding the campaign, as “a national political organization that is attempting to use retailers to further their agenda.”

The ads were timed to coincide with Kroger’s investors meeting last week in Cincinnati. (Moms Demand Action claims Kroger pressured local radio stations to pull the spots. Neither Kroger nor iHeartCommunications, formerly Clear Channel, immediately responded to AdFreak’s requests for comment.) The radio spots continue to run in other markets through November.

For me, this campaign strikes the perfect tone, chastising Kroger without going over the top or employing gory scare tactics. The work is designed to make the audience think, to question the status quo—and I believe it succeeds. Even the employee in the “Scooter” radio spot sounds thoughtful in the end. As she struggles for words, you can almost hear her mind working, perhaps mulling the irony—some would say absurdity—of the store’s position.

CREDITS (radio and print)
Campaign Title: Choose One
Agency: Grey Toronto
Chief Creative Officer: Patrick Scissons
Writers: Patrick Scissons, Graeme Campbell
Art Director: Logan Gabel
Agency Producers: Vikki Kuzmich (print), Erica Metcalfe (radio)
Account Team: Laura Rovinescu, Darlene Remlinger
Production Companies: The Field (print) The Eggplant (radio)
Producer: Cherie Sinclair (print) Adam Damelin, Roc Gagliese (radio)
Photography: Eden Robbins, Hardave Grewal (retoucher)
Sound Engineer: Nathan Handy



This Agency Rewards Its Employees in the Most Amusingly Sadistic Way Possible

Canadian agencies sure are good at doing videos excoriating the ad business. Just in the past week we’ve seen:

• John St.’s hilarious takedown of real-time marketing with Reactvertising
• Zulu Alpha Kilo’s obscene ’60s adman visiting a modern agency
• Rethink’s piss-taking idea to honor case studies with awards

Now, here is Toronto creative agency Union to add an amusing entry to the list—featuring its twisted take on employee appreciation day. You see, Union was shortlisted for Strategy magazine’s Agency of the Year awards, but that success didn’t come easily.

We’ll let agency principals Lance Martin and Subtej Nijjar explain:

As Union explains on its website:

This business of advertising isn’t easy. There are people who put their blood, sweat and tears into the campaigns they produce. That’s why, when an agency like Union gets shortlisted for strategy’s Agency of the Year awards, the painstaking time and effort that goes into the creative product is worth celebrating. And the shop knew just what gift to give its staffers for a job well done.

Check out more amusing videos made for the Strategy event here.



Finally, Advertising Case Study Videos Get Their Own Award Show

Case study videos. I could watch them all day long. They’re my favorite form of media entertainment—apart from sitcoms starring Concord grapes, that is. These days, advertising case studies are so creative and well produced, they’re often more enjoyable than the crappy campaigns they show off. And dammit, they deserve an award show of their own.

Which brings us to this spoof video from Rethink Communications introducing the Caseys, honoring excellence in advertising award-show submissions. “Cannes, One Show, the Clios. These shows celebrate the very best in creativity,” the voiceover begins. “But none of them celebrate what we do best as advertising professionals—the case-study video.”

Rethink’s self-deprecating satire is right on target. Outlandish (but colorful!) infographics flash across the screen, along with footage of earnest, eager agency staffers dying to put some gold on their cold, empty mantlepieces back at home. “The countless hours of nit-picking and favors you’ve asked for will all be worth it,” the narrator says, “because now, you can win an award for that thing that won you an award.”

Some categories include Best Use of Making-Of Footage, Most Innovative Use of a Single Tweet, Most Impressive-Looking Numbers and Best Use of British—because a high-class English accent makes claims like 400 trillion campaign impressions seem plausible.

Hmm … are we sure this is parody?



The Best Video Ever About the Sheeplike Insanity of Real-Time Marketing

Ever feel like real-time marketing is all about being first, and not about being good?

You’re not alone.

John St., the Toronto agency that regularly produces scathing parody videos about the ad business, just released the hilarious video below about the breakneck pace of marketing today—and how every brand feels the need to react to real-time events within minutes.

As it did with Catvertising™, John St. is now pretending to be running a whole new dedicated unit called Reactvertising™, where it goes to absurd lengths to make sure its clients are clued into current events 24/7 and can react within seconds—indeed, knee-jerk-like—to breaking news.

“Does your agency take hours to respond to the latest trending hashtag or celebrity death?” John St. asks. “Is your brand missing out on being part of the conversation because you’re reacting too slow?”

Watch below and see how to get quicker, quality be damned.

 
A few more videos from the campaign:



1960s Adman Makes a Hilarious and Obscene Visit to a Modern Agency (NSFW)

We’ve already seen how Joan Harris (aka, Christina Hendricks) might adjust to life at a modern ad agency. Well, this guy is way more of a train wreck.

Canadian ad agency Zulu Alpha Kilo put together this crazy video for Wednesday’s Agency of the Year event in Toronto. It’s hilarious, if you don’t mind a little nudity, profanity and off-color humor.

It took some balls to make this. Well, one nasty, hairy, protruding ball.

Credits below.

Video is NSFW for various reasons, but watch it anyway.

CREDITS
Agency: Zulu Alpha Kilo
Creative Director: Zak Mroueh
Writer: Sean Atkinson
Art Director: Shawn James
Agency Producer: Tara Handley
Editor: Michael Headford
Accounts: Devina Hardatt
Director: Bruce McDonald
Production Company: Revolver Films
Producer: Luc Frappier/Rob Allan
Director of Photography: Johnny Cliff
Casting: Jigsaw Casting/Shasta Lutz
Transfer/Online: Alter Ego
Audio/Music: Pirate Toronto
Audio Director: Chris Tait