Pitch Promotes Wells to CCO, Brings in Fellow Chiat LA Alum Clegg as GCD

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Fresh off of nabbing general market ad duties from Mother NY for Burger King earlier this month, Culver City, CA-based agency Pitch has made some moves within its creative department. Most notably, the agency has promoted Xanthe Wells, most recently executive creative director, to the role of chief creative officer. Wells (pictured above) joined Pitch as ECD in early 2013 after spending over seven years at TBWA\Chiat\Day L.A., where she worked with clients ranging from Kraft to Pepsi. The new CCO replaces Eric Springer, who left Pitch for the top creative gig at Draftfcb last year.

Along with the Wells promotion, Pitch has also welcomed aboard fellow Chiat LA alum Gage Clegg, who, along with his significant other, Becca Morton, parted ways with the latter agency last spring (but subsequently stayed on as GCD). Clegg joins up with Pitch as group creative director.

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RPA’s Optimistic New Campaign for Honda Claims ‘Today is Pretty Great’

More from Honda today, this time with news of RPA’s new “One More Thing to Love About Today” campaign — featuring “print, digital and TV spots, speaking to the optimism of today’s youth.”

Like Orci’s “Gol!Gol!” spot for Honda’s Hispanic campaign, “Today is Pretty Great,” the campaign’s full-length online debut, centers around an original song — in this case by blues rock band Vintage Trouble. The band begins by focusing on the negative, claiming “Yeah it’s worse than ever, but that’s just where we’re at,” before being interrupted by a young woman who answers, “Except, it’s not.” Her thoughts are soon echoed by a chorus of optimistic young people. The remainder of the spot focuses on all the things to love about today: mostly cultural references designed to appeal to Millenials, like Adventure Time and Nyan Cat (which, strictly speaking, is more 2011 than today). Around halfway through the spot, Vintage Trouble change their tune, seemingly convinced by the unbridled optimism of the chorus of young whippersnappers. The 2014 Civic Coupe and Si Coupe are featured throughout the ad, which ends with the hashtag #LoveToday, designed to draw Millenials into the conversation.

A 30 second TV spot debuts today on network and cable television and will run through February. Appropriately, the campaign is complemented by mobile and social media endeavors, such as “sole sponsorship of a first-to-market digital scrapbook on…Spotify,” offering full-song previews on SoundHound, “sole ownership of MTV’s Artist to Watch 2014 program, featuring a live digital stream of the Artist to Watch concert,” homepage takeovers on MSN and Yahoo, and mobile placements in popular games like Scramble With Friends and MoviePop. Stay tuned for the 30 second TV spot and credits after the jump. continued…

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Creative Duo Morton/Clegg, Chiat LA Part Ways

Don’t worry, worried tipsters. Though they left TBWA\Chiat\Day LA rather quietly, we’re getting word from sources in the know that there was nothing sinister going on regarding the departures of group creative directors/significant others Becca Morton and Gage Clegg. But yes, we have received confirmation that Morton and Clegg, art director and copywriter by trade, respectively, have left Chiat LA after spending nine years with the agency (as well as with its innovation studio, Let There Be Dragons), where they worked on past and present accounts including Visa (remember the 2008 spot above?), The Grammys, Johnson & Johnson, Pedigree and Southwest.

Now that sources tell us their last freelance work with said agency is in the can, which may explain why their departure was a bit subtle, the pair has struck out on their own as you can see in their most recent LinkedIn update. Here’s an excerpt: “We love coming up with ideas, solving problems, finding solutions and making things that are smart and simple and beautiful. We don’t so much love meetings and politics and not ever being able to go on vacations and such, so have decided to enter the wild and wolly world of freelance.”

Morton and Clegg started out as senior art director and copywriter, respectively, before eventually getting bumped up to GCDs at TBWA C\D LA two years ago.

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